Latin Blackness in Parisian visual culture, 1852-1932:
Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts, Bloomsbury Publishing Inc.
2022
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| Schlagworte: | |
| Zusammenfassung: | Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create "Latin America," an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population. 0Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans. After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933 |
| Beschreibung: | xvi, 213 Seiten, 8 ungezählte Seiten Tafeln Illustrationen |
| ISBN: | 9781501332357 9781501391019 |
Internformat
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| 520 | 3 | |a Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create "Latin America," an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population. 0Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans. After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933 | |
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| 653 | 0 | |a Art and society / France / Paris / History / 20th century | |
| 653 | 0 | |a Art and society | |
| 653 | 0 | |a Blacks in art | |
| 653 | 0 | |a Imperialism in art | |
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Datensatz im Suchindex
| _version_ | 1804179487784435712 |
|---|---|
| any_adam_object | |
| author | Williams, Lyneise E. |
| author_GND | (DE-588)1180758951 |
| author_facet | Williams, Lyneise E. |
| author_role | aut |
| author_sort | Williams, Lyneise E. |
| author_variant | l e w le lew |
| building | Verbundindex |
| bvnumber | BV045530076 |
| classification_rvk | LH 84960 |
| ctrlnum | (OCoLC)1101912440 (DE-599)BVBBV045530076 |
| discipline | Kunstgeschichte |
| era | Geschichte 1852-1932 gnd |
| era_facet | Geschichte 1852-1932 |
| format | Book |
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| geographic | Paris (DE-588)4044660-8 gnd |
| geographic_facet | Paris |
| id | DE-604.BV045530076 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:20:39Z |
| institution | BVB |
| isbn | 9781501332357 9781501391019 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030914209 |
| oclc_num | 1101912440 |
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| owner | DE-12 DE-255 DE-11 |
| owner_facet | DE-12 DE-255 DE-11 |
| physical | xvi, 213 Seiten, 8 ungezählte Seiten Tafeln Illustrationen |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Bloomsbury Visual Arts, Bloomsbury Publishing Inc. |
| record_format | marc |
| spelling | Williams, Lyneise E. Verfasser (DE-588)1180758951 aut Latin Blackness in Parisian visual culture, 1852-1932 Lyneise E. Williams New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Visual Arts, Bloomsbury Publishing Inc. 2022 xvi, 213 Seiten, 8 ungezählte Seiten Tafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create "Latin America," an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population. 0Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans. After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933 Geschichte 1852-1932 gnd rswk-swf Lateinamerikaner Motiv (DE-588)4401712-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf Medien (DE-588)4169187-8 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Blacks in art Latin Americans in art Imperialism in art Art and society / France / Paris / History / 19th century Art and society / France / Paris / History / 20th century Art and society France / Paris 1800-1999 History Paris (DE-588)4044660-8 g Kunst (DE-588)4114333-4 s Medien (DE-588)4169187-8 s Schwarze Motiv (DE-588)4116434-9 s Lateinamerikaner Motiv (DE-588)4401712-1 s Geschichte 1852-1932 z DE-604 Erscheint auch als Online-Ausgabe, ePDF 978-1-5013-3237-1 Erscheint auch als Online-Ausgabe, eBook 978-1-5013-3236-4 |
| spellingShingle | Williams, Lyneise E. Latin Blackness in Parisian visual culture, 1852-1932 Lateinamerikaner Motiv (DE-588)4401712-1 gnd Kunst (DE-588)4114333-4 gnd Schwarze Motiv (DE-588)4116434-9 gnd Medien (DE-588)4169187-8 gnd |
| subject_GND | (DE-588)4401712-1 (DE-588)4114333-4 (DE-588)4116434-9 (DE-588)4169187-8 (DE-588)4044660-8 |
| title | Latin Blackness in Parisian visual culture, 1852-1932 |
| title_auth | Latin Blackness in Parisian visual culture, 1852-1932 |
| title_exact_search | Latin Blackness in Parisian visual culture, 1852-1932 |
| title_full | Latin Blackness in Parisian visual culture, 1852-1932 Lyneise E. Williams |
| title_fullStr | Latin Blackness in Parisian visual culture, 1852-1932 Lyneise E. Williams |
| title_full_unstemmed | Latin Blackness in Parisian visual culture, 1852-1932 Lyneise E. Williams |
| title_short | Latin Blackness in Parisian visual culture, 1852-1932 |
| title_sort | latin blackness in parisian visual culture 1852 1932 |
| topic | Lateinamerikaner Motiv (DE-588)4401712-1 gnd Kunst (DE-588)4114333-4 gnd Schwarze Motiv (DE-588)4116434-9 gnd Medien (DE-588)4169187-8 gnd |
| topic_facet | Lateinamerikaner Motiv Kunst Schwarze Motiv Medien Paris |
| work_keys_str_mv | AT williamslyneisee latinblacknessinparisianvisualculture18521932 |