The poetics of fragmentation in contemporary British and American fiction:
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Wilmington, Delaware, United States
Vernon Press
[2019]
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| Schriftenreihe: | Series in literary studies
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | "This volume is the outcome of an international conference entitled 'Fragmentary Writing in Contemporary British and American Fiction' which was held in Wrocław, Poland, on 22-23 September 2017" - Acknowledgements |
| Beschreibung: | xxx, 222 Seiten Illustrationen |
| ISBN: | 9781622736164 9781622737291 |
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Datensatz im Suchindex
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| adam_text | Table of Contents Acknowledgements vii List of figures ix Introduction: the art of the fragment xi Vanessa Guignery, École Normale Supérieure in Lyon Wojciech Drąg, University of Wrocław Part One Forms of fragmentation: past and present 1 Chapter 1 3 What is fragmentary Action? Merritt Moseley, University ofNorth Carolina at Asheville Chapter 2 Chapter 3 Fragmentary writing and polyphonic narratives in twenty-first-century fiction Mariano D’Ambrosio, University Paris 3 - Sorbonne Nouvelle The short story: fragment and augment David Malcolm, SWPS University of 19 33 Social Sciences and Humanities in Warsaw Part Two The fragment and the whole Chapter 4 Chapter 5 45 The architectural fragment: ruins and totality in J. G. Ballard’s fiction Marcin Tereszewski, University of Wrocław 47 Fragmentary transtextuality: David Mitchell and his novel Gerd Bayer, University ofErlangen-Nuremberg 57
Chapter 6 Chapter 7 Chapter 8 Fragmentary writing and globalization in Ali Smith’s Hotel World Alicia J. Rouverol, University ofManchester 67 Lives, etc.: fragments of lives in short stories by Julian Barnes Teresa Brus, University of Wrocław 81 “Make it new” to return as rupture and difference: a study of Jeanette Winterson’s The Gap ofTime Maria Antonietta Struzziero Part Three Fragmentation in the age of crisis Chapter 9 Collage manifestos: fragmentation and appropriation in David Markson’s This is Not a Novel and David Shields’s Reality Hunger Wojciech Drąg, University of Wrocław Chapter 10 Fragmentation in David Foster Wallace’s fiction Jarosław Hetman, Nicolaus Copernicus University, Toruń Chapter 11 Trauma and the mechanics of fragmentation in Extremely Loud and Incredibly Close by Jonathan Safran Foer Caroline Magnin, Sorbonne Université Part Four Multimodal and multimedial fragments Chapter 12 Singularity, multimodality, transmediality: fragmentary future(s) of the novel? Grzegorz Maziarczyk, John Paul II Catholic University ofLublin Chapter 13 From Wunderkammer fragmentation to alternative history in Hexen 2.0 by Suzanne Treister Zofia Kolbuszewska, University of Wroclaw 91 105 107 123 135 147 149 161
Chapter 14 Unbox the story: a look at contemporary shuffle narratives Còme Martin Chapter 15 Fragmentation as building practice: the literary and musical collaboration between Thomas Ligotti and Current 93 for In a Foreign Town, in a Foreign Land Deborah Bridle, University of Côte d’Azur Chapter 16 Fragments of a postscript Alison Gibbons, Sheffield Hallam University 173 185 197 Contributors 209 Index 213
The last decades have seen a revival of fragmentation in British and American works of fiction that deny linearity, coher ence and continuity in favour of disruption, gaps and fissures. Authors such as AN Smith, David Mitchell and David Shields have sought new ways of representing our global, media-saturated contemporary experience which differ from modernist and postmodernist experimentations from which the writers nevertheless draw inspiration. This volume aims to investigate some of the most important contributions to fragmentary literature from British and American writers since the 1990s, with a particular emphasis on texts released in the twenty-first century. The chapters within examine whether contemporary forms of literary fragmentation constitute a return to the modernist episteme or the fragmented literature of exhaustion of the 1960s, mark a continuity with postmodernist aesthetics or signal a deviation from past models and an attempt to reflect today s ac celerated culture of social media and over-communication. Contributors theorise and classify literary fragments, examine the relationship between fragmentation and the Zeitgeist (in fluenced by globalisation, media saturation and social networks), analyse the mechanics of multimodal and multimedial fictions, and consider the capacity of literary fragmentation to represent personal or collective trauma and to address ethical concerns. They also investigate the ways in which the architecture of the printed book is destabilised and how aesthetic pro cesses involving fragmentation, bricolage and/or collage
raise ontological, ethical and epistemological questions about the globalised contemporary world we live in and its relation to the self and the other. Besides the aforementioned authors, the volume makes reference to the works of J. G. Ballard, Julian Barnes, Mark Z. Danielewski, David Markson, Jonathan Safran Foer, David Foster Wallace, Jeanette Winterson and several others.
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| title | The poetics of fragmentation in contemporary British and American fiction |
| title_auth | The poetics of fragmentation in contemporary British and American fiction |
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| title_full | The poetics of fragmentation in contemporary British and American fiction edited by Vanessa Guignery and Wojciech Drąg |
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