Brahms in context:
Brahms in Context offers a fresh perspective on the much-admired nineteenth-century German composer. Including thirty-nine chapters on historical, social and cultural contexts, the book brings together internationally renowned experts in music, law, science, art history and other areas, including ma...
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| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge, United Kingdom ; New York, NY, USA
Cambridge University Press
2019
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext Inhaltsverzeichnis |
| Summary: | Brahms in Context offers a fresh perspective on the much-admired nineteenth-century German composer. Including thirty-nine chapters on historical, social and cultural contexts, the book brings together internationally renowned experts in music, law, science, art history and other areas, including many figures whose work is appearing in English for the first time. The essays are accessibly written, with short reading lists aimed at music students and educators. The book opens with personal topics including Brahms's Hamburg childhood, his move to Vienna, and his rich social life. It considers professional matters from finance to publishing and copyright; the musicians who shaped and transmitted his works; and the larger musical styles which influenced him. Casting the net wider, other essays embrace politics, religion, literature, philosophy, art, and science. The book closes with chapters on reception, including recordings, historical performance, his compositional legacy, and a reflection on the power of composer myths. - Natasha Loges is Head of Postgraduate Programmes at the Royal College of Music, London. She has published articles on Brahms, concert history and art song in various volumes and journals including 19th-Century Music and Music & Letters. She is author of Brahms and His Poets: A Handbook (2017) and a co-editor of Brahms in the Home and the Concert Hall (Cambridge, 2014). Katy Hamilton is a freelance researcher, writer and presenter. She has published on the history of the Edinburgh Festival, émigré musicians in Britain, and variety shows at the Wigmore Hall. She is a co-editor of Brahms in the Home and the Concert Hall (Cambridge, 2014) and has contributed to several other projects concerning nineteenth-century Lieder. |
| Physical Description: | xxvii, 407 Seiten Illustrationen, Notenbeispiele, Portraits |
| ISBN: | 9781107163416 9781316615195 |
Staff View
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| 520 | |a Brahms in Context offers a fresh perspective on the much-admired nineteenth-century German composer. Including thirty-nine chapters on historical, social and cultural contexts, the book brings together internationally renowned experts in music, law, science, art history and other areas, including many figures whose work is appearing in English for the first time. The essays are accessibly written, with short reading lists aimed at music students and educators. The book opens with personal topics including Brahms's Hamburg childhood, his move to Vienna, and his rich social life. It considers professional matters from finance to publishing and copyright; the musicians who shaped and transmitted his works; and the larger musical styles which influenced him. Casting the net wider, other essays embrace politics, religion, literature, philosophy, art, and science. The book closes with chapters on reception, including recordings, historical performance, his compositional legacy, and a reflection on the power of composer myths. - Natasha Loges is Head of Postgraduate Programmes at the Royal College of Music, London. She has published articles on Brahms, concert history and art song in various volumes and journals including 19th-Century Music and Music & Letters. She is author of Brahms and His Poets: A Handbook (2017) and a co-editor of Brahms in the Home and the Concert Hall (Cambridge, 2014). Katy Hamilton is a freelance researcher, writer and presenter. She has published on the history of the Edinburgh Festival, émigré musicians in Britain, and variety shows at the Wigmore Hall. She is a co-editor of Brahms in the Home and the Concert Hall (Cambridge, 2014) and has contributed to several other projects concerning nineteenth-century Lieder. | ||
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Record in the Search Index
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|---|---|
| adam_text | BRAHMS
IN CONTEXT OFFERS A FRESH PERSPECTIVE ON THE MUCH-
ADMIRED NINETEENTH-CENTURY
GERMAN
XOMPOSER. INCLUDING
THIRTY-NINE
CHAPTERS ON
HISTORICAL,
SOCIAL
AND CULTURAL CONTEXTS,
THE BOOK BRINGS
TOGETHER
INTERNATIONALLY RENOWNED EXPERTS
IN
MUSIC,
LAW,
SCIENCE, ART HISTORY AND
OTHER
AREAS, INCLUDING
MANY FIGURES WHOSE WORK IS APPEARING IN
ENGLISH
FOR THE
FIRST
TIME.
THE ESSAYS ARE
ACCESSIBLY WRITTEN,
WITH
SHORT READING
LISTS
AIMED
AT MUSIC
STUDENTS
AND EDUCATORS. THE BOOK
OPENS
WITH
PERSONAL TOPICS INCLUDING BRAHMS S HAMBURG CHILDHOOD, HIS
MOVE TO
VIENNA
AND HIS
RICH
SOCIAL
LIFE.
IT CONSIDERS PROFESSIONAL
MATTERS FROM FINANCE TO PUBLISHING AND COPYRIGHT; THE MUSICIANS
WHO
SHAPED AND TRANSMITTED HIS
WORKS;
AND THE LARGER MUSICAL
STYLES
WHICH
INFLUENCED HIM. CASTING THE NET WIDER,
OTHER
ESSAYS EMBRACE
POLITICS,
RELIGION, LITERATURE, PHILOSOPHY, ART AND
SCIENCE.
THE BOOK CLOSES
WITH
CHAPTERS ON RECEPTION, INCLUDING
RECORDINGS, HISTORICAL PERFORMANCE, HIS COMPOSITIONAL LEGACY, AND
A
REFLECTION ON THE POWER OF COMPOSER MYTHS.
CONTENTS
LIST
OF
ILLUSTRATIONS
PAGE XI
LIST
OF MUSIC
EXAMPLES
XIII
NOTES ON CONTRIBUTORS XIV
PREFACE
XXIII
LIST
OF
ABBREVIATIONS XXVI
PART
I PERSONALITY,
PEOPLE
AND PLACES I
1
CHILDHOOD IN HAMBURG 3
RENATE AND KURT HOFMANN
2 THE SCHUMANNS 14
THOMAS SYNOJZIK
3
VIENNA 23
CAMILLE CRITTENDEN
4 LEIPZIG AND BERLIN 33
KAREN
LEISTRA-JONES
5
PERSONAL HABITS 44
WILLIAM
HOME
6
CORRESPONDENCE
52
WOLFGANG SANDBERGER
7 HOLIDAYS 60
INGA
MAI GROOTE
PART
II
IDENTITIES,
ENVIRONMENTS AND
INFLUENCES
69
8
FINANCES 71
JAKOB
HAUSCHILDT
VII
VIII
CONTENTS
9 AS PIANIST 80
KATRIN
EICH
10 AS
CONDUCTOR
88
WALTER
FRISCH
11 AS ARRANGER 98
VALERIE WOODRING GOERTZEN
12 AS EDITOR 114
PETER SCHMITZ
13 AS TEACHER 123
JOHANNES BEHR
14 PRIVATE MUSIC-MAKING 130
KATY HAMILTON
15 CONCERT LIFE 138
LAURENZ
LUETTEKEN
16 GENRE 149
MATTHEW GELBART
17 FOLK MUSIC 164
GEORGE S. BOZARTH
18
EARLY
MUSIC 175
VIRGINIA
HANCOCK
PART
III PERFORMANCE AND
PUBLISHING
185
19 SINGERS 187
NATASHA LOGES
20
CONDUCTORS
196
LEON
BOTSTEIN
21 PIANISTS 206
MICHAEL MUSGRAVE
22 OTHER INSTRUMENTALISTS 215
HEATHER PLATT
23 INSTRUMENTS
ANNEKE SCOTT
227
CONTENTS IX
24 PUBLISHERS 236
PETER SCHMITZ
25
COPYRIGHT
246
FRIEDEMANN KAWOHL
PART
IV
SOCIETY
AND
CULTURE
257
26 POLITICS AND RELIGION 259
DAVID BRODBECK
27 LITERATURE 269
NATASHA LOGES
28
PHILOSOPHY
277
NICOLE GRIMES
29 VISUAL ARTS 286
WILLIAM VAUGHAN AND NATASHA LOGES
30
SCIENCE
AND
TECHNOLOGY
296
MYLES
W. JACKSON AND KATY HAMILTON
PART
V
RECEPTION
AND
LEGACY
305
31 GERMANY 307
JOHANNES BEHR
32 ENGLAND 316
KATY HAMILTON
33 ANALYSIS 324
HEATHER PIATT
34 THE ERA OF NATIONAL SOCIALISM 336
ULRIKE
PETERSEN
35 EDITING BRAHMS 347
MICHAEL STRUCK
36
RECORDINGS
357
IVAN
HEWETT
37 HISTORICAL
PERFORMANCE
367
MICHAEL MUSGRAVE
X
CONTENTS
38 INSPIRATION
MARKUS
BOGGEMANN
39 MYTHMAKING
NATASHA LOGES AND KATY HAMILTON
FURTHER
READING
INDEX
|
| any_adam_object | 1 |
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| author2_role | edt edt |
| author2_variant | n l nl k h kh |
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| author_facet | Loges, Natasha ca. 20./21. Jh Hamilton, Katy 1982- |
| building | Verbundindex |
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| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
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| spelling | Brahms in context edited by Natasha Loges, Katy Hamilton Cambridge, United Kingdom ; New York, NY, USA Cambridge University Press 2019 xxvii, 407 Seiten Illustrationen, Notenbeispiele, Portraits txt rdacontent n rdamedia nc rdacarrier Brahms in Context offers a fresh perspective on the much-admired nineteenth-century German composer. Including thirty-nine chapters on historical, social and cultural contexts, the book brings together internationally renowned experts in music, law, science, art history and other areas, including many figures whose work is appearing in English for the first time. The essays are accessibly written, with short reading lists aimed at music students and educators. The book opens with personal topics including Brahms's Hamburg childhood, his move to Vienna, and his rich social life. It considers professional matters from finance to publishing and copyright; the musicians who shaped and transmitted his works; and the larger musical styles which influenced him. Casting the net wider, other essays embrace politics, religion, literature, philosophy, art, and science. The book closes with chapters on reception, including recordings, historical performance, his compositional legacy, and a reflection on the power of composer myths. - Natasha Loges is Head of Postgraduate Programmes at the Royal College of Music, London. She has published articles on Brahms, concert history and art song in various volumes and journals including 19th-Century Music and Music & Letters. She is author of Brahms and His Poets: A Handbook (2017) and a co-editor of Brahms in the Home and the Concert Hall (Cambridge, 2014). Katy Hamilton is a freelance researcher, writer and presenter. She has published on the history of the Edinburgh Festival, émigré musicians in Britain, and variety shows at the Wigmore Hall. She is a co-editor of Brahms in the Home and the Concert Hall (Cambridge, 2014) and has contributed to several other projects concerning nineteenth-century Lieder. Brahms, Johannes 1833-1897 Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd rswk-swf Music 19th century History and criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content Brahms, Johannes 1833-1897 (DE-588)118514253 p DE-604 Loges, Natasha ca. 20./21. Jh. (DE-588)1027526829 edt Hamilton, Katy 1982- (DE-588)106050636X edt https://assets.cambridge.org/97811071/63416/toc/9781107163416_toc.pdf Inhaltsverzeichnis SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030868270&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030868270&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Brahms in context Brahms, Johannes 1833-1897 Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd Music 19th century History and criticism |
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| title | Brahms in context |
| title_auth | Brahms in context |
| title_exact_search | Brahms in context |
| title_full | Brahms in context edited by Natasha Loges, Katy Hamilton |
| title_fullStr | Brahms in context edited by Natasha Loges, Katy Hamilton |
| title_full_unstemmed | Brahms in context edited by Natasha Loges, Katy Hamilton |
| title_short | Brahms in context |
| title_sort | brahms in context |
| topic | Brahms, Johannes 1833-1897 Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd Music 19th century History and criticism |
| topic_facet | Brahms, Johannes 1833-1897 Brahms, Johannes 1833-1897 Criticism and interpretation Music 19th century History and criticism Aufsatzsammlung |
| url | https://assets.cambridge.org/97811071/63416/toc/9781107163416_toc.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030868270&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030868270&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT logesnatasha brahmsincontext AT hamiltonkaty brahmsincontext |
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