Inside arabic music: Arabic maqam performance and theory in the 20th century Middle East
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2019]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxxii, 444 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780190658359 9780190658366 |
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| 264 | 1 | |a New York, NY |b Oxford University Press |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a xxxii, 444 Seiten |b Illustrationen, Notenbeispiele | ||
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Datensatz im Suchindex
| _version_ | 1804179329594163200 |
|---|---|
| adam_text | Contents Preface xix Acknowledgments xxv Approach to Music Theory xxix A Note on Transliteration and Spelling xxxi Introduction i The Golden Age of Arabic Music 2 The Arabic Maqam 4 The Wider Maqam Phenomenon 5 Oral Transmission 6 A Vocal Tradition 6 A Communal Character 7 Listening and Readiness 8 Standards of Formality 9 1. Melodic Instruments 11 The Two Clans: Melodic and Percussion 11 The Melodic Families: Sahb and Naqr 14 Intonation Precision 15 Traditional Arabic Instruments 16 The Ш16 The Qanun 19 The Nay гг The Arabic Violin 25 The Buzuq 27 Folk Melodic Instruments 29
viii Contents շ. Arabized Instruments 32 The Selective 24-Tone ET Scale 33 The Arabic Accordion 34 The Arabic Org 36 The Arabic Keyboard 38 The Arabic Piano 40 The Arabic Electric Guitar 41 The Arabic Trumpet 43 The Arabic Saxophone 45 3. Percussion Instruments 47 Skin Tuning 47 The Daff49 The Egyptian Mazhar 51 TbcRiqq 51 The Tabla 54 The Tabi Baladi 5 6 The Katim 57 The Sajat 58 The Drum Set 59 Electronic Percussion 60 Combining Percussion Instruments 61 4. Ensembles 63 The Takht 63 The Midsize Ensemble 64 The Arabic Orchestra 66 The Raqs Sharqi Orchestra 67 The Arabic Pop Ensemble 67 Hybrid Songs and Ensembles 68 Backing Vocalists 69 Arabic Choirs 70 Signaling 70 The Conductor 71 Tuning an Ensemble 74 5. Ornamentation 76 Ornamentation Techniques 77 Variation Among Regions and Time Periods 79 Learning Ornamentation 79
Contents Establishing New Ornamentation Traditions 8 о Vocal Ornamentation 81 Repetition 8z Heterophony 84 Notating Ornamentation 85 6. Rhythm 87 Building Blocks 88 Clapping and Vocalizing 89 Vocalizing Rests 90 Shorthand Notation 90 Notating Iqaat 91 Interpreting Iqaat 93 Ornamenting Iqaat 9 5 Timing Subdeties 96 Managing Tempo 97 Rhythmic Modulation 98 Rhythmic Heterophony 99 Melody and ląd 100 Percussion Solos IOI Contemporary Issues ioz 7. A Sampling ofArabic Iqaat 104 Cataloging Iqaat 104 Iqa‘ Ayyub (|) 105 Iqa‘ Malfuf (f) 106 Iqa‘ Karachi (f) 106 Iqa‘ Fox (f) 106 Iqa‘ Wahda Saghira (f) 107 Iqa‘ Fallahi (|) 107 Iqa‘ Maqsum (|) 107 Iqa‘ Baladi (Masmudi Saghir) (%) 108 Iqa‘ Saldi (f) 108 Iqa‘ Katakufti (Nawari) (|) 109 Iqa‘ Zaffa (|) 109 Iqa‘ Hacha (f, f, or |) 109 Iqa Wahda (|) III Iqa Wahda wi Nuss (f) in Iqa Rumba (f) iiz їх
x Contents Iqa‘ Çiftetelli (| or f) III Iqa‘ Wãhda Sunbati (Wahda Tawila) (f) 113 Iqa Masmudi Kabir (f) 113 Iqa‘ Bambi (f) 114 Iqa Samai Darij (|) 114 Iqa‘ Sama i Saraband (Sama‘i Ta’ir) ( §) 115 Iqa Aqsaq Turki (Thurayya) (§) 115 Iqa Yuruk Semai (§) 115 Iqa“ Sudasi (!§) π 6 Iqa‘ Dawr Hindi (?) 116 Iqa Nawakht (2) 117 Iqa‘ Aqsaq (|) 117 Iqa Sama i Thaqil (^) п8 Iqa‘Jurjina ($) 118 Iqa1 Awis (g) 119 Iqa‘ Mudawwar (^) 119 Iqa‘ Dharafat (ψ) 119 Iqa‘ Murabba (Ş) 110 Iqa‘ Muhajjar (։|) IlO Iqa‘ Mukhammas (Щ) izi Iqa‘ Khosh Rang (1J) III Iqa‘ Fakhit (Җ III Iqa‘ Sittatu Ashar Masri (^) 122 8. SongForms 123 The Composed Qasida 123 The Muwasbshah 125 The Qadd 129 The Dawr 130 The Taqtuqa 133 The Ughniya (Long-Song) 134 The Monologue 13è The Duet 136 The WasL· 137 The Maqam in Composed Forms 139 Ç. Instrumental Forms 141 Ottoman Instrumental Composed Forms 141 The Samoli 142 The Bashraf143
Contents The Longa 144 Arabic Instrumental Composed Forms 145 The Sama i Darij 145 The Dulab 146 The Tahmila 147 TheMaqtua 148 The Muqaddima 149 10. Arrangement 150 Arrangers 150 Arrangement Approaches 151 Instrumentation 15г Droning 153 Melodic Iqdat 154 Harmony 156 Ornamenting Using Harmony 156 Harmony on Traditional Instruments 157 Counterpoint in the Dawr 158 Harmonic Arabic Music 139 Polyphony with Maqam-Based Music 160 11. Tuning System 161 The Arbitrariness of the Scale 161 Arabic Scales 165 The Prototypal Maqam Rast Scale 166 Level of Detail 166 The Historic 14-Tone Arabic Scale 168 Documenting the 24-Tone Arabic Scale 169 The Gap Between Theory and Practice 170 Regional Variations 171 Period Variations 173 Variations Among Maqamat 173 Phrasing Variations 174 Defining Correct Intonation 174 Micro tonality 176 Modern Arabic Tuning 176 12. Notation 179 Adopting Western Notation 180 Extending Western Notation 181 Obsolete Symbols 182 xi
Contents The Quartertone 182. Fine-Tuning Symbols 183 Tonal Interval Symbols 183 Key Signatures 184 Reading Arabic Notation 185 Notating for Multiple Instruments 186 Notating Arabic Lyrics 186 Sheet Music 187 Transcribing Arabic Music 188 Notation Versus Memorization 189 The Impact of Adopting Western Notation 190 iļ. TheJins 192 The Basic Melodic Unit 192 Interval Structure 194 The Tonic 195 The Leading Tone 195 The Ghammaz 196 Size of a Jins 197 Extended Jins Scale 198 Ajnas and Tetrachords 199 The Standard Tonic 201 Transposition 201 Identity of aJins 202 14. The Most Common Ajnas 204 The Nine Most Common Ajnas 205 Characteristics of a Jins 206 Jins Rast 207 Jins Nahawand 209 Jins Nikriz 211 Jins Ajam 213 Jins Bayati 215 Jins Hijaz 217 Jins Kurd 219 Jins Saba 221 Jins Sikah 223 iļ. Less Common Ajnas 226 JinsJiharkah 227 Jins Sazkař 230
Contents Jins Mustaar 132 Jins Nahawand Murassa 234 Jins Athar Kurd 236 Jins Saba Zamzam 238 Jins Lamí 239 16. Newly ClassifiedAjnas 241 Tonicization 241 Jins Versus Accidental Modification 242 Jins Upper Rast 243 Jins Upper Ajam 245 Jins Saba Dalanshin 248 Jins Hijazkar 250 Jins Sikah Baladi 252 Jins Mukhalif Sharqi 255 Jins Hijaz Murassa 257 Jins “Ajam Murassa 258 Jins Semitonal Sikah 260 Other Melodic Entities 263 Saba Buselik 263 Husayni 263 The $th Scale Degree ofSikah 263 Hijaz Gharib 264 Athar Bayati 264 Nahawand on the 5th Degree ofRast 264 Raised 3rd Degree in Nahawand 265 17. TheMaqam 266 What Is a Maqanťi 267 Jins-to-Jins Motions 269 Finding the Right Metaphor 276 The Staircase 277 The Chain 277 The Tree with Branches 277 The Subway Map 278 The House with Rooms 278 The Network 279 Modulation 282 Sayr 283 xiii
Contents iS. The Maqam Scale z 8 6 The Maqam Scale z86 The Standard Tonic 187 Transposition 187 Chaining Ajnas z88 Octave Equivalence 291 Maqam Families 293 ig. Modulation 297 A Modulation Analogy 298 Jins Modulation Techniques 300 First Technique: Altering Intervals 300 Second Technique: Changing the Tonic 301 Combining Jins Modulation Techniques 303 The Mid-Jins Switch 303 Exploiting Overlapping /íjnas 304 Accidentals and Modulation Hints 305 Jins Pairs 305 Transitional Melodies 306 Jins Versus Maqam Modulation 307 Modulating to a New Maqam 309 Maqam Modulations in the Long-Song Genre 310 Tradition Versus Innovation 3x2 20. Sayr 314 Documented Sayr 316 Problems in Documenting Sayr 317 Sayr in the Oral Tradition 319 Notes of Melodic Emphasis 320 The Tonic 320 The Octave 320 The Leading Tone 320 The Ghammaz 321 Other Notes 321 Intonation and Jins Alterations 322 Melodic Phrasing 323 A New Understanding of Sayr 324 Sayr as a Subnetwork 326 Interpolation 328
Contents Sayr of aJins 328 Sayr and Maqam Family 330 21. The Taqsim 334 A Modal Improvisation 335 The Fashion of a Time and Place 335 Virtuosity 336 Finding Ones Voice 337 Uses of a Taqsim 338 The Solo Instrumental Taqsim 338 As an Introduction to a Piece 339 In the Middle ofa Piece 339 As a Transition Between Pieces 340 Anatomy ofa Taqsim 341 Tashwiq 343 ThtQafla 344 Taqasim on the Beat 345 22. Vocal Improvisation 348 The Layali 349 The Mawwal 350 Mawwal Recordings 351 The Improvised Qasida 353 Getting in the Mood 354 Improvising a Cappella 354 The Short Mawwal During a Song 3 5 6 Iqaat Used in the Mawwal and Qasida 357 Tarjama: The Art of Translation 357 Tarjama Instrumentation 359 Tarjama, Sayr, and Saltana 360 Translation as a Metaphor 361 2į. Tarab 362 The Tarab Genre of Music 363 Tarab and the Maqam 364 The Tarab Arc 365 Tarab in the Maqam Structure 366 Performers and Listeners 367 Expressing Tarab 368 Saltana 368 XV
Contents 24. Maqam Index 371 Classification 371 Maqamat in Use 373 Maqam Rast Family 377 Maqam Rast 377 Maqam Kirdan/Maqam Sazkař 38 о Maqam Suznak 381 Maqam Nairuz (Yakah) 381 Maqam Dalanshin 38г Maqam Suzdalara 383 Maqam Mahur 384 Maqam Bayati Family 385 Maqam Bayati 385 Maqam Bayati Shuri 386 Maqam Husayni 387 Maqam Sikah Family 388 Maqam Huzam/Maqam Rahatal-Arwah 388 Maqam Sikah 389 Maqam ‘Iraq 389 Maqam Bastanikar 390 Maqam Awj ‘Iraq 391 Maqam Mustaar 391 Maqam Hijaz Family 393 Maqam Hijaz 393 Maqam Hijazkar (audits Transpositions) 394 Maqam Zanjaran 395 Maqam Nahawand Family 396 Maqam Nahawand 396 Maqam Nahawand Murassa 397 Maqam ‘Ushshaq Masri 398 Maqam Nikriz Family 399 Maqam Nikriz 399 Maqam Nawa Athar 400 Maqam Athar Kurd 401 Maqam Kurd Family 401 Maqam Kurd 401 Maqam Hijazkar Kurd 403 Maqam Kurd (1950s Expansion) 404 Maqam ‘Ajam Family 405
Contents Maqam ‘Ajam (.Egyptian Version) 405 Maqam ShawqAfza 406 Maqam Ajam ‘Ushayran 406 Maqam Saba 407 Other Maqamat 409 Maqam Saba Zamzam 409 Maqam Lami 410 Maqam Jiharkah 411 Maqam Sikah Baladi 411 AFTERWORD: A WORD OF CAUTION GLOSSARY 419 REFERENCES INDEX 433 427 413 xvu
|
| any_adam_object | 1 |
| author | Farraj, Johnny Shumays, Sami Abu |
| author_GND | (DE-588)1199280380 (DE-588)1046359460 |
| author_facet | Farraj, Johnny Shumays, Sami Abu |
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| author_sort | Farraj, Johnny |
| author_variant | j f jf s a s sa sas |
| building | Verbundindex |
| bvnumber | BV045437429 |
| callnumber-first | M - Music |
| callnumber-label | ML330 |
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| callnumber-subject | ML - Literature on Music |
| classification_rvk | LS 34320 |
| ctrlnum | (OCoLC)1122740309 (DE-599)BVBBV045437429 |
| dewey-full | 780.89/927 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.89/927 |
| dewey-search | 780.89/927 |
| dewey-sort | 3780.89 3927 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| id | DE-604.BV045437429 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:18:08Z |
| institution | BVB |
| isbn | 9780190658359 9780190658366 |
| language | English |
| lccn | 018030621 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030823006 |
| oclc_num | 1122740309 |
| open_access_boolean | |
| owner | DE-11 DE-703 DE-20 DE-12 DE-19 DE-BY-UBM |
| owner_facet | DE-11 DE-703 DE-20 DE-12 DE-19 DE-BY-UBM |
| physical | xxxii, 444 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20191112 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Farraj, Johnny Verfasser (DE-588)1199280380 aut Inside arabic music Arabic maqam performance and theory in the 20th century Middle East Johnny Farraj and Sami Abu Shumays New York, NY Oxford University Press [2019] © 2019 xxxii, 444 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1900-2000 gnd rswk-swf Music Middle East 20th century History and criticism Music theory Middle East Music Performance Middle East Maqām Musikinstrument (DE-588)4040851-6 gnd rswk-swf Araber (DE-588)4002528-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Mittlerer Osten (DE-588)4039755-5 gnd rswk-swf Mittlerer Osten (DE-588)4039755-5 g Araber (DE-588)4002528-7 s Musik (DE-588)4040802-4 s Musikinstrument (DE-588)4040851-6 s Musiktheorie (DE-588)4040876-0 s Geschichte 1900-2000 z DE-604 Shumays, Sami Abu Verfasser (DE-588)1046359460 aut Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030823006&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Farraj, Johnny Shumays, Sami Abu Inside arabic music Arabic maqam performance and theory in the 20th century Middle East Music Middle East 20th century History and criticism Music theory Middle East Music Performance Middle East Maqām Musikinstrument (DE-588)4040851-6 gnd Araber (DE-588)4002528-7 gnd Musik (DE-588)4040802-4 gnd Musiktheorie (DE-588)4040876-0 gnd |
| subject_GND | (DE-588)4040851-6 (DE-588)4002528-7 (DE-588)4040802-4 (DE-588)4040876-0 (DE-588)4039755-5 |
| title | Inside arabic music Arabic maqam performance and theory in the 20th century Middle East |
| title_auth | Inside arabic music Arabic maqam performance and theory in the 20th century Middle East |
| title_exact_search | Inside arabic music Arabic maqam performance and theory in the 20th century Middle East |
| title_full | Inside arabic music Arabic maqam performance and theory in the 20th century Middle East Johnny Farraj and Sami Abu Shumays |
| title_fullStr | Inside arabic music Arabic maqam performance and theory in the 20th century Middle East Johnny Farraj and Sami Abu Shumays |
| title_full_unstemmed | Inside arabic music Arabic maqam performance and theory in the 20th century Middle East Johnny Farraj and Sami Abu Shumays |
| title_short | Inside arabic music |
| title_sort | inside arabic music arabic maqam performance and theory in the 20th century middle east |
| title_sub | Arabic maqam performance and theory in the 20th century Middle East |
| topic | Music Middle East 20th century History and criticism Music theory Middle East Music Performance Middle East Maqām Musikinstrument (DE-588)4040851-6 gnd Araber (DE-588)4002528-7 gnd Musik (DE-588)4040802-4 gnd Musiktheorie (DE-588)4040876-0 gnd |
| topic_facet | Music Middle East 20th century History and criticism Music theory Middle East Music Performance Middle East Maqām Musikinstrument Araber Musik Musiktheorie Mittlerer Osten |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030823006&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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