Fruits of the Cross: passiontide music theater Habsburg Vienna
"In this first detailed study of seventeenth-century sepolcri, semi-staged sacred operas performed on Holy Thursday and Good Friday, Robert L. Kendrick delves into the political and artistic world of Habsburg Vienna, where music and ritual combined on the stage to produce a thoroughly original...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Oakland, California
University of California Press
[2019]
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "In this first detailed study of seventeenth-century sepolcri, semi-staged sacred operas performed on Holy Thursday and Good Friday, Robert L. Kendrick delves into the political and artistic world of Habsburg Vienna, where music and ritual combined on the stage to produce a thoroughly original art form that would impact music and performance across early modern Europe. Through the use of allegorical characters, the messages in the plays ranged from the devotionally intense to the theologically complex to the ugly anti-Jewish and played a unique role in making Passion piety both articulate and relevant to wider cultural concerns. Beyond the slightly worn historiographic generalizations on Habsburg religiosity (pietas Austriaca), Fruits of the Cross suggests that understanding the sepolcri has implications for ritual theater in early modern Europe, the theatricalization of devotion, the power of allegory, the role of queenship in court ideology, the interplay between visuality and music, and not least the intellectual centrality of music theater to court self-understanding"--Provided by publisher |
| Item Description: | Literaturverzeichnis: Seite 203-211 |
| Physical Description: | xvi, 220 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780520297579 |
Staff View
MARC
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Record in the Search Index
| _version_ | 1804179324898639872 |
|---|---|
| adam_text | Contents
List of Illustrations ix
List of Music Examples xi
Acknowledgments xiii
Abbreviations and Notes on Sources xv
Introduction x
x. Passion and Theater io
z. Devotional Strategies 45
3. Social Others and Selves 78
4. Music and Its Affects 119
Epilogue: The Power of the Cross 152
Appendix 1. Checklist of Sepolcri, 1660-1711 J63
Appendix 2. The Preserved Repertory, 1660—1705, and
Its Possible Tonalities 168
Appendix 3. Possible Burnacini Drawings for Sepolcri 170
Notes 171
Bibliography 203
General Index 2x3
Index of Sepolcri by Short Title 218
|
| any_adam_object | 1 |
| author | Kendrick, Robert L. 1957- |
| author_GND | (DE-588)1046951564 |
| author_facet | Kendrick, Robert L. 1957- |
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| discipline | Musikwissenschaft |
| era | Geschichte 1660-1711 gnd |
| era_facet | Geschichte 1660-1711 |
| format | Book |
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| spelling | Kendrick, Robert L. 1957- Verfasser (DE-588)1046951564 aut Fruits of the Cross passiontide music theater Habsburg Vienna Robert L. Kendrick Oakland, California University of California Press [2019] © 2019 xvi, 220 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis: Seite 203-211 "In this first detailed study of seventeenth-century sepolcri, semi-staged sacred operas performed on Holy Thursday and Good Friday, Robert L. Kendrick delves into the political and artistic world of Habsburg Vienna, where music and ritual combined on the stage to produce a thoroughly original art form that would impact music and performance across early modern Europe. Through the use of allegorical characters, the messages in the plays ranged from the devotionally intense to the theologically complex to the ugly anti-Jewish and played a unique role in making Passion piety both articulate and relevant to wider cultural concerns. Beyond the slightly worn historiographic generalizations on Habsburg religiosity (pietas Austriaca), Fruits of the Cross suggests that understanding the sepolcri has implications for ritual theater in early modern Europe, the theatricalization of devotion, the power of allegory, the role of queenship in court ideology, the interplay between visuality and music, and not least the intellectual centrality of music theater to court self-understanding"--Provided by publisher Geschichte 1660-1711 gnd rswk-swf Sepolcro Musik (DE-588)7699131-3 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf Habsburg, House of / History / 17th century Habsburg, House of Sepolcri / Austria / Vienna / 17th century / History and criticism Dramatic music / Europe, Central / 17th century / History and criticism Dramatic music Sepolcri Austria / Vienna Europe, Central 1600-1699 Criticism, interpretation, etc History Wien (DE-588)4066009-6 g Sepolcro Musik (DE-588)7699131-3 s Geschichte 1660-1711 z DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-0-520-96987-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030820506&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kendrick, Robert L. 1957- Fruits of the Cross passiontide music theater Habsburg Vienna Sepolcro Musik (DE-588)7699131-3 gnd |
| subject_GND | (DE-588)7699131-3 (DE-588)4066009-6 |
| title | Fruits of the Cross passiontide music theater Habsburg Vienna |
| title_auth | Fruits of the Cross passiontide music theater Habsburg Vienna |
| title_exact_search | Fruits of the Cross passiontide music theater Habsburg Vienna |
| title_full | Fruits of the Cross passiontide music theater Habsburg Vienna Robert L. Kendrick |
| title_fullStr | Fruits of the Cross passiontide music theater Habsburg Vienna Robert L. Kendrick |
| title_full_unstemmed | Fruits of the Cross passiontide music theater Habsburg Vienna Robert L. Kendrick |
| title_short | Fruits of the Cross |
| title_sort | fruits of the cross passiontide music theater habsburg vienna |
| title_sub | passiontide music theater Habsburg Vienna |
| topic | Sepolcro Musik (DE-588)7699131-3 gnd |
| topic_facet | Sepolcro Musik Wien |
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