Musical theater in eighteenth-century Parma: entertainment, sovereignty, reform
French and Italian varieties of opera have intermingled and informed one another from the genre's first decades onward. Yet we still have only a hazy view of why and how those intersections occurred and what they meant to a given opera's creators and audiences. Margaret Butler's Music...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2019
|
| Ausgabe: | First published |
| Schriftenreihe: | Eastman studies in music
v. 151 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | French and Italian varieties of opera have intermingled and informed one another from the genre's first decades onward. Yet we still have only a hazy view of why and how those intersections occurred and what they meant to a given opera's creators and audiences. Margaret Butler's Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform tackles these issues, examining performance, spectatorship, and politics in the Bourbon-controlled, northern Italian city of Parma in the mid-eighteenth century. Reconstructing the French context for Tommaso Traetta's Italian operas that consciously set out to fuse French and Italian elements, Butler explores Traetta's operas and recreations in Parma of operas and ballets by Jean-Philippe Rameau and other French composers. She shows that Parma's brand of entertainment is one in which Traetta's operas occupy points along a continuum representing a long and rich tradition of adaptation and generic play. Such a reading calls into question the very notion of operatic reform, showing the need for a more flexible conception of a volatile moment in opera's history. The book elucidates the complicated circumstances in which entertainments were created that spoke not only to Parma's multicultural audiences but also to an increasingly cosmopolitan Europe. - MARGARET R. BUTLER is Associate Professor of Musicology at the University of Florida and visiting associate professor at the University of Wisconsin-Madison. (Klappentext) |
| Beschreibung: | XIV, 179 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781580469012 |
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| 505 | 8 | 0 | |t Introduction: the genre problem: reform as continuum and brand. - The genesis of Parma's projet. - Behind the scenes: production and management at the Teatro ducale. - The French entertainments: creation, publicity, propaganda. - Moving on while looking back: Traetta's first Parma operas. - The end of the end of reform: the wedding, the French ambassador's opera. - Traetta's departure. - Conclusion: reform revisited. - Appendix: general chronology. - Bibliography |
| 520 | |a French and Italian varieties of opera have intermingled and informed one another from the genre's first decades onward. Yet we still have only a hazy view of why and how those intersections occurred and what they meant to a given opera's creators and audiences. Margaret Butler's Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform tackles these issues, examining performance, spectatorship, and politics in the Bourbon-controlled, northern Italian city of Parma in the mid-eighteenth century. Reconstructing the French context for Tommaso Traetta's Italian operas that consciously set out to fuse French and Italian elements, Butler explores Traetta's operas and recreations in Parma of operas and ballets by Jean-Philippe Rameau and other French composers. She shows that Parma's brand of entertainment is one in which Traetta's operas occupy points along a continuum representing a long and rich tradition of adaptation and generic play. Such a reading calls into question the very notion of operatic reform, showing the need for a more flexible conception of a volatile moment in opera's history. The book elucidates the complicated circumstances in which entertainments were created that spoke not only to Parma's multicultural audiences but also to an increasingly cosmopolitan Europe. - MARGARET R. BUTLER is Associate Professor of Musicology at the University of Florida and visiting associate professor at the University of Wisconsin-Madison. (Klappentext) | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Illustrations ix
Acknowledgments xi
List of Abbreviations xiii
Notes to the Reader xv
Introduction: The Genre Problem: Reform as Continuum and Brand 1
1 The Genesis of Parma’s Projet 8
2 Behind the Scenes: Production and Management at the
Teatro Ducale 36
3 The French Entertainments: Creation, Publicity, Propaganda 53
4 Moving On While Looking Back: Traetta’s First Parma Operas 85
5 The End of the End of Reform: The Wedding, the French
Ambassador’s Opera, Traetta’s Departure 110
Conclusion: Reform Revisited 127
Appendix: General Chronology 131
Notes 135
Bibliography 157
Index 171
|
| any_adam_object | 1 |
| author | Butler, Margaret R. 1966- |
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| callnumber-first | M - Music |
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| callnumber-search | ML1733.8.P28 |
| callnumber-sort | ML 41733.8 P28 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LQ 82004 LP 42310 |
| contents | Introduction: the genre problem: reform as continuum and brand. - The genesis of Parma's projet. - Behind the scenes: production and management at the Teatro ducale. - The French entertainments: creation, publicity, propaganda. - Moving on while looking back: Traetta's first Parma operas. - The end of the end of reform: the wedding, the French ambassador's opera. - Traetta's departure. - Conclusion: reform revisited. - Appendix: general chronology. - Bibliography |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
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| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | First published |
| era | Geschichte 1756-1761 gnd |
| era_facet | Geschichte 1756-1761 |
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| spelling | Butler, Margaret R. 1966- Verfasser (DE-588)141644923 aut Musical theater in eighteenth-century Parma entertainment, sovereignty, reform Margaret R. Butler First published Rochester, NY University of Rochester Press 2019 XIV, 179 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Eastman studies in music v. 151 Introduction: the genre problem: reform as continuum and brand. - The genesis of Parma's projet. - Behind the scenes: production and management at the Teatro ducale. - The French entertainments: creation, publicity, propaganda. - Moving on while looking back: Traetta's first Parma operas. - The end of the end of reform: the wedding, the French ambassador's opera. - Traetta's departure. - Conclusion: reform revisited. - Appendix: general chronology. - Bibliography French and Italian varieties of opera have intermingled and informed one another from the genre's first decades onward. Yet we still have only a hazy view of why and how those intersections occurred and what they meant to a given opera's creators and audiences. Margaret Butler's Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform tackles these issues, examining performance, spectatorship, and politics in the Bourbon-controlled, northern Italian city of Parma in the mid-eighteenth century. Reconstructing the French context for Tommaso Traetta's Italian operas that consciously set out to fuse French and Italian elements, Butler explores Traetta's operas and recreations in Parma of operas and ballets by Jean-Philippe Rameau and other French composers. She shows that Parma's brand of entertainment is one in which Traetta's operas occupy points along a continuum representing a long and rich tradition of adaptation and generic play. Such a reading calls into question the very notion of operatic reform, showing the need for a more flexible conception of a volatile moment in opera's history. The book elucidates the complicated circumstances in which entertainments were created that spoke not only to Parma's multicultural audiences but also to an increasingly cosmopolitan Europe. - MARGARET R. BUTLER is Associate Professor of Musicology at the University of Florida and visiting associate professor at the University of Wisconsin-Madison. (Klappentext) Traetta, Tommaso 1727-1779 Traetta, Tommaso 1727-1779 (DE-588)118802631 gnd rswk-swf Geschichte 1756-1761 gnd rswk-swf Opera Italy Parma 18th century Oper (DE-588)4043582-9 gnd rswk-swf Parma (DE-588)4115856-8 gnd rswk-swf Traetta, Tommaso 1727-1779 (DE-588)118802631 p Parma (DE-588)4115856-8 g Oper (DE-588)4043582-9 s Geschichte 1756-1761 z DE-604 Erscheint auch als Online-Ausgabe 978-1-78744-422-5 Eastman studies in music v. 151 (DE-604)BV010127859 151 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030820465&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Butler, Margaret R. 1966- Musical theater in eighteenth-century Parma entertainment, sovereignty, reform Eastman studies in music Introduction: the genre problem: reform as continuum and brand. - The genesis of Parma's projet. - Behind the scenes: production and management at the Teatro ducale. - The French entertainments: creation, publicity, propaganda. - Moving on while looking back: Traetta's first Parma operas. - The end of the end of reform: the wedding, the French ambassador's opera. - Traetta's departure. - Conclusion: reform revisited. - Appendix: general chronology. - Bibliography Traetta, Tommaso 1727-1779 Traetta, Tommaso 1727-1779 (DE-588)118802631 gnd Opera Italy Parma 18th century Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)118802631 (DE-588)4043582-9 (DE-588)4115856-8 |
| title | Musical theater in eighteenth-century Parma entertainment, sovereignty, reform |
| title_alt | Introduction: the genre problem: reform as continuum and brand. - The genesis of Parma's projet. - Behind the scenes: production and management at the Teatro ducale. - The French entertainments: creation, publicity, propaganda. - Moving on while looking back: Traetta's first Parma operas. - The end of the end of reform: the wedding, the French ambassador's opera. - Traetta's departure. - Conclusion: reform revisited. - Appendix: general chronology. - Bibliography |
| title_auth | Musical theater in eighteenth-century Parma entertainment, sovereignty, reform |
| title_exact_search | Musical theater in eighteenth-century Parma entertainment, sovereignty, reform |
| title_full | Musical theater in eighteenth-century Parma entertainment, sovereignty, reform Margaret R. Butler |
| title_fullStr | Musical theater in eighteenth-century Parma entertainment, sovereignty, reform Margaret R. Butler |
| title_full_unstemmed | Musical theater in eighteenth-century Parma entertainment, sovereignty, reform Margaret R. Butler |
| title_short | Musical theater in eighteenth-century Parma |
| title_sort | musical theater in eighteenth century parma entertainment sovereignty reform |
| title_sub | entertainment, sovereignty, reform |
| topic | Traetta, Tommaso 1727-1779 Traetta, Tommaso 1727-1779 (DE-588)118802631 gnd Opera Italy Parma 18th century Oper (DE-588)4043582-9 gnd |
| topic_facet | Traetta, Tommaso 1727-1779 Opera Italy Parma 18th century Oper Parma |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030820465&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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