French musical culture and the coming of sound cinema:
In 'French Musical Culture and the Coming of Sound Cinema', Hannah Lewis argues that debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding French musical styles and genres shaped cinematic experiments during...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
2018
|
| Schriftenreihe: | Oxford music/media series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In 'French Musical Culture and the Coming of Sound Cinema', Hannah Lewis argues that debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding French musical styles and genres shaped cinematic experiments during the transition to sound |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 264 Seiten Illustrationen |
| ISBN: | 9780190635985 9780190635978 |
Internformat
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| 520 | |a In 'French Musical Culture and the Coming of Sound Cinema', Hannah Lewis argues that debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding French musical styles and genres shaped cinematic experiments during the transition to sound | ||
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| 650 | 4 | |a Musical films / France / History / 20th century | |
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Datensatz im Suchindex
| _version_ | 1804179320314265600 |
|---|---|
| adam_text | CONTENTS List of Figures vii List ofExamples ix Acknowledgments xi List ofAbbreviations xiii Introduction 1 1. Imagining Sound Film: Debates in the Press 16 2. Surrealist Sounds: Film Music and the Avant-Garde 35 3. “An achievement that reflects its native soil”: Songs, Stages, Cameras, and the Opérette filmée 71 4. Théâtre filmé, Opera, and Cinematic Poetry: The Clair/Pagnol Debate 102 5. Source Music and Cinematic Realism: Jean Renoir and the Early Poetic Realists 127 6. “The Music Has Something to Say”: The Musical Revisions of L’Atalante (1934) 158 Conclusion: Alternative Paths for Sound Film 185 Notes 189 Select Filmography Select Bibliography Index 239 219 229
|
| any_adam_object | 1 |
| author | Lewis, Hannah 1985- |
| author_GND | (DE-588)1149955929 |
| author_facet | Lewis, Hannah 1985- |
| author_role | aut |
| author_sort | Lewis, Hannah 1985- |
| author_variant | h l hl |
| building | Verbundindex |
| bvnumber | BV045432462 |
| classification_rvk | LR 53509 |
| ctrlnum | (OCoLC)1088340494 (DE-599)BVBBV045432462 |
| dewey-full | 791.430944 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430944 |
| dewey-search | 791.430944 |
| dewey-sort | 3791.430944 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1930-1934 gnd |
| era_facet | Geschichte 1930-1934 |
| format | Thesis Book |
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| spelling | Lewis, Hannah 1985- Verfasser (DE-588)1149955929 aut French musical culture and the coming of sound cinema Hannah Lewis New York, NY Oxford University Press 2018 264 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Oxford music/media series Includes bibliographical references, filmography and index Dissertation Harvard University geht aus einer Dissertation hervor In 'French Musical Culture and the Coming of Sound Cinema', Hannah Lewis argues that debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding French musical styles and genres shaped cinematic experiments during the transition to sound Geschichte 1930-1934 gnd rswk-swf Sound motion pictures / France / History / 20th century Musical films / France / History / 20th century Motion picture music / France / History and criticism Tonfilm (DE-588)4185670-3 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Frankreich (DE-588)4018145-5 g Tonfilm (DE-588)4185670-3 s Filmmusik (DE-588)4017129-2 s Geschichte 1930-1934 z 1\p DE-604 Erscheint auch als Online-Ausgabe 978-0-19-063601-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030818149&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lewis, Hannah 1985- French musical culture and the coming of sound cinema Sound motion pictures / France / History / 20th century Musical films / France / History / 20th century Motion picture music / France / History and criticism Tonfilm (DE-588)4185670-3 gnd Filmmusik (DE-588)4017129-2 gnd |
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| title | French musical culture and the coming of sound cinema |
| title_auth | French musical culture and the coming of sound cinema |
| title_exact_search | French musical culture and the coming of sound cinema |
| title_full | French musical culture and the coming of sound cinema Hannah Lewis |
| title_fullStr | French musical culture and the coming of sound cinema Hannah Lewis |
| title_full_unstemmed | French musical culture and the coming of sound cinema Hannah Lewis |
| title_short | French musical culture and the coming of sound cinema |
| title_sort | french musical culture and the coming of sound cinema |
| topic | Sound motion pictures / France / History / 20th century Musical films / France / History / 20th century Motion picture music / France / History and criticism Tonfilm (DE-588)4185670-3 gnd Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Sound motion pictures / France / History / 20th century Musical films / France / History / 20th century Motion picture music / France / History and criticism Tonfilm Filmmusik Frankreich Hochschulschrift |
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