Ē istoria stē megalē othonē: istoria, kinēmatographos kai ethnikes tautotētes
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | Greek |
Veröffentlicht: |
Athēna
Taxideutēs
2017
|
Schriftenreihe: | Ekkentrē istoria - istoria apo to perithōrio
No 7 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Personenregister |
Beschreibung: | In griechischer Schrift |
Beschreibung: | 281 Seiten Illustrationen |
ISBN: | 9789605790806 |
Internformat
MARC
LEADER | 00000nam a2200000 cb4500 | ||
---|---|---|---|
001 | BV045428101 | ||
003 | DE-604 | ||
005 | 20220815 | ||
007 | t| | ||
008 | 190128s2017 xx a||| |||| 00||| gre d | ||
020 | |a 9789605790806 |9 978-960-579-080-6 | ||
035 | |a (OCoLC)1083923250 | ||
035 | |a (DE-599)BVBBV045428101 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a gre | |
049 | |a DE-12 |a DE-188 | ||
084 | |a OST |q DE-12 |2 fid | ||
084 | |a AP 47000 |0 (DE-625)7538: |2 rvk | ||
100 | 1 | |a Lemonidu, Ellē |d 1973- |e Verfasser |0 (DE-588)1059760665 |4 aut | |
245 | 1 | 0 | |a Ē istoria stē megalē othonē |b istoria, kinēmatographos kai ethnikes tautotētes |c Ellē Lemonidu |
246 | 1 | 0 | |a historia kinēmatografos |
264 | 1 | |a Athēna |b Taxideutēs |c 2017 | |
300 | |a 281 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Ekkentrē istoria - istoria apo to perithōrio |v No 7 | |
500 | |a In griechischer Schrift | ||
505 | 8 | |a Enthält Bibliografie (S. 251-277) und Index (S. 279-281) | |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Kollektives Gedächtnis |g Motiv |0 (DE-588)4639552-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Geschichte |g Motiv |0 (DE-588)4156971-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Nationalbewusstsein |0 (DE-588)4041282-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
651 | 7 | |a Griechenland |0 (DE-588)4022047-3 |2 gnd |9 rswk-swf | |
651 | 7 | |a Italien |0 (DE-588)4027833-5 |2 gnd |9 rswk-swf | |
651 | 7 | |a Polen |0 (DE-588)4046496-9 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
689 | 0 | 1 | |a Polen |0 (DE-588)4046496-9 |D g |
689 | 0 | 2 | |a Italien |0 (DE-588)4027833-5 |D g |
689 | 0 | 3 | |a Griechenland |0 (DE-588)4022047-3 |D g |
689 | 0 | 4 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 0 | 5 | |a Kollektives Gedächtnis |g Motiv |0 (DE-588)4639552-0 |D s |
689 | 0 | 6 | |a Geschichte |g Motiv |0 (DE-588)4156971-4 |D s |
689 | 0 | 7 | |a Nationalbewusstsein |0 (DE-588)4041282-9 |D s |
689 | 0 | 8 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
830 | 0 | |a Ekkentrē istoria - istoria apo to perithōrio |v No 7 |w (DE-604)BV036212828 |9 7 | |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Literaturverzeichnis |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |3 Register // Personenregister |
940 | 1 | |n oe | |
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |g 495 |
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |g 44 |
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |g 438 |
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |g 45 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-030813837 |
Datensatz im Suchindex
_version_ | 1820172767262146560 |
---|---|
adam_text |
fl£pl£XÓ|J€Va
EioaYuyñ . 9
1. raññía .*. 21
1.1. A' nayKóajJios nóñepos - anó xis npcoiKÉs atpnyñaeis
oxn 6iaxeípian xou npoaconiKoú Kai ouññoyiKOú
xpaúpaxos . 24
1.2. To KaGeoxcbs xou Biaú koi o EKXoniapós xcov E(3paícov
xns Taññías . 51
1.3. O flóñepos xns Añyepías. 76
2. rioñcovía. 87
2.1. AvxiKpí^ovxas xo ePpa'ÍKÓ napeñGóv - Mía óúaKoñn
Kñnpovopiá . 91
2.2. H Kaxáppeuan evos Kupíapxou acpnyñpaxos -
To KoppouviaxiKó napeñGóv . 116
3. Ixañía . . 143
3.1. Anó xous peyáñous naxpicoxiKOÚs púGous
axnv encóóuvn Kñnpovopiá xou cpaaropoú . 145
3.2. To OfloKaúxajpa oxov ixañixó Kivnpaxoypácpo . 164
4. Eññá6a . . 181
4.1. O eflñnviKÓs Kivnpaxoypáq os xai n ÓEKaexía xou 1940 182
4.2. H pexaváaxeuan crcov eññnvixó Kivnpaxoypácpo. 203
Enírtoyos. 223
napápxnpa
MaGaívovxas yia xov va^iapó xai xo Oñoixauxcopa
péoa anó xaivíes puGonñaoías xai xeiqjnpícDons. 233
BipñiOYPaq ía. 251
Eupetñpio ovopáxcov . 279
Bipflioypcupia
Anderson Benedict, Imagined Communities: Reflections on the Ori-
gin and Spread of Nationalism, Verso, London 2006.
Andrieu Claire, «La commémoration des dernières guerres françai-
ses: l'élaboration de politiques symboliques, 1945-2003», oto:
Claire Andrieu, Marie-Claire Lavabre, Danielle Tartakowsky
(enip.), Politiques du passé. Usages politiques du passé dans
la France contemporaine, Publications de l'Université de Pro-
vence, Aix-en-Provence 2006, 39-46.
Appardurai Arjun, Modernity at Large: Cultural Dimensions of Glo-
balization, University of Minnesota Press, Minneapolis 1996.
Arendt Hannah, Eichmann in Jerusalem: A Report on the Banality
of Evil, Viking Press, New York 1963 (eflfinviKh pexâcppaon: O
Aixpav crznv lepouoaflhp. EKQeon y/a
pxcpp. Baaiflns Topavâs, Nncriôes, ©eaaafloviKn 2009).
Azéma Jean-Pierre, Bédarida François, La France des années noires.
Éditions du Seuil, Paris 1993.
Baron Anne-Marie, The Shoah on screen - Representing crimes against
humanity, vol. 1, Council of Europe Publishing, Strasbourg
2006, npooPaoipo oxo: http://book.coe.int/ftp/2879.pdf.
Baron Lawrence, Projecting the Holocaust into the Present. The
Changing Focus of Contemporary Holocaust Cinema, Rowman
and Littlefield, Lanham - Boulder - New York - Toronto - Ox-
ford 2004.
Becker Annette, «Politique culturelle, commémorations, et leurs
usages politiques. L'exemple de la Grande Guerre dans les an-
nées 1990», oxo: Claire Andrieu, Marie-Claire Lavabre, Dan-
ielle Tartakowsky (emp.). Politiques du passé. Usages politiques
du passé dans la France contemporaine. Publications de l'Uni-
versité de Provence, Aix-en-Provence 2006, 27-37.
Becker Annette, «La Grande Guerre en 1998: entre polémiques
politiques et mémoires de la tragédie», oto: Pascal Blanchard,
252
H UTOPIA ITH MEfAAH OSONH
Isabelle Veyrat-Masson (snip.). Les Guerres de mémoires. La
France et son histoire. Enjeux politiques, controverses historiques,
stratégiques médiatiques, La Découverte, Paris 2008, 83-93.
Becker Jean-Jacques, Winter Jay, Krumeich Gerd et al. (enip.).
Guerre et cultures. 1914-1918, Armand Colin, Paris 1994.
Bellocchio Maria Letizia, «Difficult Years for Anni difficili by Lui-
gi Zampa (1948)», NeMLA Italian Studies, 34 (2014), Special
Issue: Italy in WWII and the Transition to Democracy: Memo-
ries, Fictions, Histories, 155-171.
Bimbenet Jérôme, Film et histoire, Armand Colin, Paris 2007.
Bisoni Claudio, «Il carrello di Kapà visto da qui: il film di Pon-
tecorvo e la sua ricezione critica riletti in prospettiva», crco:
Andrea Minuz, Guido Vitiello (enip.), La Shoah ne! cinema ital-
iano (Cinema e storia, 2013), Rubbettino, Soveria Mannelli
2013, 117-128.
Bondanella Peter, A History of Italian Cinema, Continuum, New
York 2009.
Bossy Jean-François, Enseigner la Shoah à l'âge démocratique. Quels
enjeux?. Armand Colin, Paris 2007.
Browning Christopher R., Ordinary Men: Reserve Police Battalion
101 and the Final Solution in Poland, Harper Perennial, New
York 1992.
Brudny Michelle-Irène, «Eichmann à Jérusalem: confection, statut
et réception du texte», crco: Sylvie Lindeperg, Annette Wievior-
ka (enip.), Le moment Eichmann, Albin Michel, Paris 2016, 203-
226.
Brunetta Gian Piero, Il cinema neorealista italiano. Da "Roma città
aperta" a "I solid ignoti", Laterza, Roma - Bari 2009.
Cala Alina, «"Les j'ustes parmi les Nations" - choix amers», crco:
Jean-Charles Szurek, Annette Wieviorka (enip.), Juifs et Po-
lonais. 1939-2008, Éditions Albin Michel, Paris 2009, 481-486.
Calamandrei Piero, Renzi Renzo, Aristarco Guido, H processo
s'agapà: dall’Arcadia a Peschiera, Laterza, Bari 1954.
Chalkou Maria, Towards the Creation of Greek National
Cinema in the 1960s, PhD Thesis, University of Glasgow, Gla-
sgow 2008.
BIBAIOfPACDIA
253
Chansel Dominique, Europe on-screen. Cinema and the teaching
of history, Council of Europe Publishing, Strasbourg 2001,
npoofiaaipo oxo: https://www.coe.int/en/web/history-tea-
ching/.
Chartier Roger, «La vérité entre fiction et histoire», cno: Antoine
de Baecque, Christian Delage (emp.), De l'histoire au cinéma.
Complexe, Paris 2008, 29-44.
Citron Suzanne, Le mythe national. L'histoire de France revisitée,
Les Éditions de l'Atelier/Éditions ouvrières, Paris 2008.
Coates Paul, «Notes on Polish cinema, nationalism and Wajda's
Holy Week», oxo: Hjort Mette, Mackenzie Scott (enip.). Cine-
ma and Nation, Routledge, London - New York 2000, 189-
202.
Collotti Enzo, Il fascismo e gli ebrei. Le leggi razziali in Italia, Laterza,
Roma 2008.
Conan Eric, Rousso Henry, Vichy, un passé qui ne passe pas, Fayard,
Paris 1994.
Condé Michel, Fonck Vinciane, Vervier Anne (avec la collaboration
de Clara Beelen), L'école du cinéma. Exploiter le film de fiction
dans l'enseignement secondaire, Éditions De Boeck, Bruxelles
2006.
Cooper Leo, In the Shadow of the Polish Eagle. The Poles, the Ho-
locaust and Beyond, Palgrave, Basingstoke - New York 2000.
Corbel Laurence, Costet Jean-Pierre, Falaize Benoit et al. Entre
mémoire et savoir: l'enseignement de la Shoah et des guerres de
décolonisation, Institut National de Recherche Pédagogique,
Lyon 2003, npoojJâoipo oxo: http://ecehg.inrp.fr/ECEHG/en-
jeux-de-memoire/histoire-et-memoire/reflexion-generale/en-
tre-memoi re-et-savoi rs/memoi re_savoir. pdf.
Costa Antonio, Il cinema italiano. Generi, figure, film del passato e
deI presente, Il Mulino, Bologna 2013.
Craig Sibhan S., Cinema after Fascism. The Shattered Screen, Pal-
grave Macmillan, New York 2010.
Dalle Vacche Angela, The Body in the Mirror: Shapes of History in
Italian Cinema, Princeton University Press, New Jersey 1992.
254
H IETOPIA ETH MEfAAH O0ONH
D'Amico Masolino, La commedia all'italiana. cinema comico in
Italia dal 1945 al 1975, Il Saggiatore, Milano 2008.
Danan Martine, «National and Postnationai French Cinéma», oxo:
Valentina Vitali, Paul Willemen (smp.). Theorising National Ci-
nema, Palgrave Macmillan, London 2008, 172-185.
Davies Norman, God's Playground. A History of Poland, x. H: 1795
to the Present, Oxford University Press, New York 2005.
De Felice Renzo, Storia degli ebrei ilaliani sotto il fascismo, Einaudi,
Torino 2005.
Deiage Christian, La Vérité par TDe Nuremberg au procès
Milosevic, Denoël, Paris 2006.
Deiage Christian, «Cinéma, enfance de l'histoire», crto: Antoine
de Baecque, Christian Deiage (emp.), De l'histoire au cinéma,
Complexe, Paris 2008, 61-98.
Delpla François, Nuremberg face à l'histoire, Archipoche, Paris
2015.
Deltcheva Roumiana, «Reliving the Past in Recent East European
Cinemas», ctto: Anikô Imre (enip.), East European Cinemas,
Routledge, London - New York 2005, 197-211.
Denis Sébastien, «Comment (ne pas) filmer la guerre: le cinéma
de propagande français sur l'Algérie (1945-1962)», oxo: Jean-
Pierre Bertin-Maghit (enip.). Une histoire mondiale des cinémas
de propagande, Nouveau monde éditions, Paris 2015, 509-
530.
Dermentzopoulos Christos, «Regaining memory: The case of the
Greek film Politiki Kouzina (A Touch of Spice)», oxo: Ulrike
Tischler, loannis Zelepos (snip.), Bilderwelten - Weltbilder. Die
Gegenwart der Vergangenheit in postosmanischen Metropolen
Südosteuropas: Thessaloniki, Istanbul, Izmir, Peter Lang, Frank-
furt am Main 2010, 161-191.
Dermentzopoulos Christos, «Place, memory and tradition in con-
temporary Greek cinema just before the crisis», crxo: Kcov-
oxavxivos A. Anpâôns (snip.), E' EupconaikoO
ôpiou NeoedflnviKcbv Znouôcav(OeooadoviKn, 2-5 2014):
Zuvéxeies, aouvéxeies, pnÇets azov eddnviKô KÔopo (1204-2014):
BIBAIOrPACDIA
255
oiKOVo/JÎa, KOivvia, loxopia, do Topos E', EupconaÏKri
Exaipeia NeoerlflnviKtov Enouôcbv, AQriva 2015, 645-652.
Dosse François, Paul Ricoeur, Michel de Certeau. L'Histoire: entre le
dire et le faire, L'Herne, Paris 2006.
Douin Jean-Luc, Dictionnaire de la censure au cinéma, Quadrige/
PUF, Paris 2001.
Eades Caroline, Le cinéma post-colonial français, Éditions du Cerf,
Paris - Éditions Corlet, Condé-sur-Noireau, 2006.
Eaglestone Robert, «Holocaust Theory?», oro: Robert Eaglestone,
Barry Langford (smp.), Teaching Holocaust Literature and Film,
Palgrave Macmillan, New York 2008, 28-34.
Elsaesser Thomas, «Subject Positions, Speaking Positions. From
Holocaust, our Hitler, and Heimat to Shoah and Schindler's
list», oxo: Vivian Sobchack (enip.), The Persistence of History.
Cinema, Television and the Modem Event, Routledge, London
- New York 1996, 145-183.
Elsaesser Thomas, European Cinema. Face to face with Hollywood,
Amsterdam University Press, Amsterdam 2005.
Erll Astrid, «Literature, Film, and the Mediality of Cultural Memo-
ry», oxo: Astrid Erll, Ansgar Nünning (snip.), A Companion to
Cultural Memory Studies, De Gruyter, Berlin 2010, 389-398.
Evangelista Matthew, Gender, Nationalism, and War. Conflict on the
Movie Screen, Cambridge University Press, Cambridge 2011.
Falkowska Janina, Andrzej Wajda. History, Politics, and Nostalgia
in Polish Cinema, Berghahn Books, New York - Oxford 2008.
Farge Arlette, «Écriture historiographique, écriture cinématogra-
phique», oxo: Antoine de Baecque, Christian Delage (enip.).
De l'histoire au cinéma, Complexe, Paris 2008, 111-125.
Feigelson Kristian (pc xn auvepyaoia xou Gâbor Erôss), «Hongrie,
Pologne, Tchécoslovaquie (1945-1995). Au-delà du rideau
en Europe centrale», crxo: Raphaël Muller, Thomas Wieder
(smp.). Cinéma et régimes autoritaires au XXe siècle. Écrans
sous influence, PUF, Paris 2008, 145-166.
Feiman Shoshana, «Education and Crisis, or the Vicissitudes of
Teaching», crxo: Cathy Caruth (smp.). Trauma. Explorations in
256
H UTOPIA ZTH MErAAH O0ONH
Memory, The Johns Hopkins University Press, Baltimore 1995,
13-60.
Ferro Marc, Analyse de film, analyse de sociétés. Hachette, Paris 1975.
Ferro Marc, Revivre l'histoire, Arte éditions/Liana Levi, Paris 1995.
Ferro Marc, Le Cinéma, une vision de l'histoire, Éd. du Chêne, Paris
2003.
Ferro Marc, L'aveuglement. Une autre histoire de notre monde,
Tallandier, Paris 2015 (efldnviKh petôcppaon: Tücprlon.'H y/crn
apvoüpaoxe va Soupe xnv npaypaxi pxcpp. Zcbxn Tpravxa-
cpuflrîou, npôfloyos: Zcbtn Tpiavtacpûriflou, Metaixpio, A0nva
2017).
Focardi Filippo, Il cattivo tedesco e bravo italiano. La rimozione
delle colpe della seconda guerra mondiale, Editori Gius. Laterza
Figli, Roma - Bari, 2013.
Ford Charles, Hammond Robert, Polish Film. A Twentieth Century
History,McFarland and Company, North Carolina 2005.
Frodon Jean-Michel, La Projection national. Cinéma et Nation,
Odile Jacob, Paris 1998.
Frodon Jean-Michel, «Le travail d'un cinéaste» (ouvéviEuÇn p£ xov
Claude Lanzmann), oxo: Jean-Michel Frodon (enip.). Le cinéma
et la Shoah. Un art à l'épreuve de la tragédie du 20e siècle. Édi-
tions Cahiers du Cinéma, Paris 2007, 111-125.
Gacon Stéphane, L'amnistie. De la Commune à la guerre d'Algérie,
Éditions du Seuil, Paris 2002.
Gaetani Claudio, H cinema e la Shoah, Le Mani, Recco 2006.
Gaetani Claudio, «This Must Be the Memory. Vent'anni di sguardi
del cinema italiano sulla Shoah», oxo: Andrea Minuz, Guido
Vitiello (enip.), La Shoah nel cinema italiano (Cinema e storia,
2013), Rubbettino, Soveria Mannelli 2013, 103-116.
Gambetti Giacomo, Capire it cinema e la televisione, Gremese,
Roma 2006.
Garreau Laurent, Archives secrètes du Cinéma français. 1945-1975,
PUF, Paris 2009.
Gaston-Mathé Catherine, La société française au miroir de son ciné-
ma. De la débâcle à la décolonisation, Panoramiques-Corlet,
Condé-sur-Noireau 1996.
BlBAIOfPAOIA
257
Ghigi Guiseppe, Le Ceneri del Passsato. II cinema racconta la Grande
guerra, Rubbettino, Soveria Mannelli 2014.
Giii Jean A., Luigi Comencini, Gremese Editore, Roma 2003.
Gold Trudy, Kennedy Rudy, Levi Trude, Reiss Frank, «The Survivors'
Right to Reply», oxo: Toby Haggith, Joanna Newman, Holo-
caust and the Moving Image. Representations in Film and Tele-
vision since 1933, Wallflower Press, London 2005, 243-258.
Golsan Richard J., «The Legacy of World War II in France: Map-
ping the Discourses of Memory», oxo: Richard Ned Lebow,
Wulf Kansteiner, Claudio Fogu (emp.) The Politics of Memory
in Postwar Europe, Duke University Press, Durham - London
2006, 73-101.
Gordon Robert S. C, The Holocaust in Italian 1944-2010,
Stanford University Press, Stanford 2012.
Greene Naomi, Landscapes of Loss. The National Past in Postwar
French Cinema, Princeton University Press, New Jersey 1999.
Greene Naomi, «Empire as Myth and Memory», crto: Marcia Landy
(enip.). The Historical Film. History and Memory in Media, Rutgers
University Press, New Brunswick - New Jersey 2001, 235-248.
Gross Jan T., Neighbors: The Destruction of the Jewish Communi-
ty in Jedwabne, Poland, Princeton University Press, Princeton
2001.
Gross Raphael, «"Loyalty" in National Socialism: A Contribution
to the Moral History of the National Socialist Period», History
of European Ideas, vol. 33, no. 4 (2007), 488-503.
Guéno Jean-Pierre, (snip.). Paroles des poilus. Lettres et carnets du
front 1914-1918, Librio - France bleu, Paris 2012.
Halbwachs Maurice, La mémoire collective, Albin Michel, Paris
1997.
Haltof Marek, Polish Film and the Holocaust: Politics and Memory,
Berghahn Books, New York 2012.
Haltof Marek, Historical Dictionary of Polish Cinema, Rowman
Littlefield, Lanham 2015.
Harbi Mohammed, 1954. La guerre commence en Algérie, Éditions
Complexe, Bruxelles 1984.
258
H UTOPIA ETH METAAH O0ONH
Harlan David, «Historical Fiction and the Future of Academic His-
tory», crco: Keith Jenkins, Sue Morgan, Alun Munsiow (snip.).
Manifestos for History, Routledge, London - New York 2007.
Hayward Susan, «Framing national cinemas», crco: Hjort Mette,
Mackenzie Scott (snip.), Cinema and , Routledge, Lon-
don - New York 2000, 88-102.
Hayward Susan, French National Cinema, Routledge, Oxon - New
York 2005.
Hedetoft Ulf, «Contemporary cinema: between cultural globaliza-
tion and national interpretation», crco: Hjort Mette, Macken-
zie Scott (snip.). Cinema and Nation, Routledge, London - New
York 2000, 278-297.
Hewitt Leah D., Remembering the Occupation in French Film. Na-
tional Identity in Postwar Europe, Palgrave Macmillan, New
York 2008.
Higson Andrew, «The Limiting Imagination of National Cinema»,
oco: Hjort Mette, Mackenzie Scott (enip.), Cinema and Nation,
Routledge, London - New York 2000, 63-74.
Higson Andrew, «The Concept of National Cinema», crco: Alan
Williams (emp.). Film and Nationalism, Rutgers University
Press, New Brunswick - New Jersey - London 2002, 52-67.
Hilberg Raul, Perpetrators, Victims, Bystanders: The Jewish Ca-
tastrophe, 1933-1945, Harper Perennial, New York 1993.
Hobsbawm Eric, Nations and Nationalism since 1788, Cambridge
University Press, Cambridge 1993.
Horne John, «The Great War at its Centenary», crco: Jay Winter
(emp.). The Cambridge History of the First World War, cop. 3:
Civil Society, Cambridge University Press, Cambridge - New
York 2014, 618-639.
laccio Pasquale, «150 - II Risorgimento nel cinema italiano», ap0po
oe 6uo pepn, npoafiaaipo koi crco: www.altritaliani.net/spip.
php?article933 koi www.altritaliani.net/spip.php7article941.
Insdorf Annette, Indelible Shadows. Film and the Holocaust, Cam-
bridge University Press, New York 2009.
BIBAIOrPAOIA
259
lordanova Dina, «The Cinema of Eastern Europe: strained loyal-
ties, elusive dusters», oxo: Anikö Imre (snip.), European
Cinemas, Routledge, London - New York 2005, 229-249.
Izzi Alessandro, Le strategie dell'oblio. Percorsi e nel cine-
ma italiano sulla Shoah dal 1945 al 2016, Universltalia, Roma
2017.
Jacquet Michel, La Grande Guerre sur le grand écran, Anovi, Parçay-
sur-Vienne 2006.
Jarvie Ian, «National cinema: a theoretical assessment», oxo: Hjort
Mette, Mackenzie Scott (enip.), Cinema and Nation, Rout-
ledge, London - New York 2000, 75-87.
Joutard Philippe, Histoire et mémoires, conflits et alliance, La Dé-
couverte, Paris 2013.
Judt Tony, «The Past is Another Country: Myth and Memory in
Post-War Europe», oxo: Jan Werner Muller (entp.), Memory
and Power in Post-War Europe. Studies in the Presence of the
Past, Cambridge University Press, Cambridge 2004, 157-183.
Karalis Vrasidas, A History of Greek Cinema, Continuum, New York
2012.
Kelly Andrew, Cinema and the Great War, Routledge, Oxon - New
York 1997.
Kornetis Kostis, «From Reconciliation to Vengeance: The Greek
Civil War on Screen in Pantelis Voulgaris's A Soul so Deep and
Kostas Charalambous's Tied Red Thread», Filmicon: Journal
of Greek Film Studies, 2 (2014), 93-116, npooßaoipo kcji oxo:
http://filmiconjournal.eom/journal/artide/2014/2/6.
Kornetis Kostis, «From Politics to Nostalgia - and Back to Politics:
Tracing the Shifts in the Filmic Depiction of the Greek "Long
1960s" Over Time», Historein, 14. 2 (2014), 89-102.
Kosmidou Eleftheria Rania, European Civil War Films. Memory,
Conflict, and Nostalgia, Routledge, Oxon - New York 2013.
Landsberg Alison, «America, the Holocaust, and the Mass Culture
of Memory: Toward a Radical Politics of Empathy», New Ger-
man Critique: An Interdisciplinary Journal of German Studies,
71 (1997), 63-86.
260
H UTOPIA ETH MEfAAH O0ONH
Landsberg Alison, Prosthetic Memory. The Transformation of Amer-
ican Remembrance in the Age of Mass Culture, Columbia Uni-
versity Press, New York 2004.
Lasi Giovanni, Sangiorgi Giorgio (enip.),
italiano. FUmografia a soggetto risorgimentale (1905 2010),
Edit Faenza, Faenza 2011.
Levi Primo, Se questo è un uomo, Francesco De Silva, Torino 1947
(eflflnviKn ÉKÔoon: Eàv auio eivai o pxcpp. Xapâ
ZapfîiKiaycn, Aypa, AQnva 1997).
Lichtner Giacomo, Film and the Shoah in France and Italy, Vallen-
tine Mitchell, London 2008.
Lichtner Giacomo, «La vita è bella (ad Auschwitz): luogo della
memoria e dell'amnesia», crco: Andrea Minuz, Guido Vitiello
(emp.), La Shoah ne! cinema italiano (Cinema e storia, 2013),
Rubbettino, Soveria Mannelli 2013, 69-84.
Liebman Stuart, «Les premières constellations du discours sur
l'Holocauste dans le cinéma polonais», oxo: Antoine de Bae-
cque, Christian Delage (enip.), De l'histoire au cinéma, Com-
plexe, Paris 2008, 193-216.
Liehm Mira, Liehm Antonín J., The Most Important Art. Eastern Eu-
ropean Film after 1945, University of California Press, Berkeley
- Los Angeles - London 1977.
Lindeperg Sylvie, «Nuit et Brouillard». Un Film dans l'histoire, Odile
Jacob, Paris 2007.
Lindeperg Sylvie, «Nuit et Brouillard: l'invention d'un regard»,
oto: Jean-Michel Frodon (enip.). Le cinéma et la Shoah. Un
art à l'épreuve de la tragédie du 20e siècle, Éditions Cahiers du
Cinéma, Paris 2007, 85-109.
Lindeperg Sylvie, Les écrans de l'ombre. La Seconde Guerre mondia-
le dans le cinéma français, Éditions Points, Paris 2014.
Lindeperg Sylvie, Wieviorka Annette, «Les deux scènes du procès
Eichmann», Annales, Histoire, Sciences Sociales, novembre-dé-
cembre, no. 6 (2008), 1249-1274.
Lindeperg Sylvie, Wieviorka Annette, «Introduction. Beth Mish-
pat! Ce que fut le procès d'Adolf Eichmann», oto: Sylvie
BIBAÎOrPA DIA
261
Lindeperg, Annette Wieviorka ( nip.), moment Eichmann,
Albin Michel, Paris 2016, 9-43.
Lipinska Katarzyna, Le Cinéma en République Populaire de
le cas de l'ensemble filmique TOR (1967-1981). Analyse des dis-
cours d'auteur et idéologique, Thèse de doctorat. Université
de Bourgogne 2016.
Macmillan Margaret, The Uses and Abuses of History, Random
House, New York 2009 (eflflnviKn peidcppaon: koi
zâxpnon znslozopias, pxtpp. Miva Kapôapixaa-vPuxoyioü, Iv-
oxixouxo xou pi^rliou - A. Kapôapixaa, A9hva 2012).
Manceron Gilles, Remaoun Hassan, D'une rive à l'autre. La guerre
d'Algérie de la mémoire à l'histoire, Syros, Paris 1993.
Marciniak Katarzyna, «Second World-ness and Transnational Fem-
inist Practices: Agnieszka Holland's kobieta samotna (a wom-
an alone)», oxo: Anikô Imre (snip.). East European Cinemas,
Routledge, London - New York 2005, 3-20.
Martin-Jones David, Deleuze, Cinema and National Identity. Nar-
rative Time in National Contexts, Edinburgh University Press.
Edinburgh 2006.
Mazierska Ewa, «Double memory: the Holocaust in Polish film»,
oxo: Toby Haggith, Joanna Newman (emp.), Holocaust and
the moving image. Representations in Film and Television since
1933, Wallflower Press, London 2005, 225-235.
Mazierska Ewa, Polish Postcommunist Peter Lang, Bern
2007.
Mazierska Ewa, European Cinema and Intertextuality. History, Me-
mory and Politics, Palgrave Macmillan, London 2011.
Mazierska Ewa, Goddard Michael, Polish Cinema in a Transnational
Context, University of Rochester Press, Rochester NY 2014.
Mazierska Ewa, «Eastern European Cinema: Old and New Ap-
proaches», Eastern European Cinema, 1:1 (2014), 5-16.
Mazierska Ewa Hanna, «At War: Polish-Russian Relations in Re-
cent Polish Films», oxo: Sander Brouwer (emp.), Contested In-
terpretations of the Past in Polish, Russian, and Ukrainian Film.
Screen as Battlefield, Brill Rodopi, Leiden-Boston 2016, 41-57.
262
H IZTOPIA ITH METAAH O0ONH
Michel Patrick, «L'Église catholique», crco: François Bafoil (enip.),
La Pologne, Fayard/CERI, Paris 2007, 371-394.
Milano Attilio, Storia degli ebrei in Italia, Einaudi, Torino 1992.
Millicent Marcus, Italian Film in the Shadow of Auschwitz, Toronto
University Press, Toronto - London 2007.
Minuz Andrea, La Shoah e la cultura visuale. Cinema, memoria,
spazio pubblico,Buizoni, Roma 2010.
Minuz Andrea, Vitiello Guido (enip.), La Shoah net cinema italiano
(Cinema e storia, 2013), Rubbettino, Soveria Mannelli 2013.
Minuz Andra, «Cinéma, société italiana e percezione della Shoah
nel primo dopoguerra (1945-1951): nuove prospettive di rice-
rca», crco: Andrea Minuz, Guido Vitiello (enip.), La Shoah nel
cinema italiano (Cinema e storia, 2013), Rubbettino, Soveria
Mannelli 2013, 33-48.
Mroz Matilda, «Displacement, Suffering and Mourning: Post-war
Landscapes in Contemporary Polish Cinema», crco: Sander
Brouwer (enip.), Contested Interpretations of the Past in Polish,
Russian, and Ukrainian Film. Screen as Battlefield, Brill Rodopi,
Leiden-Boston 2016, 59-76.
Novick Peter, The Holocaust in American life, Houghton Mifflin
Company, Boston - New York 1999.
Offenstadt Nicolas, Les fusillés de la Grande Guerre et la mémoire
collective (1914-2009), Odile Jacob, Paris 2009.
Offenstadt Nicolas, 14-18 Aujourd'hui. La Grande Guerre dans la
France contemporaine, Odile Jacob, Paris 2010.
Oleksy Elzbieta H., «The Politics of Representing Gender in Con-
temporary Polish Cinema and Visual Art», crco: Anikô Imre
(enip.), East European Cinemas, Routledge, London - New York
2005, 49-62.
Pakier Matgorzata, The Construction of European Holocaust Mem-
ory: German and Polish Cinema after 1989, Peter Lang, Frank-
furt am Main 2013.
Perra Emiliano, Conflicts of Memory: The Reception of Holocaust
Films and TV Programmes in Italy, 1945 to the Present, Peter
Lang, Oxford - Bern 2010.
BJBAIOrPACDIA
263
Perra Emiliano, «Politica, memoria, identité. La ricezione italiana
di Holocaust e Schindler's List», üio: Andrea Minuz, Guido
Vitiello (emp.), La Shoah nel cinema italiano (Cinéma e storia,
2013), Rubbettino, Soveria Mannelli 2013, 49-67.
Pervillé Guy, «Les historiens de la guerre d'Algérie et ses enjeux
politiques en France», crto: Maryline Crivello, Patrick Garcia,
Nicolas Offenstadt (smp.), Concurrence des passés. Usages
politiques du passé dans la France contemporaine, Publications
de l'Université de Provence, Aix-en-Provence 2006, 257-269.
Pezzetti Marcello, «Il cinema della Shoah negli anni del grande
silenzio: un'introduzione», oxo: Andrea Minuz, Guido Vitiello
(smp.), La Shoah nel cinema italiano (Cinema e storia, 2013),
Rubbettino, Soveria Mannelli 2013, 7-32.
Prost Antoine, Winter Jay, Penser la Grande Guerre. Un essai d'his-
toriographie, Éditions du Seuil, Paris 2004.
Przylipiak Mirostaw, «"I Am Afraid of this Land": The Representa-
tion of Russia in Polish Documentaries about the Smolensk
Plane Crash», ozo: Sander Brouwer (snip.), Contested Interpre-
tations of the Past in Polish, Russian, and Ukrainian Film. Screen
as Battlefield, Brill Rodopi, Leiden-Boston 2016, 77-93.
Puget Clément, «Cinéma, histoire, théorie et pratique», crto: Béa-
trice Fleury-Vilatte, Jacques Walter (smp.), Questions de com-
munication, série actes n° 2: Enseignement du cinéma et de
l'audiovisuel. État des lieux et perspectives, Presses Universi-
taires de Nancy, Nancy 2004, 103-113.
Puget Clément, Verdun, le Cinéma, l’évènement. Nouveau monde
éditions et Ministère de la Défense, Paris 2016.
Radstone Susannah, «Cinéma and Memory», oto: Susannah Rad-
stone, Bill Schwarz (smp.), Memory. Histories, Theories, De-
bates, Fordham University Press, New York 2010, 325-342.
Rancière Jacques, «L'historicité du cinéma», oro: Antoine de Bae-
cque, Christian Delage (smp.). De l'histoire au cinéma, Com-
plexe, Paris 2008, 45-60.
Ravetto-Biagioli Kriss, «Reframing Europe's double Border», oto:
Anikô Imre (smp.). East European Cinemas, Routledge, Lon-
don - New York 2005, 179-196.
264
H UTOPIA ITH MEfAAH O0ONH
Reeves Nicholas, «The power of film propaganda - myth or re-
ality?», Historical Journal of Film, Radio and Television, 13:2
(1993), 181-201.
Ricur Paul, «Histoire et mémoire», oio: Antoine de Baecque,
Christian Delage (enrp.). De l'histoire au cinéma. Complexe,
Paris 2008, 17-28.
Rioux Jean-Pierre, «Devoir de mémoire, devoir d'intelligence».
Vingtième Siècle. Revue d'histoire, 73 (2002), 157-167.
Rivi Luisa, European Cinema after 1989. Cultural Identity and Trans-
national Production, Palgrave Macmillan, New York 2007.
Rosenfeld, Alvin, The End of the Holocaust, Indiana University
Press. Bloomington - Indianapolis 2011.
Rosenstone Robert A., Visions of the past. The challenge of film to
our idea of history, Harvard University Press, London 1995.
Rosenstone Robert A., «The future of the past: film and the be-
ginning of postmodern history», oxo: Vivian Sobchack (enip.).
The Persistence of History. Cinema, Television, and the Modern
Event, Routledge, New York - London 1996, 201-218.
Rosenstone Robert A., «The Historical Film: Looking at the Past in
a Postliterate Age», oto: Marcia Landy (enrp.), The Historical
Film. History and Memory in Media, Rutgers University Press,
New Brunswick - New Jersey 2001, 50-66.
Rosenstone Robert A., «History on Film/Film on History», cfto: Ro-
bert A. Rosenstone (enip.), History on Film. Film on History,
Routledge, Oxon - New York 2012, 1-12.
Rousso Henry, Le syndrome de Vichy de 1944 à nos jours, Éditions
du Seuil, Paris 1990.
Rousso Henry, Face au passé. Essais sur la mémoire contemporaine,
Belin, Paris 2016.
Rüsen Jörn, «Trauma and Mourning in Historical Thinking», Jour-
nal of Interdisciplinary Studies in History and Archaeology, vol.
1, No. 1 (2004), 10-21.
Sand Shlomo, Le XXe siècle à l'écran. Éditions du Seuil, Paris 2004.
Saxton Libby, «History, Memory, Fiction in French Cinéma», oto:
Robert Eaglestone, Barry Langford (enip.). Teaching Holocaust
BIBAiOrPAtDIÂ
265
Literature and Film, Palgrave Macmillan, New York 2008, 102-
113.
Silverman Max, Palimpsestic Memory. The Holocaust and Colonia-
lism in French and Francophone Fiction and , Berghahn,
New York - Oxford 2013.
Sorlin Pierre, «L'historien et les archives filmiques». Revue d'his-
toire moderne et contemporaine, tome XXVIH, 1981, 344-357.
Sorlin Pierre, Italian National Cinema. 1896-1996, Routledge, Lon-
don - New York 1996.
Sorlin Pierre, «How to Look at an "Historical" Film», oto: Marcia
Landy (enip.), The Historical Film. History and Memory in Me-
dia, Rutgers University Press, New Brunswick - New Jersey
2001, 25-49.
Speranza Paolo (enip.), L'alba della nazione. Risorgimento e brigan-
taggio ne! cinema italiano, Mephite, Atripalda 2013.
Stam Robert, «Fanon, Algeria, and the Cinema: the Politics of
Identification», oto: Ella Shohat, Robert Stam (snip.), Multi-
culturalism, Postcoloniality, and Transnational Media, Rutgers
University Press, New Brunswick - New Jersey - London 2003,
18-43.
Steinle Matthias, «Adolf Eichmann à l'écran: entre monstre et
banalité de la banalité», oto: Sylvie Lindeperg, Annette Wie-
viorka (enip.), Le moment Eichmann, Albin Michel, Paris 2016,
259-281.
Stojanova Christina, «Fragmented Discourses: Young Cinema from
Central and Eastern Europe», oto: Anikô Imre (enip.), East
European Cinemas, Routledge, London - New York 2005, 213-
227.
Stora Benjamin, La gangrène et ToubH. La mémoire de la guerre
d'Algérie, Éditions La Découverte, Paris 1992.
Stora Benjamin, La guerre des mémoires. La France face à son passé
colonial. Éditions de l'Aube, Paris 2007.
Stora Benjamin, «Une mémoire occultée: l'Algérie, une guerre
sans images?» (entretien avec Benjamin Stora, propos recueil-
lis par Mathieu Darras), crto: Claudie Le Bissonnais (enip.).
266
H IZTOPIA ÎTH MEfAAH O0ONH
Mémoire(s) plurielle(s). Cinéma images, lieux de mémoire?,
Arcadi - Créaphis, Saint-Etienne 2007, 59-67.
Stora Benjamin, «La guerre d'Algérie: la mémoire par le cinéma»,
crco: Pascal Blanchard, Isabelle Veyrat-Masson (emp.), Les
Guerres de Mémoires. La France et son Histoire. Enjeux poli-
tiques, controverses historiques, stratégies médiatiques, La Dé-
couverte, Paris 2008, 262-272.
Stora Benjamin, «La guerre d'Algérie dans les médias: l'exemple
du cinéma», crco: Pascal Blanchard, Marc Ferro, Isabelle Vey-
rat-Masson (enip.), Les guerres de mémoires dans le monde,
Hermès-CNRS Éditions, Paris 2008, 33-40.
Stora Benjamin, Harbi Mohammed, La guerre d’Algérie. 1954-2004,
la fin de l'amnésie, Robert Laffont, Paris 2004.
Treveri Gennari Daniela, Post-War Italian Cinema. American Inter-
vention. Vatican Interests, Routledge, Oxon - New York 2009.
Véray Laurent, La Grande Guerre au cinéma. De la gloire à la mé-
moire, Ramsay, Paris 2008.
Véray Laurent, «La représentation au cinéma du traumatisme
provoqué par la guerre de 14-18», crco: Christophe Gauthier,
David Lescot, Laurent Véray (emp.). Une guerre qui n'en finit
pas. 1914-2008, à l'écran et sur scène, Éditions Complexe, Paris
- Cinémathèque de Toulouse, Toulouse 2008, 17-44.
Véray Laurent, «Cinéma», oto: Jay Winter (emp.), The Cambridge
History of the First World War, xôp. 3: Civil Society, Cambridge
University Press, Cambridge - New York 2014, 475-503 (koi
(3i3rhoypa piKÔ ép0po cou iôiou ans oerliôes 683-685).
Véray Laurent, «Le cinéma de propagande durant la Grande Guerre:
endoctrinement ou consentement de l'Opinion?», crco: Jean-
Pierre Bertin-Maghit (emp.). Une histoire mondiale des cinémas
de propagande, Nouveau monde éditions, Paris 2015, 27-62.
Vidal-Naquet Pierre, Les assassins de la mémoire. «Un Eichmann
de papier» et autres essais sur le révisionnisme, La Découverte,
Paris 2005.
Vitali Valentina, Willemen Paul, «Introduction», cno: Valentina
Vitali, Paul Willemen (emp.) Theorising National Cinema, Pal-
grave Macmillan, London 2008, 1-14.
BiBAIOfPAOIA
267
Vitiello Guido, «L'erotica di Auschwitz. Una genealogia della «Na-
zi-Sexploitation» italiana», oto: Andrea Minuz, Guido Vitiello
(enip.), La Shoah net cinema italiano (Cinema e storia, 2013),
Rubbettino, Soveria Mannelli 2013, 85-101.
Wall lan, «The Holocaust, film and education», oto: Toby Haggith,
Joanna Newman (snip.). Holocaust and the moving image.
Representations in Film and Television since 1933, Wallflower
Press, London 2005, 203-210.
Walsh Michael, «National Cinema, National Imaginary», Film
story 8:1 (1996), 5-17.
Wieviorka Annette, L'ère du témoin, Plon, Paris 1999.
Wieviorka Annette, Auschwitz, 60 ans Robert Laffon, Paris
2005.
Wieviorka Annette, Le procès de Nuremberg, Le Mémorial de Caen,
Caen 2005.
Wieviorka Annette, Eichmann. De la traqué au procès, André Ver-
saille éditeur, Bruxelles 2011.
Wieviorka Annette, «Shoah: les étapes de la mémoire en France»,
crto: Pascal Blanchard, Isabelle Veyrat-Masson (enip.), Les Guerres
de Mémoires. La France et son Histoire. Enjeux politiques, contro-
verses historiques, stratégies médiatiques, La Découverte, Paris
2008, 107-116.
Wieviorka Michel, La tentation antisémite. Haine des Juifs dans la
France d'aujourd'hui, Hachette, Paris 2005.
Wieviorka Olivier, «Francisque ou Croix de Lorraine: les années
sombres entre histoire, mémoire et mythologie», oio: Pas-
cal Blanchard, Isabelle Veyrat-Masson (enip.), Les Guerres de
Mémoires. La France et son Histoire. Enjeux politiques, contro-
verses historiques, stratégies médiatiques, La Découverte, Paris
2008, 94-106.
Willemen Paul, Looks and Frictions: Essays in Cultural Studies and
Film Theory, Indiana University Press, Bloomington 1994.
Willemen Paul, «The National», oio: Leslie Devereaux, Roger Hil-
lman (enip.), Fields of Vision. Essays in Film Studies, Visual Anthro-
pology and Photography, University of California Press, Berke-
ley - Los Angeles - London 1995, 21-34.
268
H IZTOPIA ZTH MEfAAH O0ONH
Williams Alan, «Introduction», creo: Alan Williams (emp.).
Nationalism, Rutgers University Press, New Brunswick - New
Jersey - London 2002, 1-22.
Winter Jay, Remembering War. The Great War between Memory and
History in the Twentieth Century, Yale University Press, New
Haven - London 2006.
Winter Jay, Entre deuil et mémoire. La Grande Guerre dans l'histoire
culturelle de TEurope,Armand Colin, Paris 2008.
Wolfgram Mark A., "Getting History Right". East and West German
Collective Memories of the Holocaust and War, Bucknell Uni-
versity Press, Lewisburg 2011.
Wyke Maria, «Italian Cinema and History», oto: Valentina Vitali,
Paul Willemen (emp.). Theorising National Cinema, Palgrave
Macmillan, London 2008, 61-71.
Zok Michael, Die Darstellung der Judenvernichtung in Film, Fernseh-
en und politischer Publizistik der Volksrepublik Polen 1968-1989,
Herder-Institut für historische Ostmitteleuropaforschung - In-
stitut der Leibniz-Gemeinschaft, Marburg 2015.
A0avaaátou looáwa, «H ontixn tou cpúñou axis taivíes tou ITavte-
Añ Boúflyapn. Anó to «PlpoÇeviô tns Awas» axis «Núcpes»»,
ato: (Dcoteivñ Topan (emp.), xai oto épyo tou
navteññ Boúñyapn, Flana^ñans, A0nva 2007, 285-291.
Avópítaos ricópyos, H Katoxñ Kat n Avtíotaon otov eññnv/Kó Kivn-
patoypátpo (1945-1966), AiyÓKepcos, AQñva 2005.
Avópítaos ricópyos, «Avanapaatáaeis tns Katoxñs Kai tns Avtí-
ataans axis eflflnviKés taivíes pu0onflaaías peyáflou pñKous
anó to 1945 péxpi to 1966», ato: «Dcoteivñ Topar» (enip.),
napaotáoeis tou Tloñé/jou, llanaÇnans, A0ñva 2006, 89-101.
Avópítaos ricópyos, «H Katoxñ xai n Avtícrtaan axis eflflnviKés
taivíes pu0onflaaias peyáflou pñxous anó to 1967 péxpi to
1974», ato: Baaíflns AaflKaßoüKns, Eñévn naaxañoúón, Hñías
ZKouflíóas, Katepíva TaéKou (enip.), Acpnyñoeis yia tn ÓSKaetía
BtBAIOrPACDIA
269
zou 1940. Anó zo ñóyo zou kqzoxikoú Kpáxous ozn ¡jezavecaze-
piKñ lozopioypacpía, EnÍKSvtpo, ©Eaoañovíxn 2012, 243-264.
Avópíxaos ricópyos, «O* Sicosis xcov Eññnvcov EPpaícov axis efl-
ñnviKés laivíss puSonñaaías pEyáñou pñxous, 1945-1981»,
oxo: Avtpéas Avópéou, Enúpos KaKOupicóxns, Hcopyos Kóxxi-
vos/Eññn AEpovíóou, Zéta nanavópéou, Eñévn naoxañoúón
(enip.), H Anpóoia loxopía oznv EññáÓa. Xpñoeis Kai
oeis zns Icrzopfas, EníKEvxpo, ©eoaañovíKn 2015, 253-273.
Av6píxaos Hcopyos, «H ñoyoKpioía atov EññnviKÓ xivnpaxoypácpo
(1945-1974)», ato: rinvEñónn flexaívn, Anpñxpns Xpioxónou-
ños (Emp.), H ñoyoKpicría oznv EññáÓa, lópupa Pó^a Aoú^e-
pnoupYK, flapápxnpa Eññáóas, A0iíva 2016, 35-42.
Avtcovíou Hcopyos, Mapavx^íóns Níkos, «To enípovo napsñOóv»,
ato: ncbpYOS Avtcüvíou, Níkos MapavxCjíóns (emp.), H Enoxñ
zns Zúyxuons. H Sexaezi'a zou '40 xai n icrzopioypazpía, Bipñio-
ncoñEíov xns Eotías, A0ñva 2008, 11-52.
Bañvxév Péa, keípevo ps 0épa xov KivnpaxoYpácpo oxnv EññáÓa tn
ÓEKasxía xou 1980, AO, 76 (Máptios 2017), www.onassis.org/
onassis-magazine/issue-76/greek-cínema-80s.
BapPaxós Baoíñns, «H noñixiKñ xns Kcopcoóías axn yEñoionoínan
xou noñépou», oxo: Ocoxeivñ Topan (snip.),
zou noñépou, riana^nans, A0ñva 2006, 263-276.
Bapójv-Baaáp Ovxéx, «KivnpaxoYpacpnpévES papxupíes yia xn ye-
voKxovía xcov Eññnvcov EPpaícov. H lóiaixepóxnxa xns Kivnpa-
xoYpacpnpévns paptupías», oxo: OcoxEivñ Topan (Emp.),
napacrzáoeis zou noñépou, rianá^ñans, A0ñva 2006,169-178.
Bapcóv-Baaáp Ovxéx, H aváóuon pías óúoxoñns pvñpns.
yia zn yevoKZOVÍa xcov EBpaícov, BifJñioncoñEíov xns Eoxías, A0n-
va 2013.
Bevxoúpa Aíva, «To «Tpáppa an' xo lapñspouá» xou Aápnpou
Aiapónouñou: AvanapaaxáoEis xns ¿[cofis xcov Eññnvcov av-
©paxcopúxcov oxo Béñyio», oxo: OcoxEivñ Topan (snip.), H
zaváozeuon ozov Kivnpaxoypázpo, Ynoupydo E^coxepikcóv/Ynn-
pEoía AmñcopaxiKoú koi loxopiKoú apxeíou/KivnpaxoypacpiKó
ApxEÍo - riana^ñans, A0ñva 2004, 103-114.
270
H UTOPIA £TH MEfAAH O0ONH
Virilio Paul, nóñepos koi Kivnpazoypótp Metaíxpio, A0ñva 2001.
Bóyrlns noñupépns, «Anó xis xávves crcis xápepes: o Eptpúfiios axov
eññnviKó Kivnpaxoypácpo», aro: (Dcoxeivñ Topan (entp.),
napaozáoeis zou ÍJoñépou, flana^ñans, A0ñva 2006, 103-122.
Bóyñns noñupépns, «"néxpiva Xpóvia": Oí noñixiKOí xpaxoúpevoi
eren auññoyiKñ pvñpn», aro: cpcoxeivñ Topan (emp.), Icnopía
koi¡loñiziKñ cno épyo zou Boúñyapn, nana^ñans,
AGñva 2007, 181-191.
Bóyñns noñupépns, H eññnviKñ koivcovío oznv Kazoxñ, 1941-1944,
Añe£;áv6p£ia. A0ñva 2010.
AeflpepoúSn Eñí£a-Avva, Oí véoi azis zou
vnpazoypázpou 1948-1974, laxopixó Apxeío Eññnvixñs Neo-
ñaías revixns rpappaxeías Néas Teviás, K.N.E. E.I.E., A0ñva
2004.
Aeppevx^ónouños Xpñaxos A., «Kivnpaxoypácpos kui Enaváaxaan.
Avanapaaxáoeis xns Enaváaxaans xou 1821 crcov eññnvixó
KivnpatOYpátpo icov eiócóv (1950-1975)», ato: (Dcoteivn To-
pan (emp.), Avanapaozáoeis zou riana^ñans, A0ñva
2006, 239-253.
Aeppevx^ónouños Xpñaxos, «O pexaváaxns axnv xaivía xou Añéí;n
Aapiavoú Méxpi zo nñoío: ato pexaíxpio nañaioú Kai véou
eññnvixoú Kivnpaxoypácpou», AGnvá Kapxáñou, Acppoóíxn
NixoñaTSou, ©ávos Avaaxónouños (emp.), le fevo zóno. H
pezavácrceuon ozov eññnviKó Immigration in
Greek Cinema 1956-2006, J eaxi|3áñ Kivnpaxoypci pou ©eaaa-
ñovíxns - ekó. AiYÓxepcos, A0ñva 2006, 30-35.
Aeppevxéjónouños Xpñaxos, «ría xnv xaivía xou ©ávou Avaaxónou-
ftou AiópOcoan», Kaput Art Magazine,www.kaput.gr, 2 (2008).
Aeppevx^ónouflos Xpñaxos, «O eññnvitcós flancos Kivnpaxoypácpos
(1950-1975)», Ouzonía, 90 (Máios-loúvios 2010), 141-153.
Aeppevxcjónouños Xpñaxos, H enivónan zou zónou. Noozañyfa koi
pvñpn oznv«floñíziKn kouQvo», Opportuna, nóxpa 2015.
Eaglestone Robert, Mezapovzepvtopos koi ápvnon zou OñoKauzcó-
pazos, pxcpp. Awu Enupóicou, npóñoYOs: ricopyos Kókkivos,
Enéxeiva, TpÍKaña 2012.
BIBAIOfPAOIA
271
©eo6oopi6ns rpnyopns, «O KtvnpatoYpacpos cos «latopioypacpia
yia tnv avtipetcbntan tcov ex0pcbv tou e9vous»: 01 taivies Y’a
tn «afiaPoKoppouviatiKn eni(3oufln» Kata tnv nepioSo xns
SiKtatopias tcov auvtaypatapxcbv (1967-1974)», ato: cDcoxei-
vn Topan (snip.), Avanapaozaoeis Flana^nons,
AQnva 2006, 191-231.
©eofloyiSou Peva, «"Tcov npoocpuycov oi Koivotntes": 'Eva 0601-
nopiKO ano tn Mixpaaia atn Bopeia Erlfla6a», ato: cDcoteivn
Topan (snip.), H pezavaozeuon Ynnpeaia
AinflcopatiKou latopiKou Apxeiou Ynoupyeiou E^cotepiKcov/
KivnpatoypacpiKO Apxeio - riana^nans, AQnva 2004, 263-268.
Kershaw Ian, O Xizflep, oi feppavoi n Auon», ptcpp.
Oupavia nanaKcovatavtonouflou, EkSocteis nataxn, A0fiva
2011.
Kecpaflhs Xphatos, Ynodeon Kaziv. H tocopixh aflnOsia o
onaozns, Em'Kevtpo, ©eaaarloviKn 2017.
Kipoupt^hs navaYicbtns T.f «MaQnan: fle^eis koi eikoves», ato: ¡la-
vayicotns r. Kipoupt^ns (Enip.), CineScience. O xivnpazoypacpos
crcov cpaxo ins emoznpns, Gutenberg, A0nva 2013, 367-385.
Kokkivos Ticopyos, npiopaza eupconaixn icnopias. Oi r
eupcanaixns nofhzixns oxeipns n idea zns
eupconaixns evonoinons, Metaixpio, AQnva 2007.
Kokkivos ficopYos, MaupooKoucpns Anpntpns K., fatacotns fla-
vayicbtns, AepoviSou 'Eflfln, Ta ozn 6i-
daoxartia zns lozopias, Nooypappa, AQnva 2010 (Neotepn,
aupnflnpcopevn exSoan tou PiPrUou: ncopyos Kokkivos, An-
pntpns MaupooKoOcpns (emp.). To za
Qepaza koi oi Eppnveuzixes Ai crznv ExnaideLi-
on, Ta^iSeutris, A0nva 2018).
Kokkivos ncopyos, AepoviSou Erlfln, Ayt£i6ns Bflaons, To
xai oi nofhzixes zns pvnpns. Ev oipeis tcov
norlepcov yta znv ¡ozopia xai zn Ta^i6euths, A0hva
2010.
Kokkivos Ticopyos, H Zxoupiaxai zo ¡lup. ilpooeyyi^ovzas zn
lozopias, zpaupaxos xai pvnpns, Gutenberg, A0nva 2012.
272
H UTOPIA ZTH MEfAAH O0ONH
Kôkkivos ficopYos, «O cpaaiajjôs, o e0viKoaoaiafliopôs koi to Oflo-
KaüTcopa crcn ônpôaia acpaipa koi tov KivnpaToypcKpo. Evôei-
ktikés nepimdîaeis», oxo: navaYicotns T. Kipoupt^ns (emp.),
CineScience. O Kivnpatoypâq os paKÔ Gu-
tenberg, AQnva 2013, 279-331.
Kôkkivos ricopyos. To Orioxautcopa. H ôiaxeipion ins
pvhpns - dûtes Kai dûpata, Gutenberg, A0nva 2015.
Kôkkivos Ticopyos, «H loropia tou napôvïos xpôvou koi n uhotu-
ncôôns napouaia Tns arn aÜYXpovn eflrlnviKh laropiOYPcupia»,
aro: BaYYéflns KapapavcorlâKns, Maria Couroucli, Tpiavrô-
cpurirîos E. ZKflaPevrtns (emp.), tns eflfinviKns ¡je
tn yaririiKn lotopioypacpfa anô tn écos ohpspa,
École Française d'Athènes - E0viKÔ'lôpupa Epeuvcôv - Eïaipeia
Meflecns Néou Erlflnviapoü, A0hva 2015, 211-241.
Kôkkivos ndipYOs, Aepoviôou'Eddn, KipoupT^ns navaYiartns, Ntô-
rlns Zanhpns, lotopiKâ tpaüpata koi i6éa. Anô tn
(ppfKn tcov norlépv koi tcov oûoKrlnpcotiopcôv oxo ôpapa tns
evonoinons, Ekôôoeis rianaÇhon, A0hva 2016.
Kopvnvoû Mapia, «Tndeôpaan koi KivnpaTOYpôipos: n ôiapâxn
yia inv nyepovia ornv nepioôo Tns ôiKTOTopias 1967-1974»,
aro: Hawa A0avaoâTou, Aflxns PhYos, Zepacpeip Zecpepiâôns
(emp.), H ôiKtazopia 1967-1974. /loâitiKés npaxziKÉs -
yiKôs rlôyos - Avtiotaon,KaaravicbTns, A0nva 1999, 174-183.
Kopvnvoû Mapia, Anô tnv ayopà oxo Merlétn yia tn
yxpôtnon tns ônpôoias ocpafpas koi tou Kivnpatoypâcpou otn
oûyxpovn Eriridôa, 1950-2000, rianaÇhans, A0nva 2001.
Kopvnvoû Mapia, «"Nû pes" koi "America America". napaflflaYés
aro peyârlo 0épa Tns peTavaareuans», aro: OcoTeivn Topan
(emp.), lozopia xai llorhtiKh oto épyo tou Boürtyapn,
nanaÇnans, A0hva 2007, 279-284.
Kopvnvoû Mapia, «H KivnpaTOYPCxpocpirlia Kai oi ôuaapéaKeiés
Tns», aro: Mapia Kopvnvoû, Mupub Pnyou (emp.), florUtiKÉs
tns eiKôvas. MexaÇü Encovorlazpias xat Eikovopaxias,
ans, A0nva 2014, 63-78.
BIBAIOrPACPlA
273
Aañicbxou Icoáwa, «"NúcpEs": Mvñpn Kai pexaváoxeuan», ato:
cpcoxeivft Topan (snip.), lozopía rioñniKñ cno épyo zou
vzeññ Boúñyapn, riana^nans, AQnva 2007, 271-278.
Aapnáxos Pappíñns, «"Mnxpiá naxpíóa" (oí noñixiKOí npoacpuyes
xns TaaKévóns): Anó xnv latopía axnv onxiKoaKouaxiKÓ anei-
Kóvion», ato: (Dcoxeivó Topan (emp.), H
Kivnpazoypáqio, Ynoupyeío EÇcoxepiKcav/YnnpEaia Ainñcopa-
xikoú koi laxopiKoú apxeíou/ KivnpaxoYpacpiKÓ Apxeío - na-
na^ñans, AOñva 2004, 249-260.
Aapnpivós Dcúios, «KivnpaxoYpáepos. H snoxn xns KaxaÇicoans»,
lazopía zouNéou Eññnviopoú. 1770-2000, x. 9o5, Eññnvucá Tpáp-
pata, AQnva 2003, 217-238.
Aapnpivós (Pcbxos, «Eññnvixós xivnpaxoYPÓepos. Anó tn Mexano-
ñíxsuon ato xéños xou 20oú ai cava», lozopía zou Néou
opoú. 1770-2000, x. 10os, Eññnvixá Tpappata, AQnva 2003,
201-226.
Aapnpivós Ocbxos, loxús ¡jou n ayánn zou zpanoú. Ta Kivnpazoypa-
zpiKQenÍKaipa eos zsKpñpia zns imopías (1895-1940), Kaaxavicó-
tns, AQnva 2005.
Ae Pxocp Zax, lozopía koi pvñpn, pxepp. T. Koupnoupñás, ekó. Ne-
cpéfln, AQnva 1998.
Aspoviôou'Eflrîn, «O B' rtayKóapios nóñepos: laxopioYpatpía, 6n-
póata taxopía xai laxopiKñ exnaíócuan», ato: AyY^ños Plañn-
Kíóns (Emp.), Kpizixés npooeyyíosis zou vaOoziKoú zpaivopévou.
Anó znv tozopioypacpía Kai znv noñiziKñ ozn oxoñiKñ
lozopiKñ pádnon, Eníxevxpo, ©eaaañovíKn 2013, 43-56.
Aepovíóou'Eññn, «EQvixñ tautótnta xai Kivnpaxoypátpos axn pe-
xanoñspixñ Taññía», ato: navaYicótns T. KipoupxÇns (emp.),
CineScience. O Kivnpazoypácpos ozov paxó zns eniozñpns,
Gutenberg, AQnva 2013, 333-364.
Aepovíóou'Eññn, «TutpEKiaQévxES npos napaÓEiYpaxiapó.», TO
AENTPO,x. 199-200 (loúñios 2014), 146-150.
Aepovíóou'Eññn, «O A' naYKÓapios nóñepos axov xivnpaxoYpáq o
- H nepínxcoan xns raññías», TO AENTPO, 201-202 (AexépPpios
2014), 41-44.
274
H UTOPIA rm MEfAAH OOONH
AepovíSou'Eñrln, «MaOaívovtas yia xov va^iopó péaa anó taivíes
pu0onñaoías Kar teKpnpícoons», creo: Ayá0n recopyiáóou, Ba-
aiñiKñ Aepept^ñ (snip.), Na^ioy To
I. T. Tpavtás - POAON EKÓotiKñ, A0rtva 2017, 117-130.
Au6áKn Avva, «O Apoyos npos Aúon. H petaváateuan atov
eflrlnviKÓ Kivnpaioypáq o koi éva napá6eiypa»,
Koivcovikcúv Epeuvcov, 126, B' 2008, 81-111.
Mazower Marc, Zvnv Eññáóa zou H eynsipía zns Kazoxñs,
Afielóvópeia, A0ñva 1994.
Maxpñs Znúpos, Hannah Arendt. OñoKñnpcozioyós, avdpconivn
záozaon koi napáóoon, Ekóóoeis I. Zióépns, A0ñva 2014.
Mapavt^íSns Níkos, AnpoKpaziKÓs 1946-1949,
Añeí;áv6peia, A0iíva 2010.
Mapavt¿?6ns Níkos, «Eioayajyñ», oto: Baoíñns AañKa|3oÚKns, Eñe-
vn flaoxañoúón, Hflías ZKOuñífias, Katepíva Toékou (snip.),
Acpnyñoeis yia zn ÓSKaezía zou 1940. Anó zo ñóyo zou
xikoú Kpázous ozn yezavscozspiKñ icrzopioypacpfa, EníKevtpo,
©eooañovíKn 2012, 11-18.
Mapavt£í6ns Níkos, «Ziconnflós 0pñvos: n pvnpn tou Katív atn
petanoñepiKñ Eupcónn», oto: Katepíva rapÓÍKa, Awa Mapía
ApoupnoúKn, Bayyéflns KapapavcoñáKns, Kcóatas Pántns
(enip.), H yaKpá okió zns ósxaezías zou '40. ílóñeyos - Kazo-
xñ - Avzíozaon - Eytpúñios. Topos azpiepcoyévos ozov
(Dñáioep, Añe£;ávópeia, A0nva 2015, 137-150.
Milosz Czeslaw, Aixyáñcoznoxéipn, ptepp. Av6péas normas, nana-
óónouños, A0ñva 2017.
navayicotónouflos navayñs, «Koivcovikií pía - noñepiKñ oúyKpou-
an - KivnpatoypacpiKñ e^opáfluvon. Mía KoivcoviofloyiKÓ npo-
aeyyian tns anouoías taivicóv páxns atov eññnviKÓ Kivnpa-
toypácpo», oto: (Dcoteivñ Topan (emp.), Avanapaozáosis zou
noñéfjou, nana^ñans, A0ñva 2006, 67-88.
nanaSnpntpíou Au6ía, To eññnvixó KivnpazoypacpiKÓ yioú xañ.
KpiziKñ-noñizioyixñ decópnon, pttpp. Mapyapíta Kouñevtra-
voú, Avtiyóvn napoúan, nana^ñons, A0ñva 2006.
BIBAIOfPAOIA
275
rianaQeoócbpou Hawns, «Etpiañxncá aevápia yta euxuxrapéves pe-
pes - fia xo "Xánnu Nxaín" xou navxeñá BoúñYaPn » oto:
J ooxeivñ Topan (enip.), loxopía Kat ¡loñiziKñ erro épyo xou ¡la-
vxeññ Boúñyapn, nana^ñans, A8nva 2007, 117-127.
naoxafloú6n Eñévn, «H xpnan xou napeñ0óvxos aiov noñixiKÓ
ñóyo: xa yeyovóxa xns óexaexías xou 1940 axov noñixiKó ñóyo
xcov Koppáttúv xou Kévxpou (1950-1964)», oto: Píxn Bav Mnoú-
axoxev, Taaoúña BepPevicóxn, Euxuxía Bouxupá, Baaíñns Aañ-
Kapoúxns, Kcovaxavxíva Mná6a (enip.), Kai ftñdn r
eññnviKOú epq uñíou noñépou, EnÍKevxpo, ©eaaañovíKn 2008,
271-292.
naoxañoúSn Eñévn, 'Evas nóñepos teños. H Sexaeiía xou
1940 axov noñixiKó ñóyo, 1950-1967, Eníxevxpo, ©eaaaño-
víxn 2010.
Piault Marc Henri, Avdpxonoñoyía Kivnpaxoypácpos. ílépaapa
axnv eiKóva, népaopa anó r nvetKÓva, pxcpp. neñayía Mapxé-
xou, eniaxnpoviKñ empéñela: Xpñaxos Aeppevx^ónouños, Me-
xaíxpio, AQnva 2008.
npopaxá Mapiéxa, «Expaxeupévn ép6opn xéxvn: o eññnvixós Kivn-
paxoypátpos ato Pcopó xns nponayávóas», axo: (Dcoxeivñ To-
pan (enip.), Avanapaaxáaeis xou floñépou, na nations, A0ñva
2006, 181-190.
Znqjáxn Eipnvn, «Ta^iSeúovxas pe xis «Núcpes» oxn piicpoYaxopía
xns pexaváoxeuons», oxo: (Dcoxeivñ Topan (enip.), loxopía
¡loñixiKñ axo épyo xou llavxeññ Boúñyapn, nana^ñans, A8ñva
2007, 293-315.
Zoñóáxos Tiáwns, loxopía xou Eññnvixoú Kivnpaxoypáq ou, x. A':
(1900-1967), AiyÓKepaíS, A0ñva 1999s.
Zoñóáxos Háwns, «Oí noñepiKés nepinéxeies xns xcópas axov Ktvn-
paxoypácpo pas», axo: CDcoxeivn Topan (emp.), Avanapaaxáaeis
xou noñépou, riana^nans, A0ñva 2006, 35-40.
Sorlin Pierre, EupconaÍKós Kivnpaxoypáxp EupconaíKés Koivcovíes.
1939-1990, pxxpp. 'Ecpn Aaxíípn, Nerpéñn, A0nva 2004 (ayyñi-
Kñ ÉKÓoan: European Cinemas, European Societies. 1939-1990,
Routledge, London - New York, 1991).
276
H UTOPIA ZTH MErAAH O0ONH
Sorlin Pierre, Koivcoviorloyfa zou emaxnpoviKn
empefleia-eiaaycoYn: Xpnatos Aeppevtf[6nouflos, Mexaixpio,
AGnva 2006.
Znuponouflos navayicbxns n., «O Giaoos xou ©66copou Ayy^o-
nouflou: xonoi koi xponoi pias KivnpaxoypcKpiKhs papxupias»,
axo: Baaiflns AaflKapouxns, Eflevn naaxaflouSn, HfliasZxou-
fli6as, Kaxepiva Toekou (snip.), yia SeKaezia zou
1940. And to Boyo zou kozoxikou ozn pezavecozepiKh
iozopioypa pfa, Entxevxpo, ©eaaafloviKn 2012, 321-333.
Zxaaivonouflou Mapia A., «Avanapaoxaaeis xou noflepou pexa xov
Epcpuflio: n aaxipa», axo: Ocoxeivn Topan (enip.),
oeis zou noflepou, rjana^nans, AGnva 2006, 233-238.
Zcoxnponouflou XpuaavGn, H 6/a ozov
ypatpo: eniSpaoeis koi emppoes ozn zcov
zaivicbv zns nepiodou 1945-1986, ©epeflio, AGnva 1995.
Oeppo Mapx, Hloxopia uno enm px p. Baaiflns Topavas,
NnaiSes, ©eaaafloviKn 1999.
(Peppo MapK, Kivnpazoypazpos koiozopfa, pxcpp. neflayia Mapxe-
xou, npofloyos: Zcbxn Tpiavxacpuflflou, Mexaixpio, AGnva 2001.
Dflaiaep Xdyxev, Oi noflepoi zns pO
ozn Anpooia Iozopfa, Netp^fln, AGnva 2008.
Oflixoupns Aapnpos, «O epcpuflios axo «oeflifloi'vx»: laxopia koi
pvnpn», axo: PiKn Bav Mnouaxoxev, Taaoufla Beppevitoxn,
Euxuxia Bouxupa, Baaiflns AaflKaPouKns, Kcovaxavxiva Mna-
6a (enip.), Mvnpes koi flndn zou
pou, Enixevxpo, ©eaaafloviKn 2008, 387-404.
XdflKou Mapia, «Mvnpn, voaxaflYia koi Koaponoflixiapos: xaivies
nofhxiopiKhs koi icxopiKns Kflnpovopias (heritage films) oxov
eflflnviKO Kivnpaxoypatpo», axo: Mapia flapaSeian, AtppoSixn
NiKoflaT6ou (enip.), Ano zov ozov ouyxpovo
Kivnpazoypdzpo. Znzhpaza peO Oecopfas, lozopias,
Gutenberg, AGnva 2017, 261-281.
Horton Andrew, «'Tldaa auvopa npenei va nepaaoupe yia va ptd-
aoupe axnv naxpifia;": oi xaivies xou ©o6copou Ayysflonou-
flou koi xa Gepaxa xns pexavaaxeuans koi xns nafliwoaxnans».
BIBAIOrPAOMA
277
crio: A0nvá Kapxáñou, Acppoöitn NiKorlaïôou, Oávos Avacnó-
nouflos (enip.), Le 6évo zóno. H cnov eññnviKó
KivnfjazoYpácpo. Immigration in Greek Cinema. 1956-2006, Ek-
óóoeis Oeaußäfl Kivnpaioypáipou ©eoaañovÍKns - ekó. Aiyó-
KEpcos, A0ñva 2006, 42-45.
EupExnpio ovopâtcov
Alessandrini Goffredo 168
Andreotti Giuüo 164
Andrzejewski Jerzy 113
Arnold Agnieszka 115
Attenborough Richard 40
Aubrac Lucie 74
Autant-Lara Claude 38
Barbie Klaus 65, 72
Barbusse Henri 28
Bellocchio Marco 157, 164, 252
Benigni Roberto 175, 176
Bernard Raymond 32
Berri Claude 59, 81
Bertolucci Bernardo 159
Blackton Stuart J. 12
Blasetti Alessandro 151
Boisset Yves 46, 81
Bourdos Gilles 51
Briand Aristide 31
Bruck Edith 172
Buczkowski Leonard 96
Cadorna Luigi 147
Carion Christian 50
Cavalier Alain 79
Cavani Liliana 172
Chabrol Claude 68
Chalon Guy 78
Charef Mehdi 84
Chçcinski Sylwester 133
Chirac Jacques 74
Clément Pierre 77
Clément René 52
Conchon Georges 42
D'Annunzio Gabriele 147
Darquier de Pellepoix Louis 65
de Bresson Jean-Jacques 56
de Gaulle Charles 51, 53, 76, 78
de Sédouy Alain 55
De Sica Vittorio 172
Demy Jacques 79
Dorgelès Roland 32
Doumer Paul 32
Drach Michel 66
Dupeyron François 48
Durand Philippe 78
Eichmann Adolf 64, 104, 235,
245
Eisenstein Sergei 12
Enrico Robert 78
Faucon Philippe 84
Faurisson Robert 65
Fellini Federico 159
Ford Aleksander 99
Forzano Giovacchino 151
Frazzi Andrea 176
Frazzi Antonio 176
Frydland Maurice 74
Gallone Carmine 151
Gance Abel 27, 36, 48
Garibaldi Guiseppe 151
Godard Jean-Luc 79
Gomulka Wladyslaw 102, 122
Gréville Edmond T. 37
Griffith D. W. 148
280
H UTOPIA ITH METAAH OGONH
Gross Jan T. 115
Harris André 53
Herbiet Laurent 84
Heynemann Laurent 81
Hoffman Jerzy 138
Holland Agneska 106, 110, 131
Jacquet Michel 33
Jakubowska Wanda 96, 98, 104
Jaruzelski Wojciech 130
Jeunet Jean-Pierre 48
Kaige Chen 12
Kieslowski Krzysztof 131
Kolski Jan J. 111, 114
Kubrick Stanley 40, 48
Kusturica Emir 12
Kutz Kazimierz 134
Lang Fritz 148
Lankosz Borys 139
Lanzmann Claude 18, 70, 71, 72,
85
Le Bomin Gabriel 48
Levi Primo 167
Lizzani Carlo 159, 171
Lomnicki Jan 112
Lorenzi Jean-Louis 50
Losey Joseph 40, 66
Malle Louis 57, 66, 68
Milestone Lewis 31
Mitrani Michel 66
Mitterrand François 56
Monicelli Mario 40, 158
Moro Aldo 164
Munk Andrzej 102, 103, 122,
123
Noiret Philippe 43
Ophuls Marcel 18, 53, 71, 72
Pabst Georg Wilhelm 31
Papon Maurice 65
Pasikowski Wladystaw 115
Pasolini Pier Paolo 159
Pastrone Giovanni 147
Pawlikowski Pawel 116
Paxton Robert 58
Perei Shlomo 110
Perra Emiliano 173
Pétain Philippe 51, 55
Petelska Ewa 105
Petelski Czeslaw 105
Pirandello Luigi 150
Poiré Jean-Marie 59
Poirier Léon 31
Polanski Roman 114, 124
Pompidou Georges 58
Pontecorvo Gillo 79, 170, 171
Radiguet Raymond 38
Remarque Erich Maria 31
Renard Jacques 59
Renoir Auguste 51
Renoir Jean 33, 36, 51
Renzi Renzo 157
Resnais Alain 63, 70, 78
Righelli Gennaro 150
Risi Nelo 171
Rodan Brigitte 82
Rosi Francesco 159
Rossellini Roberto 152, 155, 228
Rouffio Jacques 42
Rousso Henry 52, 86
Rözewicz Stanislaw 105
Rozier Jacques 78
Sand Shlomo 12, 29, 150
Sauvage Pierre 74
Scola Ettore 160, 176
Simonelli Giorgio 168, 170
Siri FIorent-Emilio 84
Smarzowski Wojciech 139
EYPETHPIO ONOMATON
281
Solinas Franco 80
Sorrentino Paolo 164
Spielberg Steven 63, 174, 238
Stresemann Gustav 31
Szotajski Konrad 133
Tasma Alain 84
Tavernier Bertrand 43,46,83,86
Taviani Paolo 163
Taviani Vittorio 163
Touvier Paul 58, 65
Trenker Luis 151
Truffaut François 66, 68
Trumpo Dalton 40
Tym Stanislaw 133
Varda Agnès 78
Vautier René 77, 81
Véray Laurent 25, 26
Visconti Luchino 160, 171
Wajda Andrzej 16, 102, 103,
105, 106, 109, 113, 122, 123,
124, 128, 130, 132, 133, 136,
138, 228, 229
Vanne Josée 74
Zampa Luigi 157
Zanussi Krzysztof 127, 132
AyYerlônouflos 066 opos 193,
196, 200, 211, 212, 228
Avacrronouflos 0âvos 214
Avxcovîou AyYErliKh 214
AanpaKönoudos Kdjoxas 205
Barîéaa Aex 116
Baairteiâôou TecopYÎa 205
Béyyos ©avâans 207
Boyiax^hs Hawns 205
Bovanâpxns NanoAétuv 21, 163
BoürlYapns llavxeflns 193, 196,
198, 201, 212, 217
Boûnoupas Xphaxos 214
riavvaKâKns HfUas 202
nâvvapns Kcovaxavxîvos 214,
215
rxaaxiv Mapx 219
rxopitoas Icoxnpns 214
Aapiavos AfléÇns 193, 210
AeppevxÇônouflos Xpnaxos 210
Anpnxpiou Aflivta 202
Kapunîôns Ficopyos 210
KaxÇoupâKns Kupiaxos 215
Kôkkivos Tidopyos 20, 62
Kôppas rnüpyos 214
Koüvôoupos Nîkos 187
Kouxoacpxns Oirimnos 219
Kûpou Aôvis 187
Aiaponouflos Aâpnpos 210
AoyoSexiôns Baaifins 187
Mavédflns OpaYKîaKos 207
MavOoûflns Poßhpos 187
MaupÎKios Anpnxpns 213
Mouaoflivi Mnevixo 145, 164
MnErloyiawns Nîkos 198
Mnouflpéxns Tâoos 216
lavOônoudos Aeuxépns 210,
212
O0Ü3V A' 189
FlanaxâKns Nîkos 212
ZaKEdflâpios ArléKos 205
Taxaaônoudos Ixédios 207
TeYÔnourlos Anôoxoflos 205
TÇnpas Nîkos 198
Taîxos CDîflmnos 214
Xapaflâpnous Kcbcrxas 201
Xixdep Aôôdqjos 160, 170
f Bayerische \ |
any_adam_object | 1 |
author | Lemonidu, Ellē 1973- |
author_GND | (DE-588)1059760665 |
author_facet | Lemonidu, Ellē 1973- |
author_role | aut |
author_sort | Lemonidu, Ellē 1973- |
author_variant | e l el |
building | Verbundindex |
bvnumber | BV045428101 |
classification_rvk | AP 47000 |
contents | Enthält Bibliografie (S. 251-277) und Index (S. 279-281) |
ctrlnum | (OCoLC)1083923250 (DE-599)BVBBV045428101 |
discipline | Allgemeines |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cb4500</leader><controlfield tag="001">BV045428101</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220815</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">190128s2017 xx a||| |||| 00||| gre d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789605790806</subfield><subfield code="9">978-960-579-080-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1083923250</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045428101</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">gre</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 47000</subfield><subfield code="0">(DE-625)7538:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Lemonidu, Ellē</subfield><subfield code="d">1973-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1059760665</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Ē istoria stē megalē othonē</subfield><subfield code="b">istoria, kinēmatographos kai ethnikes tautotētes</subfield><subfield code="c">Ellē Lemonidu</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">historia kinēmatografos</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Athēna</subfield><subfield code="b">Taxideutēs</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">281 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Ekkentrē istoria - istoria apo to perithōrio</subfield><subfield code="v">No 7</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">In griechischer Schrift</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Enthält Bibliografie (S. 251-277) und Index (S. 279-281)</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kollektives Gedächtnis</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4639552-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschichte</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4156971-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Nationalbewusstsein</subfield><subfield code="0">(DE-588)4041282-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Griechenland</subfield><subfield code="0">(DE-588)4022047-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Polen</subfield><subfield code="0">(DE-588)4046496-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Polen</subfield><subfield code="0">(DE-588)4046496-9</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Griechenland</subfield><subfield code="0">(DE-588)4022047-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Kollektives Gedächtnis</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4639552-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4156971-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="7"><subfield code="a">Nationalbewusstsein</subfield><subfield code="0">(DE-588)4041282-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="8"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Ekkentrē istoria - istoria apo to perithōrio</subfield><subfield code="v">No 7</subfield><subfield code="w">(DE-604)BV036212828</subfield><subfield code="9">7</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Literaturverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Register // Personenregister</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">495</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">438</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">45</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030813837</subfield></datafield></record></collection> |
geographic | Frankreich (DE-588)4018145-5 gnd Griechenland (DE-588)4022047-3 gnd Italien (DE-588)4027833-5 gnd Polen (DE-588)4046496-9 gnd |
geographic_facet | Frankreich Griechenland Italien Polen |
id | DE-604.BV045428101 |
illustrated | Illustrated |
indexdate | 2025-01-02T21:06:59Z |
institution | BVB |
isbn | 9789605790806 |
language | Greek |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030813837 |
oclc_num | 1083923250 |
open_access_boolean | |
owner | DE-12 DE-188 |
owner_facet | DE-12 DE-188 |
physical | 281 Seiten Illustrationen |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Taxideutēs |
record_format | marc |
series | Ekkentrē istoria - istoria apo to perithōrio |
series2 | Ekkentrē istoria - istoria apo to perithōrio |
spelling | Lemonidu, Ellē 1973- Verfasser (DE-588)1059760665 aut Ē istoria stē megalē othonē istoria, kinēmatographos kai ethnikes tautotētes Ellē Lemonidu historia kinēmatografos Athēna Taxideutēs 2017 281 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Ekkentrē istoria - istoria apo to perithōrio No 7 In griechischer Schrift Enthält Bibliografie (S. 251-277) und Index (S. 279-281) Geschichte gnd rswk-swf Kollektives Gedächtnis Motiv (DE-588)4639552-0 gnd rswk-swf Geschichte Motiv (DE-588)4156971-4 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Griechenland (DE-588)4022047-3 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Polen (DE-588)4046496-9 gnd rswk-swf Frankreich (DE-588)4018145-5 g Polen (DE-588)4046496-9 g Italien (DE-588)4027833-5 g Griechenland (DE-588)4022047-3 g Film (DE-588)4017102-4 s Kollektives Gedächtnis Motiv (DE-588)4639552-0 s Geschichte Motiv (DE-588)4156971-4 s Nationalbewusstsein (DE-588)4041282-9 s Geschichte z DE-604 Ekkentrē istoria - istoria apo to perithōrio No 7 (DE-604)BV036212828 7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
spellingShingle | Lemonidu, Ellē 1973- Ē istoria stē megalē othonē istoria, kinēmatographos kai ethnikes tautotētes Ekkentrē istoria - istoria apo to perithōrio Enthält Bibliografie (S. 251-277) und Index (S. 279-281) Kollektives Gedächtnis Motiv (DE-588)4639552-0 gnd Geschichte Motiv (DE-588)4156971-4 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4639552-0 (DE-588)4156971-4 (DE-588)4041282-9 (DE-588)4017102-4 (DE-588)4018145-5 (DE-588)4022047-3 (DE-588)4027833-5 (DE-588)4046496-9 |
title | Ē istoria stē megalē othonē istoria, kinēmatographos kai ethnikes tautotētes |
title_alt | historia kinēmatografos |
title_auth | Ē istoria stē megalē othonē istoria, kinēmatographos kai ethnikes tautotētes |
title_exact_search | Ē istoria stē megalē othonē istoria, kinēmatographos kai ethnikes tautotētes |
title_full | Ē istoria stē megalē othonē istoria, kinēmatographos kai ethnikes tautotētes Ellē Lemonidu |
title_fullStr | Ē istoria stē megalē othonē istoria, kinēmatographos kai ethnikes tautotētes Ellē Lemonidu |
title_full_unstemmed | Ē istoria stē megalē othonē istoria, kinēmatographos kai ethnikes tautotētes Ellē Lemonidu |
title_short | Ē istoria stē megalē othonē |
title_sort | e istoria ste megale othone istoria kinematographos kai ethnikes tautotetes |
title_sub | istoria, kinēmatographos kai ethnikes tautotētes |
topic | Kollektives Gedächtnis Motiv (DE-588)4639552-0 gnd Geschichte Motiv (DE-588)4156971-4 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Kollektives Gedächtnis Motiv Geschichte Motiv Nationalbewusstsein Film Frankreich Griechenland Italien Polen |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813837&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV036212828 |
work_keys_str_mv | AT lemoniduelle eistoriastemegaleothoneistoriakinematographoskaiethnikestautotetes AT lemoniduelle historiakinematografos |