Paul Dukas: composer and critic
As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siecle and early twentieth-century French music. Although his catalogue of published scores was relatively modest in quantity, he was internationally recognised as an arti...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge
The Boydell Press
2019
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| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siecle and early twentieth-century French music. Although his catalogue of published scores was relatively modest in quantity, he was internationally recognised as an artist and intellectual of distinction who contributed significantly to Parisian musical cultures and critical debates as they evolved from the 1890s until the 1930s. Moving in the same circles as Debussy and Faure, as well as networking with trailblazers such as the Ballets Russes director Sergei Diaghilev and the conductor Serge Koussevitzky, Dukas created works that reflect French sensibilities but also resonate with transnational audiences. L'Apprenti sorcier is still his best-known work, while the opera Ariane et Barbe-Bleue has been revived and remains relevant for the twenty-first century. Works such as the Piano Sonata and the ballet La Peri respectively exemplify the twin attractions of tradition and progress for the composer. Intensely self-critical, however, he ended up destroying many of his scores. This book is the first full-length Anglophone study of Dukas. It perceives his critical essays as a form of creative, philosophical thought that synthesised the riches of the Parisian music scene yet also represented the formation and development of his own artistic voice. Investigating Dukas's interrelated identities as composer and critic, it seeks to explain his broad aesthetic motivations and artistic agenda. - LAURA WATSON is Lecturer in Music at Maynooth University. (Klappentext) |
| Beschreibung: | xiv, 289 Seiten, 1 ungezählte Seite Illustrationen, Notenbeispiele |
| ISBN: | 9781783273836 |
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| 520 | |a As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siecle and early twentieth-century French music. Although his catalogue of published scores was relatively modest in quantity, he was internationally recognised as an artist and intellectual of distinction who contributed significantly to Parisian musical cultures and critical debates as they evolved from the 1890s until the 1930s. Moving in the same circles as Debussy and Faure, as well as networking with trailblazers such as the Ballets Russes director Sergei Diaghilev and the conductor Serge Koussevitzky, Dukas created works that reflect French sensibilities but also resonate with transnational audiences. L'Apprenti sorcier is still his best-known work, while the opera Ariane et Barbe-Bleue has been revived and remains relevant for the twenty-first century. Works such as the Piano Sonata and the ballet La Peri respectively exemplify the twin attractions of tradition and progress for the composer. Intensely self-critical, however, he ended up destroying many of his scores. This book is the first full-length Anglophone study of Dukas. It perceives his critical essays as a form of creative, philosophical thought that synthesised the riches of the Parisian music scene yet also represented the formation and development of his own artistic voice. Investigating Dukas's interrelated identities as composer and critic, it seeks to explain his broad aesthetic motivations and artistic agenda. - LAURA WATSON is Lecturer in Music at Maynooth University. (Klappentext) | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Paul Dukas
Composer and Critic
Laura Watson
THE BOYDELL PRESS
Contents
List of Tables and Figures ix
List of Musical Examples xi
Acknowledgements xiii
Note on the Text xv
Introduction 1
1 An Intellectual and Aesthetic Formation: From Student
Composer to Music Critic 17
2 Symphony in C and Discourses of the French Symphony 55
3 LApprenti sorcier and Theorising a Theatre of Programme Music 79
4 Piano Works in Dialogue with Tradition 111
5 Ariane et Barbe-Bleue and Conceptualising Opera after Wagner
and Debussy 141
6 Dance between the Symphonic Poem and Stage: Responding to
Russian Influence 187
7 After the First World War: Creative Renewal and Return to
Music Criticism 221
Afterword 253
Bibliography
Index
|
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| bvnumber | BV045428073 |
| classification_rvk | LP 63670 |
| ctrlnum | (OCoLC)1101132192 (DE-599)OBVAC15258463 |
| discipline | Musikwissenschaft |
| format | Book |
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| spelling | Watson, Laura ca. 20./21. Jh. Verfasser (DE-588)1094688746 aut Paul Dukas composer and critic Laura Watson Woodbridge The Boydell Press 2019 © 2019 xiv, 289 Seiten, 1 ungezählte Seite Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siecle and early twentieth-century French music. Although his catalogue of published scores was relatively modest in quantity, he was internationally recognised as an artist and intellectual of distinction who contributed significantly to Parisian musical cultures and critical debates as they evolved from the 1890s until the 1930s. Moving in the same circles as Debussy and Faure, as well as networking with trailblazers such as the Ballets Russes director Sergei Diaghilev and the conductor Serge Koussevitzky, Dukas created works that reflect French sensibilities but also resonate with transnational audiences. L'Apprenti sorcier is still his best-known work, while the opera Ariane et Barbe-Bleue has been revived and remains relevant for the twenty-first century. Works such as the Piano Sonata and the ballet La Peri respectively exemplify the twin attractions of tradition and progress for the composer. Intensely self-critical, however, he ended up destroying many of his scores. This book is the first full-length Anglophone study of Dukas. It perceives his critical essays as a form of creative, philosophical thought that synthesised the riches of the Parisian music scene yet also represented the formation and development of his own artistic voice. Investigating Dukas's interrelated identities as composer and critic, it seeks to explain his broad aesthetic motivations and artistic agenda. - LAURA WATSON is Lecturer in Music at Maynooth University. (Klappentext) Dukas, Paul 1865-1935 (DE-588)119174049 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Dukas, Paul 1865-1935 (DE-588)119174049 p DE-604 V:DE-605;X:semantics application/pdf http://digitale-objekte.hbz-nrw.de/storage2/2019/05/05/file_32/8459056.pdf Inhaltsverzeichnis HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813810&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Watson, Laura ca. 20./21. Jh Paul Dukas composer and critic Dukas, Paul 1865-1935 (DE-588)119174049 gnd |
| subject_GND | (DE-588)119174049 (DE-588)4006804-3 |
| title | Paul Dukas composer and critic |
| title_auth | Paul Dukas composer and critic |
| title_exact_search | Paul Dukas composer and critic |
| title_full | Paul Dukas composer and critic Laura Watson |
| title_fullStr | Paul Dukas composer and critic Laura Watson |
| title_full_unstemmed | Paul Dukas composer and critic Laura Watson |
| title_short | Paul Dukas |
| title_sort | paul dukas composer and critic |
| title_sub | composer and critic |
| topic | Dukas, Paul 1865-1935 (DE-588)119174049 gnd |
| topic_facet | Dukas, Paul 1865-1935 Biografie |
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