Real theatre: essays in experience
"Theatre is often said to offer unique insights into the nature of reality, but this obscures the reality of theatre itself. In Real Theatre, Paul Rae takes a joined-up approach to the realities of theatre to explain why performances take the forms they do, and what effects they have. Drawing o...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York, NY
Cambridge University Press
2019
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Schriftenreihe: | Theatre and performance theory
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
Zusammenfassung: | "Theatre is often said to offer unique insights into the nature of reality, but this obscures the reality of theatre itself. In Real Theatre, Paul Rae takes a joined-up approach to the realities of theatre to explain why performances take the forms they do, and what effects they have. Drawing on examples ranging from Phantom of the Opera and Danny Boyle's Frankenstein, to the performances of the Wooster Group and arthouse director Tsai Ming-liang, he shows how apparently discrete theatrical events emerge from dynamic and often unpredictable social, technical and institutional assemblages. These events then enter a process of cultural circulation that, as Rae explains, takes many forms: fleeting conversations, the mercurial careers of theatrical characters and the composite personae of actors, and high-profile products like Hollywood movie Birdman. The result is a real theatre that speaks of and to the idiosyncratic and cumulative experience of every theatre participant"-- |
Beschreibung: | 1 online resource |
ISBN: | 9781316890752 |
DOI: | 10.1017/9781316890752 |
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505 | 8 | |a Introduction: the reality of theatre -- Realtheatrick: material theatres adn ordinary magic -- That's entertainment: theatre and experience -- Theatre talk: the poetics of theatre at a distance -- Peak performance and the construction of theatrical truths -- Infratheatre: what theatre is when it's not quite theatre -- The theatre assembled: technical theatre in performance -- Theatre people: the actor and the unaccommodated man -- Conclusion: real theatre studies? | |
520 | 3 | |a "Theatre is often said to offer unique insights into the nature of reality, but this obscures the reality of theatre itself. In Real Theatre, Paul Rae takes a joined-up approach to the realities of theatre to explain why performances take the forms they do, and what effects they have. Drawing on examples ranging from Phantom of the Opera and Danny Boyle's Frankenstein, to the performances of the Wooster Group and arthouse director Tsai Ming-liang, he shows how apparently discrete theatrical events emerge from dynamic and often unpredictable social, technical and institutional assemblages. These events then enter a process of cultural circulation that, as Rae explains, takes many forms: fleeting conversations, the mercurial careers of theatrical characters and the composite personae of actors, and high-profile products like Hollywood movie Birdman. The result is a real theatre that speaks of and to the idiosyncratic and cumulative experience of every theatre participant"-- | |
653 | 0 | |a Theater and society | |
653 | 0 | |a Theater / Psychological aspects | |
653 | 0 | |a Theater / Philosophy | |
653 | 0 | |a Theater audiences / Psychology | |
653 | 0 | |a Reality in literature | |
653 | 0 | |a PERFORMING ARTS / Theater / General | |
653 | 6 | |a Electronic books | |
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Datensatz im Suchindex
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any_adam_object | |
author | Rae, Paul |
author_facet | Rae, Paul |
author_role | aut |
author_sort | Rae, Paul |
author_variant | p r pr |
building | Verbundindex |
bvnumber | BV045419404 |
collection | ZDB-20-CBO |
contents | Introduction: the reality of theatre -- Realtheatrick: material theatres adn ordinary magic -- That's entertainment: theatre and experience -- Theatre talk: the poetics of theatre at a distance -- Peak performance and the construction of theatrical truths -- Infratheatre: what theatre is when it's not quite theatre -- The theatre assembled: technical theatre in performance -- Theatre people: the actor and the unaccommodated man -- Conclusion: real theatre studies? |
ctrlnum | (ZDB-20-CBO)CR9781316890752 (OCoLC)1083279620 (DE-599)BVBBV045419404 |
doi_str_mv | 10.1017/9781316890752 |
format | Electronic eBook |
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indexdate | 2024-07-10T08:17:38Z |
institution | BVB |
isbn | 9781316890752 |
language | English |
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publishDate | 2019 |
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publisher | Cambridge University Press |
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series2 | Theatre and performance theory |
spelling | Rae, Paul Verfasser aut Real theatre essays in experience Paul Rae Cambridge ; New York, NY Cambridge University Press 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier Theatre and performance theory Introduction: the reality of theatre -- Realtheatrick: material theatres adn ordinary magic -- That's entertainment: theatre and experience -- Theatre talk: the poetics of theatre at a distance -- Peak performance and the construction of theatrical truths -- Infratheatre: what theatre is when it's not quite theatre -- The theatre assembled: technical theatre in performance -- Theatre people: the actor and the unaccommodated man -- Conclusion: real theatre studies? "Theatre is often said to offer unique insights into the nature of reality, but this obscures the reality of theatre itself. In Real Theatre, Paul Rae takes a joined-up approach to the realities of theatre to explain why performances take the forms they do, and what effects they have. Drawing on examples ranging from Phantom of the Opera and Danny Boyle's Frankenstein, to the performances of the Wooster Group and arthouse director Tsai Ming-liang, he shows how apparently discrete theatrical events emerge from dynamic and often unpredictable social, technical and institutional assemblages. These events then enter a process of cultural circulation that, as Rae explains, takes many forms: fleeting conversations, the mercurial careers of theatrical characters and the composite personae of actors, and high-profile products like Hollywood movie Birdman. The result is a real theatre that speaks of and to the idiosyncratic and cumulative experience of every theatre participant"-- Theater and society Theater / Psychological aspects Theater / Philosophy Theater audiences / Psychology Reality in literature PERFORMING ARTS / Theater / General Electronic books Erscheint auch als Druck-Ausgabe, hardback 1107186595 Original 9781107186590 Erscheint auch als Druck-Ausgabe, paperback https://doi.org/10.1017/9781316890752 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Rae, Paul Real theatre essays in experience Introduction: the reality of theatre -- Realtheatrick: material theatres adn ordinary magic -- That's entertainment: theatre and experience -- Theatre talk: the poetics of theatre at a distance -- Peak performance and the construction of theatrical truths -- Infratheatre: what theatre is when it's not quite theatre -- The theatre assembled: technical theatre in performance -- Theatre people: the actor and the unaccommodated man -- Conclusion: real theatre studies? |
title | Real theatre essays in experience |
title_auth | Real theatre essays in experience |
title_exact_search | Real theatre essays in experience |
title_full | Real theatre essays in experience Paul Rae |
title_fullStr | Real theatre essays in experience Paul Rae |
title_full_unstemmed | Real theatre essays in experience Paul Rae |
title_short | Real theatre |
title_sort | real theatre essays in experience |
title_sub | essays in experience |
url | https://doi.org/10.1017/9781316890752 |
work_keys_str_mv | AT raepaul realtheatreessaysinexperience |