Editions of Chopin's works in the nineteenth century: aspects of reception history
This book presents the editions of Chopin’s works as cultural texts and gives account of the main events in their reception history. Based on a new typology and an overview of copyright and economics, 140 editions evidence a dominance of a few popular works and genres (nocturnes, mazurkas, waltzes)...
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
Frankfurt am Main ; Berlin ; Bern ; Bruxelles ; New York ; Oxford ; Wien
PL Academic Research
[2016]
|
| Series: | Eastern European studies in musicology
volume 7 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | This book presents the editions of Chopin’s works as cultural texts and gives account of the main events in their reception history. Based on a new typology and an overview of copyright and economics, 140 editions evidence a dominance of a few popular works and genres (nocturnes, mazurkas, waltzes) and two distinctive tendencies in editing: academic (historical-monumental) and popular (salon & entertainment music). Four case studies research real-life typology, reprints, edition filiation, and the use of compositional sources. The author addresses edition aesthetics, from musical work ontology through national aspects of reception and recontextualisation strategies to the role of women in Chopin editing and axiological aspects of editions. The appendix includes forewords to major Chopin editions |
| Physical Description: | 364 Seiten Illustrationen, Diagramme, Notenbeispiele |
| ISBN: | 9783631629413 |
Staff View
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Record in the Search Index
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| adam_text | Contents Foreword..................... 9 Chapter 1. State of research....................................................................... 17 1. Music editing, History and theory....................................................................17 1.1 Music editing as a specific form of scientific editing...............................17 1.2 Historical research on music editions........................................................ 18 2. Chopin reception studies...................................................................................23 3. Studies on Chopin editions................................................................................26 3.1 Research on manuscripts and other primary sources.............................28 3.2 Research on later editions........................................................................... 30 3.3 Editorial criticism of editions.................................................................... 31 Chapter 2. Editions of Chopins works: sources and typology...........35 1. Chopin editions in the nineteenth and twentieth century. State of research.................................................................................................. 35 2. Nineteenth-century theory of editing.............................................................. 36 3. Typology of editions.......................................................................................... 49 3.1 Music editions classification in the existing literature.............................49 3.2 Typology of editions. Pragmatic criterion: goal of the
edition................52 3.2.1 Source editions (urtexts)................................................................. 52 3.2.2 Critical editions............................................................................... 55 3.2.3 Practical (teaching) editions............................................................58 3.2.4 Interpretative (performing) editions.............................................. 60 3.2.5 Analytical editions.......................... 3.3 Typology of editions. Source criterion: documentary base of the edition................................................................... 63 69 3.3.1 Editions based on original editions.................................................70 3.3.2 Editions based on documented compositional intentions............71 3.3.3 Editions based on noncompositional sources................................72 5
3.4 Typology of editions. Other possible criteria............................................ 73 3.4.1 Biographical criterion: the editor.................................................... 73 3.4.2 Philological criterion: scope and degree of editorial interventions.....................................................................................75 Chapter 3. Editions of Chopins works: the historical perspective........................................................... 77 1. Legal and economic context of music editing in the nineteenth century.................................................................................. 77 1.1 Quantitative context: circulation............................................................... 77 1.2 Financial context........................................................................................ 79 1.3 Legal context: copyright.............................................................................. 81 2. Geographical distribution of editions..............................................................86 2.1 Germany and Austria..................................................................................86 2.2 France...........................................................................................................94 2.3 United Kingdom and United States...........................................................95 2.4 Russia...........................................................................................................99 2.5
Poland........................................................................................................ 101 2.6 Other countries..........................................................................................103 3. Distribution of editions by genre...................................................................104 3.1 Editions of the different genres................................................................ 104 3.2 Most popular works..................................................................................105 Chapter 4. Editions of Chopins works: the analytical perspective........................................................ 109 1. Premises and contexts of analysis..................................................................109 2. The Karl Klindworth edition..........................................................................Ill 3. French editions after the expiry of copyright............................................... 121 3.1 Impressions and dating............................................................................. 126 3.1.1 Édition Originale Brandus Cie.................................................... 128 3.1.2 Édition Classique Heugel Cie...................................................... 136 3.2 Musical text editing...................................................................................143 6
4. The case of an English edition of the Concertos............................................150 4.1 Musical text editing.................................................................................. 154 5. Editions by the Warsaw house of Gebethner і Wolff.....................................165 5.1 Musical text editing.................................................................................. 167 5.2 Filiation of the different editions..............................................................175 Chapter 5. Editions of Chopins works: the social and aesthetic perspective.....................................191 1. Editions of Chopin’s works and the understanding of musical work in the nineteenth century.................................................................................... 192 1.1 Musical work identity in the nineteenth century...................................193 1.2 Musical work versus performance and score in the nineteenth century.......................................................................................................195 1.3 Variants......................................................................................................198 2. Editions of Chopin’s works as a reflection of trends in performance................................................................................. 200 2.1 Schools of Chopin playing........................................................................202 2.2 Polish school: performing and editing issues......................................... 206 2.2.1 An edition that never was: the
Koczalski case.............................209 2.3 The Polish-Viennese school: “dispersal of meanings”............................213 2.4 The French school: “in the shadow of shallow virtuosity”..................... 217 2.5 Germany: Chopin concretised.................................................................221 3. Between salon and monument: ideologies in Chopin reception and editing............................................................................................................... 226 3.1 Triviálisation and its strategies................................................................ 226 3.1.1 Change of substance.......................................................................226 3.1.2 Change of extramusical characteristics: Titles of Chopin’s works...............................................................................................229 3.1.3 Change of context: Chopin in the kindergarten and conservatoire.................................................................................. 232 3.2 Arbiter elegantiae: a different understanding of the salon...................... 234 4. Women in Chopin editions (or not)...............................................................240 4.1 Feminism in musicological research.......................................................240 7
4.2 Who consumed Chopin? The sociology of the salon.............................242 4.3 From effeminacy to “sodomy.” The dark side of femininity................... 246 4.4 The circle of female students....................................................................249 5. Editions of Chopin’s works and national aspects of reception.....................257 5.1 National differentiation of the repertoire............................................... 258 5.2 Late works..................................................................................................263 5.3 National paradigms of reception............................................................. 265 5.3.1 Poland: superficial familiarity....................................................... 265 5.3.2 France and Germany: appropriating Chopin...............................267 5.3.3 England: a disease that needs to be cured.................................... 271 6. The value of Chopins works editions in the nineteenth century................. 276 Bibliography............................................................................................. 289 A. Sources............................................................................................................. 289 1. 2. Editions of Chopin’s works...................................................................... 289 1.1 Nineteenth century....................................................................... 289 1.2 Twentieth century......................................................................... 300 Publishers’
catalogues...............................................................................302 B. References........................................................................................................ 307 List of illustrations............................................................................................ 319 Appendix............................................................................................................. 323 Index of publishers.................................................................................. 353 Index of names......................................................................................... 357 8
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| spelling | Bońkowski, Wojciech Verfasser (DE-588)112359189X aut Editions of Chopin's works in the nineteenth century aspects of reception history Wojciech Bońkowski Editions of Chopin's works in the 19th century Frankfurt am Main ; Berlin ; Bern ; Bruxelles ; New York ; Oxford ; Wien PL Academic Research [2016] © 2016 364 Seiten Illustrationen, Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Eastern European studies in musicology volume 7 Dissertation University of Warsaw 2008 modified and edited version This book presents the editions of Chopin’s works as cultural texts and gives account of the main events in their reception history. Based on a new typology and an overview of copyright and economics, 140 editions evidence a dominance of a few popular works and genres (nocturnes, mazurkas, waltzes) and two distinctive tendencies in editing: academic (historical-monumental) and popular (salon & entertainment music). Four case studies research real-life typology, reprints, edition filiation, and the use of compositional sources. The author addresses edition aesthetics, from musical work ontology through national aspects of reception and recontextualisation strategies to the role of women in Chopin editing and axiological aspects of editions. The appendix includes forewords to major Chopin editions Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd rswk-swf Geschichte 1850-1900 gnd rswk-swf Edition (DE-588)4132033-5 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Chopin, Frédéric 1810-1849 (DE-588)118520539 p Komposition Musik (DE-588)4133320-2 s Edition (DE-588)4132033-5 s Geschichte 1850-1900 z 1\p DE-604 Erscheint auch als Online-Ausgabe, PDF 978-3-653-05465-1 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-69355-1 Erscheint auch als Online-Ausgabe, MOBI 978-3-631-69356-8 Eastern European studies in musicology volume 7 (DE-604)BV041902002 7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030788136&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bońkowski, Wojciech Editions of Chopin's works in the nineteenth century aspects of reception history Eastern European studies in musicology Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd Edition (DE-588)4132033-5 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)118520539 (DE-588)4132033-5 (DE-588)4133320-2 (DE-588)4113937-9 |
| title | Editions of Chopin's works in the nineteenth century aspects of reception history |
| title_alt | Editions of Chopin's works in the 19th century |
| title_auth | Editions of Chopin's works in the nineteenth century aspects of reception history |
| title_exact_search | Editions of Chopin's works in the nineteenth century aspects of reception history |
| title_full | Editions of Chopin's works in the nineteenth century aspects of reception history Wojciech Bońkowski |
| title_fullStr | Editions of Chopin's works in the nineteenth century aspects of reception history Wojciech Bońkowski |
| title_full_unstemmed | Editions of Chopin's works in the nineteenth century aspects of reception history Wojciech Bońkowski |
| title_short | Editions of Chopin's works in the nineteenth century |
| title_sort | editions of chopin s works in the nineteenth century aspects of reception history |
| title_sub | aspects of reception history |
| topic | Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd Edition (DE-588)4132033-5 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Chopin, Frédéric 1810-1849 Edition Komposition Musik Hochschulschrift |
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