Writing sounds in Carolingian Europe: the invention of musical notation
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge, United Kingdom
Cambridge University Press
2018
|
| Series: | Cambridge studies in palaeography and codicology
[15] |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | xxiii, 404 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781108421409 9781108432603 |
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MARC
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Record in the Search Index
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Contents List ofFigures List of Tables List ofExamples Note on Musical Examples Preface List ofAbbreviations page x xii xiii xvi xvii xxi PART I MUSICAL LITERACY i 1 Writing Music 3 2 Palaeographical Study of Neumatic Notations (from 1681 to the Present) 2.1 1681-1889: From Palaeography to''Paléographie Musicale 2.2 1889-1952: From Monasteryto Academy 2.3 Manuscripts as Material Objects: The Post-War Years 2.4 Neumae Latini Antiquiores 2.5 Why, Where and When? 13 13 24 37 44 52 3 Music Notations 800—900: The Evidence 3.1 Before and After: Writing Music 3.2 Before and After: Reading Music 3.3 A Paradigm Shift? 3.4 Evidence of Music Notations Written in the Ninth Century: Methodology 3.5 Evidence of Music Notations Written in the Ninth Century: Scripts 3.6 Evidence of Music Notations Written in the Ninth Century: Manuscript Sources 3.6.1 Palaeofrankish Script 3.6.2 Breton Script 3.6.3 Lotharingian Script 3.6.4 Aquitanian Script 3.6.5 Frankish Scripts 3.6.5.1 West Frankish Examples 3.6.5.2 East Frankish Examples 3.6.5.3 Italian Examples 65 65 72 77 84 92 vii 93 94 95 102 106 108 108 no 114
Contents 3.6.5.4 Old Hispanic Examples 3.6.6 Nonantolan Script 3.7 Exploitation of Music Notation by 900 3.7.1 The Sankt Gallen Versicubrium 3.7.2 Versus 3.7.3 Prayers and Readings 3.7.4 Liturgical Chant: Gregorian Propers andNew Repertories 3.7.5 The Liber Ymnorum of Notker Balbulus PART II MUSIC SCRIPTS 118 122 122 123 128 145 151 157 163 4 Graphic Techniques and Strategies 4.1 Graphic and Spatial Characteristics of Ninth-Century Music Scripts 4.2 Categories of Difference between Scripts 4.3 Models for the Relation between Extant Music Scripts 4.4 Comparisons between Extant Scripts 165 165 173 179 191 5 Frankish Scripts 5.1 Frankish Script in East Francia and in Italy: Sankt Gallen and Bobbio 5.1.i Summary 5.2 Frankish Script in West Francia 5.3 Frankish Scripts (West, East and Italian) 194 194 206 207 223 6 Lotharingian and Breton Scripts 6.1 Placement of Neumes in the Interlinear Space 6.2 Writing Single Notes: Lotharingian Script 6.3 Writing Single Notes: Breton Script 6.4 Incorporation of the Virga into Longer Neumes in Chartres 47 and Laon 239 6.5 Joining and Separating 6.6 Other Signs and Procedures in Chartres 47 and Laon 239 6.7 Summary 229 230 240 245 7 Palaeofrankish Script 7.1 Placement of Neumes in the Interlinear Space 7.2 Neume Forms for Single Notes 7.3 Neume Forms for Note Groups 7.4 The Idea of a Tonortschrifi 7.5 Palaeofrankish, Lotharingian andBreton Scripts Compared 255 256 257 262 265 269 8 Music Scripts: Conclusions 272 viii 247 248 251 254
Contents PART III WRITING SOUND 9 Signs and Meaning 9.1 Grammar and the Control of Sound 9.2 Metaphors for Sound 9.3 Accents and Musical Sound 9.4 Speaking and Singing Voices 277 279 279 282 289 294 10 Writing Music: Accents 10.1 A First Model (Palaeofrankish) 10.1.1 A New Hypothesis 10.1.2 From Accents to a Music Script 10.1.3 Palaeofrankish Music Script: Extant Examples 10.2 A Second Model (Frankish) 10.2.1 Writing Individual Notes 10.2.2 Frankish Music Script 10.3 Many Music Scripts 10.3.1 The Palaeofrankish Family of Scripts 10.3.2 The Frankish Family of Scripts 303 303 305 308 313 3x7 319 325 328 330 334 11 The Carolingian Invention of Music Writing ii. i Preparing the Word of God ii. 2 Performing the Word of God 11.3 Writing Music 11.4 Exploration, Experimentation, Exploitation 337 340 345 353 358 Appendix Bibliography Index ofManuscripts Index of Chants and Songs General Index 363 370 391 395 398 ix
Musical notation has not always existed: in the West, musical traditions have often depended on transmission Trom mouth to ear. car to mouth. Although die Ancient (¿reeks had a form ot musicai notation, it was not passed oil to the medieval Utin West. 'I his comprehensive si udy in vestigates the breadth of use of musicai notation in ( luroiingian Kuropc. including many exampies previously unknown in studies of notation, to detiver a crucial foundational model for the understanding of later Western notations. An overview of the study of ncumalic notations from the French monastic scholar і Join lean Mahilfon (1632 1707) up to (he present day precedes an examination of the function and potentiai of writing in support of a musicai practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and sočiai contexts in which they emerged. |
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| callnumber-first | M - Music |
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| discipline | Musikwissenschaft |
| era | Geschichte 800-900 gnd |
| era_facet | Geschichte 800-900 |
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| spelling | Rankin, Susan Verfasser (DE-588)1030011567 aut Writing sounds in Carolingian Europe the invention of musical notation Susan Rankin Cambridge, United Kingdom Cambridge University Press 2018 xxiii, 404 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Cambridge studies in palaeography and codicology [15] Includes bibliographical references and index Geschichte 800-900 gnd rswk-swf Paleography, Musical Neumes Musical notation History To 1500 Music 500-1400 Manuscripts Notenschrift (DE-588)4135339-0 gnd rswk-swf Fränkisches Reich (DE-588)4071332-5 gnd rswk-swf Fränkisches Reich (DE-588)4071332-5 g Notenschrift (DE-588)4135339-0 s Geschichte 800-900 z DE-604 Cambridge studies in palaeography and codicology [15] (DE-604)BV009559856 15 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030784250&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030784250&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Rankin, Susan Writing sounds in Carolingian Europe the invention of musical notation Cambridge studies in palaeography and codicology Paleography, Musical Neumes Musical notation History To 1500 Music 500-1400 Manuscripts Notenschrift (DE-588)4135339-0 gnd |
| subject_GND | (DE-588)4135339-0 (DE-588)4071332-5 |
| title | Writing sounds in Carolingian Europe the invention of musical notation |
| title_auth | Writing sounds in Carolingian Europe the invention of musical notation |
| title_exact_search | Writing sounds in Carolingian Europe the invention of musical notation |
| title_full | Writing sounds in Carolingian Europe the invention of musical notation Susan Rankin |
| title_fullStr | Writing sounds in Carolingian Europe the invention of musical notation Susan Rankin |
| title_full_unstemmed | Writing sounds in Carolingian Europe the invention of musical notation Susan Rankin |
| title_short | Writing sounds in Carolingian Europe |
| title_sort | writing sounds in carolingian europe the invention of musical notation |
| title_sub | the invention of musical notation |
| topic | Paleography, Musical Neumes Musical notation History To 1500 Music 500-1400 Manuscripts Notenschrift (DE-588)4135339-0 gnd |
| topic_facet | Paleography, Musical Neumes Musical notation History To 1500 Music 500-1400 Manuscripts Notenschrift Fränkisches Reich |
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