Vija Celmins - to fix the image in memory:
Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and ni...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
San Francisco, California
San Francisco Museum of Modern Art
[2018]
New Haven ; London Yale University Press |
| Schlagworte: | |
| Zusammenfassung: | Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies--all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive "redescribing" of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra. Exhibition: San Francisco Museum of Modern Art, USA (15.12.2018-31.03.2019); Art Gallery of Ontario, Toronto, Canada (13.06-11.08.2019); The Met Breuer, New York, USA (01.10.2019-12.01.2020) "Vija Celmins (b. 1938) has been creating exquisitely detailed drawings, paintings, and sculptures of natural imagery for more than five decades. She is perhaps best known for her striking drawings of ocean surfaces, desert floors, and night skies, in which vast, expansive distances are distilled into mesmerizing small-scale artworks. Celmins terms her process of translating one surface to another--whether working from photographic sources or replicating found objects--'rediscription,' an act that explores human consciousness in relation to lived experience and invites us to question our perceptions of reality. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated monograph explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her continued commitment to investigating the nature of drawing and painting. Documenting her years in the artist community of Los Angeles in the 1960s and 1970s, where she first broke from the predominant styles of Abstract Expressionism, Pop, and Minimalism to refine her unique approach to abstraction, as well as her time in the vibrant milieu of New York of the 1980s and 1990s, where she ultimately settled, this unprecedented survey offers a broader context than ever before for her distinctive work." |
| Beschreibung: | Published on the occasion of an exhibition of the same name held at the San Francisco Museum of Modern Art, December 15, 2018-March 31, 2019; the Art Gallery of Ontario, Toronto, May 4-August 4, 2019; and The Metropolitan Museum of Art, New York, September 24, 2019-January 12, 2020 |
| Beschreibung: | 271 Seiten 31 cm |
| ISBN: | 9780300234213 |
Internformat
MARC
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| 246 | 1 | 3 | |a To fix the image in memory |
| 246 | 1 | 3 | |a Vija Celmins |
| 264 | 1 | |a San Francisco, California |b San Francisco Museum of Modern Art |c [2018] | |
| 264 | 1 | |a New Haven ; London |b Yale University Press | |
| 300 | |a 271 Seiten |c 31 cm | ||
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| 336 | |b txt |2 rdacontent | ||
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| 500 | |a Published on the occasion of an exhibition of the same name held at the San Francisco Museum of Modern Art, December 15, 2018-March 31, 2019; the Art Gallery of Ontario, Toronto, May 4-August 4, 2019; and The Metropolitan Museum of Art, New York, September 24, 2019-January 12, 2020 | ||
| 505 | 8 | 0 | |r Neal Benezra and Max Hollein |r Gary Garrels and Ian Alteveer |t Vija Celmins : To fix the image in memory |r Gary Garrels |t The image found me : Vija Celmins in Los Angeles |r Russell Ferguson |t Redescribing the photograph |r Frances Jacobus-Parker |t Moving out |r Suzanne Hudson |t Longer than anywhere in the world : Vija Celmins on the east coast |r Ian Alteveer |t Exercises in abstraction |r Briony Fer |t Vija Celmins : In the artist's words |r Compiled by Meredith A. Brown |t Exhibition history |r Compiled by Nancy Lim |t Selected bibliography |r Compiled by Nancy Lim |
| 520 | 3 | |a Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies--all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive "redescribing" of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra. Exhibition: San Francisco Museum of Modern Art, USA (15.12.2018-31.03.2019); Art Gallery of Ontario, Toronto, Canada (13.06-11.08.2019); The Met Breuer, New York, USA (01.10.2019-12.01.2020) | |
| 520 | 3 | |a "Vija Celmins (b. 1938) has been creating exquisitely detailed drawings, paintings, and sculptures of natural imagery for more than five decades. She is perhaps best known for her striking drawings of ocean surfaces, desert floors, and night skies, in which vast, expansive distances are distilled into mesmerizing small-scale artworks. Celmins terms her process of translating one surface to another--whether working from photographic sources or replicating found objects--'rediscription,' an act that explores human consciousness in relation to lived experience and invites us to question our perceptions of reality. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated monograph explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her continued commitment to investigating the nature of drawing and painting. Documenting her years in the artist community of Los Angeles in the 1960s and 1970s, where she first broke from the predominant styles of Abstract Expressionism, Pop, and Minimalism to refine her unique approach to abstraction, as well as her time in the vibrant milieu of New York of the 1980s and 1990s, where she ultimately settled, this unprecedented survey offers a broader context than ever before for her distinctive work." | |
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| 653 | 1 | |a Celmins, Vija / 1938- / Exhibitions | |
| 653 | 1 | |a Celmins, Vija / 1938- / Criticism and interpretation | |
| 653 | 1 | |a Celmins, Vija / 1938- / Themes, motives | |
| 653 | 1 | |a Celmins, Vija / 1938- / Interviews | |
| 653 | 1 | |a Celmins, Vija / 1938- | |
| 653 | 0 | |a Drawing, American / United States / 20th century / Exhibitions | |
| 653 | 0 | |a Drawing, American / United States / 21st century / Exhibitions | |
| 653 | 0 | |a Photo-realism / United States / 20th century / Exhibitions | |
| 653 | 0 | |a Photo-realism / United States / 21st century / Exhibitions | |
| 653 | 0 | |a Art, Modern / 20th century | |
| 653 | 0 | |a Art, Modern / 21st century | |
| 653 | 0 | |a Latvian American artists / New York (State) / 20th century / Exhibitions | |
| 653 | 0 | |a Latvian American artists / New York (State) / 21st century / Exhibitions | |
| 653 | 0 | |a Women artists / New York (State) / 20th century / Exhibitions | |
| 653 | 0 | |a Women artists / New York (State) / 21st century / Exhibitions | |
| 653 | 6 | |a Exhibition catalogs | |
| 653 | 6 | |a Essays | |
| 653 | 6 | |a Interviews | |
| 653 | 6 | |a Illustrated works | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a Exhibition catalogs | |
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| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Metropolitan Museum of Art |y 24.09.2019-12.01.2020 |z New York, NY |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
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| 700 | 1 | |a Ferguson, Russell |d 1956- |0 (DE-588)172073820 |4 wat | |
| 700 | 1 | |a Jacobus-Parker, Frances |4 wat | |
| 700 | 1 | |a Hudson, Suzanne Perling |d 1977- |0 (DE-588)13824636X |4 wat | |
| 700 | 1 | |a Alteveer, Ian |0 (DE-588)1038661064 |4 wat | |
| 700 | 1 | |a Fer, Briony |d 1956- |0 (DE-588)137135149 |4 wat | |
| 700 | 1 | |a Brown, Meredith A. |4 wat | |
| 700 | 1 | |a Lim, Nancy |4 wat | |
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| 710 | 2 | |a Metropolitan Museum of Art |0 (DE-588)1008914-7 |4 his | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030780892 | ||
Datensatz im Suchindex
| _version_ | 1804179258003685376 |
|---|---|
| any_adam_object | |
| author2 | Garrels, Gary 1957- |
| author2_role | edt |
| author2_variant | g g gg |
| author_GND | (DE-588)119282828 (DE-588)133182568 (DE-588)172073820 (DE-588)13824636X (DE-588)1038661064 (DE-588)137135149 |
| author_additional | Neal Benezra and Max Hollein Gary Garrels and Ian Alteveer Gary Garrels Russell Ferguson Frances Jacobus-Parker Suzanne Hudson Ian Alteveer Briony Fer Compiled by Meredith A. Brown Compiled by Nancy Lim |
| author_facet | Garrels, Gary 1957- |
| building | Verbundindex |
| bvnumber | BV045394675 |
| contents | Vija Celmins : To fix the image in memory The image found me : Vija Celmins in Los Angeles Redescribing the photograph Moving out Longer than anywhere in the world : Vija Celmins on the east coast Exercises in abstraction Vija Celmins : In the artist's words Exhibition history Selected bibliography |
| ctrlnum | (OCoLC)1078330475 (DE-599)BVBBV045394675 |
| format | Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog San Francisco Museum of Modern Art 15.12.2018-31.03.2019 San Francisco, Calif. gnd-content (DE-588)4135467-9 Ausstellungskatalog Art Gallery of Ontario 04.05.2019-04.08.2019 Toronto gnd-content (DE-588)4135467-9 Ausstellungskatalog Metropolitan Museum of Art 24.09.2019-12.01.2020 New York, NY gnd-content (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Ausstellungskatalog San Francisco Museum of Modern Art 15.12.2018-31.03.2019 San Francisco, Calif. Ausstellungskatalog Art Gallery of Ontario 04.05.2019-04.08.2019 Toronto Ausstellungskatalog Metropolitan Museum of Art 24.09.2019-12.01.2020 New York, NY Bildband |
| id | DE-604.BV045394675 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:17:00Z |
| institution | BVB |
| institution_GND | (DE-588)1079865-1 (DE-588)1042203-1 (DE-588)1008914-7 |
| isbn | 9780300234213 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030780892 |
| oclc_num | 1078330475 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | 271 Seiten 31 cm |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | San Francisco Museum of Modern Art Yale University Press |
| record_format | marc |
| spelling | Celmins, Vija 1938- (DE-588)119282828 art Vija Celmins - to fix the image in memory Gary Garrels ; with contributions from Russell Ferguson, Frances Jacobus-Parker, Suzanne Hudson, Ian Alteveer, Briony Fer, Meredith A. Brown, Nancy Lim ; San Francisco Museum of Modern Art To fix the image in memory Vija Celmins San Francisco, California San Francisco Museum of Modern Art [2018] New Haven ; London Yale University Press 271 Seiten 31 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Published on the occasion of an exhibition of the same name held at the San Francisco Museum of Modern Art, December 15, 2018-March 31, 2019; the Art Gallery of Ontario, Toronto, May 4-August 4, 2019; and The Metropolitan Museum of Art, New York, September 24, 2019-January 12, 2020 Neal Benezra and Max Hollein Gary Garrels and Ian Alteveer Vija Celmins : To fix the image in memory Gary Garrels The image found me : Vija Celmins in Los Angeles Russell Ferguson Redescribing the photograph Frances Jacobus-Parker Moving out Suzanne Hudson Longer than anywhere in the world : Vija Celmins on the east coast Ian Alteveer Exercises in abstraction Briony Fer Vija Celmins : In the artist's words Compiled by Meredith A. Brown Exhibition history Compiled by Nancy Lim Selected bibliography Compiled by Nancy Lim Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies--all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive "redescribing" of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra. Exhibition: San Francisco Museum of Modern Art, USA (15.12.2018-31.03.2019); Art Gallery of Ontario, Toronto, Canada (13.06-11.08.2019); The Met Breuer, New York, USA (01.10.2019-12.01.2020) "Vija Celmins (b. 1938) has been creating exquisitely detailed drawings, paintings, and sculptures of natural imagery for more than five decades. She is perhaps best known for her striking drawings of ocean surfaces, desert floors, and night skies, in which vast, expansive distances are distilled into mesmerizing small-scale artworks. Celmins terms her process of translating one surface to another--whether working from photographic sources or replicating found objects--'rediscription,' an act that explores human consciousness in relation to lived experience and invites us to question our perceptions of reality. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated monograph explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her continued commitment to investigating the nature of drawing and painting. Documenting her years in the artist community of Los Angeles in the 1960s and 1970s, where she first broke from the predominant styles of Abstract Expressionism, Pop, and Minimalism to refine her unique approach to abstraction, as well as her time in the vibrant milieu of New York of the 1980s and 1990s, where she ultimately settled, this unprecedented survey offers a broader context than ever before for her distinctive work." Celmins, Vija 1938- (DE-588)119282828 gnd rswk-swf Celmins, Vija / 1938- / Exhibitions Celmins, Vija / 1938- / Criticism and interpretation Celmins, Vija / 1938- / Themes, motives Celmins, Vija / 1938- / Interviews Celmins, Vija / 1938- Drawing, American / United States / 20th century / Exhibitions Drawing, American / United States / 21st century / Exhibitions Photo-realism / United States / 20th century / Exhibitions Photo-realism / United States / 21st century / Exhibitions Art, Modern / 20th century Art, Modern / 21st century Latvian American artists / New York (State) / 20th century / Exhibitions Latvian American artists / New York (State) / 21st century / Exhibitions Women artists / New York (State) / 20th century / Exhibitions Women artists / New York (State) / 21st century / Exhibitions Exhibition catalogs Essays Interviews Illustrated works Criticism, interpretation, etc (DE-588)4135467-9 Ausstellungskatalog San Francisco Museum of Modern Art 15.12.2018-31.03.2019 San Francisco, Calif. gnd-content (DE-588)4135467-9 Ausstellungskatalog Art Gallery of Ontario 04.05.2019-04.08.2019 Toronto gnd-content (DE-588)4135467-9 Ausstellungskatalog Metropolitan Museum of Art 24.09.2019-12.01.2020 New York, NY gnd-content (DE-588)4145395-5 Bildband gnd-content Celmins, Vija 1938- (DE-588)119282828 p DE-604 Garrels, Gary 1957- (DE-588)133182568 edt Ferguson, Russell 1956- (DE-588)172073820 wat Jacobus-Parker, Frances wat Hudson, Suzanne Perling 1977- (DE-588)13824636X wat Alteveer, Ian (DE-588)1038661064 wat Fer, Briony 1956- (DE-588)137135149 wat Brown, Meredith A. wat Lim, Nancy wat San Francisco Museum of Modern Art Sonstige (DE-588)1079865-1 oth Art Gallery of Ontario (DE-588)1042203-1 his Metropolitan Museum of Art (DE-588)1008914-7 his |
| spellingShingle | Vija Celmins - to fix the image in memory Vija Celmins : To fix the image in memory The image found me : Vija Celmins in Los Angeles Redescribing the photograph Moving out Longer than anywhere in the world : Vija Celmins on the east coast Exercises in abstraction Vija Celmins : In the artist's words Exhibition history Selected bibliography Celmins, Vija 1938- (DE-588)119282828 gnd |
| subject_GND | (DE-588)119282828 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Vija Celmins - to fix the image in memory |
| title_alt | To fix the image in memory Vija Celmins Vija Celmins : To fix the image in memory The image found me : Vija Celmins in Los Angeles Redescribing the photograph Moving out Longer than anywhere in the world : Vija Celmins on the east coast Exercises in abstraction Vija Celmins : In the artist's words Exhibition history Selected bibliography |
| title_auth | Vija Celmins - to fix the image in memory |
| title_exact_search | Vija Celmins - to fix the image in memory |
| title_full | Vija Celmins - to fix the image in memory Gary Garrels ; with contributions from Russell Ferguson, Frances Jacobus-Parker, Suzanne Hudson, Ian Alteveer, Briony Fer, Meredith A. Brown, Nancy Lim ; San Francisco Museum of Modern Art |
| title_fullStr | Vija Celmins - to fix the image in memory Gary Garrels ; with contributions from Russell Ferguson, Frances Jacobus-Parker, Suzanne Hudson, Ian Alteveer, Briony Fer, Meredith A. Brown, Nancy Lim ; San Francisco Museum of Modern Art |
| title_full_unstemmed | Vija Celmins - to fix the image in memory Gary Garrels ; with contributions from Russell Ferguson, Frances Jacobus-Parker, Suzanne Hudson, Ian Alteveer, Briony Fer, Meredith A. Brown, Nancy Lim ; San Francisco Museum of Modern Art |
| title_short | Vija Celmins - to fix the image in memory |
| title_sort | vija celmins to fix the image in memory |
| topic | Celmins, Vija 1938- (DE-588)119282828 gnd |
| topic_facet | Celmins, Vija 1938- Ausstellungskatalog San Francisco Museum of Modern Art 15.12.2018-31.03.2019 San Francisco, Calif. Ausstellungskatalog Art Gallery of Ontario 04.05.2019-04.08.2019 Toronto Ausstellungskatalog Metropolitan Museum of Art 24.09.2019-12.01.2020 New York, NY Bildband |
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