The sounds of capitalism: advertising, music, and the conquest of culture
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Chicago ; London
The University of Chicago Press
2012
|
| Subjects: | |
| Online Access: | FLA01 |
| Item Description: | Online resource; title from e-book title screen (EBL platform, viewed November 24, 2014) |
| Physical Description: | 1 online resource (xix, 345 pages) illustrations, music |
| ISBN: | 9780226791142 0226791149 |
Staff View
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Record in the Search Index
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| any_adam_object | |
| author | Taylor, Timothy Dean |
| author_facet | Taylor, Timothy Dean |
| author_role | aut |
| author_sort | Taylor, Timothy Dean |
| author_variant | t d t td tdt |
| building | Verbundindex |
| bvnumber | BV045356323 |
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| contents | "From the early days of radio through the rise of television after World War II to the present, music has been used more and more often to sell goods and establish brand identities. And since at least the 1920s, songs originally written for commercials have become popular songs, and songs written for a popular audience have become irrevocably associated with specific brands and products. Today, musicians move flexibly between the music and advertising worlds, while the line between commercial messages and popular music has become increasingly blurred. The Sounds of Capitalism is the untold story of this infectious part of our musical culture. Here, Timothy D. Taylor tracks the use of music in American advertising for nearly a century, from variety shows like The Clicquot Club Eskimos to the rise of the jingle, the postwar rise in consumerism and the more complete fusion of popular music and consumption in the 1980s and after. Taylor contends that today there is no longer a meaningful distinction to be made between music in advertising and advertising music. To make his case, he draws on rare archival materials, the extensive trade press, and hours of interviews with musicians ranging from Barry Manilow to unknown but unforgettable jingle singers. The Sounds of Capitalism is the first book to truly tell the history of music used in advertising in the United States, and an original contribution to this little-studied part of our cultural history"--Provided by publisher |
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| dewey-full | 306.4/8420973 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.4/8420973 |
| dewey-search | 306.4/8420973 |
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| dewey-tens | 300 - Social sciences |
| discipline | Soziologie Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft Musikwissenschaft |
| era | 1900-1999 fast Geschichte 1900-2000 gnd |
| era_facet | 1900-1999 Geschichte 1900-2000 |
| format | Electronic eBook |
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| id | DE-604.BV045356323 |
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| indexdate | 2024-07-10T08:15:51Z |
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| isbn | 9780226791142 0226791149 |
| language | English |
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| publishDate | 2012 |
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| publisher | The University of Chicago Press |
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| spelling | Taylor, Timothy Dean Verfasser aut The sounds of capitalism advertising, music, and the conquest of culture Timothy D. Taylor Chicago ; London The University of Chicago Press 2012 1 online resource (xix, 345 pages) illustrations, music txt rdacontent c rdamedia cr rdacarrier Online resource; title from e-book title screen (EBL platform, viewed November 24, 2014) "From the early days of radio through the rise of television after World War II to the present, music has been used more and more often to sell goods and establish brand identities. And since at least the 1920s, songs originally written for commercials have become popular songs, and songs written for a popular audience have become irrevocably associated with specific brands and products. Today, musicians move flexibly between the music and advertising worlds, while the line between commercial messages and popular music has become increasingly blurred. The Sounds of Capitalism is the untold story of this infectious part of our musical culture. Here, Timothy D. Taylor tracks the use of music in American advertising for nearly a century, from variety shows like The Clicquot Club Eskimos to the rise of the jingle, the postwar rise in consumerism and the more complete fusion of popular music and consumption in the 1980s and after. Taylor contends that today there is no longer a meaningful distinction to be made between music in advertising and advertising music. To make his case, he draws on rare archival materials, the extensive trade press, and hours of interviews with musicians ranging from Barry Manilow to unknown but unforgettable jingle singers. The Sounds of Capitalism is the first book to truly tell the history of music used in advertising in the United States, and an original contribution to this little-studied part of our cultural history"--Provided by publisher 1900-1999 fast Geschichte 1900-2000 gnd rswk-swf POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Advertising fast Mass media and music fast Music in advertising fast Music in advertising United States Advertising United States History 20th century Mass media and music United States Jingle (DE-588)4318403-0 gnd rswk-swf Werbung (DE-588)4065541-6 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Werbung (DE-588)4065541-6 s Jingle (DE-588)4318403-0 s Geschichte 1900-2000 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Taylor, Timothy Dean Sounds of capitalism Chicago ; London : The University of Chicago Press, 2012 9780226791159 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Taylor, Timothy Dean The sounds of capitalism advertising, music, and the conquest of culture "From the early days of radio through the rise of television after World War II to the present, music has been used more and more often to sell goods and establish brand identities. And since at least the 1920s, songs originally written for commercials have become popular songs, and songs written for a popular audience have become irrevocably associated with specific brands and products. Today, musicians move flexibly between the music and advertising worlds, while the line between commercial messages and popular music has become increasingly blurred. The Sounds of Capitalism is the untold story of this infectious part of our musical culture. Here, Timothy D. Taylor tracks the use of music in American advertising for nearly a century, from variety shows like The Clicquot Club Eskimos to the rise of the jingle, the postwar rise in consumerism and the more complete fusion of popular music and consumption in the 1980s and after. Taylor contends that today there is no longer a meaningful distinction to be made between music in advertising and advertising music. To make his case, he draws on rare archival materials, the extensive trade press, and hours of interviews with musicians ranging from Barry Manilow to unknown but unforgettable jingle singers. The Sounds of Capitalism is the first book to truly tell the history of music used in advertising in the United States, and an original contribution to this little-studied part of our cultural history"--Provided by publisher POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Advertising fast Mass media and music fast Music in advertising fast Music in advertising United States Advertising United States History 20th century Mass media and music United States Jingle (DE-588)4318403-0 gnd Werbung (DE-588)4065541-6 gnd |
| subject_GND | (DE-588)4318403-0 (DE-588)4065541-6 (DE-588)4078704-7 |
| title | The sounds of capitalism advertising, music, and the conquest of culture |
| title_auth | The sounds of capitalism advertising, music, and the conquest of culture |
| title_exact_search | The sounds of capitalism advertising, music, and the conquest of culture |
| title_full | The sounds of capitalism advertising, music, and the conquest of culture Timothy D. Taylor |
| title_fullStr | The sounds of capitalism advertising, music, and the conquest of culture Timothy D. Taylor |
| title_full_unstemmed | The sounds of capitalism advertising, music, and the conquest of culture Timothy D. Taylor |
| title_short | The sounds of capitalism |
| title_sort | the sounds of capitalism advertising music and the conquest of culture |
| title_sub | advertising, music, and the conquest of culture |
| topic | POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Advertising fast Mass media and music fast Music in advertising fast Music in advertising United States Advertising United States History 20th century Mass media and music United States Jingle (DE-588)4318403-0 gnd Werbung (DE-588)4065541-6 gnd |
| topic_facet | POLITICAL SCIENCE / Public Policy / Cultural Policy SOCIAL SCIENCE / Anthropology / Cultural SOCIAL SCIENCE / Popular Culture Advertising Mass media and music Music in advertising Music in advertising United States Advertising United States History 20th century Mass media and music United States Jingle Werbung USA |
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