'No Feelings', 'No Fun', 'No Future'. The years 1976–84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-ener...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Worley, Matthew 1970- (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge Cambridge University Press 2017
Schlagworte:	Geschichte 1976-1984 Youth / Great Britain / History / 20th century Punk culture / Great Britain / History / 20th century Punk rock music / Great Britain / History and criticism Jugendkultur Großbritannien
Online-Zugang:	BSB01 UBG01 URL des Erstveröffentlichers
Zusammenfassung:	'No Feelings', 'No Fun', 'No Future'. The years 1976–84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Fanzines and independent labels flourished; an emphasis on doing it yourself enabled provincial scenes to form beyond London's media glare. This was the period of Rock Against Racism and benefit gigs for the Campaign for Nuclear Disarmament and the striking miners. Matthew Worley charts the full spectrum of punk's cultural development from the Sex Pistols, Buzzcocks and Slits through the post-punk of Joy Division, the industrial culture of Throbbing Gristle and onto the 1980s diaspora of anarcho-punk, Oi! and goth. He recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt and re-invent
Beschreibung:	Title from publisher's bibliographic system (viewed on 15 Sep 2017)
Beschreibung:	1 Online-Ressource (xiii, 404 Seiten)
ISBN:	9781316779569
DOI:	10.1017/9781316779569