The Cinema of Richard Linklater: Walk, Don't Run
From Slacker (1991), a foundational work of independent American cinema, to the Before trilogy, Richard Linklater’s critically acclaimed films and aesthetic ambition have earned him a place as one of the most important contemporary directors. In this second edition of The Cinema of Richard Linklater...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2018]
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| Schriftenreihe: | Directors' Cuts
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| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-739 DE-473 DE-1046 DE-1043 DE-858 URL des Erstveröffentlichers |
| Zusammenfassung: | From Slacker (1991), a foundational work of independent American cinema, to the Before trilogy, Richard Linklater’s critically acclaimed films and aesthetic ambition have earned him a place as one of the most important contemporary directors. In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater’s latest films have redefined our understanding of his work. He offers critical discussions and analysis of all of Linklater’s films, including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater and a chapter on Boyhood (2014), hailed as one of the best films of the twenty-first century.Stone explores the theoretical, practical, contextual, and metaphysical elements in Linklater’s filmography, especially his experimentation with cinematic representations of time and growth. He demonstrates that fanciful lives and lucid dreams are as central as alternative notions of America and time to Linklater’s films. Stone also considers Linklater’s collaborative working practices, his deployment of such techniques as rotoscoping, and his innovative distribution strategies. Thoroughly revised, updated, and extended, the book includes analysis of all of Linklater’s films, including Dazed and Confused (1993), Waking Life (2011), and A Scanner Darkly (2006) as well as his documentaries, short films, and side projects |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018) |
| Beschreibung: | 1 online resource 32 film stills or images provided by Linklater or IPC. |
| ISBN: | 9780231851244 |
| DOI: | 10.7312/ston17920 |
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| 520 | |a From Slacker (1991), a foundational work of independent American cinema, to the Before trilogy, Richard Linklater’s critically acclaimed films and aesthetic ambition have earned him a place as one of the most important contemporary directors. In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater’s latest films have redefined our understanding of his work. He offers critical discussions and analysis of all of Linklater’s films, including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater and a chapter on Boyhood (2014), hailed as one of the best films of the twenty-first century.Stone explores the theoretical, practical, contextual, and metaphysical elements in Linklater’s filmography, especially his experimentation with cinematic representations of time and growth. He demonstrates that fanciful lives and lucid dreams are as central as alternative notions of America and time to Linklater’s films. Stone also considers Linklater’s collaborative working practices, his deployment of such techniques as rotoscoping, and his innovative distribution strategies. Thoroughly revised, updated, and extended, the book includes analysis of all of Linklater’s films, including Dazed and Confused (1993), Waking Life (2011), and A Scanner Darkly (2006) as well as his documentaries, short films, and side projects | ||
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Datensatz im Suchindex
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| adam_text | |
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| author | Stone, Rob |
| author_facet | Stone, Rob |
| author_role | aut |
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| author_variant | r s rs |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.7312/ston17920 |
| format | Electronic eBook |
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| id | DE-604.BV045294239 |
| illustrated | Illustrated |
| indexdate | 2025-02-19T17:24:31Z |
| institution | BVB |
| isbn | 9780231851244 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030681548 |
| oclc_num | 1075273323 |
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| publishDate | 2018 |
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| spelling | Stone, Rob Verfasser aut The Cinema of Richard Linklater Walk, Don't Run Rob Stone New York, NY Columbia University Press [2018] © 2018 1 online resource 32 film stills or images provided by Linklater or IPC. txt rdacontent c rdamedia cr rdacarrier Directors' Cuts Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018) From Slacker (1991), a foundational work of independent American cinema, to the Before trilogy, Richard Linklater’s critically acclaimed films and aesthetic ambition have earned him a place as one of the most important contemporary directors. In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater’s latest films have redefined our understanding of his work. He offers critical discussions and analysis of all of Linklater’s films, including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater and a chapter on Boyhood (2014), hailed as one of the best films of the twenty-first century.Stone explores the theoretical, practical, contextual, and metaphysical elements in Linklater’s filmography, especially his experimentation with cinematic representations of time and growth. He demonstrates that fanciful lives and lucid dreams are as central as alternative notions of America and time to Linklater’s films. Stone also considers Linklater’s collaborative working practices, his deployment of such techniques as rotoscoping, and his innovative distribution strategies. Thoroughly revised, updated, and extended, the book includes analysis of all of Linklater’s films, including Dazed and Confused (1993), Waking Life (2011), and A Scanner Darkly (2006) as well as his documentaries, short films, and side projects In English Linklater, Richard 1960- (DE-588)122101707 gnd rswk-swf Linklater, Richard 1960- Criticism and interpretation Film (DE-588)4017102-4 gnd rswk-swf Linklater, Richard 1960- (DE-588)122101707 p Film (DE-588)4017102-4 s 1\p DE-604 https://doi.org/10.7312/ston17920 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Stone, Rob The Cinema of Richard Linklater Walk, Don't Run Linklater, Richard 1960- (DE-588)122101707 gnd Linklater, Richard 1960- Criticism and interpretation Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)122101707 (DE-588)4017102-4 |
| title | The Cinema of Richard Linklater Walk, Don't Run |
| title_auth | The Cinema of Richard Linklater Walk, Don't Run |
| title_exact_search | The Cinema of Richard Linklater Walk, Don't Run |
| title_full | The Cinema of Richard Linklater Walk, Don't Run Rob Stone |
| title_fullStr | The Cinema of Richard Linklater Walk, Don't Run Rob Stone |
| title_full_unstemmed | The Cinema of Richard Linklater Walk, Don't Run Rob Stone |
| title_short | The Cinema of Richard Linklater |
| title_sort | the cinema of richard linklater walk don t run |
| title_sub | Walk, Don't Run |
| topic | Linklater, Richard 1960- (DE-588)122101707 gnd Linklater, Richard 1960- Criticism and interpretation Film (DE-588)4017102-4 gnd |
| topic_facet | Linklater, Richard 1960- Linklater, Richard 1960- Criticism and interpretation Film |
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