Virginie Amélie Avegno Gautreau: living statue
This article places John Singer Sargent’s Madame X (1883–84) within the discourse of classical reception. It argues that as a "living statue," Virginie Amélie Avegno Gautreau performed a role in society that observers found fashionable and alluring; however, critics panned the painting as...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
[2018]
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| Schlagworte: | |
| Online-Zugang: | kostenfrei Volltext |
| Zusammenfassung: | This article places John Singer Sargent’s Madame X (1883–84) within the discourse of classical reception. It argues that as a "living statue," Virginie Amélie Avegno Gautreau performed a role in society that observers found fashionable and alluring; however, critics panned the painting as displeasing and unnatural. This study contends that Gautreau claimed cultural agency within the social spaces of Parisian and Breton soirées, but her carefully constructed image became the object of scrutiny when displayed in the hallowed artistic space of the Paris Salon. The article further claims that conceptions about race and exoticism underlay the reaction, disallowing viewers of Madame X to regard her whiteness as embodying ideal purity. |
| Beschreibung: | 12 Illustrationen |
| ISSN: | 1543-1002 |
| DOI: | 10.29411/ncaw.2018.17.2.4 |
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| 520 | 8 | |a This article places John Singer Sargent’s Madame X (1883–84) within the discourse of classical reception. It argues that as a "living statue," Virginie Amélie Avegno Gautreau performed a role in society that observers found fashionable and alluring; however, critics panned the painting as displeasing and unnatural. This study contends that Gautreau claimed cultural agency within the social spaces of Parisian and Breton soirées, but her carefully constructed image became the object of scrutiny when displayed in the hallowed artistic space of the Paris Salon. The article further claims that conceptions about race and exoticism underlay the reaction, disallowing viewers of Madame X to regard her whiteness as embodying ideal purity. | |
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| id | DE-604.BV045281438 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:13:47Z |
| institution | BVB |
| issn | 1543-1002 |
| language | English |
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| physical | 12 Illustrationen |
| publishDate | 2018 |
| publishDateSearch | 2018 |
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| spelling | Block, Elizabeth L. Verfasser aut Virginie Amélie Avegno Gautreau living statue by Elizabeth L. Block [2018] 12 Illustrationen txt rdacontent c rdamedia cr rdacarrier This article places John Singer Sargent’s Madame X (1883–84) within the discourse of classical reception. It argues that as a "living statue," Virginie Amélie Avegno Gautreau performed a role in society that observers found fashionable and alluring; however, critics panned the painting as displeasing and unnatural. This study contends that Gautreau claimed cultural agency within the social spaces of Parisian and Breton soirées, but her carefully constructed image became the object of scrutiny when displayed in the hallowed artistic space of the Paris Salon. The article further claims that conceptions about race and exoticism underlay the reaction, disallowing viewers of Madame X to regard her whiteness as embodying ideal purity. Gautreau, Virginie Avegno 1859-1915 (DE-588)129569534 gnd rswk-swf Sargent, John Singer 1856-1925 Madame X (DE-588)4804466-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Sargent, John Singer 1856-1925 Madame X (DE-588)4804466-0 u Gautreau, Virginie Avegno 1859-1915 (DE-588)129569534 p Rezeption (DE-588)4049716-1 s DE-604 Nineteenth century art worldwide / Association of Historians of nineteenth century Art (AHNCA) College Park, Md., 2018 Volume 17, issue 2 (autumn 2018) (DE-604)BV017067311 1543-1002 (DE-600)2107291-7 text/html http://www.19thc-artworldwide.org/autumn18/block-on-virginie-amelie-avegno-gautreau-living-statue Verlag kostenfrei Volltext https://doi.org/10.29411/ncaw.2018.17.2.4 Resolving-System Volltext |
| spellingShingle | Block, Elizabeth L. Virginie Amélie Avegno Gautreau living statue Gautreau, Virginie Avegno 1859-1915 (DE-588)129569534 gnd Sargent, John Singer 1856-1925 Madame X (DE-588)4804466-0 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)129569534 (DE-588)4804466-0 (DE-588)4049716-1 |
| title | Virginie Amélie Avegno Gautreau living statue |
| title_auth | Virginie Amélie Avegno Gautreau living statue |
| title_exact_search | Virginie Amélie Avegno Gautreau living statue |
| title_full | Virginie Amélie Avegno Gautreau living statue by Elizabeth L. Block |
| title_fullStr | Virginie Amélie Avegno Gautreau living statue by Elizabeth L. Block |
| title_full_unstemmed | Virginie Amélie Avegno Gautreau living statue by Elizabeth L. Block |
| title_short | Virginie Amélie Avegno Gautreau |
| title_sort | virginie amelie avegno gautreau living statue |
| title_sub | living statue |
| topic | Gautreau, Virginie Avegno 1859-1915 (DE-588)129569534 gnd Sargent, John Singer 1856-1925 Madame X (DE-588)4804466-0 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Gautreau, Virginie Avegno 1859-1915 Sargent, John Singer 1856-1925 Madame X Rezeption |
| url | http://www.19thc-artworldwide.org/autumn18/block-on-virginie-amelie-avegno-gautreau-living-statue https://doi.org/10.29411/ncaw.2018.17.2.4 |
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