Opera in postwar Venice: cultural politics and the avant-garde
Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the city's nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2018
|
| Schriftenreihe: | Cambridge studies in opera
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the city's nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle of the century are often talked about in strikingly similar terms: as museums locked in the past and blind to the future. These clichés are here overturned: perceptions of crisis were in fact remarkably productive for opera, and despite being physically locked in the past, Venice was undergoing a flourishing of avant-garde activity. Focusing on a local musical culture, Harriet Boyd-Bennett recasts some of the major composers, works, stylistic categories and narratives of twentieth-century music. The study provides fresh understandings of works by composers as diverse as Stravinsky, Prokofiev, Verdi, Britten and Nono |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 30 Aug 2018) |
| Beschreibung: | 1 Online-Ressource (xv, 226 Seiten) |
| ISBN: | 9781316718476 |
| DOI: | 10.1017/9781316718476 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV045238651 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 181018s2018 xx o|||| 00||| eng d | ||
| 020 | |a 9781316718476 |c Online |9 978-1-316-71847-6 | ||
| 024 | 7 | |a 10.1017/9781316718476 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781316718476 | ||
| 035 | |a (OCoLC)1057684320 | ||
| 035 | |a (DE-599)BVBBV045238651 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 782.10945/3109045 | |
| 084 | |a LR 54171 |0 (DE-625)109639: |2 rvk | ||
| 100 | 1 | |a Boyd-Bennett, Harriet |d 1969- |e Verfasser |0 (DE-588)1154510530 |4 aut | |
| 245 | 1 | 0 | |a Opera in postwar Venice |b cultural politics and the avant-garde |c Harriet Boyd-Bennett |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2018 | |
| 300 | |a 1 Online-Ressource (xv, 226 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Cambridge studies in opera | |
| 500 | |a Title from publisher's bibliographic system (viewed on 30 Aug 2018) | ||
| 520 | |a Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the city's nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle of the century are often talked about in strikingly similar terms: as museums locked in the past and blind to the future. These clichés are here overturned: perceptions of crisis were in fact remarkably productive for opera, and despite being physically locked in the past, Venice was undergoing a flourishing of avant-garde activity. Focusing on a local musical culture, Harriet Boyd-Bennett recasts some of the major composers, works, stylistic categories and narratives of twentieth-century music. The study provides fresh understandings of works by composers as diverse as Stravinsky, Prokofiev, Verdi, Britten and Nono | ||
| 648 | 7 | |a Geschichte 1945-1961 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Opera / Italy / Venice / 20th century | |
| 650 | 0 | 7 | |a Kulturpolitik |0 (DE-588)4033581-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Opernproduktion |0 (DE-588)4232690-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Venedig |0 (DE-588)4062501-1 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Venedig |0 (DE-588)4062501-1 |D g |
| 689 | 0 | 1 | |a Opernproduktion |0 (DE-588)4232690-4 |D s |
| 689 | 0 | 2 | |a Kulturpolitik |0 (DE-588)4033581-1 |D s |
| 689 | 0 | 3 | |a Geschichte 1945-1961 |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-107-16927-2 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781316718476 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 912 | |a ZDB-20-CBO | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-030626885 | |
| 966 | e | |u https://doi.org/10.1017/9781316718476 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781316718476 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1818972332498092032 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Boyd-Bennett, Harriet 1969- |
| author_GND | (DE-588)1154510530 |
| author_facet | Boyd-Bennett, Harriet 1969- |
| author_role | aut |
| author_sort | Boyd-Bennett, Harriet 1969- |
| author_variant | h b b hbb |
| building | Verbundindex |
| bvnumber | BV045238651 |
| classification_rvk | LR 54171 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781316718476 (OCoLC)1057684320 (DE-599)BVBBV045238651 |
| dewey-full | 782.10945/3109045 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.10945/3109045 |
| dewey-search | 782.10945/3109045 |
| dewey-sort | 3782.10945 73109045 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/9781316718476 |
| era | Geschichte 1945-1961 gnd |
| era_facet | Geschichte 1945-1961 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV045238651</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">181018s2018 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781316718476</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-316-71847-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781316718476</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781316718476</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1057684320</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045238651</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.10945/3109045</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54171</subfield><subfield code="0">(DE-625)109639:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Boyd-Bennett, Harriet</subfield><subfield code="d">1969-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1154510530</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Opera in postwar Venice</subfield><subfield code="b">cultural politics and the avant-garde</subfield><subfield code="c">Harriet Boyd-Bennett</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xv, 226 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge studies in opera</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 30 Aug 2018)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the city's nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle of the century are often talked about in strikingly similar terms: as museums locked in the past and blind to the future. These clichés are here overturned: perceptions of crisis were in fact remarkably productive for opera, and despite being physically locked in the past, Venice was undergoing a flourishing of avant-garde activity. Focusing on a local musical culture, Harriet Boyd-Bennett recasts some of the major composers, works, stylistic categories and narratives of twentieth-century music. The study provides fresh understandings of works by composers as diverse as Stravinsky, Prokofiev, Verdi, Britten and Nono</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1945-1961</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera / Italy / Venice / 20th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kulturpolitik</subfield><subfield code="0">(DE-588)4033581-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Opernproduktion</subfield><subfield code="0">(DE-588)4232690-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Venedig</subfield><subfield code="0">(DE-588)4062501-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Venedig</subfield><subfield code="0">(DE-588)4062501-1</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Opernproduktion</subfield><subfield code="0">(DE-588)4232690-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kulturpolitik</subfield><subfield code="0">(DE-588)4033581-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1945-1961</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-107-16927-2</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781316718476</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030626885</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781316718476</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781316718476</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Venedig (DE-588)4062501-1 gnd |
| geographic_facet | Venedig |
| id | DE-604.BV045238651 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T15:06:35Z |
| institution | BVB |
| isbn | 9781316718476 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030626885 |
| oclc_num | 1057684320 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (xv, 226 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge studies in opera |
| spelling | Boyd-Bennett, Harriet 1969- Verfasser (DE-588)1154510530 aut Opera in postwar Venice cultural politics and the avant-garde Harriet Boyd-Bennett Cambridge Cambridge University Press 2018 1 Online-Ressource (xv, 226 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in opera Title from publisher's bibliographic system (viewed on 30 Aug 2018) Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the city's nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle of the century are often talked about in strikingly similar terms: as museums locked in the past and blind to the future. These clichés are here overturned: perceptions of crisis were in fact remarkably productive for opera, and despite being physically locked in the past, Venice was undergoing a flourishing of avant-garde activity. Focusing on a local musical culture, Harriet Boyd-Bennett recasts some of the major composers, works, stylistic categories and narratives of twentieth-century music. The study provides fresh understandings of works by composers as diverse as Stravinsky, Prokofiev, Verdi, Britten and Nono Geschichte 1945-1961 gnd rswk-swf Opera / Italy / Venice / 20th century Kulturpolitik (DE-588)4033581-1 gnd rswk-swf Opernproduktion (DE-588)4232690-4 gnd rswk-swf Venedig (DE-588)4062501-1 gnd rswk-swf Venedig (DE-588)4062501-1 g Opernproduktion (DE-588)4232690-4 s Kulturpolitik (DE-588)4033581-1 s Geschichte 1945-1961 z 1\p DE-604 Erscheint auch als Druck-Ausgabe 978-1-107-16927-2 https://doi.org/10.1017/9781316718476 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Boyd-Bennett, Harriet 1969- Opera in postwar Venice cultural politics and the avant-garde Opera / Italy / Venice / 20th century Kulturpolitik (DE-588)4033581-1 gnd Opernproduktion (DE-588)4232690-4 gnd |
| subject_GND | (DE-588)4033581-1 (DE-588)4232690-4 (DE-588)4062501-1 |
| title | Opera in postwar Venice cultural politics and the avant-garde |
| title_auth | Opera in postwar Venice cultural politics and the avant-garde |
| title_exact_search | Opera in postwar Venice cultural politics and the avant-garde |
| title_full | Opera in postwar Venice cultural politics and the avant-garde Harriet Boyd-Bennett |
| title_fullStr | Opera in postwar Venice cultural politics and the avant-garde Harriet Boyd-Bennett |
| title_full_unstemmed | Opera in postwar Venice cultural politics and the avant-garde Harriet Boyd-Bennett |
| title_short | Opera in postwar Venice |
| title_sort | opera in postwar venice cultural politics and the avant garde |
| title_sub | cultural politics and the avant-garde |
| topic | Opera / Italy / Venice / 20th century Kulturpolitik (DE-588)4033581-1 gnd Opernproduktion (DE-588)4232690-4 gnd |
| topic_facet | Opera / Italy / Venice / 20th century Kulturpolitik Opernproduktion Venedig |
| url | https://doi.org/10.1017/9781316718476 |
| work_keys_str_mv | AT boydbennettharriet operainpostwarveniceculturalpoliticsandtheavantgarde |