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Reception of Diana Krall, unique Jazz phenomenon:

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Bibliographic Details
Main Author:	Ben Lassoued-Balazsházyová, Zuzana ca. 1972- (Author)
Format:	Thesis Book
Language:	English
Published:	Berlin Peter Lang [2018]
Subjects:	Krall, Diana > 1964- Klavierspiel Gesang Jazz Klaviertechnik Balazsházyová Diana improvisation jazz and pop music Krall Lassoued management and marketing perception and reception Phenomenon piano interpretation Reception Unique vocal interpretation Winkelkötter Zuzana Biografie Hochschulschrift
Online Access:	Inhaltstext https://www.peterlang.com/view/product/87729?format=PBK Inhaltsverzeichnis
Physical Description:	189 Seiten Illustrationen, Notenbeispiele 21 cm x 14.8 cm, 255 g
ISBN:	9783631745755 3631745753

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Record in the Search Index

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adam_text	CONTENTS INTRODUCTION.................................................................................... 13 1 NEW AR T ........................................................................................................ 15 1.1 PERCEPTION AND RECEPTION OF NEW ART ..................................................... 15 1.2 SOCIOLOGICAL REASONS FOR COMPLETE UNDERSTANDING OF M USIC ................ 17 1.3 AESTHETICAL, PHILOSOPHICAL AND MUSICAL FACTORS LEADING TO COMPLETE UNDERSTANDING OF MUSIC ........................................................ 24 1.4 SOCIAL AND CULTURAL ASPECTS..................................................................... 34 1.5 MARKETING REASON OF COMPLETE (MIS)UNDERSTANDING OF MUSIC ............. 41 1.6 CURRENT SITUATION OF THE ISSUES............................................................... 44 2 LIFE ................................................................................................ 47 2.1 ROOTS: GRANDPARENTS AND PARENTS, CONNECTIONS TO SLOVAKIA ................ 47 2.2 CHILDHOOD: PERSONALITY AND INTERESTS, CONNECTIONS TO C ANADA............ 53 2.3 EDUCATION: HIGH SCHOOL IN CANADA, BERKLEE COLLEGE OF MUSIC IN BOSTON, LOS ANGELES EDUCATION AND NEW YORK OPPORTUNITIES ............. 54 2.3.1 HIGH SCHOOL IN CANADA.................................................................. 54 2.3.2 BERKLEE COLLEGE OF MUSIC IN BOSTON .............................................. 54 2.3.3 LOS ANGELES EDUCATION AND NEW YORK OPPORTUNITIES ................... 55 2.4 FAMILY: HUSBAND, CHILDREN AND SISTER.................................................... 56 3 M USIC ............................................................................................................ 57 3.1 EARLY MUSIC: MUSIC DEVELOPED BY EAR, OLD RECORDS, REJECTION IN A CHOIR, HIGH SCHOOL BAND, GIGS AND RADIO ................................................ 57 3.2 DEVELOPED MUSIC: FIRST SUCCESS, PLAYING AND TOURING WITH OTHER MUSICIANS................................................................................................. 59 3.2.1 AWARDS......................................................................................... 61 3.3 DIANAS PIANO PERFORMANCES COMPARED TO JAZZ PIANISTS - ANALYSES AND TRANSCRIPTIONS.................................................................................. 61 3.4 DIANAS SINGING COMPARED TO JAZZ VOCALISTS .......................................... 98 3.5 IMPROVISATION, COMPOSITION, PIANO AND VOCAL TECHNIQUES OF DIANA K RALL............................................................................................. 113 3.6 FLY ME TO THE MOON IN AN INTERPRETATION OF DIANA KRALL, FRANK SINATRA AND NAT KING COLE ....................................................... 122 3.6.1 ANALYSIS OF FLY ME TO THE M OON ................................................... 122 3.6.2 DIFFERENCES IN SOUND, STYLE AND RHYTHMIC PHRASING, KEYS, ORCHESTRATION AND ARRANGEMENTS, APPROACHES TO THE TIME SIGNATURE, FORMS, CHORD PROGRESSIONS, LYRICS, AND VOCAL TECHNIQUE...................................................................................... 129 3.6.2.1 SOUND ............................................................................... 129 3.6.2.2 STYLE AND RHYTHMIC PHRASING........................................... 129 3.6.2.3 THREE DIFFERENT KEYS . ........................................................ 130 3.6.2.4 ORCHESTRATIONS AND ARRANGEMENTS .................................. 130 3.6.2.5 APPROACHES TO THE TIME SIGNATURE ................................... 133 3.6.2.6 THREE DIFFERENT FORM S....................................................... 133 3.6.2.7 CHORD PROGRESSIONS......................................................... 134 3.6.2.8 LYRICS................................................................................ 135 3.6.2.9 VOCAL TECHNIQUE ............................................................... 139 3.6.3 EVALUATION..................................................................................... 140 3.6.4 SIGNIFICANT RECORDINGS FROM 1954 - 1970.30 YEARS GAP (1970-2000) ................................................................................ 140 3.7 MUSIC BEYOND MUSIC SHEETS .................................................................. 143 3.8 SEXUALITY, RACISM AND GENDER IN JA Z Z .................................................... 151 3.8.1 SEXUALITY........................................................................................ 151 3.8.2 RACISM........................................................................................... 154 3.8.3 GENDER IN JA Z Z ............................................................................... 156 3.9 MANAGEMENT, MARKETING AND M AFIA ..................................................... 159 3.9.1 MANAGEMENT.................................................................................. 159 3.9.2 MARKETING ..................................................................................... 161 3.9.3 M AFIA.............................................................................................. 164 3.10 NEW APPROACH OF DIANA KRALL TO MUSIC, EXAMPLE OF THE SOCIOLOGICAL AND AESTHETICAL ANALYSIS .................................................. 165 3.11 PERFORMANCE OBSERVATION ................................................................... 168 4 CONCLUSION .............................................................................................. 175 4.1 DIANA KRALL S DISCOGRAPHY ................................................................. 176 4.2 DIANA KRALL S FILMOGRAPHY ................................................................. 177 4.3 DIANA KRALL S MUSIC VIDEOS ................................................................ 177 BIBLIOGRAPHY ................................................................................................. 179
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author	Ben Lassoued-Balazsházyová, Zuzana ca. 1972-
author_GND	(DE-588)1169689469
author_facet	Ben Lassoued-Balazsházyová, Zuzana ca. 1972-
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author_sort	Ben Lassoued-Balazsházyová, Zuzana ca. 1972-
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building	Verbundindex
bvnumber	BV045232432
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ctrlnum	(OCoLC)1050585047 (DE-599)DNB1165804050
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spelling	Ben Lassoued-Balazsházyová, Zuzana ca. 1972- Verfasser (DE-588)1169689469 aut Reception of Diana Krall, unique Jazz phenomenon Zuzana Ben Lassoued-Balazsházyová 201808 Berlin Peter Lang [2018] 189 Seiten Illustrationen, Notenbeispiele 21 cm x 14.8 cm, 255 g txt rdacontent n rdamedia nc rdacarrier Dissertation Univerzita Komenského v Bratislave 2016 erweiterte Fassung als Buchhandelsausgabe Krall, Diana 1964- (DE-588)133465853 gnd rswk-swf Klavierspiel (DE-588)4030996-4 gnd rswk-swf Gesang (DE-588)4020470-4 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Klaviertechnik (DE-588)4222405-6 gnd rswk-swf Balazsházyová Diana improvisation Jazz jazz and pop music Krall Lassoued management and marketing perception and reception Phenomenon piano interpretation Reception Unique vocal interpretation Winkelkötter Zuzana (DE-588)4006804-3 Biografie gnd-content (DE-588)4113937-9 Hochschulschrift gnd-content Krall, Diana 1964- (DE-588)133465853 p Jazz (DE-588)4028532-7 s Gesang (DE-588)4020470-4 s Klavierspiel (DE-588)4030996-4 s Klaviertechnik (DE-588)4222405-6 s DE-604 Peter Lang GmbH (DE-588)1065711506 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-631-76356-8 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-76357-5 Erscheint auch als Online-Ausgabe, MOBI 978-3-631-76358-2 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=f91e5f729b2741d992e45e41c529958b&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB https://www.peterlang.com/view/product/87729?format=PBK DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030620791&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Ben Lassoued-Balazsházyová, Zuzana ca. 1972- Reception of Diana Krall, unique Jazz phenomenon Krall, Diana 1964- (DE-588)133465853 gnd Klavierspiel (DE-588)4030996-4 gnd Gesang (DE-588)4020470-4 gnd Jazz (DE-588)4028532-7 gnd Klaviertechnik (DE-588)4222405-6 gnd
subject_GND	(DE-588)133465853 (DE-588)4030996-4 (DE-588)4020470-4 (DE-588)4028532-7 (DE-588)4222405-6 (DE-588)4006804-3 (DE-588)4113937-9
title	Reception of Diana Krall, unique Jazz phenomenon
title_auth	Reception of Diana Krall, unique Jazz phenomenon
title_exact_search	Reception of Diana Krall, unique Jazz phenomenon
title_full	Reception of Diana Krall, unique Jazz phenomenon Zuzana Ben Lassoued-Balazsházyová
title_fullStr	Reception of Diana Krall, unique Jazz phenomenon Zuzana Ben Lassoued-Balazsházyová
title_full_unstemmed	Reception of Diana Krall, unique Jazz phenomenon Zuzana Ben Lassoued-Balazsházyová
title_short	Reception of Diana Krall, unique Jazz phenomenon
title_sort	reception of diana krall unique jazz phenomenon
topic	Krall, Diana 1964- (DE-588)133465853 gnd Klavierspiel (DE-588)4030996-4 gnd Gesang (DE-588)4020470-4 gnd Jazz (DE-588)4028532-7 gnd Klaviertechnik (DE-588)4222405-6 gnd
topic_facet	Krall, Diana 1964- Klavierspiel Gesang Jazz Klaviertechnik Biografie Hochschulschrift
url	http://deposit.dnb.de/cgi-bin/dokserv?id=f91e5f729b2741d992e45e41c529958b&prov=M&dok_var=1&dok_ext=htm https://www.peterlang.com/view/product/87729?format=PBK http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030620791&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT benlassouedbalazshazyovazuzana receptionofdianakralluniquejazzphenomenon AT peterlanggmbh receptionofdianakralluniquejazzphenomenon

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