Contemporary black women filmmakers and the art of resistance:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Columbus
Ohio State University Press
[2018]
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| Schriftenreihe: | Black performance and cultural criticism
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 195 Seiten Illustrationen |
| ISBN: | 9780814213827 9780814254998 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Acknowledgments ix
INTRODUCTION Becoming Visible i
CHAPTER i Unicorns: Black Women Filmmakers 15
CHAPTER 2 Work as Passion: Love Basketball and Beyond the Lights 44
chapter 3 Y all Are My Children: Eve s Bayou and Night Catches Us 75
CHAPTER 4 Rebellious Love: Middle of Nowhere and Pariah 106
CHAPTER 5 Transformative Beauty 132
Appendices
Appendix A Narrative Feature Films by Black Women 143
Appendix B Tanya Hamilton Interview 145
Appendix C Kasi Lemmons Interview 159
Appendix D Gina Prince-Bythewood Interview 169
Bibliography 177
Index 191
Christina N. Baker’s Contemporary Black Women Filmmakers and the Art
of Resistance is the first book-length analysis of representations of Black
femaleness in the feature films of Black women filmmakers. These filmmak-
ers resist dominant ideologies about Black womanhood, deliberately and
creatively reconstructing meanings of Blackness that draw from their per-
sonal experiences and create new symbolic meaning of Black femaleness
within mainstream culture. Addressing social issues such as the exploitation
of Black women in the entertainment industry, the impact of mass incar-
ceration on Black women, political activism, and violence, these films also
engage with personal issues as complex as love, motherhood, and sexual
identity. Baker argues that their counter-hegemonic representations have the
potential to transform the narratives surrounding Black femaleness. At the
intersection of Black feminism and womanism, Baker develops a “womanist
artistic standpoint” theory, drawing from the work of Alice Walker, Patricia
Hill Collins, bell hooks, Audre Lorde, and Kimberle Crenshaw.
Analyzing the cultural texts of filmmakers such as Ava DuVernay, Tanya
Hamilton, Kasi Lemmons, Gina Prince-Bythewood, and Dee Rees—and
including interviews she conducted with three of the filmmakers—Baker
emphasizes the importance of applying an intersectional perspective that
centers on the shared experiences of Black women and the role of film as a
form of artistic expression and a tool of social resistance.
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| title | Contemporary black women filmmakers and the art of resistance |
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