Disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world
The battles fought in the name of the ‘war on terror’ have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and unin...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UER01 Volltext |
| Zusammenfassung: | The battles fought in the name of the ‘war on terror’ have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and unintentional processes of erasure through which the distortion happens? What are their consequences?<br><br>Cinema is a key site at which questions about our highly mediated experience of war can be addressed or, more significantly, elided. Looking at a range of films that have provoked debate, from award-winning features like 'Zero Dark Thirty and American Sniper', to documentaries like 'Kill List and Dirty Wars', as well as at the work of visual artists like Harun Farocki and Omer Fast, this book examines the practices of erasure in the cinematic representation of recent military interventions. Drawing on representations of war-related death, dying and bodily damage, this provocative collection addresses ‘what’s missing’ in existing scholarly responses to modern warfare; in film studies, as well as in politics and international relations |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Jan 2018) |
| Beschreibung: | 1 online resource (xiii, 202 pages) |
| ISBN: | 9781474416573 9781474416580 |
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Datensatz im Suchindex
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| language | English |
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| spelling | Disappearing war interdisciplinary perspectives on cinema and erasure in the post-9/11 world edited by Christina Hellmich and Lisa Purse Edinburgh Edinburgh University Press [2017] 1 online resource (xiii, 202 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Jan 2018) The battles fought in the name of the ‘war on terror’ have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and unintentional processes of erasure through which the distortion happens? What are their consequences?<br><br>Cinema is a key site at which questions about our highly mediated experience of war can be addressed or, more significantly, elided. Looking at a range of films that have provoked debate, from award-winning features like 'Zero Dark Thirty and American Sniper', to documentaries like 'Kill List and Dirty Wars', as well as at the work of visual artists like Harun Farocki and Omer Fast, this book examines the practices of erasure in the cinematic representation of recent military interventions. Drawing on representations of war-related death, dying and bodily damage, this provocative collection addresses ‘what’s missing’ in existing scholarly responses to modern warfare; in film studies, as well as in politics and international relations War films History and criticism Motion pictures and war Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf Krieg Motiv (DE-588)4136410-7 gnd rswk-swf Kriegsfilm (DE-588)4165687-8 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Kriegsfilm (DE-588)4165687-8 s Dokumentarfilm (DE-588)4012653-5 s Krieg Motiv (DE-588)4136410-7 s 2\p DE-604 Hellmich, Christina (DE-588)1024742121 edt Purse, Lisa (DE-588)1012524159 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4744-1656-6 https://www.cambridge.org/core/product/identifier/9781474416573/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Disappearing war interdisciplinary perspectives on cinema and erasure in the post-9/11 world War films History and criticism Motion pictures and war Dokumentarfilm (DE-588)4012653-5 gnd Krieg Motiv (DE-588)4136410-7 gnd Kriegsfilm (DE-588)4165687-8 gnd |
| subject_GND | (DE-588)4012653-5 (DE-588)4136410-7 (DE-588)4165687-8 (DE-588)4143413-4 |
| title | Disappearing war interdisciplinary perspectives on cinema and erasure in the post-9/11 world |
| title_auth | Disappearing war interdisciplinary perspectives on cinema and erasure in the post-9/11 world |
| title_exact_search | Disappearing war interdisciplinary perspectives on cinema and erasure in the post-9/11 world |
| title_full | Disappearing war interdisciplinary perspectives on cinema and erasure in the post-9/11 world edited by Christina Hellmich and Lisa Purse |
| title_fullStr | Disappearing war interdisciplinary perspectives on cinema and erasure in the post-9/11 world edited by Christina Hellmich and Lisa Purse |
| title_full_unstemmed | Disappearing war interdisciplinary perspectives on cinema and erasure in the post-9/11 world edited by Christina Hellmich and Lisa Purse |
| title_short | Disappearing war |
| title_sort | disappearing war interdisciplinary perspectives on cinema and erasure in the post 9 11 world |
| title_sub | interdisciplinary perspectives on cinema and erasure in the post-9/11 world |
| topic | War films History and criticism Motion pictures and war Dokumentarfilm (DE-588)4012653-5 gnd Krieg Motiv (DE-588)4136410-7 gnd Kriegsfilm (DE-588)4165687-8 gnd |
| topic_facet | War films History and criticism Motion pictures and war Dokumentarfilm Krieg Motiv Kriegsfilm Aufsatzsammlung |
| url | https://www.cambridge.org/core/product/identifier/9781474416573/type/BOOK |
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