The theatre of Thomas Kilroy: no absolutes
Thomas Kilroy, Ireland's leading intellectual playwright, has, over the span of a fifty-year career, consistently resisted fixed categories and boundaries in both his stagecraft and the themes of his plays. In a close consideration of ten of his major works for the stage, and drawing extensivel...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
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Cork, Ireland
Cork University Press
2018
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| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Thomas Kilroy, Ireland's leading intellectual playwright, has, over the span of a fifty-year career, consistently resisted fixed categories and boundaries in both his stagecraft and the themes of his plays. In a close consideration of ten of his major works for the stage, and drawing extensively on archival materials, Lanters explores how Kilroy has challenged his audiences by confronting them with subject matter often perceived disturbing, controversial, even taboo within an Irish context, including homophobia, misogyny, marital unhappiness, mental illness, nationalist extremism, and religious fanaticism. Frequently drawing on styles rarely seen on the Irish stage, ranging from Artaud's 'theatre of cruelty' to Japanese Kabuki theatre, Kilroy's highly imaginative, thought-provoking, and challenging plays have alerted audiences to the complexity and inconstancy of the realities around them as well as the intricacies of the human psyche. Based on the reoccurrence of certain motifs in Kilroy's oeuvre, the present study divides his ten plays into three groups, characterised in broadly thematic terms. In The O'Neill (1969), Double Cross (1986), and The Madame MacAdam Travelling Theatre (1991), Kilroy considers the politics of identity and questions extreme forms of nationalism, in Northern Ireland, the Republic, and beyond. The Death and Resurrection of Mr Roche (1968), Tea and Sex and Shakespeare (1976), The Secret Fall of Constance Wilde (1997), and Christ, Deliver Us! (2010) reveal Kilroy's ongoing interest in the fluid nature of gender and sexuality, and the tragedies that ensue when authoritarian figures or institutions seek to regulate and constrain their expression. The focus in Talbot's Box (1977), The Shape of Metal (2003), and Blake (2011) is on the single-minded, self-involved nature of great artists and mystics, whose unique visionary gifts render them at times 'monstrous' to the people around them, and to themselves |
| Beschreibung: | viii, 280 Seiten Illustrationen |
| ISBN: | 9781782052708 |
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Datensatz im Suchindex
| _version_ | 1804178905963167744 |
|---|---|
| adam_text | Contents
Acknowledgements vi
Introduction i
Part I
Nationalism and Identity
1 Divided Loyalties: The O Neill 19
2 Deformities of Nationalism: Double Cross 40
3 Mum’s the Word: The Madame MacAdam Travelling
Theatre 60
Part II
Gender and Sexuality
4 Bachelors Gay: The Death and Resurrection of Mr Roche 83
5 Psychological Baggage: Tea and Sex and Shakespeare 104
6 The Wound of Gender: The Secret Fall of Constance Wilde 121
7 No Such Thing as Love: Christ, Deliver Us! 142,
Part III
Art and Mysticism
8 Relations with the Absolute: Talbot s Box 165
9 The Art of Imperfection: The Shape of Metal 186
10 A Time of Joy and Love: Blake 206
Coda 22-6
Notes 2-34
Select Bibliography 259
Index 2 66
The general critical consensus is that Kilroy is a major playwright whose oeuvre
has consistently interrogated the changing and often contradictory nature
of modern Ireland, by challenging established attitudes towards nationality,
gender, sexuality, and religion.
But there is also a perception that the work does so from an intellectual perspective
that may come across as lacking in emotion. This book contends that Kilroy’s theatre
of ideas addresses important public themes in a passionate and human way, but
that his work deviates from what was, until recently, the prevailing theatre style in
Ireland, social realism; his is a highly stylised theatre of artifice that has its roots
in the drama of Anglo-Irish playwrights like W.B. Yeats and English theatre makers
like Peter Brook. Kilroy’s plays and the productions they have received are here
analysed in relation to both his vision of Ireland and the theatrical techniques used
to express it. The context in which the works are discussed is created on the basis
of information from interviews with Kilroy, as well as his critical writings. It is
Informed by a wealth of archival material held in the National Library of Ireland, the
Abbey Theatre archive, but most importantly the Special Collections Archive at NUI
Galway, which acquired Kilroy s papers in 2009. Drafts of the plays, the playwrights
notes, correspondence, production files, unfinished and unpublished work, and
research and background materials for the plays, help gain insight into the process
by which individual works were developed and constructed, as well as the personal,
professional, and theatrical contexts from which they emerged and in which they
were produced and received. Reading the plays wdthin this broader context greatly
enriches our understanding of them and of the events and social trends to which
they constituted an artistic response.
|
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| contents | Part I. Nationalism and identity -- Divided loyalties : The O'Neill -- Deformities of nationalism : Double cross -- Mum's the word : The Madame MacAdam Travelling Theatre -- part II. Gender and sexuality -- Bachelors gay : The death and resurrection of Mr. Roche -- Psychological baggage : Tea and sex and Shakespeare -- The wound of gender : The secret fall of Constance Wilde -- No such thing as love : Christ, deliver us! -- part III. Art and mysticism -- Relations with the absolute : Talbot's box -- The art of imperfection : The shape of metal -- A time of joy and love : Blake |
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| spelling | Lanters, José 1958- Verfasser (DE-588)172217741 aut The theatre of Thomas Kilroy no absolutes José Lanters Cork, Ireland Cork University Press 2018 viii, 280 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Part I. Nationalism and identity -- Divided loyalties : The O'Neill -- Deformities of nationalism : Double cross -- Mum's the word : The Madame MacAdam Travelling Theatre -- part II. Gender and sexuality -- Bachelors gay : The death and resurrection of Mr. Roche -- Psychological baggage : Tea and sex and Shakespeare -- The wound of gender : The secret fall of Constance Wilde -- No such thing as love : Christ, deliver us! -- part III. Art and mysticism -- Relations with the absolute : Talbot's box -- The art of imperfection : The shape of metal -- A time of joy and love : Blake Thomas Kilroy, Ireland's leading intellectual playwright, has, over the span of a fifty-year career, consistently resisted fixed categories and boundaries in both his stagecraft and the themes of his plays. In a close consideration of ten of his major works for the stage, and drawing extensively on archival materials, Lanters explores how Kilroy has challenged his audiences by confronting them with subject matter often perceived disturbing, controversial, even taboo within an Irish context, including homophobia, misogyny, marital unhappiness, mental illness, nationalist extremism, and religious fanaticism. Frequently drawing on styles rarely seen on the Irish stage, ranging from Artaud's 'theatre of cruelty' to Japanese Kabuki theatre, Kilroy's highly imaginative, thought-provoking, and challenging plays have alerted audiences to the complexity and inconstancy of the realities around them as well as the intricacies of the human psyche. Based on the reoccurrence of certain motifs in Kilroy's oeuvre, the present study divides his ten plays into three groups, characterised in broadly thematic terms. In The O'Neill (1969), Double Cross (1986), and The Madame MacAdam Travelling Theatre (1991), Kilroy considers the politics of identity and questions extreme forms of nationalism, in Northern Ireland, the Republic, and beyond. The Death and Resurrection of Mr Roche (1968), Tea and Sex and Shakespeare (1976), The Secret Fall of Constance Wilde (1997), and Christ, Deliver Us! (2010) reveal Kilroy's ongoing interest in the fluid nature of gender and sexuality, and the tragedies that ensue when authoritarian figures or institutions seek to regulate and constrain their expression. The focus in Talbot's Box (1977), The Shape of Metal (2003), and Blake (2011) is on the single-minded, self-involved nature of great artists and mystics, whose unique visionary gifts render them at times 'monstrous' to the people around them, and to themselves Kilroy, Thomas 1934-2023 (DE-588)119210851 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Kilroy, Thomas / Criticism and interpretation English drama / Irish authors Kilroy, Thomas 1934-2023 (DE-588)119210851 p Drama (DE-588)4012899-4 s DE-604 Erscheint auch als Online-Ausgabe 1-78205-273-9 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030590172&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030590172&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Lanters, José 1958- The theatre of Thomas Kilroy no absolutes Part I. Nationalism and identity -- Divided loyalties : The O'Neill -- Deformities of nationalism : Double cross -- Mum's the word : The Madame MacAdam Travelling Theatre -- part II. Gender and sexuality -- Bachelors gay : The death and resurrection of Mr. Roche -- Psychological baggage : Tea and sex and Shakespeare -- The wound of gender : The secret fall of Constance Wilde -- No such thing as love : Christ, deliver us! -- part III. Art and mysticism -- Relations with the absolute : Talbot's box -- The art of imperfection : The shape of metal -- A time of joy and love : Blake Kilroy, Thomas 1934-2023 (DE-588)119210851 gnd Drama (DE-588)4012899-4 gnd |
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