Contemporary film and economics: Lights! Camera! Econ!
Cover -- Title -- Copyright -- Dedication -- Contents -- About the author -- Acknowledgements -- 1 The economics in film -- Economics as backstory -- Economics in contemporary film -- The art of visual storytelling -- A few caveats and qualifications -- 2 A passage to choice -- Who benefits? -- Deci...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2018
|
| Schriftenreihe: | Routledge economics and popular culture
|
| Zusammenfassung: | Cover -- Title -- Copyright -- Dedication -- Contents -- About the author -- Acknowledgements -- 1 The economics in film -- Economics as backstory -- Economics in contemporary film -- The art of visual storytelling -- A few caveats and qualifications -- 2 A passage to choice -- Who benefits? -- Decisions, decisions -- The maddening value of trade -- Concluding thoughts -- 3 The economics of greed, entrepreneurship, and innovation -- Greed is good . . . or not -- Putting the social in entrepreneurship -- A new type of entrepreneur in film? -- The Joy of entrepreneurship -- Entrepreneurship and the future of narrative film -- 4 The labor market costs of crime, pride, and prejudice -- The radically upward sloping supply curve -- What's in your bank account? -- The dignity of work -- The social costs of discrimination -- Concluding thoughts -- 5 Financing the housing crisis and the Great Recession -- On the precipice of financial Armageddon -- Who killed the world economy? -- Whither the banks and corporate finance? -- Did Occupy Wall Street scuttle the economics in Hell or High Water? -- Concluding thoughts -- 6 The nature and causes of wealth in film -- Is capitalism an unknown ideal in film? -- The tropes of economic stagnation -- Can movies get beyond economic tropes? -- Rescuing movies from tropes -- Bringing movie narratives on growth back to earth -- 7 Government without romance -- Politics without romance -- The economics of factions and governing -- Rent seeking -- Beyond corruption and political cynicism -- Regime uncertainty and political succession -- Is government a blind spot for filmmakers? -- 8 Conclusion: The economics behind the story -- Subject index -- Movie index |
| Beschreibung: | xiii, 97 Seiten |
| ISBN: | 9780815367031 9780815367055 |
Internformat
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| 520 | 3 | |a Cover -- Title -- Copyright -- Dedication -- Contents -- About the author -- Acknowledgements -- 1 The economics in film -- Economics as backstory -- Economics in contemporary film -- The art of visual storytelling -- A few caveats and qualifications -- 2 A passage to choice -- Who benefits? -- Decisions, decisions -- The maddening value of trade -- Concluding thoughts -- 3 The economics of greed, entrepreneurship, and innovation -- Greed is good . . . or not -- Putting the social in entrepreneurship -- A new type of entrepreneur in film? -- The Joy of entrepreneurship -- Entrepreneurship and the future of narrative film -- 4 The labor market costs of crime, pride, and prejudice -- The radically upward sloping supply curve -- What's in your bank account? -- The dignity of work -- The social costs of discrimination -- Concluding thoughts -- 5 Financing the housing crisis and the Great Recession -- On the precipice of financial Armageddon -- Who killed the world economy? -- Whither the banks and corporate finance? -- Did Occupy Wall Street scuttle the economics in Hell or High Water? -- Concluding thoughts -- 6 The nature and causes of wealth in film -- Is capitalism an unknown ideal in film? -- The tropes of economic stagnation -- Can movies get beyond economic tropes? -- Rescuing movies from tropes -- Bringing movie narratives on growth back to earth -- 7 Government without romance -- Politics without romance -- The economics of factions and governing -- Rent seeking -- Beyond corruption and political cynicism -- Regime uncertainty and political succession -- Is government a blind spot for filmmakers? -- 8 Conclusion: The economics behind the story -- Subject index -- Movie index | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-351-25820-3 |
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Datensatz im Suchindex
| _version_ | 1804178894166687744 |
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| any_adam_object | |
| author | Staley, Sam 1961- |
| author_GND | (DE-588)171504569 |
| author_facet | Staley, Sam 1961- |
| author_role | aut |
| author_sort | Staley, Sam 1961- |
| author_variant | s s ss |
| building | Verbundindex |
| bvnumber | BV045194629 |
| classification_rvk | QR 750 |
| ctrlnum | (OCoLC)1078663200 (DE-599)BVBBV045194629 |
| discipline | Wirtschaftswissenschaften |
| format | Book |
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| id | DE-604.BV045194629 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:11:13Z |
| institution | BVB |
| isbn | 9780815367031 9780815367055 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030583742 |
| oclc_num | 1078663200 |
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| owner | DE-11 DE-M382 |
| owner_facet | DE-11 DE-M382 |
| physical | xiii, 97 Seiten |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge economics and popular culture |
| spelling | Staley, Sam 1961- Verfasser (DE-588)171504569 aut Contemporary film and economics Lights! Camera! Econ! Samuel R. Staley London ; New York Routledge 2018 xiii, 97 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge economics and popular culture Cover -- Title -- Copyright -- Dedication -- Contents -- About the author -- Acknowledgements -- 1 The economics in film -- Economics as backstory -- Economics in contemporary film -- The art of visual storytelling -- A few caveats and qualifications -- 2 A passage to choice -- Who benefits? -- Decisions, decisions -- The maddening value of trade -- Concluding thoughts -- 3 The economics of greed, entrepreneurship, and innovation -- Greed is good . . . or not -- Putting the social in entrepreneurship -- A new type of entrepreneur in film? -- The Joy of entrepreneurship -- Entrepreneurship and the future of narrative film -- 4 The labor market costs of crime, pride, and prejudice -- The radically upward sloping supply curve -- What's in your bank account? -- The dignity of work -- The social costs of discrimination -- Concluding thoughts -- 5 Financing the housing crisis and the Great Recession -- On the precipice of financial Armageddon -- Who killed the world economy? -- Whither the banks and corporate finance? -- Did Occupy Wall Street scuttle the economics in Hell or High Water? -- Concluding thoughts -- 6 The nature and causes of wealth in film -- Is capitalism an unknown ideal in film? -- The tropes of economic stagnation -- Can movies get beyond economic tropes? -- Rescuing movies from tropes -- Bringing movie narratives on growth back to earth -- 7 Government without romance -- Politics without romance -- The economics of factions and governing -- Rent seeking -- Beyond corruption and political cynicism -- Regime uncertainty and political succession -- Is government a blind spot for filmmakers? -- 8 Conclusion: The economics behind the story -- Subject index -- Movie index Erscheint auch als Online-Ausgabe 978-1-351-25820-3 |
| spellingShingle | Staley, Sam 1961- Contemporary film and economics Lights! Camera! Econ! |
| title | Contemporary film and economics Lights! Camera! Econ! |
| title_auth | Contemporary film and economics Lights! Camera! Econ! |
| title_exact_search | Contemporary film and economics Lights! Camera! Econ! |
| title_full | Contemporary film and economics Lights! Camera! Econ! Samuel R. Staley |
| title_fullStr | Contemporary film and economics Lights! Camera! Econ! Samuel R. Staley |
| title_full_unstemmed | Contemporary film and economics Lights! Camera! Econ! Samuel R. Staley |
| title_short | Contemporary film and economics |
| title_sort | contemporary film and economics lights camera econ |
| title_sub | Lights! Camera! Econ! |
| work_keys_str_mv | AT staleysam contemporaryfilmandeconomicslightscameraecon |