Music festivals in the UK: beyond the carnivalesque
"Music Festivals in the UK is the first extended investigation into the commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attend...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2019
|
| Schriftenreihe: | Ashgate popular and folk music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Music Festivals in the UK is the first extended investigation into the commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of events management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture' being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events."--Publisher's description |
| Beschreibung: | xii, 197 Seiten Diagramme |
| ISBN: | 9781472436207 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045180035 | ||
| 003 | DE-604 | ||
| 005 | 20200225 | ||
| 007 | t | ||
| 008 | 180911s2019 |||| bm|| 00||| eng d | ||
| 020 | |a 9781472436207 |c hbk |9 978-1-4724-3620-7 | ||
| 035 | |a (OCoLC)1056967660 | ||
| 035 | |a (DE-599)BVBBV045180035 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LS 48015 |0 (DE-625)110539: |2 rvk | ||
| 084 | |a LQ 84000 |0 (DE-625)109095:13528 |2 rvk | ||
| 100 | 1 | |a Anderton, Chris |e Verfasser |0 (DE-588)1072717735 |4 aut | |
| 245 | 1 | 0 | |a Music festivals in the UK |b beyond the carnivalesque |c Chris Anderton |
| 246 | 1 | 3 | |a Music festivals in the United Kingdom |
| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2019 | |
| 300 | |a xii, 197 Seiten |b Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Ashgate popular and folk music series | |
| 505 | 8 | |a Contextualising outdoor music festivals in the UK -- The proliferation, professionalisation and mainstreaming of outdoor music festivals -- Branded landscapes: sponsorship, marketing and mediation -- Always the same, yet always different: music festivals as cyclic places -- The social life of music festivals: audiences and atmosphere | |
| 520 | 3 | |a "Music Festivals in the UK is the first extended investigation into the commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of events management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture' being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events."--Publisher's description | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Kommerzialisierung |0 (DE-588)4127776-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rock-Festival |0 (DE-588)4178268-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Sozialer Wandel |0 (DE-588)4077587-2 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Music festivals / Great Britain | |
| 689 | 0 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 0 | 1 | |a Rock-Festival |0 (DE-588)4178268-9 |D s |
| 689 | 0 | 2 | |a Kommerzialisierung |0 (DE-588)4127776-4 |D s |
| 689 | 0 | 3 | |a Sozialer Wandel |0 (DE-588)4077587-2 |D s |
| 689 | 0 | 4 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk |z 978-1-315-59679-2 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030569240&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20200225 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030569240 | ||
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0904 |g 41 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |g 41 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |g 41 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0905 |g 41 |
Datensatz im Suchindex
| _version_ | 1804178871847747584 |
|---|---|
| adam_text | Contents
List of figures ix
Acknowledgements x
Abbreviations and acronyms xi
Introduction 1
1 Contextualising outdoor music festivals in the UK 7
Music festivals: a countercultural narrative 7
Music festivals and the countercultural carnivalesque 19
Other histories of the music festival in the UK 23
Conclusion 35
2 The proliferation, professionalisation and mainstreaming
of outdoor music festivals 37
Proliferation, diversification and volatility 37
Market structure and issues 49
Mainstreaming 61
Conclusion 72
3 Branded landscapes: sponsorship, marketing and mediation 74
The ‘brand matrix’ 74
Commercial sponsorship 80
Music festival sponsorship strategies 93
Festival audiences and critiques of branding and sponsorship 96
Conclusion 100
4 Always the same, yet always different: music festivals
as cyclic places 102
Liminality and the outdoor music festival 103
Cyclic place 111
viii Contents
Music festivals, Britishness and the rural 128
Conclusion 133
5 The social life of music festivals: audiences and atmosphere 134
Motivations 135
Sociality 148
Atmosphere 153
Conclusion 162
Conclusion 164
Bibliography 170
Index
|
| any_adam_object | 1 |
| author | Anderton, Chris |
| author_GND | (DE-588)1072717735 |
| author_facet | Anderton, Chris |
| author_role | aut |
| author_sort | Anderton, Chris |
| author_variant | c a ca |
| building | Verbundindex |
| bvnumber | BV045180035 |
| classification_rvk | LS 48015 LQ 84000 |
| contents | Contextualising outdoor music festivals in the UK -- The proliferation, professionalisation and mainstreaming of outdoor music festivals -- Branded landscapes: sponsorship, marketing and mediation -- Always the same, yet always different: music festivals as cyclic places -- The social life of music festivals: audiences and atmosphere |
| ctrlnum | (OCoLC)1056967660 (DE-599)BVBBV045180035 |
| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03725nam a2200565 c 4500</leader><controlfield tag="001">BV045180035</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200225 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180911s2019 |||| bm|| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472436207</subfield><subfield code="c">hbk</subfield><subfield code="9">978-1-4724-3620-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1056967660</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045180035</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 48015</subfield><subfield code="0">(DE-625)110539:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LQ 84000</subfield><subfield code="0">(DE-625)109095:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Anderton, Chris</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1072717735</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music festivals in the UK</subfield><subfield code="b">beyond the carnivalesque</subfield><subfield code="c">Chris Anderton</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Music festivals in the United Kingdom</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 197 Seiten</subfield><subfield code="b">Diagramme</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Ashgate popular and folk music series</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Contextualising outdoor music festivals in the UK -- The proliferation, professionalisation and mainstreaming of outdoor music festivals -- Branded landscapes: sponsorship, marketing and mediation -- Always the same, yet always different: music festivals as cyclic places -- The social life of music festivals: audiences and atmosphere</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Music Festivals in the UK is the first extended investigation into the commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of events management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture' being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events."--Publisher's description</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kommerzialisierung</subfield><subfield code="0">(DE-588)4127776-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rock-Festival</subfield><subfield code="0">(DE-588)4178268-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sozialer Wandel</subfield><subfield code="0">(DE-588)4077587-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music festivals / Great Britain</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Rock-Festival</subfield><subfield code="0">(DE-588)4178268-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kommerzialisierung</subfield><subfield code="0">(DE-588)4127776-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Sozialer Wandel</subfield><subfield code="0">(DE-588)4077587-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ebk</subfield><subfield code="z">978-1-315-59679-2</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030569240&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200225</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030569240</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">41</subfield></datafield></record></collection> |
| geographic | Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV045180035 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:10:52Z |
| institution | BVB |
| isbn | 9781472436207 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030569240 |
| oclc_num | 1056967660 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | xii, 197 Seiten Diagramme |
| psigel | BSB_NED_20200225 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Ashgate popular and folk music series |
| spelling | Anderton, Chris Verfasser (DE-588)1072717735 aut Music festivals in the UK beyond the carnivalesque Chris Anderton Music festivals in the United Kingdom London ; New York Routledge, Taylor & Francis Group 2019 xii, 197 Seiten Diagramme txt rdacontent n rdamedia nc rdacarrier Ashgate popular and folk music series Contextualising outdoor music festivals in the UK -- The proliferation, professionalisation and mainstreaming of outdoor music festivals -- Branded landscapes: sponsorship, marketing and mediation -- Always the same, yet always different: music festivals as cyclic places -- The social life of music festivals: audiences and atmosphere "Music Festivals in the UK is the first extended investigation into the commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of events management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture' being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events."--Publisher's description Geschichte gnd rswk-swf Kommerzialisierung (DE-588)4127776-4 gnd rswk-swf Rock-Festival (DE-588)4178268-9 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Music festivals / Great Britain Großbritannien (DE-588)4022153-2 g Rock-Festival (DE-588)4178268-9 s Kommerzialisierung (DE-588)4127776-4 s Sozialer Wandel (DE-588)4077587-2 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe, ebk 978-1-315-59679-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030569240&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Anderton, Chris Music festivals in the UK beyond the carnivalesque Contextualising outdoor music festivals in the UK -- The proliferation, professionalisation and mainstreaming of outdoor music festivals -- Branded landscapes: sponsorship, marketing and mediation -- Always the same, yet always different: music festivals as cyclic places -- The social life of music festivals: audiences and atmosphere Kommerzialisierung (DE-588)4127776-4 gnd Rock-Festival (DE-588)4178268-9 gnd Sozialer Wandel (DE-588)4077587-2 gnd |
| subject_GND | (DE-588)4127776-4 (DE-588)4178268-9 (DE-588)4077587-2 (DE-588)4022153-2 |
| title | Music festivals in the UK beyond the carnivalesque |
| title_alt | Music festivals in the United Kingdom |
| title_auth | Music festivals in the UK beyond the carnivalesque |
| title_exact_search | Music festivals in the UK beyond the carnivalesque |
| title_full | Music festivals in the UK beyond the carnivalesque Chris Anderton |
| title_fullStr | Music festivals in the UK beyond the carnivalesque Chris Anderton |
| title_full_unstemmed | Music festivals in the UK beyond the carnivalesque Chris Anderton |
| title_short | Music festivals in the UK |
| title_sort | music festivals in the uk beyond the carnivalesque |
| title_sub | beyond the carnivalesque |
| topic | Kommerzialisierung (DE-588)4127776-4 gnd Rock-Festival (DE-588)4178268-9 gnd Sozialer Wandel (DE-588)4077587-2 gnd |
| topic_facet | Kommerzialisierung Rock-Festival Sozialer Wandel Großbritannien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030569240&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT andertonchris musicfestivalsintheukbeyondthecarnivalesque AT andertonchris musicfestivalsintheunitedkingdom |