Promiscuous Media: Film and Visual Culture in Imperial Japan, 1926-1945
In Promiscuous Media, Hikari Hori makes a compelling case that the visual culture of Showa-era Japan articulated urgent issues of modernity rather than serving as a simple expression of nationalism. Hori makes clear that the Japanese cinema of the time was in fact almost wholly built on a foundation...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2018]
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| Schriftenreihe: | Studies of the Weatherhead East Asian Institute, Columbia University
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | In Promiscuous Media, Hikari Hori makes a compelling case that the visual culture of Showa-era Japan articulated urgent issues of modernity rather than serving as a simple expression of nationalism. Hori makes clear that the Japanese cinema of the time was in fact almost wholly built on a foundation of Russian and British film theory as well as American film genres and techniques. Hori provides a range of examples that illustrate how maternal melodrama and animated features, akin to those popularized by Disney, were adopted wholesale by Japanese filmmakers.Emperor Hirohito’s image, Hori argues, was inseparable from the development of mass media; he was the first emperor whose public appearances were covered by media ranging from postcards to radio broadcasts. Worship of the emperor through viewing his image, Hori shows, taught the Japanese people how to look at images and primed their enjoyment of early animation and documentary films alike. Promiscuous Media links the political and the cultural closely in a way that illuminates the nature of twentieth-century Japanese society |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018) |
| Beschreibung: | 1 online resource 23 b&w halftones |
| ISBN: | 9781501709524 |
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| author | Hori, Hikari |
| author_facet | Hori, Hikari |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:09:17Z |
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| isbn | 9781501709524 |
| language | English |
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| publishDate | 2018 |
| publishDateSearch | 2018 |
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| publisher | Cornell University Press |
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| series2 | Studies of the Weatherhead East Asian Institute, Columbia University |
| spelling | Hori, Hikari Verfasser aut Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 Hikari Hori Ithaca, NY Cornell University Press [2018] © 2017 1 online resource 23 b&w halftones txt rdacontent c rdamedia cr rdacarrier Studies of the Weatherhead East Asian Institute, Columbia University Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018) In Promiscuous Media, Hikari Hori makes a compelling case that the visual culture of Showa-era Japan articulated urgent issues of modernity rather than serving as a simple expression of nationalism. Hori makes clear that the Japanese cinema of the time was in fact almost wholly built on a foundation of Russian and British film theory as well as American film genres and techniques. Hori provides a range of examples that illustrate how maternal melodrama and animated features, akin to those popularized by Disney, were adopted wholesale by Japanese filmmakers.Emperor Hirohito’s image, Hori argues, was inseparable from the development of mass media; he was the first emperor whose public appearances were covered by media ranging from postcards to radio broadcasts. Worship of the emperor through viewing his image, Hori shows, taught the Japanese people how to look at images and primed their enjoyment of early animation and documentary films alike. Promiscuous Media links the political and the cultural closely in a way that illuminates the nature of twentieth-century Japanese society In English Geschichte 1926-1945 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Visuelle Medien (DE-588)4188423-1 gnd rswk-swf Nationalismus Motiv (DE-588)4419039-6 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Japan (DE-588)4028495-5 g Film (DE-588)4017102-4 s Visuelle Medien (DE-588)4188423-1 s Nationalismus Motiv (DE-588)4419039-6 s Geschichte 1926-1945 z 1\p DE-604 https://www.degruyter.com/doi/book/10.7591/9781501709524 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hori, Hikari Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 Film (DE-588)4017102-4 gnd Visuelle Medien (DE-588)4188423-1 gnd Nationalismus Motiv (DE-588)4419039-6 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4188423-1 (DE-588)4419039-6 (DE-588)4028495-5 |
| title | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 |
| title_auth | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 |
| title_exact_search | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 |
| title_full | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 Hikari Hori |
| title_fullStr | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 Hikari Hori |
| title_full_unstemmed | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 Hikari Hori |
| title_short | Promiscuous Media |
| title_sort | promiscuous media film and visual culture in imperial japan 1926 1945 |
| title_sub | Film and Visual Culture in Imperial Japan, 1926-1945 |
| topic | Film (DE-588)4017102-4 gnd Visuelle Medien (DE-588)4188423-1 gnd Nationalismus Motiv (DE-588)4419039-6 gnd |
| topic_facet | Film Visuelle Medien Nationalismus Motiv Japan |
| url | https://www.degruyter.com/doi/book/10.7591/9781501709524 |
| work_keys_str_mv | AT horihikari promiscuousmediafilmandvisualcultureinimperialjapan19261945 |