Disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world
Drawing on representations of war-related death, dying and bodily damage as case studies, the essays in this book examine the erasure of recent military interventions as depicted in film by US and European filmmakers. Exploring films such as Zero Dark Thiry and American Sniper and documentaries incl...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Drawing on representations of war-related death, dying and bodily damage as case studies, the essays in this book examine the erasure of recent military interventions as depicted in film by US and European filmmakers. Exploring films such as Zero Dark Thiry and American Sniper and documentaries including Kill List and Dirty Wars, this collection addresses 'what's missing' in existing scholarly responses to modern warfare and examines how érasure' has consequences for US and European understandings of war |
| Beschreibung: | xiii, 202 Seiten Illustrationen 24 cm |
| ISBN: | 9781474437523 |
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Datensatz im Suchindex
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| adam_text | Contents
List of Figures vii
Notes on the Contributors ix
Acknowledgements xii
x. Introduction: Cinema and the Epistemology of War x
Christina Hellmich and Lisa Purse
z. Good Kill? US Soldiers and the Killing of Civilians in
American Film x 6
Cora Sol Goldstein
3. ‘5,000 feet isv4he best’: Drone Warfare, Targets and
Paul Virilio’s ‘Accident’ 34
Agnieszka Piotrotvska
4. Post-heroic War/The Body at Risk 5 6
Robert Burgoyne
5. Disappearing Bodies: Visualising the Maywand
District Murders 73
Thomas Gregory
6. The Unknowable Soldier: Ethical Erasure in The Master s
Facial Close-ups 92-
James Harvey
7. Visible Dead Bodies and the Technologies of Erasure in
the War on Terror m
Jessica Auchter
8. Ambiguity, Ambivalence and Absence in Zero Dark Thirty 13 x
Lisa Purse
vi CONTENTS
9. Invisible War: Broadcast Television Documentary and Iraq 149
Janet Harris
10. Nine Cinematic Devices for Staging (In)visible War and the
(Vanishing) Colonial Present 170
Sbohini Chaudhuri
11. Afterword: Reflections on Knowing War 191
Christina Hellmicb
Index 195
The battles fought in the name of the ‘war on terror’ have re-ignited
questions about the changing nature and experience of war. For those
geographically distant from these conflict zones, often the only means of
knowing and understanding war is through the media. But what is missing
from the mediated experience of war that film, television and the internet
provide? What are the intentional and unintentional processes of erasure
that shape this experience, and what are their consequences?
Cinema is a key site for such questions. Examining a range of films that
have provoked debate, from award-winning features such as Dark
Thirty and American Sniper, to documentaries such as Kill List and Dirty
Wars, alongside the work of visual artists like Harun Farocki and Omer
Fast, this book maps the practices of erasure that have marked the
cultural representation of military interventions connected to the ‘war on
terror’. In doing so, this interdisciplinary collection represents an important
intervention into contemporary debates about the intersection of war and
politics, cinema and the media.
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| title | Disappearing war interdisciplinary perspectives on cinema and erasure in the post-9/11 world |
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