The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cu...

Ausführliche Beschreibung

Bibliographische Detailangaben

Weitere Verfasser:	Hilder, Thomas R. 1982- (HerausgeberIn), Stobart, Henry 1958- (HerausgeberIn), Tan, Shzr Ee ca. 20./21. Jh (HerausgeberIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Rochester University of Rochester Press 2017
Schlagworte:	Indigenous peoples / Music / History and criticism Sound / Recording and reproducing / Social aspects Sound recordings / Social aspects Digital media / Social aspects Neue Medien Musik Indigenes Volk Konferenzschrift > 2010 > London
Online-Zugang:	BSB01 UBG01 URL des Erstveröffentlichers
Zusammenfassung:	The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together the work of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century. Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London
Beschreibung:	Title from publisher's bibliographic system (viewed on 27 Apr 2018) Music, indigeneity, digital media : an introduction / Thomas R. Hilder -- Taiwan's aboriginal music on the internet / Shzr Ee Tan -- Recording technolgoy, traditioning, and urban American Indian powwow perormance / John-Carlos Perea -- YouTubing the "Other" : Lima's upper classes and Andean imaginaries / Fiorella Montero-Diaz -- An interview with Russell Wallace / Russell Wallace -- Mixing it up : a comparative approach to Sâami audio production / Beverley Diamond -- Creative pragmatism : competency and aesthetics in Bolivian indigenous music video (VCD) production / Henry Stobart -- Keepsakes and surrogates : hijacking muisc technology at Wadeye (Northwest Australia) / Linda Barwick -- The politics of virtuality : Sâami cultural simulation through digital musical media / Thomas R. Hilder
Beschreibung:	1 Online-Ressource (viii, 224 Seiten)
ISBN:	9781782049210