Schoenberg and tonality: the eight songs op. 6
Arnold Schoenberg is usually associated with the breakdown of tonality in the early twentieth century. The present book challenges this familiar narrative by considering his Eight Songs op. 6 (1903-05) as the culmination of his tonal mastery. It is the first monograph devoted to these pieces. The so...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leuven ; Paris ; Bristol, CT
Peeters
2018
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| Schriftenreihe: | Analysis in context
volume 5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Arnold Schoenberg is usually associated with the breakdown of tonality in the early twentieth century. The present book challenges this familiar narrative by considering his Eight Songs op. 6 (1903-05) as the culmination of his tonal mastery. It is the first monograph devoted to these pieces. The songs are placed in the historical and philosophical context of turn-of-the-century Vienna, and related to the composer's views on music, language, the musical idea, and tonality. Each of the songs is analysed from a different perspective in order to trace its generative "Gedanke" or idea. Schoenberg's treatment of tonality is ultimately seen in terms not of destruction and loss, but of creative construction and of expanding relations within musical space |
| Beschreibung: | X, 266 Seiten Illustrationen, Notenbeispiele 26 cm |
| ISBN: | 9789042935709 |
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| 520 | 3 | |a Arnold Schoenberg is usually associated with the breakdown of tonality in the early twentieth century. The present book challenges this familiar narrative by considering his Eight Songs op. 6 (1903-05) as the culmination of his tonal mastery. It is the first monograph devoted to these pieces. The songs are placed in the historical and philosophical context of turn-of-the-century Vienna, and related to the composer's views on music, language, the musical idea, and tonality. Each of the songs is analysed from a different perspective in order to trace its generative "Gedanke" or idea. Schoenberg's treatment of tonality is ultimately seen in terms not of destruction and loss, but of creative construction and of expanding relations within musical space | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Abbreviations......................................................... VII
List of Music Examples................................................. IX
List of Tables......................................................... XI
List of Plates................*................................... XI
Introduction............................................................ 1
Part I
HISTORICAL AND THEORETICAL CONTEXTS
Chapter 1 Schoenberg s songs op. 6................................ 15
Schoenberg and lyric culture........................... 17
Schoenbergs tonal songs................................ 22
The Eight Songs op, 6................................. 26
The reception of the Eight Songs op, 6................. 28
The disappearance of the song.......................... 34
Chapter 2 Schoenberg and words......................................... 39
Vorstellung vs. Darstellung............................ 41
Mach vs. Boltzmann..................................... 42
Mauthner vs. Wittgenstein.............................. 44
Holz vs. Dehmel vs. Hofmannsthal....................... 47
Hanslick............................................... 51
Nietzsche............................................ 53
Schoenberg............................................. 55
Chapter 3 Schoenberg and the idea...................................... 63
The musical idea....................................... 63
Musical logic.......................................... 67
The musical space...................................... 71
‘Non-harmonic tones ............................. 75
The musical idea as an analytical tool................. 77
VI
CONTENTS
Chapter 4 Schoenberg and tonality....................................... 83
Definitions of tonality................................. 83
Different types of tonality............................. 85
Alternatives to monotonality............................ 88
Fluctuating tonality.................................... 91
Recent theories of late nineteenth-century tonality .... 93
Part II
ANALYSES
Chapter 5 ‘Traumleben’ op. 6 no. 1. Living in the secluded garden 101
Chapter 6 ‘Ghasel’ op. 6 no. 5. Bourgeois values and modernism . . 117
Chapter 7 ‘Verlassen’ op. 6 no. 4. Expulsion from the garden .... 145
Chapter 8 ‘Alies’ op. 6 no. 2. Counterpoint and nostalgia........ 157
Chapter 9 ‘Mádchenlied’ op. 6 no. 3. Schoenberg and humour ... 177
Chapter 10 ‘Am Wegrand’ op. 6 no. 6. Longing and remembrance. . 189
Chapter 11 ‘Lockung’ op. 6 no. 7. From the diary of a seducer .... 211
Chapter 12 ‘Der Wanderer’ op. 6 no. 8. The voice of nature....... 227
Conclusion............................................................. 243
Bibliography........................................................... 249
Index of names and compositions....................................... 261
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| illustrated | Illustrated |
| indexdate | 2024-07-10T08:08:15Z |
| institution | BVB |
| isbn | 9789042935709 |
| language | English |
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| physical | X, 266 Seiten Illustrationen, Notenbeispiele 26 cm |
| publishDate | 2018 |
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| publisher | Peeters |
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| series | Analysis in context |
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| spelling | Boucquet, Kristof Verfasser (DE-588)1053351844 aut Schoenberg and tonality the eight songs op. 6 by Kristof Boucquet Leuven ; Paris ; Bristol, CT Peeters 2018 X, 266 Seiten Illustrationen, Notenbeispiele 26 cm txt rdacontent n rdamedia nc rdacarrier Analysis in context volume 5 Arnold Schoenberg is usually associated with the breakdown of tonality in the early twentieth century. The present book challenges this familiar narrative by considering his Eight Songs op. 6 (1903-05) as the culmination of his tonal mastery. It is the first monograph devoted to these pieces. The songs are placed in the historical and philosophical context of turn-of-the-century Vienna, and related to the composer's views on music, language, the musical idea, and tonality. Each of the songs is analysed from a different perspective in order to trace its generative "Gedanke" or idea. Schoenberg's treatment of tonality is ultimately seen in terms not of destruction and loss, but of creative construction and of expanding relations within musical space Schönberg, Arnold 1874-1951 Lieder op. 6 (DE-588)300417454 gnd rswk-swf Geschichte 1903-1905 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Tonalität (DE-588)4185654-5 gnd rswk-swf Schoenberg, Arnold / 1874-1951 Schoenberg, Arnold / 1874-1951 / Lieder / op. 6 / Criticism and interpretation Tonality Schönberg, Arnold 1874-1951 Lieder op. 6 (DE-588)300417454 u Tonalität (DE-588)4185654-5 s Musikalische Analyse (DE-588)4040814-0 s Geschichte 1903-1905 z DE-604 Analysis in context volume 5 (DE-604)BV023024880 5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030478167&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Boucquet, Kristof Schoenberg and tonality the eight songs op. 6 Analysis in context Schönberg, Arnold 1874-1951 Lieder op. 6 (DE-588)300417454 gnd Musikalische Analyse (DE-588)4040814-0 gnd Tonalität (DE-588)4185654-5 gnd |
| subject_GND | (DE-588)300417454 (DE-588)4040814-0 (DE-588)4185654-5 |
| title | Schoenberg and tonality the eight songs op. 6 |
| title_auth | Schoenberg and tonality the eight songs op. 6 |
| title_exact_search | Schoenberg and tonality the eight songs op. 6 |
| title_full | Schoenberg and tonality the eight songs op. 6 by Kristof Boucquet |
| title_fullStr | Schoenberg and tonality the eight songs op. 6 by Kristof Boucquet |
| title_full_unstemmed | Schoenberg and tonality the eight songs op. 6 by Kristof Boucquet |
| title_short | Schoenberg and tonality |
| title_sort | schoenberg and tonality the eight songs op 6 |
| title_sub | the eight songs op. 6 |
| topic | Schönberg, Arnold 1874-1951 Lieder op. 6 (DE-588)300417454 gnd Musikalische Analyse (DE-588)4040814-0 gnd Tonalität (DE-588)4185654-5 gnd |
| topic_facet | Schönberg, Arnold 1874-1951 Lieder op. 6 Musikalische Analyse Tonalität |
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