An introduction to television studies:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2023
|
| Ausgabe: | Fourth edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XII, 321 Seiten Illustrationen |
| ISBN: | 9781138665828 9781138665811 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804178706063687680 |
|---|---|
| adam_text | Contents List ofillustrations Acknowledgements ix xiii Introduction 1 Using this book Television Studies The organisation of chapters Bibliography 1 2 5 9 1 Studying Television Introduction Beyond broadcasting Television nations Studying programmes Television and society Television audiences Case study: television past and present Summary of key points Bibliography 2 Television Style and Form The language of television Connotations and codes Mise-en-scène Image Sound Structure and editing Case study: Bon Appétit i Gourmet Makes Summary of key points Bibliography 3 Television Narrative Introduction Identification Story/plot Structure 11 12 13 16 17 20 26 29 33 34 37 38 40 41 49 53 56 62 68 68 69 70 71 73 75
VI CONTENTS Narrative forms - serial Narrative forms - series Narrative forms - hybrid Transmedia storytelling t Case study. Insecure Summary of key points Bibliography t 4 Television Histories Introduction Collecting the evidence Inventing television technologies Television institutions Reception contexts British approaches to commercial television Professional cultures in a ‘Golden Age’ Programmes and forms The ten most popular programmes in March 1958 The ten most popular programmes in September 1964 The ten most popular programmes in November 1974 The ten most popular programmes in November 1984 Case study: a history of British youth television Summary of key points Bibliography 5 Television Industries Introduction The funding structures of television Public service broadcasting in the British market Television regulation in the UK The structure of television industries Channel brands in digital and cable Streaming platforms British public service streaming: BBC iPlayer Case study: ABC and Disney Summary of key points Bibliography ?5 78 79 84 85 87 88 89 92 94 97 99 101 103 104 104 105 105 107 1Ю 110 113 114 114 115 117 119 121 123 126 128 132 132 6 Television Genres and Formats 135 Introduction Identifying genre and format The generic space of soap opera The medical drama Sitcom and the problem of humour Genre hybridity and reality TV Case study: adult animated series ßg ßg 140 լ42 144 147 150
CONTENTS VII Summary of key points Bibliography 155 155 Television Realities 157 Introduction Factual television Realism and television technologies British soap opera and realism Realism and ideology News and liveness The documentary mode Case study: docudrama Summary of key points Bibliography 158 158 160 162 165 166 169 174 177 177 8 Television Production 181 Introduction Development Pre-production Production Post-production YouTube, user-generated content and the amateur-professional creator Case study: ‘fixed rig’ observational documentary Summary of key points Bibliography 182 183 185 191 196 198 201 204 205 Television Audiences 207 Introduction The economics of watching television Ratings: measuring audiences Targeting audiences ‘Protecting’ audiences Active audiences Attention and involvement Qualitative audience research Fan audiences Case study: data, algorithms and interfaces - shaping streaming audiences Summary of key points Bibliography 208 209 211 213 213 214 215 217 220 Television Representation and Identity 231 Introduction Intersectionality and othering Representation and stereotype 232 233 235 224 228 229
VIII CONTENTS Meaningful diversity and plastic representation Ideology Television as cultural forum Reality television and identity Who makes TV? Diversity as brand management Case study: Chewing Gum Summary of key points Bibliography 237 241 242 244 246 249 251 252 11 Television Cultures and Globalisation 255 Introduction Global television National television in global contexts International unscripted format sales The scripted format trade and localisation Global power and streaming platforms The global and local interrelationship Case study: Hallyu and Korean drama Summary of key points Bibliography 256 257 260 262 265 267 269 272 276 276 12 Television and Quality Introduction Identifying ‘quality’ Channels and brands in American television drama Television and authorship The ‘cinematic’, legitimating television and complex serial drama Visual style and the Doctor Who brand Period drama as prestige genre Case study: The Marvelous Mrs Maisel Summary of key points Bibliography Glossary ofkey terms Index 279 280 282 285 288 291 293 296 298 300 301 303 nr
An Introduction to Television Studies This comprehensive textbook, now substantially updated for its fourth edition, provides students with a framework for understanding the key concepts and main approaches to Television Studies, including audiences, representation, industry and global television, as well as the analytical study of individual programmes. This new edition reflects the significant changes the television industry is undergoing in the streaming era with an explosion of new content and providers, whilst also identifying how many existing practices have endured. The book includes a glossary of key terms, with each chapter suggesting further reading. New and updated material includes: ■ Chapters on style and form, narrative, industry, and representation and identity ■ Case studies on Bon Appétit’s YouTube channel, Insecure, British youth television, ABC and Disneys-, fixed-rig observational documentary, streaming platforms’ use of data to shape audience experience, Chewing Gum, Korean drama and The Marvelous Mrs Maisel ■ Sections on medical drama, YouTube creators, Sham and scripted format sales, the global spread of streaming platforms, prestige TV and period drama With individual chapters addressing television style and form, narrative, histories, industries, genres and formats, realities, production, audiences, representation and identity, and quality, this book is essential reading for both students and scholars of Television Studies.
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| spelling | Bignell, Jonathan Verfasser (DE-588)13726724X aut An introduction to television studies Jonathan Bignell and Faye Woods Fourth edition London ; New York Routledge 2023 XII, 321 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Television broadcasting Televisión Fernsehen (DE-588)4016825-6 gnd rswk-swf Fernsehforschung (DE-588)4154055-4 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Fernsehforschung (DE-588)4154055-4 s DE-604 Fernsehen (DE-588)4016825-6 s 1\p DE-604 Woods, Faye Verfasser (DE-588)1122305400 aut Erscheint auch als Online-Ausgabe 978-1-315-61967-5 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030477315&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030477315&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
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| title | An introduction to television studies |
| title_auth | An introduction to television studies |
| title_exact_search | An introduction to television studies |
| title_full | An introduction to television studies Jonathan Bignell and Faye Woods |
| title_fullStr | An introduction to television studies Jonathan Bignell and Faye Woods |
| title_full_unstemmed | An introduction to television studies Jonathan Bignell and Faye Woods |
| title_short | An introduction to television studies |
| title_sort | an introduction to television studies |
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| topic_facet | Television broadcasting Televisión Fernsehen Fernsehforschung Einführung |
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