Music, text, and culture in ancient Greece:
What difference does music make to performance poetry, and how did the ancients understand this relationship? This volume explores the interaction of music and language in ancient Greek poetry, arguing that music crucially informs the ways in which these texts create meaning and exploring its place...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2018
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | BSB01 Oxford scholarship online Rezension |
| Zusammenfassung: | What difference does music make to performance poetry, and how did the ancients understand this relationship? This volume explores the interaction of music and language in ancient Greek poetry, arguing that music crucially informs the ways in which these texts create meaning and exploring its place in contemporary critical writings |
| Beschreibung: | This edition previously issued in print: 2018. - Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource Illustrationen |
| ISBN: | 9780191835988 |
| DOI: | 10.1093/oso/9780198794462.001.0001 |
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Datensatz im Suchindex
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| adam_text | SEHEPUNKTE 19 (2019), NR. 10
TOM PHILLIPS / ARMAND D ANGOUR (EDS.): MUSIC, TEXT, AND CULTURE IN
ANCIENT GREECE
GREEK LYRIC WAS PERFORMED, NOT ONLY RECITED, BUT SUNG. THIS CONVICTION,
ONCE REVOLUTIONARY, IS STATE OF THE
ART, AND RIGHTLY SO. YET, IT IS VERY DIFFICULT TO GET AN IDEA OF HOW THE
RELATION BETWEEN MUSIC AND TEXT CAN BE
IMAGINED WITHIN THIS FOREGONE PERFORMANCE CULTURE. AS WE ALMOST TOTALLY
LACK THE SOURCES DESCRIBING THE
MUSIC, IT HAS BECOME A SCHOLARLY TOPOS TO PAIR AN EMPHASIS ON MUSIC S
IMPORTANCE TO PERFORMANCE POETRY
WITH ACKNOWLEDGMENT OF OUR IGNORANCE OF ITS WORKING, AS THE EDITOR
PHILLIPS STRESSES (2). THE PRESENT
VOLUME OFFERS ANSWERS BY APPROACHING THE ISSUE FROM DIFFERENT ANGLES. IN
ADDITION TO THE INTRODUCTION:
MUSIC, TEXT, AND CULTURE BY TOM PHILLIPS (1-13), A BIBLIOGRAPHY AND AN
INDEX, THE VOLUME IS DIVIDED INTO TWO
PARTS. PART I. INTERPRETATION (15-135) FOCUSES ON THE RELATIONSHIP
BETWEEN WORDS AND SOUNDS IN PERFORMED
POETRY. PART II. THEORY, RECEPTION, CONTEXTS (137-255) POSES THE
QUESTION OF HOW THE ANCIENTS UNDERSTOOD
THE RELATION BETWEEN MUSIC AND TEXT, OR TEXT AND MUSIC.
IN FACT, IT IS NOT EASY TO SAY WHICH ONE OF THE TWO HAS TO BE NAMED
FIRST. TRADITIONALLY, SCHOLARSHIP WOULD
HAVE PUT THE TEXT ONTO THE FIRST POSITION BECAUSE THIS IS WHAT WE KNOW
FAR BETTER DUE TO THE NATURE OF OUR
SOURCES, AND THIS IS WHAT IS, ACCOMPANIED BY RHYTHM, MUCH EASIER TO
DESCRIBE. THAT MUSIC PRECEDES TEXT
IN THE TITLE OF THE VOLUME MIGHT BE OWED TO THE FOCUS ON NEW METHODS OF
RESEARCH THE VOLUME IS ADDICTED
TO. SHOULD WE TURN THE RELATIONSHIP UPSIDE DOWN? THE VOLUME DOES NOT DO
SO. HOWEVER, WHEN DOING
RESEARCH ON SOUNDS, SOUNDS BECOME VERY IMPORTANT. AND AS WE LACK
EXPLICIT SOURCES TO REVIVE THE SOUNDS
PRECISELY, WE VERY MUCH DEPEND ON IMAGINATION AND SUPPOSITIONS.
TO GIVE AN EXAMPLE, I DISCUSS THE CONTRIBUTION BY ARMAND D ANGOUR, 2.
THE MUSICAL SETTING OF ANCIENT GREEK
TEXTS, IN MORE DETAIL. IN CONTRAST TO JOHN C. FRANKLIN, WHO ARGUES IN
FAVOUR OF VERY OLD TRADITIONS LURKING
BEHIND ANCIENT GREEK SONG BY STATING THAT GREEK TUNING SYSTEMS WERE
DERIVED FROM ASSYRIAN AND BABYLONIAN
MODELS ( 1. EPICENTRIC TONALITY AND THE GREEK LYRIC TRADITION ),
D ANGOUR STRESSES THE CONTINUITY TO MODERN
WESTERN MUSIC TRADITION. HE DISCUSSES EXAMPLES FROM THE GREEK PAST THAT
RANGE FROM MUSICAL EFFECTS IN
HOMER OVER CHORUSES IN EURIPIDES TO THE SONG OF SEIKILOS FROM THE SECOND
CENTURY AD. IN AN EXEMPLARY WAY,
HE THUS COVERS THOUSAND YEARS OF GREEK MUSIC HISTORY. IN CONTRAST TO
IMPROVISATION THAT DOMINATED THE
PERFORMANCE OF HOMERIC SONG, EURIPIDES IS GROUPED WITHIN THE SO-CALLED
NEW MUSIC, A REVOLUTIONARY CHANGE
IN MUSICAL STYLE THAT LOOKED FOR NEW WAYS OF INSTRUMENTAL AND VOCAL
EXPRESSION AND THAT HAS BEEN LINKED
WITH THE NEED FOR PROGRESSIVE MELODISTS SUCH AS EURIPIDES TO FIND A WAY,
FOR THE FIRST TIME IN GREEK MUSICAL
HISTORY, TO NOTATE EXACTLY HOW A SONG SHOULD BE SUNG (58). THOUGH THE
AUTHOR IS CAUTIOUS, HE ACKNOWLEDGES
A HISTORICAL CONTINUITY IN THE SYMBOLISM OF MELODIC SHAPE (61). AND
THIS IS A STRONG ARGUMENT FOR THINKING
THAT WE ARE ABLE TO RE-IMAGINE THE FOREGONE WORLD OF ANCIENT GREEK SONG.
D ANGOUR CONCLUDES THAT THE
EXAMPLES OF HOMER, EURIPIDES, AND SEIKILOS ILLUSTRATE SIMILAR PATTERNS
OF HIGHLIGHTING SEMANTIC AND AFFECTIVE
QUALITIES OF A TEXT, AND OF STRUCTURING IT, BEING VISIBLE OVER A
THOUSAND OF YEARS. AND HE CONTINUES SAYING
THAT THE EARLIEST MUSIC OF GREECE EXHIBITS ELEMENTS OF SYMBOLIC AND
AFFECTIVE, NO LESS THAN GEOGRAPHICAL
AND CULTURAL, CONTINUITY WITH THE WELLSPRINGS OF THE WESTERN MUSICAL
TRADITION (72). IMPLICITLY, HE SAYS MUCH
MORE. IMPLICITLY, HE DOES NOT ONLY STRESS THE GREAT VARIABILITY OF
SINGERS PERFORMING SONGS WHEN USING
MELODIZATION TO MAKE A SPECIAL POINT. HE ALSO UNDERLINES THAT MUSIC, IN
RELATION TO TEXT, WAS VERY IMPORTANT
FROM THE BEGINNING BUT THAT DURING THE REVOLUTION OF THE 5 CENTURY BC,
WHEN NOTATION WAS DEMANDED TO
FIX IDEAS OF SOUNDING, THE AUTONOMY OF MUSIC TOWARDS THE TEXT WAS
STRESSED. THIS VERY MUCH REMINDS OF
EUROPEAN MUSIC HISTORY FROM MEDIEVAL TIMES DOWN TO THE 19 CENTURY AND
BEYOND, FROM GREGORIAN CHANT TO
THE SO-CALLED ABSOLUTE MUSIC OF THE 19 CENTURY AND THE SOPHISTICATED
KUNSTLIEDER OF THE EPOCH.
IN CONTRAST TO D ARMAND S FOCUS ON MELODIZATION, CHAPTER 3. WORDS AND
THE MUSICIAN: PINDAR S DACTYLO-
TH
TH
TH
1 VON 2
EPITRITES BY TOM PHILLIPS RELIES ON RHYTHM AS AN AFFECTIVE DIMENSION
INDEPENDENT FROM VERBAL MEANING.
OLIVER THOMAS, IN 4. MUSIC IN EURIPIDES MEDEA , JOINS THE CHOIR OF THE
FIRST ARTICLES BY INTERPRETING THE
MUSICAL PERFORMANCE OF CHORUSES AS A VEHICLE FOR AUTHORIAL COMMENTS ON
THE ARGUMENTS THE CHORUS UTTERS
VERBALLY. SOPHISTICATED WAYS OF COMPOSING A SONG ARE DEMONSTRATED IN
DETAIL BY STELIOS PSAROUDAKES, IN 5.
MESOMEDES HYMN TO THE SUN: THE PRECIPITATION OF LOGOS IN THE MELOS.
PART II. THEORY, RECEPTION, CONTEXTS REVEALS THAT ANCIENT AUTHORS AS
MODERNS ALIKE WERE CONCERNED WITH
THE QUALITY OF MUSIC AS A DIMENSION NOT TO BE TRANSLATED DIRECTLY TO THE
VERBAL SPHERE AND AS A VEHICLE FOR
EXPRESSING EMOTION AND ENGENDERING FEELINGS ON THE SIDE OF THE LISTENER,
BRIEFLY: MUSIC AS AN AUTONOMOUS
ART. THE LOCUS CLASSICUS ON THE LATTER IS PLATO, WHO TREATS THE ANXIETY
OF MUSICAL ELEMENTS OVERWHELMING THE
VERBAL MEANING (ANASTASIA-ERASMIA PEPONI, 7. LYRIC ATMOSPHERES: PLATO
AND MIMETIC EVANESCENCE ).
ARISTOTLE, IN CONTRAST, ESTIMATES THE AUTONOMY OF MUSIC THAT SHOULD BE
ENJOYED ACCORDING TO ITS OWN
STRUCTURE (PIERRE DESTREE, 8. ARISTOTLE ON MUSIC FOR LEISURE ). IN 10.
DISREPUTABLE MUSIC: A PERFORMANCE, A
DEFENCE, AND THEIR INTERTEXTUAL AND INTERMEDIAL RESONANCES (PLUTARCH
QUAEST. CONV. 704C4-705B6 ), ANDREW
BARKER ILLUSTRATES RELATING DEBATES DURING THE SECOND SOPHISTIC. THE
POWER OF IMAGINATION IS DEMONSTRATED
BY NAOMI WEISS, IN 6. HEARING THE SYRINX IN EURIPIDEAN TRAGEDY, WHO
SHOWS IN WHICH WAY EURIPIDES PLAYED
WITH THE IMAGINATION OF HIS LISTENERS BY MAKING AN AULOS BEING PERCEIVED
AS A SYRINX. JAMES I. PORTER, IN 9.
SOUND YOU CANNOT HEAR: CICERO AND THE TRADITION OF SUBLIME CRITICISM,
OPENS THE DISCUSSION TO THE SPHERE
OF RHETORICAL CONCERNS UND THUS TO YET ANOTHER SPHERE OF CULTURAL AND
SOCIAL IMPORTANCE SOUNDS
ACCOMPANYING EVERY VERBAL UTTERING HAD.
INTERPRETING THE EVIDENCE REQUIRES A PRECARIOUS MIXTURE OF IMAGINATION
AND CAUTION (2), PHILLIPS RIGHTLY
EMPHASIZES IN THE INTRODUCTION. IT IS EASY TO PUT THE FINGER ON THE WEAK
SPOTS BY UNMASKING PRECARIOUS
IMAGINATION. ON THE CONTRARY, THE POWER OF IMAGINATION HAVING BEEN
INVESTED TO MAKE A WORLD VISIBLE TO US
THAT WOULD BE LOST OTHERWISE IS TO BE PRAISED. THE
AUTHORS ARE REAL EXPERTS ON THEIR TOPICS AND DISCUSS THEM
IN A DETAILED, PASSIONATE MANNER. OF COURSE, THE READER DOES NOT HAVE TO
FOLLOW EVERY RECONSTRUCTION OR
EVERY SINGLE ARGUMENT. HOWEVER, EVERYBODY INTERESTED IN ANCIENT GREEK
LYRIC, MUSIC, AND PERFORMANCE
CULTURE WILL BE REWARDED WITH A RICH REPOSITORY FOR VERY GENERAL BUT
ALSO VERY SPECIFIC QUESTIONS TACKLING
THESE ISSUES.
REZENSION UEBER:
TOM PHILLIPS / ARMAND D ANGOUR (EDS.): MUSIC, TEXT, AND CULTURE IN
ANCIENT GREECE, SECOND IMPRESSION, OXFORD: OXFORD UNIVERSITY
PRESS 2018, XIV + 279 S., 6 S/W-ABB., ISBN 978-0-19-879446-2, GBP 65,00
REZENSION VON:
ANGELA GANTER
LEHRSTUHL FUER ALTE GESCHICHTE, UNIVERSITAET REGENSBURG
EMPFOHLENE ZITIERWEISE:
ANGELA GANTER: REZENSION VON: TOM PHILLIPS / ARMAND D ANGOUR (EDS.):
MUSIC, TEXT, AND CULTURE IN ANCIENT GREECE, SECOND IMPRESSION,
OXFORD: OXFORD UNIVERSITY PRESS 2018, IN: SEHEPUNKTE 19 (2019), NR. 10
[15.10.2019], URL:
HTTP://WWW.SEHEPUNKTE.DE/2019/10
/32117.HTML
BITTE GEBEN SIE BEIM ZITIEREN DIESER REZENSION DIE
EXAKTE URL UND DAS DATUM IHRES LETZTEN BESUCHS DIESER ONLINE-ADRESSE AN.
2 VON 2
|
| any_adam_object | 1 |
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| discipline | Philologie / Byzantinistik / Neulatein |
| doi_str_mv | 10.1093/oso/9780198794462.001.0001 |
| edition | First edition |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| genre_facet | Aufsatzsammlung Konferenzschrift 2014 |
| geographic | Griechenland Altertum (DE-588)4093976-5 gnd |
| geographic_facet | Griechenland Altertum |
| id | DE-604.BV044997295 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:06:32Z |
| institution | BVB |
| isbn | 9780191835988 |
| language | English |
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| physical | 1 Online-Ressource Illustrationen |
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| publishDate | 2018 |
| publishDateSearch | 2018 |
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| publisher | Oxford University Press |
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| spelling | Phillips, Tom 1984- (DE-588)1080776893 edt Music, text, and culture in ancient Greece Tom Phillips and Armand D'Angour First edition Oxford Oxford University Press 2018 1 Online-Ressource Illustrationen txt rdacontent c rdamedia cr rdacarrier This edition previously issued in print: 2018. - Includes bibliographical references and index What difference does music make to performance poetry, and how did the ancients understand this relationship? This volume explores the interaction of music and language in ancient Greek poetry, arguing that music crucially informs the ways in which these texts create meaning and exploring its place in contemporary critical writings Geschichte gnd rswk-swf Greek poetry / History and criticism Music / Greece / History / To 1500 Literatur (DE-588)4035964-5 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Griechenland Altertum (DE-588)4093976-5 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content 2\p (DE-588)1071861417 Konferenzschrift 2014 gnd-content Musik, griechisch (DE-2581)TH000006171 gbd Griechische Literatur (DE-2581)TH000005164 gbd Griechische Literatur, Archaische Zeit (DE-2581)TH000005165 gbd Griechenland Altertum (DE-588)4093976-5 g Musik (DE-588)4040802-4 s Literatur (DE-588)4035964-5 s Kultur (DE-588)4125698-0 s Geschichte z DE-604 D'Angour, Armand 1958- (DE-588)1022900919 edt Erscheint auch als Druck-Ausgabe 978-0-198794-46-2 https://doi.org/10.1093/oso/9780198794462.001.0001 Verlag URL des Erstveröffentlichers Oxford scholarship online SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030389518&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Rezension 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Music, text, and culture in ancient Greece Greek poetry / History and criticism Music / Greece / History / To 1500 Literatur (DE-588)4035964-5 gnd Musik (DE-588)4040802-4 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4040802-4 (DE-588)4125698-0 (DE-588)4093976-5 (DE-588)4143413-4 (DE-588)1071861417 |
| title | Music, text, and culture in ancient Greece |
| title_auth | Music, text, and culture in ancient Greece |
| title_exact_search | Music, text, and culture in ancient Greece |
| title_full | Music, text, and culture in ancient Greece Tom Phillips and Armand D'Angour |
| title_fullStr | Music, text, and culture in ancient Greece Tom Phillips and Armand D'Angour |
| title_full_unstemmed | Music, text, and culture in ancient Greece Tom Phillips and Armand D'Angour |
| title_short | Music, text, and culture in ancient Greece |
| title_sort | music text and culture in ancient greece |
| topic | Greek poetry / History and criticism Music / Greece / History / To 1500 Literatur (DE-588)4035964-5 gnd Musik (DE-588)4040802-4 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Greek poetry / History and criticism Music / Greece / History / To 1500 Literatur Musik Kultur Griechenland Altertum Aufsatzsammlung Konferenzschrift 2014 |
| url | https://doi.org/10.1093/oso/9780198794462.001.0001 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030389518&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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