Flickering treasures: rediscovering Baltimore's forgotten movie theaters
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Baltimore
Johns Hopkins University Press
2017
|
| Subjects: | |
| Online Access: | Rezension Rezension Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | xv, 300 Seiten 29 cm |
| ISBN: | 9781421422183 |
Staff View
MARC
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| 100 | 1 | |a Davis, Amy |d 1956- |e Verfasser |0 (DE-588)1161435786 |4 aut | |
| 245 | 1 | 0 | |a Flickering treasures |b rediscovering Baltimore's forgotten movie theaters |c Amy Davis ; foreword by Barry Levinson |
| 264 | 1 | |a Baltimore |b Johns Hopkins University Press |c 2017 | |
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Record in the Search Index
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| adam_text | SEHEPUNKTE 20 (2020), NR. 4
AMY DAVIS: FLICKERING TREASURES
AS WORKS BY SCHOLARS SUCH AS INA RAE HARK, ROBERT C. ALLEN OR KATHRYN
FULLER-SEELEY INDICATE, RESEARCH ON
AMERICAN FILM AND CINEMA HAS INCREASINGLY PAID ATTENTION TO PLACES AND
SPACES OF FILM EXHIBITION AND OTHER
ASPECTS RELATED TO THE FILM OR CINEMA EXPERIENCE. [1] WORKS LIKE THESE
TEND TO BE INTERDISCIPLINARY IN NATURE
AND AT THE INTERSECTION OF, FOR EXAMPLE, FILM AND CINEMA HISTORY,
CULTURAL, ARCHITECTURAL, URBAN AND SOCIAL
HISTORY. CONSEQUENTLY, THE ARCHITECTURAL STRUCTURE
OF MOVIE THEATERS IS ALSO IN FOCUS, AS WELL AS THE
THEATERS
ENTANGLEMENTS WITH THEIR NEIGHBORHOODS AND COMMUNITIES AND QUESTIONS
SUCH AS WHAT IT MEANS TO WATCH
MOVIES FOR PEOPLE, IN PARTICULAR COMMUNITIES AND POINTS IN TIME. AMY
DAVIS BOOK FLICKERING TREASURES:
REDISCOVERING BALTIMORE S FORGOTTEN MOVIE THEATERS CAN BE SEEN IN THIS
CONTEXT.
DAVIS IS AN AWARD-WINNING BALTIMORE SUN PHOTOJOURNALIST, WHOSE 2008
BALTIMORE SUN PHOTO ESSAY ON
FORGOTTEN MOVIE HOUSES PROVIDED THE STARTING POINT
FOR HER BOOK. IN EIGHT CHAPTERS, EACH DEVOTED TO A
DIFFERENT PERIOD OF BALTIMORE S MOVIE THEATER HISTORY, DAVIS CHRONICLES
THE RISE, DEVELOPMENT, DECAY,
DESTRUCTION AND PRESERVATION OF BALTIMORE S DOWNTOWN AND NEIGHBORHOOD
MOVIE THEATERS, STARTING OFF WITH
THE ARRIVAL OF THE FIRST MOVING IMAGES IN BALTIMORE IN 1896 AND ENDING
IN 2017. NOT UNLIKE THE MODUS
OPERANDI OF NEW CINEMA HISTORY, DAVIS BOOK DOES NOT PRIMARILY REVOLVE
AROUND THE ACTUAL MOVING IMAGES,
I.E., WHAT WAS SHOWN, BUT IS RATHER INTERESTED IN WHERE FILMS WERE
SHOWN.
DAVIS PRESENTS TO THE READER NUMEROUS PLACES OF FILM EXHIBITION:
DOWNTOWN AND IN THE NEIGHBORHOODS,
MOVIE PALACES, AMUSEMENT PARKS, STOREFRONT THEATERS OR EVEN CHURCHES.
WHILE DOING SO, SHE HIGHLIGHTS THE
DIFFERENT ARCHITECTURAL STYLES AND PARTICULARITIES OF BALTIMORE S MANY
THEATERS, E.G., STANLEY S (1927-1965)
IMPRESSIVE WHITE, MARBLE ROMANESQUE FACADE (177), THE
AUDITORIUM S/MAYFAIR S (1904-1986) BEAUTIFUL
BEAUX-ARTS FACADE (8), THE NEW S (1910-1986) NEOCLASSICAL INTERIOR (50),
THE SENATOR (1939) AS AN EXAMPLE
OF A STREAMLINE MODERNE THEATER (217), AND THE AFRICAN AMERICAN ROYAL,
AND BRINGS TO OUR ATTENTION
RENOWNED AND/OR LOCAL ARCHITECTS SUCH AS THOMAS W. LAMB OR E. BERNARD
EVANDER. FLICKERING TREASURES TIES
THESE ASPECTS WITH A LARGE NUMBER OF OTHER ELEMENTS THAT CONTRIBUTED TO
THE SUCCESS OR FAILURE OF PARTICULAR
THEATERS SUCH AS THEIR SIZE, THE ABILITY TO CATER TO THE PATRONS NEEDS
OR DESIRES (AIR CONDITIONING WAS, E.G.,
A FACTOR THAT CONTRIBUTED TO A THEATER S SUCCESS IN A PLACE LIKE
BALTIMORE, WHICH TENDS TO GET RATHER HOT
DURING SUMMER), OR PRESENCE OF STARS SUCH AS JIMMY
STEWART, FRANK CAPRA, ELLA FITZGERALD, CAB CALLOWAY
AND OTHERS. THUS, DAVIS SHOWS IN HER BOOK THAT THE HISTORY OF
BALTIMORE S THEATERS IS INEXTRICABLY LINKED WITH
NUMEROUS FACTORS, AND HOW, FOR EXAMPLE, THE SOCIOECONOMIC SITUATION OF
PARTICULAR NEIGHBORHOODS,
MIGRATION, RACISM AND SEGREGATION CONTRIBUTED TO THE SUCCESS OR FAILURE
OF BALTIMORE S THEATERS.
THE STRENGTH OF FLICKERING TREASURES LIES IN THE NUMEROUS PHOTOGRAPHS
THAT TAKE CENTER STAGE IN THIS BOOK IN
WHICH SHE JUXTAPOSES NUMEROUS VINTAGE WITH HER OWN ARTFUL PHOTOGRAPHS IN
ORDER TO PROCURE A DIALOGUE
WITH THE PAST, NOT ITS REPLICATION (XIII). CONSEQUENTLY, HER BOOK DOES
NOT MERELY DOCUMENT HOW NUMEROUS
MOVIE THEATERS BECAME STORES, OFFICE BUILDINGS, CHURCHES OR WERE TAKEN
OVER BY NATURE. INSTEAD, THE
PHOTOGRAPHS CREATE A COMPELLING STORY THAT HIGHLIGHTS THAT THE HISTORY
OF BALTIMORE S FORGOTTEN MOVIE
THEATERS IS ALSO ABOUT TRANSFORMATIONS, OPPORTUNITY, LOSS AND LACK OF
(ARCHITECTURAL) PRESERVATION OR NEGLECT.
ONE MAIN QUESTION FLICKERING TREASURES SEEMS TO ASK IS WHY A CITY THAT
IN 1916 HAD 129 MOVIE THEATERS
MERELY HAD EIGHT LEFT BY THE YEAR 2000, WHILE POINTING TO THE
CONSEQUENCES FOR THE CITY S POPULACE,
NEIGHBORHOODS AND LANDSCAPE. THE CULPRITS FOR THE DISAPPEARANCE OF
BALTIMORE S MOVIE THEATERS ARE
NUMEROUS, AND INCLUDE THE USUAL SUSPECTS SUCH AS THE RISE OF TV AND THE
DYING OF NEIGHBORHOODS. DAVIS
SEEMS TO SUGGEST THAT THE DEVELOPMENTS DOCUMENTED IN HER BOOK ARE
INDICATIVE NOT ONLY OF BALTIMORE S
NEGLECT OF ITS CINEMATIC CULTURAL AND URBAN HISTORY, BUT ALSO OF ITS
URBAN LANDSCAPE AND CITIZENS. HOWEVER,
FLICKERING TREASURES DOES NOT PRIMARILY MOURN THE PAST OR WHAT COULD
HAVE BEEN. INSTEAD, IT SEEMS THAT
DAVIS HOPES THAT BY SHOWING THE POSITIVE EFFECTS THAT MOVIE THEATERS
ONCE HAD ON THEIR NEIGHBORHOODS AND
COMMUNITIES AND CONTINUE TO HAVE DUE TO PRESERVATION AND RECONSTRUCTION,
HER BOOK WILL SPARK A DIALOGUE
ABOUT HOW WE CAN TRANSFORM MORE OF OUR FORGOTTEN THEATERS INTO CATALYSTS
FOR BUILDING THRIVING
COMMUNITIES (290).
FOR FLICKERING TREASURES, DAVIS RESORTED TO A VAST ARRAY OF MATERIAL
THAT SHE FOUND IN NEWSPAPERS AND
ARCHIVES, WHICH SHE COMBINED WITH NUMEROUS PERSONAL ACCOUNTS AND
ANECDOTES BY BALTIMOREANS FROM
DIVERSE WALKS OF LIFE, INCLUDING PERSONALITIES SUCH AS FILMMAKER AND
ARTIST JOHN WATERS JR OR ACADEMY
AWARD-WINNER BARRY LEVINSON, DIRECTOR OF FILMS SUCH AS GOOD MORNING
VIETNAM (1987), WAG THE DOG (1997)
AND RAIN MAN (1988). HOWEVER, AS A PHOTOJOURNALIST, DAVIS PRODUCED A
PHOTO-DOCUMENTARY, RATHER THAN AN
ACADEMIC BOOK IN THE STRICTEST SENSE. CONSEQUENTLY, DAVIS PRIMARILY
REFERS TO ROBERT K. HEADLEY S
MOTION
PICTURE EXHIBITION. AN ILLUSTRATED HISTORY AND DIRECTORY OF THEATERS,
1895-2004 (2006) AND HIS EARLIER SELF-
PUBLISHED
EXIT (1974) INSTEAD OF DISCUSSING NUMEROUS ACADEMIC OR SEMI-ACADEMIC
PUBLICATIONS ON THE
SUBJECT. [
2] THIS MAKES HER BOOK AN INTERESTING READ FOR NON-ACADEMICS INTERESTED
IN A BRIEF INTRODUCTION TO
BALTIMORE S MOVIE GOING AND THEATER HISTORY. AT THE SAME TIME, FOR
SCHOLARS INTERESTED IN, E.G., CINEMA,
EXHIBITION, URBAN, CULTURAL OR ART HISTORY, FLICKERING TREASURES CAN BE
SEEN (BECAUSE IT IS DECIDEDLY
DEDICATED TO BALTIMORE) AS A COMPELLING ADDITION TO WORKS SUCH AS
EXHIBITION, THE FILM READER (2002),
HOLLYWOOD IN THE NEIGHBORHOOD. HISTORICAL CASE STUDIES OF LOCAL
MOVIEGOING (2008) OR LOCAL HISTORY PROJECTS
SUCH AS DAVID M. GUSS LOST THEATRES OF SOMERVILLE (2006) AND AS
PROVIDING A GREAT STARTING POINT FOR FUTURE
RESEARCH. [3]
NOTES:
[
1] SEE E.G.: ROBERT C. ALLEN: GETTING TO GOING TO THE SHOW, REPRINT IN:
LOCATING THE MOVING IMAGE: NEW
APPROACHES TO FILM AND PLACE, ED. BY JULIA HALLAM / LES ROBERTS,
BLOOMINGTON 2014; AND GOING TO THE SHOW,
AVAILABLE UNDER: HTTP://GTTS.OASIS.UNC.EDU (ACCESSED 01 MARCH 2020); INA
RAE HARK: EXHIBITION, THE FILM
READER, LONDON 2002; KATHRYN FULLER-SEELEY (ED.): HOLLYWOOD IN THE
NEIGHBORHOOD. HISTORICAL CASE STUDIES
OF LOCAL MOVIEGOING, BERKELEY 2008.
[
2] ROBERT K. HEADLEY: MOTION PICTURE EXHIBITION IN WASHINGTON, D.C. AN
ILLUSTRATED HISTORY OF PARLORS,
PALACES, AND MULTIPLEXES IN THE METROPOLITAN AREA,
1894-1997, JEFFERSON, N.C. 1999; AND ROBERT K.
HEADLEY: EXIT. A HISTORY OF MOVIES IN BALTIMORE UNIVERSITY PARK, MD
1974.
[3] DAVID M. GUSS: LOST THEATRES OF SOMERVILLE, IN: MARQUEE 1 (2006),
3-16; AND: LOST THEATRES OF
SOMERVILLE, AVAILABLE UNDER: HTTP://WWW.LOSTTHEATRES.ORG/THEATERS.HTM
(ACCESSED 01 MARCH 2020).
REZENSION UEBER:
AMY DAVIS: FLICKERING TREASURES. REDISCOVERING BALTIMORE S FORGOTTEN
MOVIE THEATERS, BALTIMORE / LONDON: THE JOHNS HOPKINS
UNIVERSITY PRESS 2017, XV + 300 S., ISBN 978-1-4214-2218-3, USD 49,95
REZENSION VON:
SUSANA ROCHA TEIXEIRA
FAKULTAET FUER LINGUISTIK UND LITERATURWISSENSCHAFT,
UNIVERSITAET BIELEFELD
EMPFOHLENE ZITIERWEISE:
SUSANA ROCHA TEIXEIRA: REZENSION VON: AMY DAVIS: FLICKERING TREASURES.
REDISCOVERING BALTIMORE S FORGOTTEN MOVIE THEATERS,
BALTIMORE / LONDON: THE JOHNS HOPKINS UNIVERSITY PRESS 2017, IN:
SEHEPUNKTE 20 (2020), NR. 4 [15.04.2020], URL:
HTTP://WWW.SEHEPUNKTE.DE/2020/04/34179.HTML
BITTE GEBEN SIE BEIM ZITIEREN DIESER REZENSION DIE
EXAKTE URL UND DAS DATUM IHRES LETZTEN BESUCHS DIESER ONLINE-ADRESSE AN.
CONTENTS
FOREWORD, BY BARRY LEVINSON * IX
PREFACE * XII
CHAPTER ONE. 1896-1909 1
CHAPTER TWO. 1910-1914 4
1
CHAPTER THREE. 1915-1919 87
CHAPTER FOUR. 1920-1924 123
CHAPTER FIVE. 1925-1929 159
CHAPTER SIX. 1930-1939
1
97
CHAPTER SEVEN. 1940-1949 249
CHAPTER EIGHT. 1950-2017 269
AFTERWORD 289
ACKNOWLEDGMENTS * 291
MAP AND TIMELINE * 294
NOTES ON RESEARCH * 296
CREDITS * 297
INDEX OF CONTRIBUTORS * 298
INDEX OF THEATERS * 299
|
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| spelling | Davis, Amy 1956- Verfasser (DE-588)1161435786 aut Flickering treasures rediscovering Baltimore's forgotten movie theaters Amy Davis ; foreword by Barry Levinson Baltimore Johns Hopkins University Press 2017 xv, 300 Seiten 29 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Motion picture theaters Maryland Baltimore Motion picture theaters Maryland Baltimore Pictorial works Baltimore (Md.) Buildings, structures, etc Baltimore (Md.) Buildings, structures, etc Pictorial works Baltimore (Md.) History (DE-588)4145395-5 Bildband gnd-content Erscheint auch als Online-Ausgabe 978-1-4214-2219-0 http://www.sehepunkte.de/2020/04/34179.html rezensiert in: sehepunkte 20 (2020), Nr. 4 Rezension SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030373501&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Rezension SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030373501&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Davis, Amy 1956- Flickering treasures rediscovering Baltimore's forgotten movie theaters Motion picture theaters Maryland Baltimore Motion picture theaters Maryland Baltimore Pictorial works |
| subject_GND | (DE-588)4145395-5 |
| title | Flickering treasures rediscovering Baltimore's forgotten movie theaters |
| title_auth | Flickering treasures rediscovering Baltimore's forgotten movie theaters |
| title_exact_search | Flickering treasures rediscovering Baltimore's forgotten movie theaters |
| title_full | Flickering treasures rediscovering Baltimore's forgotten movie theaters Amy Davis ; foreword by Barry Levinson |
| title_fullStr | Flickering treasures rediscovering Baltimore's forgotten movie theaters Amy Davis ; foreword by Barry Levinson |
| title_full_unstemmed | Flickering treasures rediscovering Baltimore's forgotten movie theaters Amy Davis ; foreword by Barry Levinson |
| title_short | Flickering treasures |
| title_sort | flickering treasures rediscovering baltimore s forgotten movie theaters |
| title_sub | rediscovering Baltimore's forgotten movie theaters |
| topic | Motion picture theaters Maryland Baltimore Motion picture theaters Maryland Baltimore Pictorial works |
| topic_facet | Motion picture theaters Maryland Baltimore Motion picture theaters Maryland Baltimore Pictorial works Baltimore (Md.) Buildings, structures, etc Baltimore (Md.) Buildings, structures, etc Pictorial works Baltimore (Md.) History Bildband |
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