The origins of musicality:
Research shows that all humans have a predisposition for music, just as they do for language. All of us can perceive and enjoy music, even if we can't carry a tune and consider ourselves unmusical. This volume offers interdisciplinary perspectives on the capacity to perceive, appreciate, and ma...
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| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge, Massachusetts ; London, England
The MIT Press
[2018]
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | Research shows that all humans have a predisposition for music, just as they do for language. All of us can perceive and enjoy music, even if we can't carry a tune and consider ourselves unmusical. This volume offers interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Scholars from biology, musicology, neurology, genetics, computer science, anthropology, psychology, and other fields consider what music is for and why every human culture has it; whether musicality is a uniquely human capacity; and what biological and cognitive mechanisms underlie it. Contributors outline a research program in musicality, and discuss issues in studying the evolution of music; consider principles, constraints, and theories of origins; review musicality from cross-cultural, cross-species, and cross-domain perspectives; discuss the computational modeling of animal song and creativity; and offer a historical context for the study of musicality. The volume aims to identify the basic neurocognitive mechanisms that constitute musicality (and effective ways to study these in human and nonhuman animals) and to develop a method for analyzing musical phenotypes that point to the biological basis of musicality. - Henkjan Honing is Professor of Music Cognition at the University of Amsterdam |
| Item Description: | Includes bibliographical references and index. - Based on papers from a 2014 conference |
| Physical Description: | xii, 351 Seiten Illustrationen, Diagramme |
| ISBN: | 9780262037457 |
Staff View
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| adam_text | Contents
Foreword vii
W. Tecumseh Fitch
Preface ix
I INTRODUCTION 1
1 Musicality as an Upbeat to Music: Introduction and Research Agenda 3
Henkjan Honing
II ORIGINS, PRINCIPLES, AND CONSTRAINTS 21
2 Four Principles of Biomusicology 23
W. Tecumseh Fitch
3 Five Fundamental Constraints on Theories of the Origins of Music 49
Björn Merker, lain Morley, and Willem Zuidema
4 The Origins of Music: Auditory Scene Analysis, Evolution, and Culture in Musical
Creation 81
Laurel J. Trainor
5 Music as a Transformative Technology of the Mind: An Update 113
Aniruddh D. Patel
III CROSS-CULTURAL, CROSS-SPECIES, AND CROSS-DOMAIN STUDIES 127
6 Cross-Cultural Perspectives on Music and Musicality 129
Sandra E. Trehub, Judith Becker, and lain Morley
7 Searching for the Origins of Musicality across Species 149
Marisa Hoeschele, Hugo Merchant, Yukiko Kikuchi, Yuko Hattori, and Carel ten Cate
8 Finding the Beat: A Neural Perspective across Humans and Nonhuman Primates 171
Hugo Merchant, Jessica Grahn, Laurel J. Trainor, Martin Rohrmeier, and
W. Tecumseh Fitch
vi
Contents
9 Neural Overlap in Processing Music and Speech 205
Isabelle Peretz, Dominique T. Vuvan, Marie-Elaine Lagrois, and Jorge L. Armony
10 Defining the Biological Bases of Individual Differences in Musicality 221
Bruno Gingras, Henkjan Honing, Isabelle Peretz, Laurel J. Trainor, and Simon E. Fisher
IV STRUCTURE, AFFECT, AND HISTORY 251
11 Formal Models of Structure Building in Music, Language, and Animal Song 253
Willem Zuidema, Dieuwke Hupkes, Geraint A. Wiggins, Constance Scharff, and
Martin Rohrmeirer
12 The Evolutionary Roots of Creativity: Mechanisms and Motivations 287
Geraint A. Wiggins, Peter Tyack, Constance Scharff, and Martin Rohrmeier
13 Affect Induction through Musical Sounds: An Ethological Perspective 309
David Huron
14 Carl Stumpf and the Beginnings of Research in Musicality 323
Julia Kursell
Contributors 347
Index 349
|
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| discipline | Biologie Musikwissenschaft |
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| spelling | The origins of musicality edited by Henkjan Honing ; foreword by W. Tecumseh Fitch Cambridge, Massachusetts ; London, England The MIT Press [2018] © 2018 xii, 351 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index. - Based on papers from a 2014 conference Research shows that all humans have a predisposition for music, just as they do for language. All of us can perceive and enjoy music, even if we can't carry a tune and consider ourselves unmusical. This volume offers interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Scholars from biology, musicology, neurology, genetics, computer science, anthropology, psychology, and other fields consider what music is for and why every human culture has it; whether musicality is a uniquely human capacity; and what biological and cognitive mechanisms underlie it. Contributors outline a research program in musicality, and discuss issues in studying the evolution of music; consider principles, constraints, and theories of origins; review musicality from cross-cultural, cross-species, and cross-domain perspectives; discuss the computational modeling of animal song and creativity; and offer a historical context for the study of musicality. The volume aims to identify the basic neurocognitive mechanisms that constitute musicality (and effective ways to study these in human and nonhuman animals) and to develop a method for analyzing musical phenotypes that point to the biological basis of musicality. - Henkjan Honing is Professor of Music Cognition at the University of Amsterdam Music Origin Musical ability Musikalität (DE-588)4040837-1 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 07.04.2014-11.04.2014 Leiden gnd-content Musikalität (DE-588)4040837-1 s DE-604 Honing, Henkjan 1959- (DE-588)104462230X edt Fitch, William Tecumseh 1963- (DE-588)132157098 wpr Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030323497&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The origins of musicality Music Origin Musical ability Musikalität (DE-588)4040837-1 gnd |
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| title | The origins of musicality |
| title_auth | The origins of musicality |
| title_exact_search | The origins of musicality |
| title_full | The origins of musicality edited by Henkjan Honing ; foreword by W. Tecumseh Fitch |
| title_fullStr | The origins of musicality edited by Henkjan Honing ; foreword by W. Tecumseh Fitch |
| title_full_unstemmed | The origins of musicality edited by Henkjan Honing ; foreword by W. Tecumseh Fitch |
| title_short | The origins of musicality |
| title_sort | the origins of musicality |
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| topic_facet | Music Origin Musical ability Musikalität Konferenzschrift 07.04.2014-11.04.2014 Leiden |
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