Reading Dante in Renaissance Italy: Florence, Venice and the 'Divine poet'
Simon Gilson's new volume provides the first in-depth account of the critical and editorial reception in Renaissance Italy, particularly Florence, Venice and Padua, of the work of Dante Alighieri (1265–1321). Gilson investigates a range of textual frameworks and related contexts that influenced...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2018
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | Simon Gilson's new volume provides the first in-depth account of the critical and editorial reception in Renaissance Italy, particularly Florence, Venice and Padua, of the work of Dante Alighieri (1265–1321). Gilson investigates a range of textual frameworks and related contexts that influenced the way in which Dante's work was produced and circulated, from editing and translation to commentaries, criticism and public lectures. In so doing he modifies the received notion that Dante and his work were eclipsed during the Renaissance. Central themes of investigation include the contestation of Dante's authority as a 'classic' writer and the various forms of attack and defence employed by his detractors and partisans. The book pays close attention not only to the Divine Comedy but also to the Convivio and other of Dante's writings, and explores the ways in which the reception of these works was affected by contemporary developments in philology, literary theory, philosophy, theology, science and printing |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 12 Feb 2018) |
| Beschreibung: | 1 Online-Ressource (xiv, 434 Seiten) |
| ISBN: | 9781108164795 |
| DOI: | 10.1017/9781108164795 |
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| 520 | |a Simon Gilson's new volume provides the first in-depth account of the critical and editorial reception in Renaissance Italy, particularly Florence, Venice and Padua, of the work of Dante Alighieri (1265–1321). Gilson investigates a range of textual frameworks and related contexts that influenced the way in which Dante's work was produced and circulated, from editing and translation to commentaries, criticism and public lectures. In so doing he modifies the received notion that Dante and his work were eclipsed during the Renaissance. Central themes of investigation include the contestation of Dante's authority as a 'classic' writer and the various forms of attack and defence employed by his detractors and partisans. The book pays close attention not only to the Divine Comedy but also to the Convivio and other of Dante's writings, and explores the ways in which the reception of these works was affected by contemporary developments in philology, literary theory, philosophy, theology, science and printing | ||
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Datensatz im Suchindex
| _version_ | 1818972329076588544 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Gilson, Simon A. |
| author_GND | (DE-588)143721526 |
| author_facet | Gilson, Simon A. |
| author_role | aut |
| author_sort | Gilson, Simon A. |
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| bvnumber | BV044925435 |
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| collection | ZDB-20-CBO |
| contents | Introduction: Dante between "words" and "things" -- Part I: Florentine legacies and Venetian initiatives, 1481-1540 -- 1 Reading and refashioning the Comedy, 1484-1536 -- 2 Dante's verse, the De vulgari eloquentia, and the Convivio: editions and critical estimates, 1490-1532 -- Part II: Dante and Florentine Academies, 1540-95 -- 3 Dante and Florentine Academies -- 4 "His greatest partisan": Giovan Battista Gelli as public reader of Dante -- Part III: Venetian "Dantes", 1544-96 -- 5 New print commentaries: The "Espositioni" of Alessandro Vellutello and Bernardino Daniello -- 6 Dante and the Polygraphs -- Conclusion -- Notes -- Appendix: Printed Works of Dante, 1484-1596 |
| ctrlnum | (ZDB-20-CBO)CR9781108164795 (OCoLC)1029530851 (DE-599)BVBBV044925435 |
| dewey-full | 851/.1 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 851 - Italian poetry |
| dewey-raw | 851/.1 |
| dewey-search | 851/.1 |
| dewey-sort | 3851 11 |
| dewey-tens | 850 - Italian, Romanian & related literatures |
| discipline | Romanistik |
| doi_str_mv | 10.1017/9781108164795 |
| era | Geschichte 1484-1596 gnd |
| era_facet | Geschichte 1484-1596 |
| format | Electronic eBook |
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| spelling | Gilson, Simon A. Verfasser (DE-588)143721526 aut Reading Dante in Renaissance Italy Florence, Venice and the 'Divine poet' Simon Gilson, University of Oxford Cambridge Cambridge University Press 2018 1 Online-Ressource (xiv, 434 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 12 Feb 2018) Introduction: Dante between "words" and "things" -- Part I: Florentine legacies and Venetian initiatives, 1481-1540 -- 1 Reading and refashioning the Comedy, 1484-1536 -- 2 Dante's verse, the De vulgari eloquentia, and the Convivio: editions and critical estimates, 1490-1532 -- Part II: Dante and Florentine Academies, 1540-95 -- 3 Dante and Florentine Academies -- 4 "His greatest partisan": Giovan Battista Gelli as public reader of Dante -- Part III: Venetian "Dantes", 1544-96 -- 5 New print commentaries: The "Espositioni" of Alessandro Vellutello and Bernardino Daniello -- 6 Dante and the Polygraphs -- Conclusion -- Notes -- Appendix: Printed Works of Dante, 1484-1596 Simon Gilson's new volume provides the first in-depth account of the critical and editorial reception in Renaissance Italy, particularly Florence, Venice and Padua, of the work of Dante Alighieri (1265–1321). Gilson investigates a range of textual frameworks and related contexts that influenced the way in which Dante's work was produced and circulated, from editing and translation to commentaries, criticism and public lectures. In so doing he modifies the received notion that Dante and his work were eclipsed during the Renaissance. Central themes of investigation include the contestation of Dante's authority as a 'classic' writer and the various forms of attack and defence employed by his detractors and partisans. The book pays close attention not only to the Divine Comedy but also to the Convivio and other of Dante's writings, and explores the ways in which the reception of these works was affected by contemporary developments in philology, literary theory, philosophy, theology, science and printing Dante Alighieri / 1265-1321 / Criticism and interpretation / History Dante Alighieri / 1265-1321 / Appreciation / Italy / Florence Dante Alighieri / 1265-1321 / Appreciation / Italy / Venice Dante Alighieri 1265-1321 (DE-588)118523708 gnd rswk-swf Geschichte 1484-1596 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Florenz (DE-588)4017581-9 gnd rswk-swf Venedig (DE-588)4062501-1 gnd rswk-swf Dante Alighieri 1265-1321 (DE-588)118523708 p Rezeption (DE-588)4049716-1 s Florenz (DE-588)4017581-9 g Venedig (DE-588)4062501-1 g Renaissance (DE-588)4049450-0 s Geschichte 1484-1596 z 1\p DE-604 Erscheint auch als Druck-Ausgabe, hardback 9781107196551 Erscheint auch als Druck-Ausgabe, paperback 9781316647325 https://doi.org/10.1017/9781108164795 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gilson, Simon A. Reading Dante in Renaissance Italy Florence, Venice and the 'Divine poet' Introduction: Dante between "words" and "things" -- Part I: Florentine legacies and Venetian initiatives, 1481-1540 -- 1 Reading and refashioning the Comedy, 1484-1536 -- 2 Dante's verse, the De vulgari eloquentia, and the Convivio: editions and critical estimates, 1490-1532 -- Part II: Dante and Florentine Academies, 1540-95 -- 3 Dante and Florentine Academies -- 4 "His greatest partisan": Giovan Battista Gelli as public reader of Dante -- Part III: Venetian "Dantes", 1544-96 -- 5 New print commentaries: The "Espositioni" of Alessandro Vellutello and Bernardino Daniello -- 6 Dante and the Polygraphs -- Conclusion -- Notes -- Appendix: Printed Works of Dante, 1484-1596 Dante Alighieri / 1265-1321 / Criticism and interpretation / History Dante Alighieri / 1265-1321 / Appreciation / Italy / Florence Dante Alighieri / 1265-1321 / Appreciation / Italy / Venice Dante Alighieri 1265-1321 (DE-588)118523708 gnd Renaissance (DE-588)4049450-0 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118523708 (DE-588)4049450-0 (DE-588)4049716-1 (DE-588)4017581-9 (DE-588)4062501-1 |
| title | Reading Dante in Renaissance Italy Florence, Venice and the 'Divine poet' |
| title_auth | Reading Dante in Renaissance Italy Florence, Venice and the 'Divine poet' |
| title_exact_search | Reading Dante in Renaissance Italy Florence, Venice and the 'Divine poet' |
| title_full | Reading Dante in Renaissance Italy Florence, Venice and the 'Divine poet' Simon Gilson, University of Oxford |
| title_fullStr | Reading Dante in Renaissance Italy Florence, Venice and the 'Divine poet' Simon Gilson, University of Oxford |
| title_full_unstemmed | Reading Dante in Renaissance Italy Florence, Venice and the 'Divine poet' Simon Gilson, University of Oxford |
| title_short | Reading Dante in Renaissance Italy |
| title_sort | reading dante in renaissance italy florence venice and the divine poet |
| title_sub | Florence, Venice and the 'Divine poet' |
| topic | Dante Alighieri / 1265-1321 / Criticism and interpretation / History Dante Alighieri / 1265-1321 / Appreciation / Italy / Florence Dante Alighieri / 1265-1321 / Appreciation / Italy / Venice Dante Alighieri 1265-1321 (DE-588)118523708 gnd Renaissance (DE-588)4049450-0 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Dante Alighieri / 1265-1321 / Criticism and interpretation / History Dante Alighieri / 1265-1321 / Appreciation / Italy / Florence Dante Alighieri / 1265-1321 / Appreciation / Italy / Venice Dante Alighieri 1265-1321 Renaissance Rezeption Florenz Venedig |
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