Picasso, Picabia, Ernst: new perspectives
New perspectives on some of Tate's key paintings by Francis Picabia, Pablo Picasso and Max Ernst are presented, as the conclusion of a two-year study into their history, context, materials and techniques. The project was carried out by Tate paintings conservator Annette King, funded by the Clot...
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Format: | Buch |
Sprache: | English |
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London
Archetype Publications
2018
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Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | New perspectives on some of Tate's key paintings by Francis Picabia, Pablo Picasso and Max Ernst are presented, as the conclusion of a two-year study into their history, context, materials and techniques. The project was carried out by Tate paintings conservator Annette King, funded by the Clothworkers Foundation, London, working with Tate conservation scientists Dr Joyce Townsend and Dr Bronwyn Ormsby. A number of international art historians, conservators and conservation scientists present new research into Picasso and Picabia, covering both their early and later periods of painting |
Beschreibung: | "The research carried out into nine key works in the Tate collection by these three artists ... has made fascinating and new discoveries. In most cases there are paintings beneath the image we see today, so imaging as well as microscopy and analysis has been a huge part of this project, in a far reaching collaboration between conservators, conservation scientists, art historians photographers and imaging specialists"--Acknowledgements |
Beschreibung: | ix, 140 Seiten Illustrationen 25 cm |
ISBN: | 9781909492493 1909492493 |
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505 | 8 | 0 | |t Some notes on enamel paints and modernism |r Maria Kokkori |t Macro-XRF scanning of Picasso's Ménage de pauvres: a case study |r Thierry Ford, Geert Van der Snickt and Koen Janssens |t A technical examination of Picasso's Child with a Dove 1901 |r Aviva Burnstock, Barnaby Wright and Klaas Jan van den Berg |t A note on André Breton and Three Dancers and the Devil |r Marilyn McCully |t The Three Dancers 1925 by Picasso |r Annette King, Joyce H. Townsend and Bronwyn Ormsby |t Picasso: art and life, 1932 |r Nancy Ireson |t A technical study of reverse foxing in Van Gelder Zonen papers, and its incidence in Picasso's La Suite des Saltimbanques |r Josefine Werthmann |t Francis Picabia: early abstract paintings 1912-14 |r Michael Duffy |t 'Like a child making sandcastles by the sea...': creation and destruction in Tate paintings by Francis Picabia |r Annette King, Joyce H. Townsend and Bronwyn Ormsby |t The consequences today of Francis Picabia's use of zinc white and lead white |r Joyce H. Townsend, Annette King, Bronwyn Ormsby and Lora V. Angelova |t Francis Picabia's Promenade des Anglais (Midi): a landscape painted with pasta and feathers |r Cynthia Schwarz and Frauke V. Josenhans |t The Hand 1935-36 by Francis Picabia: crackle lacquer technique as a strategy for dissent |r Nathalie Bäschlin and Stefan Zumbühl |t Francis Picabia's Portrait of a Couple 1942-1943: sources, techniques, context |r Talia Kwartler |t The technical investigation and treatment of a group of five late works by Francis Picabia 1947-51: reuse of supports and resulting complex condition issues |r Gwendolyn P. Boevé-Jones, Magdalena Brela and Beatriz Lorente |
505 | 8 | 0 | |t Max Ernst's painting processes in the early 1920s |r Joyce H. Townsend and Annette King |t Adding and removing: two Surrealist paintings by Max Ernst from the Menil Collection, Houston |r Ellen Hanspach-Bernal and Anikó Bezur |
520 | 3 | |a New perspectives on some of Tate's key paintings by Francis Picabia, Pablo Picasso and Max Ernst are presented, as the conclusion of a two-year study into their history, context, materials and techniques. The project was carried out by Tate paintings conservator Annette King, funded by the Clothworkers Foundation, London, working with Tate conservation scientists Dr Joyce Townsend and Dr Bronwyn Ormsby. A number of international art historians, conservators and conservation scientists present new research into Picasso and Picabia, covering both their early and later periods of painting | |
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Datensatz im Suchindex
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adam_text | CONTENTS
PREFACE BY ANNETTE KING VII
FOREWORD BY MICHAEL RAEBURN IX
ACKNOWLEDGEMENTS XI
SOME NOTES ON ENAMEL PAINTS AND MODERNISM 1
MARIA KOKKORI
MACRO-XRF SCANNING OF PICASSO S MENAGE DE PAUVRES: A CASE STUDY 12
THIERRY FORD, GEERT VAN DER SNICKT AND KOEN JANSSENS
A TECHNICAL EXAMINATION OF PICASSO S CHILD WITH A DOVE 1901 16
AVIVA BURNSTOCK, BARNABY WRIGHT AND KLAAS JAN VAN DEN BERG
A NOTE ON ANDRE BRETON AND THREE DANCERS AND THE DEVIL 24
MARILYN MCCULLY
THE THREE DANCERS 1925 BY PICASSO 30
ANNETTE KING, JOYCE H. TOWNSEND AND BRONWYN ORMSBY
PICASSO: ART AND LIFE, 1932 44
NANCY IRESON
A TECHNICAL STUDY OF REVERSE FOXING IN VAN GELDER ZONEN PAPERS, AND ITS
INCIDENCE IN 50
PICASSO S LA SUITE DES SALTIMBANQUES
JOSEFINE WERTHMANN
FRANCIS PICABIA: EARLY ABSTRACT PAINTINGS 1912-14 55
MICHAEL DUFFY
LIKE A CHILD MAKING SANDCASTLES BY THE SEA ... : CREATION AND
DESTRUCTION IN TATE PAINTINGS BY FRANCIS PICABIA 66
ANNETTE KING, JOYCE H. TOWNSEND AND BRONWYN ORMSBY
THE CONSEQUENCES TODAY OF FRANCIS PICABIA S USE OF ZINC WHITE AND LEAD
WHITE 82
JOYCE H. TOWNSEND, ANNETTE KING BRONWYN ORMSBY AND LORA V. ANGELOVA
FRANCIS PICABIA S PROMENADE DES ANGLAIS (MIDI): A LANDSCAPE PAINTED WITH
PASTA AND FEATHERS 85
CYNTHIA SCHWARZ AND FRAUKE V. JOSENHANS
THE HAND 1935-36 BY FRANCIS PICABIA: CRACKLE LACQUER TECHNIQUE AS A
STRATEGY FOR DISSENT 96
NATHALIE BDSCHLIN AND STEFAN ZUMBUHL
CONTENTS
FRANCIS PICABIA S PORTRAIT OF A COUPLE 1942-1943: SOURCES, TECHNIQUES,
CONTEXT 101
TALIA KWARTLER
THE TECHNICAL INVESTIGATION AND TREATMENT OF A GROUP OF FIVE LATE WORKS
BY FRANCIS PICABIA 1947-51: 113
REUSE OF SUPPORTS AND RESULTING COMPLEX CONDITION ISSUES
GWENDOLYN P. BOEVE-JONES, MAGDALENA BRELA AND BEATRIZ LORENTE
MAX ERNST S PAINTING PROCESSES IN THE EARLY 1920S 123
JOYCE H. TOWNSEND AND ANNETTE KING
ADDING AND REMOVING: TWO SURREALIST PAINTINGS BY MAX ERNST FROM THE
MENIL COLLECTION, HOUSTON 136
ELLEN HANSPACH-BEMAL AND ANIKD BEZUR
VI
|
any_adam_object | 1 |
author2 | Townsend, Joyce H. King, Annette Wright, Adèle Picasso, Pablo 1881-1973 Picabia, Francis 1879-1953 Ernst, Max 1891-1976 |
author2_role | edt edt edt |
author2_variant | j h t jh jht a k ak a w aw p p pp f p fp m e me |
author_GND | (DE-588)137106262 (DE-588)1154898474 (DE-588)1162447877 |
author_additional | Maria Kokkori Thierry Ford, Geert Van der Snickt and Koen Janssens Aviva Burnstock, Barnaby Wright and Klaas Jan van den Berg Marilyn McCully Annette King, Joyce H. Townsend and Bronwyn Ormsby Nancy Ireson Josefine Werthmann Michael Duffy Joyce H. Townsend, Annette King, Bronwyn Ormsby and Lora V. Angelova Cynthia Schwarz and Frauke V. Josenhans Nathalie Bäschlin and Stefan Zumbühl Talia Kwartler Gwendolyn P. Boevé-Jones, Magdalena Brela and Beatriz Lorente Joyce H. Townsend and Annette King Ellen Hanspach-Bernal and Anikó Bezur |
author_facet | Townsend, Joyce H. King, Annette Wright, Adèle Picasso, Pablo 1881-1973 Picabia, Francis 1879-1953 Ernst, Max 1891-1976 |
author_sort | Picasso, Pablo 1881-1973 |
building | Verbundindex |
bvnumber | BV044923190 |
contents | Some notes on enamel paints and modernism Macro-XRF scanning of Picasso's Ménage de pauvres: a case study A technical examination of Picasso's Child with a Dove 1901 A note on André Breton and Three Dancers and the Devil The Three Dancers 1925 by Picasso Picasso: art and life, 1932 A technical study of reverse foxing in Van Gelder Zonen papers, and its incidence in Picasso's La Suite des Saltimbanques Francis Picabia: early abstract paintings 1912-14 'Like a child making sandcastles by the sea...': creation and destruction in Tate paintings by Francis Picabia The consequences today of Francis Picabia's use of zinc white and lead white Francis Picabia's Promenade des Anglais (Midi): a landscape painted with pasta and feathers The Hand 1935-36 by Francis Picabia: crackle lacquer technique as a strategy for dissent Francis Picabia's Portrait of a Couple 1942-1943: sources, techniques, context The technical investigation and treatment of a group of five late works by Francis Picabia 1947-51: reuse of supports and resulting complex condition issues Max Ernst's painting processes in the early 1920s Adding and removing: two Surrealist paintings by Max Ernst from the Menil Collection, Houston |
ctrlnum | (OCoLC)1030399848 (DE-599)BVBBV044923190 |
format | Book |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV044923190 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:04:51Z |
institution | BVB |
institution_GND | (DE-588)10012396-X |
isbn | 9781909492493 1909492493 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030316431 |
oclc_num | 1030399848 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | ix, 140 Seiten Illustrationen 25 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Archetype Publications |
record_format | marc |
spelling | Picasso, Picabia, Ernst new perspectives edited by Joyce H. Townsend, Annette King, Adèle Wright London Archetype Publications 2018 ix, 140 Seiten Illustrationen 25 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier "The research carried out into nine key works in the Tate collection by these three artists ... has made fascinating and new discoveries. In most cases there are paintings beneath the image we see today, so imaging as well as microscopy and analysis has been a huge part of this project, in a far reaching collaboration between conservators, conservation scientists, art historians photographers and imaging specialists"--Acknowledgements Some notes on enamel paints and modernism Maria Kokkori Macro-XRF scanning of Picasso's Ménage de pauvres: a case study Thierry Ford, Geert Van der Snickt and Koen Janssens A technical examination of Picasso's Child with a Dove 1901 Aviva Burnstock, Barnaby Wright and Klaas Jan van den Berg A note on André Breton and Three Dancers and the Devil Marilyn McCully The Three Dancers 1925 by Picasso Annette King, Joyce H. Townsend and Bronwyn Ormsby Picasso: art and life, 1932 Nancy Ireson A technical study of reverse foxing in Van Gelder Zonen papers, and its incidence in Picasso's La Suite des Saltimbanques Josefine Werthmann Francis Picabia: early abstract paintings 1912-14 Michael Duffy 'Like a child making sandcastles by the sea...': creation and destruction in Tate paintings by Francis Picabia Annette King, Joyce H. Townsend and Bronwyn Ormsby The consequences today of Francis Picabia's use of zinc white and lead white Joyce H. Townsend, Annette King, Bronwyn Ormsby and Lora V. Angelova Francis Picabia's Promenade des Anglais (Midi): a landscape painted with pasta and feathers Cynthia Schwarz and Frauke V. Josenhans The Hand 1935-36 by Francis Picabia: crackle lacquer technique as a strategy for dissent Nathalie Bäschlin and Stefan Zumbühl Francis Picabia's Portrait of a Couple 1942-1943: sources, techniques, context Talia Kwartler The technical investigation and treatment of a group of five late works by Francis Picabia 1947-51: reuse of supports and resulting complex condition issues Gwendolyn P. Boevé-Jones, Magdalena Brela and Beatriz Lorente Max Ernst's painting processes in the early 1920s Joyce H. Townsend and Annette King Adding and removing: two Surrealist paintings by Max Ernst from the Menil Collection, Houston Ellen Hanspach-Bernal and Anikó Bezur New perspectives on some of Tate's key paintings by Francis Picabia, Pablo Picasso and Max Ernst are presented, as the conclusion of a two-year study into their history, context, materials and techniques. The project was carried out by Tate paintings conservator Annette King, funded by the Clothworkers Foundation, London, working with Tate conservation scientists Dr Joyce Townsend and Dr Bronwyn Ormsby. A number of international art historians, conservators and conservation scientists present new research into Picasso and Picabia, covering both their early and later periods of painting Picabia, Francis 1879-1953 (DE-588)118594184 gnd rswk-swf Picasso, Pablo 1881-1973 (DE-588)118594206 gnd rswk-swf Ernst, Max 1869-1945 (DE-588)1012261662 gnd rswk-swf Maltechnik (DE-588)4125812-5 gnd rswk-swf Konservierung (DE-588)4114279-2 gnd rswk-swf Picasso, Pablo / 1881-1973 / Criticism and interpretation Picabia, Francis / 1879-1953 / Criticism and interpretation Ernst, Max / 1891-1976 / Criticism and interpretation Tate Modern (Gallery) Painting / Conservation and restoration / England / London (DE-588)4143413-4 Aufsatzsammlung gnd-content Picasso, Pablo 1881-1973 (DE-588)118594206 p Picabia, Francis 1879-1953 (DE-588)118594184 p Ernst, Max 1869-1945 (DE-588)1012261662 p Maltechnik (DE-588)4125812-5 s Konservierung (DE-588)4114279-2 s DE-604 Townsend, Joyce H. (DE-588)137106262 edt King, Annette (DE-588)1154898474 edt Wright, Adèle (DE-588)1162447877 edt Picasso, Pablo 1881-1973 Paintings Selections Picabia, Francis 1879-1953 Paintings Selections Ernst, Max 1891-1976 Paintings Selections Tate Britain (DE-588)10012396-X orm SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030316431&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Picasso, Picabia, Ernst new perspectives Some notes on enamel paints and modernism Macro-XRF scanning of Picasso's Ménage de pauvres: a case study A technical examination of Picasso's Child with a Dove 1901 A note on André Breton and Three Dancers and the Devil The Three Dancers 1925 by Picasso Picasso: art and life, 1932 A technical study of reverse foxing in Van Gelder Zonen papers, and its incidence in Picasso's La Suite des Saltimbanques Francis Picabia: early abstract paintings 1912-14 'Like a child making sandcastles by the sea...': creation and destruction in Tate paintings by Francis Picabia The consequences today of Francis Picabia's use of zinc white and lead white Francis Picabia's Promenade des Anglais (Midi): a landscape painted with pasta and feathers The Hand 1935-36 by Francis Picabia: crackle lacquer technique as a strategy for dissent Francis Picabia's Portrait of a Couple 1942-1943: sources, techniques, context The technical investigation and treatment of a group of five late works by Francis Picabia 1947-51: reuse of supports and resulting complex condition issues Max Ernst's painting processes in the early 1920s Adding and removing: two Surrealist paintings by Max Ernst from the Menil Collection, Houston Picabia, Francis 1879-1953 (DE-588)118594184 gnd Picasso, Pablo 1881-1973 (DE-588)118594206 gnd Ernst, Max 1869-1945 (DE-588)1012261662 gnd Maltechnik (DE-588)4125812-5 gnd Konservierung (DE-588)4114279-2 gnd |
subject_GND | (DE-588)118594184 (DE-588)118594206 (DE-588)1012261662 (DE-588)4125812-5 (DE-588)4114279-2 (DE-588)4143413-4 |
title | Picasso, Picabia, Ernst new perspectives |
title_alt | Some notes on enamel paints and modernism Macro-XRF scanning of Picasso's Ménage de pauvres: a case study A technical examination of Picasso's Child with a Dove 1901 A note on André Breton and Three Dancers and the Devil The Three Dancers 1925 by Picasso Picasso: art and life, 1932 A technical study of reverse foxing in Van Gelder Zonen papers, and its incidence in Picasso's La Suite des Saltimbanques Francis Picabia: early abstract paintings 1912-14 'Like a child making sandcastles by the sea...': creation and destruction in Tate paintings by Francis Picabia The consequences today of Francis Picabia's use of zinc white and lead white Francis Picabia's Promenade des Anglais (Midi): a landscape painted with pasta and feathers The Hand 1935-36 by Francis Picabia: crackle lacquer technique as a strategy for dissent Francis Picabia's Portrait of a Couple 1942-1943: sources, techniques, context The technical investigation and treatment of a group of five late works by Francis Picabia 1947-51: reuse of supports and resulting complex condition issues Max Ernst's painting processes in the early 1920s Adding and removing: two Surrealist paintings by Max Ernst from the Menil Collection, Houston Paintings |
title_auth | Picasso, Picabia, Ernst new perspectives |
title_exact_search | Picasso, Picabia, Ernst new perspectives |
title_full | Picasso, Picabia, Ernst new perspectives edited by Joyce H. Townsend, Annette King, Adèle Wright |
title_fullStr | Picasso, Picabia, Ernst new perspectives edited by Joyce H. Townsend, Annette King, Adèle Wright |
title_full_unstemmed | Picasso, Picabia, Ernst new perspectives edited by Joyce H. Townsend, Annette King, Adèle Wright |
title_short | Picasso, Picabia, Ernst |
title_sort | picasso picabia ernst new perspectives |
title_sub | new perspectives |
topic | Picabia, Francis 1879-1953 (DE-588)118594184 gnd Picasso, Pablo 1881-1973 (DE-588)118594206 gnd Ernst, Max 1869-1945 (DE-588)1012261662 gnd Maltechnik (DE-588)4125812-5 gnd Konservierung (DE-588)4114279-2 gnd |
topic_facet | Picabia, Francis 1879-1953 Picasso, Pablo 1881-1973 Ernst, Max 1869-1945 Maltechnik Konservierung Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030316431&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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