Performance, transparency, and the cultures of surveillance:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Ann Arbor
The University of Michigan Press
[2018]
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Item Description: | Includes index |
| Physical Description: | ix, 311 Seiten |
| ISBN: | 9780472130740 9780472037094 |
Staff View
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| adam_text | Contents INTRODUCTION i All Eyes to the Street: Surveillance, Information Technologies, and the Space of Brecht s Street Scene god s eyes: chapter i 31 Of Sheep, Shepherds, and Oversight: Defrocking the Cultures of Surveillance private eyes: chapter 75 115 2 Surveillance Operatives: Activists, Undercover Agents, and the New Theater blind eyes: chapter 3 This Private Island: The Modern Ban-opticon from Camp X-Ray to Private Prisons ELECTRONIC EYES-. CHAPTER 4 161 Outperforming Activism: Surveillance Technologies beyond the Surveillance Camera Players 189 Data Doubles, Pepper s Ghost, and Zombie Categories: The Specters of Performance in the Bit Parts of Surveillance DOWNCAST EYES: CHAPTER 5 AN EYE FOR AN EYE: CHAPTER 6 217 Envisioning Performance Postdemocracy: Creative Activism, (a Little Bit of) Damage, and Surveillance s Inevitable Products 26 s Notes 291 Index
Placing the disciplines of performance studies and surveillance studies in a timely critical dialogue, Performance, Transparency, and the Cultures of Surveillance not only theorizes how surveillance performs but also how the technologies and corresponding cultures of surveillance alter the performance of everyday life. This exploration draws upon a rich array of examples from theatre, performance, and the arts, all of which provide vivid illustration of the book’s central argument: that the rise of the surveillance society coincides with a profound collapse of democratic oversight and transparency—a collapse that, in turn, demands a radical rethinking of how performance practitioners conceptualize art and its political efficacy. The book thus makes the case that artists and critics must reexamine—indeed, must radically redefine—their notions of performance if they are to mount any meaningful counter to the increasingly invasive surveillance society. “Harding moves fluidly between the sociological, political, statistical, economic, and aesthetic considerations of the impacts of surveillance on contemporary life. His book contributes a cautionary analysis of contemporary surveillance society that is grounded in performance and activist histories from the 20thcentury avant garde and pitched toward the need for radical activist performance in the 21st century. The final chapter in particular is an unequivocal call to arms, a stirring appeal for radical action in the face of alarming imbalances of power at local, national, and international levels.” —Elìse Morrison, Yale
University James M. Harding is Professor of Theatre and Performance Studies, University of Maryland, College Park.
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| spelling | Harding, James Martin 1958- Verfasser (DE-588)132227754 aut Performance, transparency, and the cultures of surveillance James M. Harding Ann Arbor The University of Michigan Press [2018] © 2018 ix, 311 Seiten txt rdacontent n rdamedia nc rdacarrier Includes index Arts and society United States History 21st century Electronic surveillance Social aspects United States Democracy and the arts United States Technology and the arts Alltag (DE-588)4001307-8 gnd rswk-swf Elektronische Überwachung (DE-588)4565767-1 gnd rswk-swf Performativität Kulturwissenschaften (DE-588)7651115-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Elektronische Überwachung (DE-588)4565767-1 s Kunst (DE-588)4114333-4 s Alltag (DE-588)4001307-8 s Performativität Kulturwissenschaften (DE-588)7651115-7 s DE-604 Erscheint auch als Online-Ausgabe 978-0-472-12363-6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030316404&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030316404&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Harding, James Martin 1958- Performance, transparency, and the cultures of surveillance Arts and society United States History 21st century Electronic surveillance Social aspects United States Democracy and the arts United States Technology and the arts Alltag (DE-588)4001307-8 gnd Elektronische Überwachung (DE-588)4565767-1 gnd Performativität Kulturwissenschaften (DE-588)7651115-7 gnd Kunst (DE-588)4114333-4 gnd |
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| title | Performance, transparency, and the cultures of surveillance |
| title_auth | Performance, transparency, and the cultures of surveillance |
| title_exact_search | Performance, transparency, and the cultures of surveillance |
| title_full | Performance, transparency, and the cultures of surveillance James M. Harding |
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| title_full_unstemmed | Performance, transparency, and the cultures of surveillance James M. Harding |
| title_short | Performance, transparency, and the cultures of surveillance |
| title_sort | performance transparency and the cultures of surveillance |
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