Early cinema in Scotland:
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 260 Seiten Illustrationen, Karten 25 cm |
| ISBN: | 9781474420341 1474420346 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804178444041322496 |
|---|---|
| adam_text | Contents
List of Figures and Tables vii
Acknowledgements ix
Notes on the Contributors xi
1 Introduction 1
John Caughie, Trevor Griffiths and Maria A, Velez-Serna
2 Travelling Bioscopes and Borrowed Spaces 14
Maria A. Velez-Serna
3 Fixed-site Cinemas and the First Film Renters 33
Maria A. Velez-Serna
4 Cinema and Cinema-going in Small Towns 52
John Caughie
5 Making a Living at the Cinema: Scottish Cinema
Staff in the Silent Era 68
Trevor Griffiths
6 Early Municipal Cinema 91
Julia Bohlmann
7 Rob Roy: Britain’s First Feature Film 110
Caroline Merz
8 Local Films for Local People: HAVE YOU BEEN
CINEMATOGRAPHED?’ 130
John Caughie and Janet McBain
9 Depicting Scotland: Scotland in Early Films 147
John Caughie
VI
CONTENTS
10 The Talkies Triumphant: Scottish Cinema and
the Coming of Sound 166
Trevor Griffiths
11 Filmography of Scottish-themed Fiction Films 188
John Caughie
Bibliography 239
Index 250
In the early years of cinema the popularity of cinema-going in Scotland was
exceptional. Focusing on the social experience of cinema and cinema-going, this
edited collection provides a detailed context for the history of early cinema in
Scotland, from its inception in 1896 until the arrival of sound in the early 1930s.
Tracing the movement from travelling exhibitions and shows in varied venues to
the establishment of purpose-built cinemas in major cities and small towns across
the country, the book examines attempts to establish a sustainable feature film
production sector, and the significance of an imaginary version of Scotland in
international cinema.
With case studies of key productions like Rob Roy (191 I), early cinema in small
towns like Bo’ness, Lerwick, Campbeltown and Oban, and experiments in the
municipal provision of cinema as well as of the employment patterns in Scottish
cinemas, this volume also includes the most complete account of Scottish-themed
films produced in Scotland, England, Europe and the USA from 1896 to 1927.
Contents
List of Figures and Tables vii
Acknowledgements ix
Notes on the Contributors xi
1 Introduction 1
John Caughie, Trevor Griffiths and Maria A, Velez-Serna
2 Travelling Bioscopes and Borrowed Spaces 14
Maria A. Velez-Serna
3 Fixed-site Cinemas and the First Film Renters 33
Maria A. Velez-Serna
4 Cinema and Cinema-going in Small Towns 52
John Caughie
5 Making a Living at the Cinema: Scottish Cinema
Staff in the Silent Era 68
Trevor Griffiths
6 Early Municipal Cinema 91
Julia Bohlmann
7 Rob Roy: Britain’s First Feature Film 110
Caroline Merz
8 Local Films for Local People: HAVE YOU BEEN
CINEMATOGRAPHED?’ 130
John Caughie and Janet McBain
9 Depicting Scotland: Scotland in Early Films 147
John Caughie
VI
CONTENTS
10 The Talkies Triumphant: Scottish Cinema and
the Coming of Sound 166
Trevor Griffiths
11 Filmography of Scottish-themed Fiction Films 188
John Caughie
Bibliography 239
Index 250
In the early years of cinema the popularity of cinema-going in Scotland was
exceptional. Focusing on the social experience of cinema and cinema-going, this
edited collection provides a detailed context for the history of early cinema in
Scotland, from its inception in 1896 until the arrival of sound in the early 1930s.
Tracing the movement from travelling exhibitions and shows in varied venues to
the establishment of purpose-built cinemas in major cities and small towns across
the country, the book examines attempts to establish a sustainable feature film
production sector, and the significance of an imaginary version of Scotland in
international cinema.
With case studies of key productions like Rob Roy (191 I), early cinema in small
towns like Bo’ness, Lerwick, Campbeltown and Oban, and experiments in the
municipal provision of cinema as well as of the employment patterns in Scottish
cinemas, this volume also includes the most complete account of Scottish-themed
films produced in Scotland, England, Europe and the USA from 1896 to 1927.
|
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| author_facet | Caughie, John Griffiths, Trevor Vélez-Serna, María A. |
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| bvnumber | BV044894291 |
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| discipline | Allgemeines |
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