The Japanese sense of beauty:
The Japanese sense of beauty is an important contribution to the study of aesthetics and cultural history, offering insights that will change the way you think about Japanese art
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Book |
| Language: | English Japanese |
| Published: |
Tokyo
Japan Publishing Industry Foundation for Culture
March 2018
|
| Edition: | First English edition |
| Series: | Japan library
|
| Subjects: | |
| Summary: | The Japanese sense of beauty is an important contribution to the study of aesthetics and cultural history, offering insights that will change the way you think about Japanese art |
| Item Description: | "Originally published in Japanese under the title of Nihonjin ni totte utsukushisa to wa nanika by Chikumashobo Ltd., in 2015"--title page verso. - Includes new preface to English edition. - Impressum auch in Japanisch |
| Physical Description: | 255 Seiten Illustrationen 22 cm |
| ISBN: | 9784866580203 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044892764 | ||
| 003 | DE-604 | ||
| 005 | 20190114 | ||
| 007 | t | ||
| 008 | 180405s2018 a||| b||| 00||| eng d | ||
| 020 | |a 9784866580203 |9 978-4-86658-020-3 | ||
| 020 | |z 4866580208 |9 4-86658-020-8 | ||
| 035 | |a (OCoLC)1030902049 | ||
| 035 | |a (DE-599)BVBBV044892764 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 1 | |a eng |h jpn | |
| 049 | |a DE-11 |a DE-20 |a DE-384 |a DE-19 |a DE-473 |a DE-188 |a DE-29 | ||
| 084 | |a CC 6900 |0 (DE-625)17665: |2 rvk | ||
| 084 | |a LO 89550 |0 (DE-625)105526: |2 rvk | ||
| 100 | 1 | |a Takashina, Shūji |d 1932- |e Verfasser |0 (DE-588)172877555 |4 aut | |
| 245 | 1 | 0 | |a The Japanese sense of beauty |c Takashina Shūji ; translated by Matt Treyvaud |
| 250 | |a First English edition | ||
| 264 | 1 | |a Tokyo |b Japan Publishing Industry Foundation for Culture |c March 2018 | |
| 300 | |a 255 Seiten |b Illustrationen |c 22 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Japan library | |
| 500 | |a "Originally published in Japanese under the title of Nihonjin ni totte utsukushisa to wa nanika by Chikumashobo Ltd., in 2015"--title page verso. - Includes new preface to English edition. - Impressum auch in Japanisch | ||
| 505 | 8 | |a I. Word and image : the Japanese aesthetic consciousness -- The Kokin Wakashū and Japanese aesthetics -- The significance of Imperial Waka anthologies -- Cross the word-image border -- Sori : a plastic sensitivity -- European curve, Japanese Sori -- The plasticity of Hiragana -- Comparing Japanese and Western architecture -- What is a Torii? -- Closeness to nature in Japanese aesthetics -- The four seasons in Japanese painting -- Emoji, Moji-e, and play -- Word and image together -- Chriashigaki and Kaeshigaki -- The uniqueness of Chinese characters in Japan -- Word and image in handcraft design -- Fujiwara no Teika's aesthetics of rejection -- Ariwara no Narihira's "Eight Brides" -- Ono no Komachi's "Color of the Flowers" -- Word and image separated : text design in the West -- Word and image in comics -- Poems and pictures today -- II. Japanese beauty, Western beauty -- East meets West : forms of expression in Japanese and Western art -- | |
| 505 | 8 | |a The discovery of Japan's aesthetic consciousness -- The introduction of Western painting techniques to Japan -- Two forms of expression -- The aesthetics of omission and the close-up -- Contrasting principles -- Design in Japanese art -- The dawn of Japanese oil painting -- Sentiment and sensibility : beneath the surface of Wasei Yuga -- Japan and the West in the art of Takeuchi Seihō -- III. Roots of the Japanese aesthetic consciousness -- Word and image -- Chinese characters and the Japanese language -- The culture of name succession -- The aesthetics of the margin -- Postcards and place -- Gagaku without Gagaku -- Canonical beauty and situational beauty - Taikan and Fuji -- Whither Passing Spring? -- School songs and musical education -- Fukuzawa Yukichi, traditionalist -- Blossoms of devotion : Boshun, Buson, and the white plum -- Dragons, tigers, and museums -- Interpretation as transformation -- Interpretation as creative act -- Bridges and the Japanese -- | |
| 505 | 8 | |a The glittering vague -- Travel, east and west -- Tokyo Station and the culture of travel -- Robots and Japanese culture -- Mount Fuji as world cultural heritage | |
| 520 | 3 | |a The Japanese sense of beauty is an important contribution to the study of aesthetics and cultural history, offering insights that will change the way you think about Japanese art | |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Philosophie |0 (DE-588)4045791-6 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Japan |0 (DE-588)4028495-5 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Aesthetics, Japanese | |
| 653 | 0 | |a Arts, Japanese / Philosophy | |
| 653 | 0 | |a Art, Japanese / Philosophy | |
| 689 | 0 | 0 | |a Japan |0 (DE-588)4028495-5 |D g |
| 689 | 0 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Japan |0 (DE-588)4028495-5 |D g |
| 689 | 1 | 1 | |a Philosophie |0 (DE-588)4045791-6 |D s |
| 689 | 1 | |5 DE-604 | |
| 700 | 1 | |a Treyvaud, Matt |0 (DE-588)1155548183 |4 trl | |
| 700 | 1 | 2 | |a Takashina, Shūji |d 1932- |t Nihonjin ni totte utsukushisa to wa nanika |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030286736 | ||
Record in the Search Index
| _version_ | 1804178441248964608 |
|---|---|
| any_adam_object | |
| author | Takashina, Shūji 1932- |
| author2 | Treyvaud, Matt Takashina, Shūji 1932- |
| author2_role | trl |
| author2_variant | m t mt s t st |
| author_GND | (DE-588)172877555 (DE-588)1155548183 |
| author_facet | Takashina, Shūji 1932- Treyvaud, Matt Takashina, Shūji 1932- |
| author_role | aut |
| author_sort | Takashina, Shūji 1932- |
| author_variant | s t st |
| building | Verbundindex |
| bvnumber | BV044892764 |
| classification_rvk | CC 6900 LO 89550 |
| contents | I. Word and image : the Japanese aesthetic consciousness -- The Kokin Wakashū and Japanese aesthetics -- The significance of Imperial Waka anthologies -- Cross the word-image border -- Sori : a plastic sensitivity -- European curve, Japanese Sori -- The plasticity of Hiragana -- Comparing Japanese and Western architecture -- What is a Torii? -- Closeness to nature in Japanese aesthetics -- The four seasons in Japanese painting -- Emoji, Moji-e, and play -- Word and image together -- Chriashigaki and Kaeshigaki -- The uniqueness of Chinese characters in Japan -- Word and image in handcraft design -- Fujiwara no Teika's aesthetics of rejection -- Ariwara no Narihira's "Eight Brides" -- Ono no Komachi's "Color of the Flowers" -- Word and image separated : text design in the West -- Word and image in comics -- Poems and pictures today -- II. Japanese beauty, Western beauty -- East meets West : forms of expression in Japanese and Western art -- The discovery of Japan's aesthetic consciousness -- The introduction of Western painting techniques to Japan -- Two forms of expression -- The aesthetics of omission and the close-up -- Contrasting principles -- Design in Japanese art -- The dawn of Japanese oil painting -- Sentiment and sensibility : beneath the surface of Wasei Yuga -- Japan and the West in the art of Takeuchi Seihō -- III. Roots of the Japanese aesthetic consciousness -- Word and image -- Chinese characters and the Japanese language -- The culture of name succession -- The aesthetics of the margin -- Postcards and place -- Gagaku without Gagaku -- Canonical beauty and situational beauty - Taikan and Fuji -- Whither Passing Spring? -- School songs and musical education -- Fukuzawa Yukichi, traditionalist -- Blossoms of devotion : Boshun, Buson, and the white plum -- Dragons, tigers, and museums -- Interpretation as transformation -- Interpretation as creative act -- Bridges and the Japanese -- The glittering vague -- Travel, east and west -- Tokyo Station and the culture of travel -- Robots and Japanese culture -- Mount Fuji as world cultural heritage |
| ctrlnum | (OCoLC)1030902049 (DE-599)BVBBV044892764 |
| discipline | Kunstgeschichte Philosophie |
| edition | First English edition |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04305nam a2200541 c 4500</leader><controlfield tag="001">BV044892764</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190114 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180405s2018 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9784866580203</subfield><subfield code="9">978-4-86658-020-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">4866580208</subfield><subfield code="9">4-86658-020-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1030902049</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044892764</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="1" ind2=" "><subfield code="a">eng</subfield><subfield code="h">jpn</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-29</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CC 6900</subfield><subfield code="0">(DE-625)17665:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LO 89550</subfield><subfield code="0">(DE-625)105526:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Takashina, Shūji</subfield><subfield code="d">1932-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)172877555</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Japanese sense of beauty</subfield><subfield code="c">Takashina Shūji ; translated by Matt Treyvaud</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First English edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Tokyo</subfield><subfield code="b">Japan Publishing Industry Foundation for Culture</subfield><subfield code="c">March 2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">255 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">22 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Japan library</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Originally published in Japanese under the title of Nihonjin ni totte utsukushisa to wa nanika by Chikumashobo Ltd., in 2015"--title page verso. - Includes new preface to English edition. - Impressum auch in Japanisch</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">I. Word and image : the Japanese aesthetic consciousness -- The Kokin Wakashū and Japanese aesthetics -- The significance of Imperial Waka anthologies -- Cross the word-image border -- Sori : a plastic sensitivity -- European curve, Japanese Sori -- The plasticity of Hiragana -- Comparing Japanese and Western architecture -- What is a Torii? -- Closeness to nature in Japanese aesthetics -- The four seasons in Japanese painting -- Emoji, Moji-e, and play -- Word and image together -- Chriashigaki and Kaeshigaki -- The uniqueness of Chinese characters in Japan -- Word and image in handcraft design -- Fujiwara no Teika's aesthetics of rejection -- Ariwara no Narihira's "Eight Brides" -- Ono no Komachi's "Color of the Flowers" -- Word and image separated : text design in the West -- Word and image in comics -- Poems and pictures today -- II. Japanese beauty, Western beauty -- East meets West : forms of expression in Japanese and Western art -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The discovery of Japan's aesthetic consciousness -- The introduction of Western painting techniques to Japan -- Two forms of expression -- The aesthetics of omission and the close-up -- Contrasting principles -- Design in Japanese art -- The dawn of Japanese oil painting -- Sentiment and sensibility : beneath the surface of Wasei Yuga -- Japan and the West in the art of Takeuchi Seihō -- III. Roots of the Japanese aesthetic consciousness -- Word and image -- Chinese characters and the Japanese language -- The culture of name succession -- The aesthetics of the margin -- Postcards and place -- Gagaku without Gagaku -- Canonical beauty and situational beauty - Taikan and Fuji -- Whither Passing Spring? -- School songs and musical education -- Fukuzawa Yukichi, traditionalist -- Blossoms of devotion : Boshun, Buson, and the white plum -- Dragons, tigers, and museums -- Interpretation as transformation -- Interpretation as creative act -- Bridges and the Japanese --</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The glittering vague -- Travel, east and west -- Tokyo Station and the culture of travel -- Robots and Japanese culture -- Mount Fuji as world cultural heritage</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The Japanese sense of beauty is an important contribution to the study of aesthetics and cultural history, offering insights that will change the way you think about Japanese art</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Japan</subfield><subfield code="0">(DE-588)4028495-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Aesthetics, Japanese</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts, Japanese / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, Japanese / Philosophy</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Japan</subfield><subfield code="0">(DE-588)4028495-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Japan</subfield><subfield code="0">(DE-588)4028495-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Treyvaud, Matt</subfield><subfield code="0">(DE-588)1155548183</subfield><subfield code="4">trl</subfield></datafield><datafield tag="700" ind1="1" ind2="2"><subfield code="a">Takashina, Shūji</subfield><subfield code="d">1932-</subfield><subfield code="t">Nihonjin ni totte utsukushisa to wa nanika</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030286736</subfield></datafield></record></collection> |
| geographic | Japan (DE-588)4028495-5 gnd |
| geographic_facet | Japan |
| id | DE-604.BV044892764 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:04:01Z |
| institution | BVB |
| isbn | 9784866580203 |
| language | English Japanese |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030286736 |
| oclc_num | 1030902049 |
| open_access_boolean | |
| owner | DE-11 DE-20 DE-384 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-188 DE-29 |
| owner_facet | DE-11 DE-20 DE-384 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-188 DE-29 |
| physical | 255 Seiten Illustrationen 22 cm |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Japan Publishing Industry Foundation for Culture |
| record_format | marc |
| series2 | Japan library |
| spelling | Takashina, Shūji 1932- Verfasser (DE-588)172877555 aut The Japanese sense of beauty Takashina Shūji ; translated by Matt Treyvaud First English edition Tokyo Japan Publishing Industry Foundation for Culture March 2018 255 Seiten Illustrationen 22 cm txt rdacontent n rdamedia nc rdacarrier Japan library "Originally published in Japanese under the title of Nihonjin ni totte utsukushisa to wa nanika by Chikumashobo Ltd., in 2015"--title page verso. - Includes new preface to English edition. - Impressum auch in Japanisch I. Word and image : the Japanese aesthetic consciousness -- The Kokin Wakashū and Japanese aesthetics -- The significance of Imperial Waka anthologies -- Cross the word-image border -- Sori : a plastic sensitivity -- European curve, Japanese Sori -- The plasticity of Hiragana -- Comparing Japanese and Western architecture -- What is a Torii? -- Closeness to nature in Japanese aesthetics -- The four seasons in Japanese painting -- Emoji, Moji-e, and play -- Word and image together -- Chriashigaki and Kaeshigaki -- The uniqueness of Chinese characters in Japan -- Word and image in handcraft design -- Fujiwara no Teika's aesthetics of rejection -- Ariwara no Narihira's "Eight Brides" -- Ono no Komachi's "Color of the Flowers" -- Word and image separated : text design in the West -- Word and image in comics -- Poems and pictures today -- II. Japanese beauty, Western beauty -- East meets West : forms of expression in Japanese and Western art -- The discovery of Japan's aesthetic consciousness -- The introduction of Western painting techniques to Japan -- Two forms of expression -- The aesthetics of omission and the close-up -- Contrasting principles -- Design in Japanese art -- The dawn of Japanese oil painting -- Sentiment and sensibility : beneath the surface of Wasei Yuga -- Japan and the West in the art of Takeuchi Seihō -- III. Roots of the Japanese aesthetic consciousness -- Word and image -- Chinese characters and the Japanese language -- The culture of name succession -- The aesthetics of the margin -- Postcards and place -- Gagaku without Gagaku -- Canonical beauty and situational beauty - Taikan and Fuji -- Whither Passing Spring? -- School songs and musical education -- Fukuzawa Yukichi, traditionalist -- Blossoms of devotion : Boshun, Buson, and the white plum -- Dragons, tigers, and museums -- Interpretation as transformation -- Interpretation as creative act -- Bridges and the Japanese -- The glittering vague -- Travel, east and west -- Tokyo Station and the culture of travel -- Robots and Japanese culture -- Mount Fuji as world cultural heritage The Japanese sense of beauty is an important contribution to the study of aesthetics and cultural history, offering insights that will change the way you think about Japanese art Kunst (DE-588)4114333-4 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Aesthetics, Japanese Arts, Japanese / Philosophy Art, Japanese / Philosophy Japan (DE-588)4028495-5 g Kunst (DE-588)4114333-4 s DE-604 Philosophie (DE-588)4045791-6 s Treyvaud, Matt (DE-588)1155548183 trl Takashina, Shūji 1932- Nihonjin ni totte utsukushisa to wa nanika |
| spellingShingle | Takashina, Shūji 1932- The Japanese sense of beauty I. Word and image : the Japanese aesthetic consciousness -- The Kokin Wakashū and Japanese aesthetics -- The significance of Imperial Waka anthologies -- Cross the word-image border -- Sori : a plastic sensitivity -- European curve, Japanese Sori -- The plasticity of Hiragana -- Comparing Japanese and Western architecture -- What is a Torii? -- Closeness to nature in Japanese aesthetics -- The four seasons in Japanese painting -- Emoji, Moji-e, and play -- Word and image together -- Chriashigaki and Kaeshigaki -- The uniqueness of Chinese characters in Japan -- Word and image in handcraft design -- Fujiwara no Teika's aesthetics of rejection -- Ariwara no Narihira's "Eight Brides" -- Ono no Komachi's "Color of the Flowers" -- Word and image separated : text design in the West -- Word and image in comics -- Poems and pictures today -- II. Japanese beauty, Western beauty -- East meets West : forms of expression in Japanese and Western art -- The discovery of Japan's aesthetic consciousness -- The introduction of Western painting techniques to Japan -- Two forms of expression -- The aesthetics of omission and the close-up -- Contrasting principles -- Design in Japanese art -- The dawn of Japanese oil painting -- Sentiment and sensibility : beneath the surface of Wasei Yuga -- Japan and the West in the art of Takeuchi Seihō -- III. Roots of the Japanese aesthetic consciousness -- Word and image -- Chinese characters and the Japanese language -- The culture of name succession -- The aesthetics of the margin -- Postcards and place -- Gagaku without Gagaku -- Canonical beauty and situational beauty - Taikan and Fuji -- Whither Passing Spring? -- School songs and musical education -- Fukuzawa Yukichi, traditionalist -- Blossoms of devotion : Boshun, Buson, and the white plum -- Dragons, tigers, and museums -- Interpretation as transformation -- Interpretation as creative act -- Bridges and the Japanese -- The glittering vague -- Travel, east and west -- Tokyo Station and the culture of travel -- Robots and Japanese culture -- Mount Fuji as world cultural heritage Kunst (DE-588)4114333-4 gnd Philosophie (DE-588)4045791-6 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4045791-6 (DE-588)4028495-5 |
| title | The Japanese sense of beauty |
| title_alt | Nihonjin ni totte utsukushisa to wa nanika |
| title_auth | The Japanese sense of beauty |
| title_exact_search | The Japanese sense of beauty |
| title_full | The Japanese sense of beauty Takashina Shūji ; translated by Matt Treyvaud |
| title_fullStr | The Japanese sense of beauty Takashina Shūji ; translated by Matt Treyvaud |
| title_full_unstemmed | The Japanese sense of beauty Takashina Shūji ; translated by Matt Treyvaud |
| title_short | The Japanese sense of beauty |
| title_sort | the japanese sense of beauty |
| topic | Kunst (DE-588)4114333-4 gnd Philosophie (DE-588)4045791-6 gnd |
| topic_facet | Kunst Philosophie Japan |
| work_keys_str_mv | AT takashinashuji thejapanesesenseofbeauty AT treyvaudmatt thejapanesesenseofbeauty |