The complete musician: an integrated approach to theory, analysis, and listening Workbook 2 Skills and musicianship workbook to accompany The complete musician
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Oxford University Press
[2016]
|
| Ausgabe: | Fourth edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | v, 639 Seiten Notenbeispiele |
| ISBN: | 9780199347117 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
PREFACE....................................................................v
CHAPTER 1A Musical Space...................................................1
CHAPTER IB Musical Time: Pulse, Rhythm, and Meter........................33
CHAPTER 2 Harnessing Space and Time: Introduction to
Melody and Two-Voice Counterpoint......................................59
CHAPTER 3 Musical Density: Triads, Seventh Chords, and Texture...........79
CHAPTER 4 When Harmony, Melody, and Rhythm Converge......................109
CHAPTER 5 Tonic and Dominant as Tonal Pillars and Introduction
to Voice Leading......................................................123
T-/ )•
CHAPTER 6 The Impact of Melody, Rhythm, and Meter on Harmony;
Introduction to V7; and Harmonizing Florid Melodies...................141
CHAPTER 7 Contrapuntal Expansions of Tonic and Dominant:
Six-Three Chords .....................................................163
CHAPTER 8 More Contrapuntal Expansions: Inversions ofV7, Introduction
to Leading-Tone Seventh Chords, and Reduction and Elaboration.........185
CHAPTER 9 The Pre-Dominant Function and the Phrase Model.................211
CHAPTER 10 Accented and Chromatic Embellishing Tones.....................229
CHAPTER 11 Six-Four Chords, Revisiting the Subdominant, and
Summary of Contrapuntal Expansions....................................245
CHAPTER 12 The Pre-Dominant Refines the Phrase Model.....................263
CHAPTER 13 The Submediant: A New Diatonic Harmony, and Further
Extensions of the Phrase Model........................................285
CHAPTER 14 The Mediant, the Back-Relating Dominant, and a
Synthesis of Diatonic Harmonic Relationships..........................301
CHAPTER 15 The Period....................................................331
iii
IV
THE COMPLETE MUSICIAN
CHAPTER 16 Other Small Musical Structures: Sentences, Double
Periods, and Modified Periods.......................................351
CHAPTER 17 Harmonic Sequences......................................365
CHAPTER 18 Applied Chords..........................................397
CHAPTER 19 Tonicization and Modulation.............................419
CHAPTER 20 Binary Form and Variations..............................443
CHAPTER 21 Modal Mixture...........................................455
CHAPTER 22 Expansion of Modal Mixture Harmonies: Chromatic
Modulation and the German Lied......................................469
CHAPTER 23 The Neapolitan Chord fill)............................ 4S1
CHAPTER 24 The Augmented Sixth Chord...............................507
CHAPTER 25 Ternary Form............................................527
CHAPTER 26 Rondo...................................................535
CHAPTER 27 Sonata Form.............................................543
CHAPTER 28 New Harmonic Tendencies.................................553
CHAPTER 29 Melodic and Harmonic Symmetry Combine:
Chromatic Sequences.................................................575
CHAPTER 30 Vestiges of Common Practice and the Rise of a
New Sound World.....................................................589
CHAPTER 31 Non-Centric Music: Atonal Concepts and
Analytical Methodology..............................................607
CHAPTER 32 New Rhythmic and Metric Possibilities, Ordered PC
Relationsy and Twelve-Tone Techniques...............................621
APPENDIX 1: Invertible Counterpoint, Compound Melody} and
Implied Harmonies...................................................637
APPENDIX 2: The Motive.................................................639
The two workbooks that accompany The Complete Musician: An Integrated
Approach to Theory, Analysis, and Listening, Fourth Edition, feature an
organization designed specifically for flexibility:
•Workbook 1, Writing and Analysis, is dedicated exclusively to written
and analytical activities;
•Workbook 2, Skills and Musicianship, focuses on singing, dictation,
keyboard, and improvisation.
The two workbooks contain over 2,000 notated and recorded analytical and
dictation examples and fifteen hours of recorded music between them. All
of the recordings are available in streaming format on the Companion Website for
The Complete Musician.Visit www.oup.com.us/laitz.
FEATURES
• Exercises coordinated by chapter to the contents of the text
♦ Focused, short assignments help students master key concepts quickly
ABOUT THE AUTHOR
Steven G. Laitz is chair of the Music Theory and Analysis department at The Juilliard School
and Professor of Music Theory at the Eastman School of Music. He serves as Director of the
Gail Boyd de Stwolinski Center for Music Theory Pedagogy at the University of Oklahoma
and Executive Editor of Music Theory Pedagogy Online.
|
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| spelling | Laitz, Steven G. Verfasser (DE-588)1025648226 aut The complete musician an integrated approach to theory, analysis, and listening Workbook 2 Skills and musicianship workbook to accompany The complete musician Steven G. Laitz (Eastman School of Music and The Juilliard School) Fourth edition New York ; Oxford Oxford University Press [2016] v, 639 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music theory Textbooks Tonality Musical analysis Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Gehörbildung (DE-588)4156331-1 gnd rswk-swf (DE-588)4123623-3 Lehrbuch gnd-content Musiktheorie (DE-588)4040876-0 s Musikalische Analyse (DE-588)4040814-0 s Gehörbildung (DE-588)4156331-1 s DE-604 (DE-604)BV044872704 2,2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030267672&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030267672&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Laitz, Steven G. The complete musician an integrated approach to theory, analysis, and listening Music theory Textbooks Tonality Musical analysis Musikalische Analyse (DE-588)4040814-0 gnd Musiktheorie (DE-588)4040876-0 gnd Gehörbildung (DE-588)4156331-1 gnd |
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| title | The complete musician an integrated approach to theory, analysis, and listening |
| title_auth | The complete musician an integrated approach to theory, analysis, and listening |
| title_exact_search | The complete musician an integrated approach to theory, analysis, and listening |
| title_full | The complete musician an integrated approach to theory, analysis, and listening Workbook 2 Skills and musicianship workbook to accompany The complete musician Steven G. Laitz (Eastman School of Music and The Juilliard School) |
| title_fullStr | The complete musician an integrated approach to theory, analysis, and listening Workbook 2 Skills and musicianship workbook to accompany The complete musician Steven G. Laitz (Eastman School of Music and The Juilliard School) |
| title_full_unstemmed | The complete musician an integrated approach to theory, analysis, and listening Workbook 2 Skills and musicianship workbook to accompany The complete musician Steven G. Laitz (Eastman School of Music and The Juilliard School) |
| title_short | The complete musician |
| title_sort | the complete musician an integrated approach to theory analysis and listening skills and musicianship workbook to accompany the complete musician |
| title_sub | an integrated approach to theory, analysis, and listening |
| topic | Music theory Textbooks Tonality Musical analysis Musikalische Analyse (DE-588)4040814-0 gnd Musiktheorie (DE-588)4040876-0 gnd Gehörbildung (DE-588)4156331-1 gnd |
| topic_facet | Music theory Textbooks Tonality Musical analysis Musikalische Analyse Musiktheorie Gehörbildung Lehrbuch |
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