Dawn of the DAW: the studio as musical instrument
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York
Oxford University Press
[2018]
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | xviii, 229 Seiten Illustrationen |
| ISBN: | 9780190296612 9780190296605 |
Staff View
MARC
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| 245 | 1 | 0 | |a Dawn of the DAW |b the studio as musical instrument |c Adam Patrick Bell |
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Record in the Search Index
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|---|---|
| adam_text | Contents
Preface xiii
Part I DO-IT-YOURSELF
1. A History of DIY Recording: Striving for Self-Sufficiency 3
The Difficulty of Defining DIY 3
DIY Recording Before Records 5
Tinfoil Revolutions: The First DIY Audio Recording 6
Mechanical Recording (Pre-1925) 8
The Electrical Era (Post-1925) 10
Les Paul s Legacy of Overdubbing 11
Les Paul and the Tale of Tape (Post-1945) 12
Craft-Union Mode: 30th Street Studio 14
DIY Recording Post-1945: Sticking to the Tape Mentality 16
The Escalating Expenses of Equipment and the DIY Hi-Fi/Lo-Fi Dichotomy 18
DIVIDE-AND-ISOLATE 19
DIY HI-FI AND THE MULTITRACK REEL-TO-REEL TAPE RECORDER 22
DIY LO-FI AND THE MULTITRACK CASSETTE TAPE RECORDER 24
DIGITAL DIY: ADAT 26
Space-Less Studios: Dawn of the DAW (1990-Present) 27
Tracking the Twenty-First-Century DIY-er 29
2. The Studio: Instrument of the Producer 31
What Is a Producer? 31
Instrumentality: The Studio as Musical Instrument 33
vin Contents
Using the Studio as a Musical Instrument with Others 37
EARLY INCARNATIONS OF USING THE STUDIO AS A MUSICAL INSTRUMENT: ELVIS, LEIBER
AND STOLLER, AND ALDON MUSIC 38
PHIL SPECTOR S WALL OF SOUND 40
BRIAN WILSON AND THE BEACH BOYS SOUND 41
BERRY GORDY AND THE MOTOWN SOUND 44
THE JOE MEEK SOUND 46
Producing Without Producers 47
PRODUCED, ARRANGED, COMPOSED, AND PERFORMED BY PRINCE 50
BRIAN ENO AND IN-STUDIO COMPOSITION 51
HAPPY ACCIDENT #1: DUB AND ITS LEGACY OF PRIVILEGING TIMBRE IN PRODUCTION 54
TWEAKING TIMBRES 55
HAPPY ACCIDENT #2: HIP-HOP AND ITS SAMPLING LEGACY 58
The Contemporary Collaborative Producer: Max Martin 63
Different But the Same: Conclusions 67
Part II MADE IN BROOKLYN
Brooklyn: The Cultural Capital of DIY 71
3. Track 1: Michael 75
The Car Stereo Classroom: Learning History 76
CASSETTE CREATIVITY SINCE 1977: SELF-LED EXPLORATIONS IN OVERDUBBING 77
GOING CLASSICAL 78
GOING ELECTRIC AND DIGITAL 80
THE SKEUOMORPHIC ADVANTAGE: NEW TECHNOLOGIES, OLD CONCEPTS 83
On the Road . . . Again 85
Alone at the Kitchen Table: Learning Ableton 86
EXPLETIVES! FIRST ENCOUNTERS WITH ABLETON 87
READY, AIM, MISFIRE: CLICKS OF INTENT 89
THE TIMBRE TRAIL: TWEAKING SOUNDS 92
Lonely Learning: Conclusions 95
4. Track 2: Tara 97
From Scoring Points to Scoring Films: Learning Background 97
I JUST LEARNED AS I HAD TO : KARAOKE COMPOSITION AND REFLEXIVE RECORDING
WITH LOGIC 98
Walking and Writing: Distinguishing the Song from the Recording 101
Packing Blankets and Piano Tuners: Converting the Home to Studio 102
Contents
Preparation (Saturday and Monday Morning) 102
HOME STUDIO HEADACHES 103
Hypercritical: In Pursuit of the Pristine Piano Performance (Monday Afternoon,
Tuesday, and Wednesday) 105
FINDING FAULTS WITH FELIX 107
Recording the Piano for Chesterfield (Wednesday) 108
TRAINS AND STUFF : BATTLING ENVIRONMENTAL NOISE 111
FELIX AS PRODUCER? DEFINING ROLES IN THE RECORDING PROCESS 111
Technical Difficulties (Thursday) 113
Manufacturing Vocal Perfection: Repeated Takes and Comping (Friday) 114
TECHNICAL DETAILS 116
SELF-CONSCIOUSNESS IN RECORDING 116
GOTTA HIT THAT : SINGING PERFECTION 117
Comping (Saturday) 117
Ongoing: Shopping for a Mixer 121
To Be Continued: Conclusions 123
5. Track 3: Tyler 125
Oust Learned It From Doing It : Learning History 125
I WOULD GET TOGETHER WITH MYSELF : MAKING MUSIC WITH ACID PRO 126
TECHNICAL TANGENT #1: MICROPHONE MATTERS 127
I LEARNED THE HARD WAY : SELF-TEACHING WITH DAWS 129
The Cartographic Composer: Mapping a Musical Existence 130
AUTODIDACTICISM AND ABLETON LIVE 132
A Guided Tour Through Tyler s Bedroom Studio 133
TECHNICAL TANGENT #2: MIXING MATTERS 134
STEMS 136
The Apple Doesn t Fall Far from the Social Network: Growing a Fictional Family
Tree 137
SINGING ROBOTS 139
Audio Avatars: Otter, Sumac, and Totem 141
THIS IS ME WATCHING ME TALKING ABOUT ME : STIMULATED RECALL 142
EDITING MIDI 143
EQUALIZING BEATS 145
MAKING LOOPS 146
SHIFTING PITCH 147
IF I CAN GET MYSELF FEELING GOOD ABOUT IT : REFLEXIVE LISTENING 148
AND THAT S IT FOR NOW : CONCLUDING THE SESSION 150
Technology is the Reason : Conclusions 150
x Contents
6. Track 4: Jimmy 153
From Scratching to Picking: Learning History 155
I JUST FOUND IT SO HARD : LEARNING TO PLAY THE GUITAR 157
THREE HOURS A DAY: PRACTICE 158
IT WAS NEVER, NEVER, NEVER SERIOUS : LEARNING THE STUDIO BY OSMOSIS 159
I Woke Up With the Melody : The Making of Lost and Found 160
EVERY DAY S A STRUGGLE : WRITING LYRICS 161
IT JUST HAPPENS : RECORDING = SONGWRITING 162
FINGER DRUMMING 163
TRACKING, LAYERING, AND TWEAKING GUITARS 164
DO IT AGAIN: LAYERING VOCALS 166
Me and Him Have This Synergy : Mixing with Bill 167
ANALOG VERSUS DIGITAL ACCORDING TO JIMMY 169
GETTING GUITAR SOUNDS: EQUALIZING AND COMPRESSING 170
I NEVER THOUGHT I WOULD BE A SINGER : VOCAL DOUBLING AND PROCESSING THE
VOICE 173
FINAL MIX? 174
Recording as Second Nature: Conclusions 175
PartHI LEARNING PRODUCING | PRODUCING
LEARNING
Going Green: DIY Recording and Informal Learning Strategies 180
7. Mixing the Multitrack: Cross-Case Analyses iss
Conceptualizing the Multiple Case Study as a Multitrack Recording 185
Classifying DIY Studios 186
DIA STUDIOS 186
DIWO STUDIOS 188
Music-Making Models and Digitally Afforded Techniques 189
THE THIRD DIMENSION: BREAKING FROM THE HORIZONTAL AND VERTICAL PLANES 190
KARAOKE COMPOSITION AND REFLEXIVE RECORDING 191
PRESET CULTURE 192
UNDO THE UNDUE 193
Producer Pedagogies: Acquiring Skills and Know-How 193
AURAL EMULATION 194
PEER-GUIDED LEARNING 195
SELF-TEACHING 195
TAPE TRAVAILS 195
Contents
DOMAIN OF THE DAW 196
IMMERSIVE LEARNING AND HOLISTIC LEARNING 197
Summing the Tracks: Conclusions 198
8. Mastering the Multitrack: Conclusions 199
Implications for Music Education 199
BY-PROCESSES: TACIT LEARNING 199
MAKING WAVES: MUSIC-INVENTING 202
FORGED WITH ONES AND ZEROES: DIGITAL AUDIO MUSIC-MAKING TOOLS 203
TRIAL-AND-ERROR LEARNING: A NEW SPIN ON AN OLD FAVORITE 204
SONG-MAKERS: MAKING AS LEARNING 206
The Les Paul Legacy of the Producer 207
Bibliography 209
Index 221
|
| any_adam_object | 1 |
| author | Bell, Adam Patrick ca. 20./21. Jh |
| author_GND | (DE-588)1065643934 |
| author_facet | Bell, Adam Patrick ca. 20./21. Jh |
| author_role | aut |
| author_sort | Bell, Adam Patrick ca. 20./21. Jh |
| author_variant | a p b ap apb |
| building | Verbundindex |
| bvnumber | BV044871223 |
| callnumber-first | M - Music |
| callnumber-label | ML3790 |
| callnumber-raw | ML3790 |
| callnumber-search | ML3790 |
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| callnumber-subject | ML - Literature on Music |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.49 |
| dewey-search | 781.49 |
| dewey-sort | 3781.49 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV044871223 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:03:24Z |
| institution | BVB |
| isbn | 9780190296612 9780190296605 |
| language | English |
| lccn | 017025068 |
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| physical | xviii, 229 Seiten Illustrationen |
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| spelling | Bell, Adam Patrick ca. 20./21. Jh. Verfasser (DE-588)1065643934 aut Dawn of the DAW the studio as musical instrument Adam Patrick Bell New York Oxford University Press [2018] © 2018 xviii, 229 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte gnd rswk-swf Sound recordings Production and direction Popular music Production and direction Musikproduktion (DE-588)4235850-4 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Tonstudio (DE-588)4417153-5 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 s Musiker (DE-588)4040841-3 s Tonstudio (DE-588)4417153-5 s Musikproduktion (DE-588)4235850-4 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-19-029662-9 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030265661&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bell, Adam Patrick ca. 20./21. Jh Dawn of the DAW the studio as musical instrument Sound recordings Production and direction Popular music Production and direction Musikproduktion (DE-588)4235850-4 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Tonstudio (DE-588)4417153-5 gnd Musiker (DE-588)4040841-3 gnd |
| subject_GND | (DE-588)4235850-4 (DE-588)4061916-3 (DE-588)4417153-5 (DE-588)4040841-3 |
| title | Dawn of the DAW the studio as musical instrument |
| title_auth | Dawn of the DAW the studio as musical instrument |
| title_exact_search | Dawn of the DAW the studio as musical instrument |
| title_full | Dawn of the DAW the studio as musical instrument Adam Patrick Bell |
| title_fullStr | Dawn of the DAW the studio as musical instrument Adam Patrick Bell |
| title_full_unstemmed | Dawn of the DAW the studio as musical instrument Adam Patrick Bell |
| title_short | Dawn of the DAW |
| title_sort | dawn of the daw the studio as musical instrument |
| title_sub | the studio as musical instrument |
| topic | Sound recordings Production and direction Popular music Production and direction Musikproduktion (DE-588)4235850-4 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Tonstudio (DE-588)4417153-5 gnd Musiker (DE-588)4040841-3 gnd |
| topic_facet | Sound recordings Production and direction Popular music Production and direction Musikproduktion Unterhaltungsmusik Tonstudio Musiker |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030265661&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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