Face-to-face with images:
The focus of the exhibition is on the moment in which art is perceived and on the relationship that can arise between a work of art and a person viewing it. How art is assessed depends, on the one hand, on the scholarly study of it and, on the other, on its recognition by public and private museums...
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Book |
| Language: | English |
| Published: |
Mettingen
Draiflessen Collection gGmbH
[2017]
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| Subjects: | |
| Summary: | The focus of the exhibition is on the moment in which art is perceived and on the relationship that can arise between a work of art and a person viewing it. How art is assessed depends, on the one hand, on the scholarly study of it and, on the other, on its recognition by public and private museums and collections. A work is classically examined with a view to the intention of the artist and contextualized through comparisons of iconography and style as well as questions regarding the history of its reception. Nonetheless, the observation of art involves not only critique of style, analysis of form and genre, aesthetic judgments, and mediation of meaning, but above all also individual experiences connected with the work of art. The delegating of the gaze and of the ear in the presentation of the beautiful, of suffering, of the reprehensible, or of horror ? all experiences that may be perceived very differently by particular individuals ? therefore always already refers to a specific form of historicity. Starting from the fact that art cannot arise on its own, the exhibition therefore pursues the idea that what takes place between viewer and work is part of the history of passions.00Exhibition: Draiflessen Collection, Mettingen, Germany (22.10.2017-28.01.2018) |
| Physical Description: | 48 Seiten Bildtafeln, 125 Seiten 32 cm |
| ISBN: | 9783942359399 |
Staff View
MARC
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| 245 | 1 | 0 | |a Face-to-face with images |c authors: Rudolf Brenninkmeijer [and others] ; copyediting: Rebecca van Dyck [and others] |
| 264 | 1 | |a Mettingen |b Draiflessen Collection gGmbH |c [2017] | |
| 300 | |a 48 Seiten Bildtafeln, 125 Seiten |c 32 cm | ||
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| 520 | 3 | |a The focus of the exhibition is on the moment in which art is perceived and on the relationship that can arise between a work of art and a person viewing it. How art is assessed depends, on the one hand, on the scholarly study of it and, on the other, on its recognition by public and private museums and collections. A work is classically examined with a view to the intention of the artist and contextualized through comparisons of iconography and style as well as questions regarding the history of its reception. Nonetheless, the observation of art involves not only critique of style, analysis of form and genre, aesthetic judgments, and mediation of meaning, but above all also individual experiences connected with the work of art. The delegating of the gaze and of the ear in the presentation of the beautiful, of suffering, of the reprehensible, or of horror ? all experiences that may be perceived very differently by particular individuals ? therefore always already refers to a specific form of historicity. Starting from the fact that art cannot arise on its own, the exhibition therefore pursues the idea that what takes place between viewer and work is part of the history of passions.00Exhibition: Draiflessen Collection, Mettingen, Germany (22.10.2017-28.01.2018) | |
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| 700 | 1 | |a Brenninkmeijer, Martin Rudolf |4 aut | |
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| 775 | 0 | 8 | |i Parallele Sprachausgabe |t Oog en oog met kunst |z 9783942359382 |
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Record in the Search Index
| _version_ | 1804178397410099200 |
|---|---|
| any_adam_object | |
| author | Brenninkmeijer, Martin Rudolf |
| author2 | Dyck, Rebecca van |
| author2_role | edt |
| author2_variant | r v d rv rvd |
| author_GND | (DE-588)123039282 |
| author_facet | Brenninkmeijer, Martin Rudolf Dyck, Rebecca van |
| author_role | aut |
| author_sort | Brenninkmeijer, Martin Rudolf |
| author_variant | m r b mr mrb |
| building | Verbundindex |
| bvnumber | BV044868482 |
| ctrlnum | (OCoLC)1023401113 (DE-599)BVBBV044868482 |
| format | Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog Draiflessen Collection 22.10.2017-28.01.2018 Mettingen gnd-content |
| genre_facet | Ausstellungskatalog Draiflessen Collection 22.10.2017-28.01.2018 Mettingen |
| id | DE-604.BV044868482 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:03:19Z |
| institution | BVB |
| institution_GND | (DE-588)1027306519 |
| isbn | 9783942359399 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030262976 |
| oclc_num | 1023401113 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 48 Seiten Bildtafeln, 125 Seiten 32 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Draiflessen Collection gGmbH |
| record_format | marc |
| spelling | Face-to-face with images authors: Rudolf Brenninkmeijer [and others] ; copyediting: Rebecca van Dyck [and others] Mettingen Draiflessen Collection gGmbH [2017] 48 Seiten Bildtafeln, 125 Seiten 32 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier The focus of the exhibition is on the moment in which art is perceived and on the relationship that can arise between a work of art and a person viewing it. How art is assessed depends, on the one hand, on the scholarly study of it and, on the other, on its recognition by public and private museums and collections. A work is classically examined with a view to the intention of the artist and contextualized through comparisons of iconography and style as well as questions regarding the history of its reception. Nonetheless, the observation of art involves not only critique of style, analysis of form and genre, aesthetic judgments, and mediation of meaning, but above all also individual experiences connected with the work of art. The delegating of the gaze and of the ear in the presentation of the beautiful, of suffering, of the reprehensible, or of horror ? all experiences that may be perceived very differently by particular individuals ? therefore always already refers to a specific form of historicity. Starting from the fact that art cannot arise on its own, the exhibition therefore pursues the idea that what takes place between viewer and work is part of the history of passions.00Exhibition: Draiflessen Collection, Mettingen, Germany (22.10.2017-28.01.2018) Kunst (DE-588)4114333-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Kunstbetrachtung (DE-588)4125321-8 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Draiflessen Collection 22.10.2017-28.01.2018 Mettingen gnd-content Kunst (DE-588)4114333-4 s Rezeption (DE-588)4049716-1 s Kunstbetrachtung (DE-588)4125321-8 s DE-604 Brenninkmeijer, Martin Rudolf aut Dyck, Rebecca van (DE-588)123039282 edt Draiflessen Collection (DE-588)1027306519 isb Parallele Sprachausgabe Dem Bild gegenüber 978-3-942359-37-5 (DE-604)BV044749697 Parallele Sprachausgabe Oog en oog met kunst 9783942359382 |
| spellingShingle | Brenninkmeijer, Martin Rudolf Face-to-face with images Kunst (DE-588)4114333-4 gnd Rezeption (DE-588)4049716-1 gnd Kunstbetrachtung (DE-588)4125321-8 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4049716-1 (DE-588)4125321-8 (DE-588)4135467-9 |
| title | Face-to-face with images |
| title_auth | Face-to-face with images |
| title_exact_search | Face-to-face with images |
| title_full | Face-to-face with images authors: Rudolf Brenninkmeijer [and others] ; copyediting: Rebecca van Dyck [and others] |
| title_fullStr | Face-to-face with images authors: Rudolf Brenninkmeijer [and others] ; copyediting: Rebecca van Dyck [and others] |
| title_full_unstemmed | Face-to-face with images authors: Rudolf Brenninkmeijer [and others] ; copyediting: Rebecca van Dyck [and others] |
| title_short | Face-to-face with images |
| title_sort | face to face with images |
| topic | Kunst (DE-588)4114333-4 gnd Rezeption (DE-588)4049716-1 gnd Kunstbetrachtung (DE-588)4125321-8 gnd |
| topic_facet | Kunst Rezeption Kunstbetrachtung Ausstellungskatalog Draiflessen Collection 22.10.2017-28.01.2018 Mettingen |
| work_keys_str_mv | AT brenninkmeijermartinrudolf facetofacewithimages AT dyckrebeccavan facetofacewithimages AT draiflessencollection facetofacewithimages |