Reviewing Shakespeare: journalism and performance from the eighteenth century to the present
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2017
|
| Ausgabe: | First paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | x, 216 Seiten |
| ISBN: | 9781108439077 9781107021495 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements page ix
x An introduction to the night-watch constable i
Performance, print, memory: three preludes I
Eunuchs in a harem: the cultural reputation of the critic 6
Night-watch constables, men of letters and domineering pedants IO
Critical conditions 17
Re-viewing the Shakespearean reviewer: precedents 20
Reviewing Shakespeare: the argument 24
2 Tradition and the individual talent: reviewing the Macbeth
actor c 1740s—1890s 31
Macbeth and the ghost of success 32
Are you a man?5 Macbeth, King David and the Irish Jew 36
Heroic assassin or common stabber? Class, masculinity and courage 43
Mid century Macbeths: rivalry and rioting 47
A domestic coward: Irvings Macbeth and the masculine estimate of man 50
‘Lay on’: the Macbeth actor exits fighting 54
3 New Journalism, New Critics c.1890—1910 57
‘The climax and masterpiece of literary Jacobinism5: the introduction of the
signed article 58
‘Gentlemen, I am about to speak of myself a propos of Shakespeare5: the
critic and the play of personality 67
‘The best part of the circus5: Shaw as New Critic 72
‘The plays as Shakespeare wrote them5; Shaw and authenticity 77
‘He would buy me in the market like a rabbit5: Shaw and incorruptibility 82
‘The hackwork of genius5: Beerbohm and Shakespeare in the Saturday t
Review 84
4 The reviewer in transition ¿7.1920—1960 94
Prologue: another Shaw? 94
‘That modern nuisance5: Agate, the producer and the death of the actor 97
vii
vill
Contents
Unchanging Cockaigne: Agate and the recuperation of tradition 105
‘Post-mortem on the egoist’: style, paternity and the dynamics of succession 112
He That Plays the King, enter Tynan, stage right
‘When comes there such another?’ Tynan, Olivier and Macbeth **9
Re-enter Tynan, stage left: anti-heroic Shakespeare and the possibility of
radicalism 12.6
Conclusion: Roundheads and Cavaliers I3I
5 New contexts, new crises (1997—2012): reviewing from the
opening of Shakespeare’s Globe to the World Shakespeare
Festival 2012 *33
‘When comes there such another?’ Tynan and belatedness 13d
Matters of size and status: reviewing and post-Fleet Street journalism 139
A community of the same? The cultural biography of contemporary
reviewers *43
Speak, memory: a misfortune of Macbeths 1995—6 143
Inheriting the Globe: the reception of Shakespearean audience and
authenticity in contemporary reviewing *54
Damn Yankees: reviewing the Shakespearean audience *5^
Arsenal/Tottenham’: reviewing the Shakespearean space 163
‘Dear Mr Billington5: the audience writes back *7*
The World Shakespeare Festival 2012: coverage, comment and the framer
framed *77
‘Back to British business as usual5: race, nation and regime change in
Henry Vat the Globe and Julius Caesar in Stratford 183
Epilogue: guarding the guardians, changing the guard *9°
Notes 196
Works cited *99
Index 212
REVIEWING SHAKESPEARE
Ranging from David Garrick’s Macbeth in the 1740s to the World
Shakespeare Festival in London 2012, this is the first book to provide
in-depth analysis of the history and practice of Shakespearean theatre
reviewing. Reviewing Shakespeare describes the changing priorities and
interpretive habits of theatre critics as they have both responded to
and provoked innovations in Shakespearean performance culture over
the last three centuries. It analyses the conditions - theatrical, jour-
nalistic, social and personal - in which Shakespearean reception has
taken place, presenting original readings of the works of key critics
(Shaw, Beerbohm, Agate, Tynan), while also tracking broader his-
torical shifts in the relationship between reviewers and performance.
Prescott explores the key function of the night-watch constable’ in
patrolling the boundaries of legitimate Shakespearean performance
and offers a compelling account of the many ways in which newspa-
per reviews are uniquely fruitful documents for anyone interested in
Shakespeare and the theatre.
|
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| author | Prescott, Paul 1974- |
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| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
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| dewey-search | 822.33 |
| dewey-sort | 3822.33 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | First paperback edition |
| era | Geschichte 1740-2012 gnd |
| era_facet | Geschichte 1740-2012 |
| format | Book |
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| isbn | 9781108439077 9781107021495 |
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| spellingShingle | Prescott, Paul 1974- Reviewing Shakespeare journalism and performance from the eighteenth century to the present Shakespeare, William 1564-1616 (DE-588)118613723 gnd Rezension (DE-588)4049712-4 gnd Theater (DE-588)4059702-7 gnd |
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| title | Reviewing Shakespeare journalism and performance from the eighteenth century to the present |
| title_auth | Reviewing Shakespeare journalism and performance from the eighteenth century to the present |
| title_exact_search | Reviewing Shakespeare journalism and performance from the eighteenth century to the present |
| title_full | Reviewing Shakespeare journalism and performance from the eighteenth century to the present Paul Prescott |
| title_fullStr | Reviewing Shakespeare journalism and performance from the eighteenth century to the present Paul Prescott |
| title_full_unstemmed | Reviewing Shakespeare journalism and performance from the eighteenth century to the present Paul Prescott |
| title_short | Reviewing Shakespeare |
| title_sort | reviewing shakespeare journalism and performance from the eighteenth century to the present |
| title_sub | journalism and performance from the eighteenth century to the present |
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| topic_facet | Shakespeare, William 1564-1616 Rezension Theater |
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