The musical tradition of the Eastern European synagogue: 3: The Sabbath Services, A: The Sabbath Eve Service, Part 3, Annotative commentary The Sabbath Eve service ; Pt. 3, Annotative commentary
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Syracuse University Press
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| Series: | Judaic traditions in literature, music and art
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| Physical Description: | xix, 340 Seiten |
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| 245 | 1 | 0 | |a The musical tradition of the Eastern European synagogue |n 3: The Sabbath Services, A: The Sabbath Eve Service, Part 3, Annotative commentary |p The Sabbath Eve service ; Pt. 3, Annotative commentary |c Sholom Kalib |
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| adam_text | SUMMARY CONTENTS
Part One: THE SABBATH EVE SERVICE
(Beginning)
CONTENTS BY PRAYER TEXT xi
MUSIC BY RENDITION AND SOURCE xni
MUSIC BY COMPOSER xxviii
PREFACE xliii
ACKNOWLEDGMENTS Ivii
Kabolas Shabos (Welcoming the Sabbath) and
Maariv L shabos (The Sabbath Eve Service) (Beginning)
I. Kabolas Shabos (Welcoming the Sabbath) 3
II. Maariv L shabos (The Sabbath Eve Service) (Beginning)
Bir’chos K rias Sh ma (Sabbath Eve Blessings of the Sh’ma) 447
Part Two: THE SABBATH EVE SERVICE
(Conclusion)
CONTENTS BY PRAYER TEXT xi
MUSIC BY RENDITION AND SOURCE xiii
MUSIC BY COMPOSER xxii
Maariv L shabos (The Sabbath Eve Service) (Conclusion) and
Z miros Lei Shabos (Table Hymns for Sabbath Eve) II.
II. Maariv L shabos (The Sabbath Eve Service) (Conclusion)
Hashkivenu through Yigdal 703
Z miros Lei Shabos (Table Hymns for Sabbath Eve) 1177
v
VI
Summary Contents
Part Three: ANNOTATIVE COMMENTARY
CONTENTS BY PRAYER TEXT xi
PREFACE xv
Part One: The Sabbath Eve Service (Beginning)
Kabolas Shabos (Welcoming the Sabbath) and
Maariv L shabos (The Sabbath Eve Service) (Beginning)
I. Kabolas Shabos (Welcoming the Sabbath) 3
II. Maariv L shabos (The Sabbath Eve Service) (Beginning)
Bir chos K rias Sh ma (Sabbath Eve Blessings of the Sh ma) 119
Part Two: The Sabbath Eve Service (Conclusion)
Maariv L shabos (The Sabbath Eve Service) (Conclusion) and
Z miros Lei Shabos (Table Hymns for Sabbath Eve) II.
II. Maariv L shabos (The Sabbath Eve Service) (Conclusion)
Hashkivenu through Yigdal 183
Z miros Lei Shabos (Table Hymns for Sabbath Eve) 285
APPENDIX A: Musical Examples 309
APPENDIX B: Background Information on Composers 312
GLOSSARY 325
REFERENCES 332
Summary Contents
Part Four: THE SABBATH MORNING SERVICE
(Beginning)
CONTENTS BY PRAYER TEXT
MUSIC BY RENDITION AND SOURCE
MUSIC BY COMPOSER
I. P suke D zimro (Psalms and Passages of Song)
II. Shacharis L shabos (The Sabbath Morning Service): Bir chos
K rias Sh ma (Sabbath Morning Blessings of the Sh ma)
Part Five: THE SABBATH MORNING SERVICE
(Continuation)
CONTENTS BY PRAYER TEXT
MUSIC BY RENDITION AND SOURCE
MUSIC BY COMPOSER
III. Shacharis Amido
Ovos
Shacharis K dusho
Continuation of Chazoras Hashatz following K dusho
Summary Contents
viii
Part Six: THE SABBATH MORNING SERVICE
(Continuation)
CONTENTS BY PRAYER TEXT
MUSIC BY RENDITION AND SOURCE
MUSIC BY COMPOSER
IV. The Torah Service
Removal of the Torah from the Ark
Reading of the Torah
Reading of the Haftoro
Continuation of the Shacharis Service
Returning of the Torah to the Ark
Part Seven: THE SABBATH MORNING SERVICE
(Conclusion)
CONTENTS BY PRAYER TEXT
MUSIC BY RENDITION AND SOURCE
MUSIC BY COMPOSER
V. Musaf L shabos
Musaf K dusho
Continuation of Chazoras Hashatz following K dusho
Concluding Prayers of the Musaf Service
Kidusho Rabo (Kidush for Sabbath Day)
Z miros L yom Hashabos (Table Hymns for Sabbath Day)
Summary Contents
ix
Part Eight: SERVICES of SPECIAL SABBATHS,
The Sabbath Afternoon and Conclusion Services
and Table Hymns
CONTENTS BY PRAYER TEXT
MUSIC BY RENDITION AND SOURCE
MUSIC BY COMPOSER
Shabos Rosh Chodesh (New Moon - Sabbath)
Arba Parshiyos (The Four Special Sabbaths Preceding Passover)
I. Parashas Sh kolim (The Sabbath Preceding Rosh Chodesh Adar)
II. Parashas Zochor (The Sabbath Preceding Purim)
III. Parashas Poro (The Sabbath Preceding Parashas Hachodesh)
IV. Parashas Hachodesh (The Sabbath Preceding—Or the Sabbath of—
Rosh Chodesh Nison)
Shabos Hagodol (The Sabbath Preceding Passover)
Mincho L shabos (The Sabbath Afternoon Service)
Introductory Prayers
The Torah Service
Atnido
Concluding Prayers of the Sabbath Mincho Service
Z miros Lis udo ShTishis
(Table Hymns for the Third Sabbath Meal)
Maariv L motzoe Shabos (The Sabbath Conclusion Service)
Z miros L motzoe Shabos (Table Hymns for the Sabbath
Conclusion Service)
X
Summary Contents
Part Nine: ANNOTATIVE COMMENTARY
CONTENTS BY PRAYER TEXT
PREFACE
Part Four: The Sabbath Morning Service (Beginning)
Psalms and Passages of Song and Sabbath Morning Blessings of the Sh ma
Part Five: The Sabbath Morning Service (Continuation)
Shacharis Amidd
Part Six: The Sabbath Morning Service (Continuation)
The Torah Service
Part Seven: The Sabbath Morning Service (Conclusion)
The Additional Sabbath Service and Table Hymns for Sabbath Day
Part Eight: Services of Special Sabbaths, the Sabbath Afternoon
and Conclusion Services and Table Hymns
APPENDIX A: Musical Examples
APPENDIX B: Background Information on Composers
GLOSSARY
REFERENCES
CONTENTS BY PRAYER TEXT
An explanation of the sequential numbering below is provided on page Hi of the Preface (in Part One).
Part One: THE SABBATH EVE SERVICE
Kabôlas Shabôs (Welcoming the Sabbath) and
Maariv L shabôs (The Sabbath Eve Service) (Beginning)
I. Kabôlas Shabôs (Welcoming the Sabbath) 3
1. MaTovu 4
2. L/chu N ran nô 11
L chu N ran nô (Opening Verse) 13
Al Tak shu L vav chem - Arbôim Shônô 15
3. Yism chu Hashômayim - Yaaloz Sôdai - Lif ne Adoshem 19
4. Adoshem Môlôch Tôgel Hôôretz - Higidu Hashômayim - Shôm ô - Ki Atô Adoshem -
Oh§ve Adoshem 21
5. Mizmor: Shim Ladoshem - Zôchar Chasdo - Zam ru - Bachatzotz ros - Yiram Hayôm -
N hôros 30
6. Atô Konantô Meshôrim - Moshe V aharon - B amud ônôn - Adoshem Ilokenu Atô
Anisôm 35
7. Kol Adoshem Bakoach - Kol Adoshem Shover Arozirn - Kol Adoshem Chotzev
Lahavos Esh - Vay shaber Adoshem - Kol Adoshem Y cholel Ayôlos - Adoshem
Lamabul Ÿôshôv 39
8. ônô B choach 47
9. L chô Dodi 50
10. Mizmor Shir L’yom Hashabôs 71
West Central and East Central European Nusach 71
Eastern European Nusach 76
11. Adoshem Môlôch - Mikolos 80
West Central and East Central European Nusach 80
General Eastern European Nusach 86
12. Bame Madlikin - Lo Yikov ôdôm - omar Rabi Elôzôr- L maart Achai - I/maan Bes
Adoshem 101
13. Rôzô D shabôs - V anpôhô N hirin (Nusach S fard) 112
General Eastern European Nusach 113
East Central European Nusach 113
IL Maariv L shabôs (The Sabbath Eve Service) (Beginning)
Bir chos K rias Sh ma (Sabbath Eve Blessings of the Sh’ma) 119
14. Bôr chu - Bôruch Adoshem Ham vorôch 123
West Central European Nusach 123
Lithuanian Nusach 124
Volhynian Nusach 124
Later West Central European Nusach 125
15. Asher BidVôro - B chôchmô Poseach Sh ôrim - Bore Yom Vôlôilô - Umaavir Yom -
Kel Chai V kayôm 125
West Central European Nusach 125
Lithuanian Nusach 126
Volhynian Nusach 127
Later West Central European Nusach 130
16. Aha vas Olôm - Al Ken Adoshem Ilokenu - V nismach - Ki Hem Chayenu -
V ahavôs chô 130
West Central European Nusach 130
Lithuanian Nusach 131
Volhynian Nusach 131
Later West Central European Nusach 147
XI
Contents by Prayer Text
xii
17. Sh ma Yisroel 147
18. Emes Veemuno - Hamaavir Bonov - V rou Vonov - Umal chuso - Moshe Uv i
Yisroel 153
West Central European Ntisach 154
Lithuanian Nusach 154
Volhynian Nusach 155
Later West Central European Nusach 173
19. Mi Chomocho 174
20. Mal chus cho 175
21. Adoshem Yimloch 176
22. V’neemar: Ki Fodo 176
Part Two: THE SABBATH EVE SERVICE
(Conclusion)
Maariv L shabös (The Sabbath Eve Service) (Conclusion) and
Z miros Lei Shabös (Table Hymns for Sabbath Eve)
II. Maariv L shabös (The Sabbath Eve Service) (Conclusion)
Hashkivenu through Yigdal
23. Hashkivenu - Ush mor Tzesenu - Uf ros ölenu 183
Intonation of the Full Hashkivenu Text 188
24. V shorn ru - Ki Sheshes Yomim 213
VVesf Central European Nusach 214
Lithuanian Nusach 214
Volhynian Nusach 214
Variant Applications of the Basic Phrase Patterns 216
Common Auras of Expression in V shom ru 218
Choral Composition of V shom ru 224
25. Chatzi Kadish 227
West Central European Nusach 228
Lithuanian Nusach 229
Volhynian Nusach 230
Later West Central European Nusach 230
26. Vay chulu - Vayishbos - Vay vörech Elokim 231
General Eastern European Nusach 231
Choral Composition of Vay chulu 235
Variant Eastern European Nusach 239
27. Boruch 240
General Eastern European Nusach 240
Variant Eastern European Nusach 241
28. Mögen övos - L fönöv Naavod - Kel Hahodoos - Umeniach 242
General Eastern European Nusach 243
Advanced-Chazzanic Intonations of the Entire Text 244
Choral Intonations of the Entire Text 246
Variant Eastern European Nusach 256
29. R tze Vim nuchösenu 257
General Eastern European Nusach 257
Variant Eastern European Nusach 260
30. Kadish Shölem 260
East Central European Nusach 261
Variant Eastern European Nusach 261
31-33. Mizmor L’dovid through Bör chu - Boruch Adoshem Hamvoroch 263
34. Kidush 263
35-36. ölenu through L dövid Ori 269
37-38. Adon Olöm and Yigdal 269
37. Adon Olöm 270
38. Yigdal 276
Contents by Prayer Text
miros Lei Shabos (Table Hymns for Sabbath Eve)
39. Sholom Alechem 286
40. Bo Eshbos 289
41. Eshes Chayil 289
42. Askinu S udoso 290
43. Azamer Bish vochin 291
44. Kol M kadesh Sh vii 292
Eastern European Nusach 292
West Central European Nusach 293
45. M nucho V simcho 293
46. Ma Y didus 295
47. Yom Ze L yisroel 297
48. Ko Ribon olam 298
49. Tzom o Nafshi 302
50. Tzur Mishelo - Rachem B chasdecho 303
51. Birkas Hamozon (Grace After Meals) 307
APPENDIX B: BACKGROUND INFORMATION ON
COMPOSERS
Abraham of Kalisk (Poland), (d. 1810).
Alman, Samuel (1877-1947), b. province of Podolia, Ukraine; distinguished composer of
synagogue music and choirmaster; classicist within the Eastern European tradition;
immigrated to England after the Kishinev pogrom (1905); published Synagogue
Compositions (volume 1 in 1925; volume 2 in 1938) and Schire Rozumni (1930), a collection of
chazzanic recitatives as recalled by Alman from hearing the famed cantor, Efraim Zalman
Rozumni (1853-1904) over a period of several successive years in Odessa, Ukraine.
Alter, Avraham Yehuda, Eastern European born baal tfilo in New York in the second and third
quarters of the twentieth century.
Alter, Israel (1901-1979), b. Lemberg (Lwow), Galicia; famed cantor of synagogues in Vienna,
Hannover, and Johannesburg, South Africa; immigrated to the U.S. in 1961; teacher and
prolific composer of cantorial music; publications include The Selihot Service (1966), The
Sabbath Service (1968), The Festival Service (1969), The High Holy Day Service (1971),
MaVchuyos, Zichronos V shof ros (undated), in addition to several other collections of concert
cantorial compositions.
Ancis, Solomon (1874-1945), b. Lubo, province of Volhynia, pre-World War I Russia; cantor,
choirmaster, organist, and prominent composer of synagogue music; studied in Odessa,
Leipzig and Vienna. Residing in Vienna for thirteen years, he served as cantor in a
synagogue and also taught music theory before immigrating to the U.S. in 1921. A number
of his compositions for cantor and choir were published by Transcontinental Music
Publications in 1944.
Atlas, Leo, b. Jablonec, Bohemia in 1915; family relocated to a town near Rzesow, Galicia;
imbued with nusach of Sanz Chassidim; a Holocaust survivor; immigrated to the U.S. in
1946, residing in Chicago; businessman and baal tfilo.
Baal Shem Tov (Rabbi Israel Baal Shem Tov) (1698-1760), abbreviated the Besht, founder of
Chassidism.
Bachman, Jacob (1846-1905), b. Berditchev, Ukraine; famed cantor and composer; served as
cantor in Lemberg (Lwow), Odessa and Budapest, where he served the last twenty years of
his life; possessed a phenomenal dramatic tenor voice and was an improviser of great skill.
Had conservatory education, and published two volumes of synagogue music, Schirath
Jacob (1884) and Yom Kippur Kötön (1892).
Baer, Abraham (1834-1894), b. Filehna (Wielen), pre-World War I Prussia, cantor in Göteborg,
Sweden; author of Baal TfiUah (1877), the most comprehensive volume of the musical-
liturgical traditions prevalent in nineteenth-century Germany.
Bakon, Judah Halevi (1886-1954), b. Kolbuszow, Galicia; studied with preeminent cantor-
composer, Böruch Schorr, and received conservatory education in Krakow; cantor in
Klausenberg (Kolozsvär), Hungary; immigrated to U.S. in 1935; cantor in New York, and
prominent composer of cantorial music and teacher of cantors.
Baum, David (1910-1990), b. Papo, Hungary; exceptional baal tfilo and composer of nigunim; son
of baal t filo and shochet; served as chazz’n and shochet from 1933 until World War II in
Zagreb and later in Petrovac, pre-World War II Yugoslavia; a Holocaust survivor. After
World War II, served as chazz n and shochet in Szopron, Yugoslavia before immigrating to
the U.S. in 1948. Served as chazz n!shochet in Paterson, New Jersey until 1956, and afterward
in the New York area.
312
Appendix B
313
Beimel, Jacob (1880-1944), b. Parichi, Minsk province, Belarus, chorister of Nisse Beizer; cantor,
prominent choirmaster, composer, teacher of liturgical music, and writer on Jewish music
in Hebrew, Yiddish, English, and German. Served as cantor of synagogues in Berlin,
Copenhagen, and in the U.S. from ca. 1916.
Beinhom, Solomon (1886-1972), b. Eastern Europe; cantor and composer of chazzanic
recitatives; served for a period of time as associate cantor for Josef ( Yossele ) Rosenblatt in
New York.
Beizer, Nisse (Nissan Spivak) (1824-1906), b. Lithuania; among the most celebrated composers
and choirmasters of Eastern European synagogue music; despite a poor voice, he held
prominent cantorial positions in Belz and Kishinev, Bessarabia, and Elisavetgrad and
Berdichev, Ukraine. Many future eminent cantors and choirmasters received their early
training in his famously disciplined choir, including Abraham Ber Birnbaum, Eduard
Birnbaum, Mord chai Hershman, Isaac Kaminsky, Leo Low and Pinchös (Pinye)
Minkowsky.
Berkowitz, Abraham ( Kal chnik ). See Kal chnik, Abraham.
Bernstein, Samuel, b. late 1880s in Eastern Europe; cantor, choirmaster and gifted composer of
synagogue music; immigrated to the U.S. in 1920s; resided in New York, and in early 1940s
in Chicago.
Bialsky, Joseph, b. ca. 1890 in Makarov, Ukraine. In early adulthood, relocated in Odessa;
acquired conservatory education; immigrated to the Land of Israel after World War I, and
ultimately London, where he became synagogue choirmaster and teacher of voice and
chazzonus. Published Tz losd V’zimrö (London, 1932), a collection of cantorial recitatives for
Sabbath Eve and Morning services, and five miscellaneous others, revealing thoroughly
traditional Eastern European nusach, set in a reserved, classic-oriented musical idiom.
Birnbaum, Abraham Ber (1865-1922), b. Pultusk, Poland; preeminent cantor, writer in Yiddish
and Hebrew, and teacher of chazzonus and general music theory. He held the position of
cantor /shochet in Prossnitz, Moravia, before becoming chief cantor in the chör shul of
Czestochowa, Poland. Upon retirement in 1913, he devoted himself entirely to writing and
teaching. Writings include a general theory of music (1902), a correspondence course in
liturgical and general music, as well as essays on Jewish music. He founded a cantorial
school in 1906 (students of which included Todros Greenberg and Pinchös Sherman), and
published his magnum opus, Amönus Hachizönus, vol. 1, for Sabbath and Festivals in 1908,
and vol. 2, for the High Holidays, in 1912.
Birnbaum, Eduard (1855-1920), b. Krakow, Galicia; cantor, composer, pioneer in collection and
musicological research in synagogue music; served as cantor in Magdeburg and Büthen,
Silesia, before succeeding Hirsch Weintraub as chief cantor in Königsberg in 1879, where
he served until his death; his monumental collection of synagogue music is in the Hebrew
Union College Library in Cincinnati.
Bloom, Arele, b. Bessarabia, pre-World War I Russia; cantor, prominent composer of cantorial
recitatives in New York, ca. 1920 through the 1940s. Although unpublished, his recitatives
were widely sought and performed.
Bloom, Morris, b. ca. 1890 and raised in Eastern Europe; immigrated to the U.S.; synagogue
choirmaster in Chicago during the second quarter of the twentieth century.
Blumenthal, Nisse (1805-1903), b. Jassy, Romania, and raised in Berditchev. Among preeminent
cantor-composers of nineteenth-century Eastern Europe; possessed a sweet lyric tenor
voice but had no formal music education; held positions in Berditchev and Ekatirenislav
(Ukraine) before becoming chief cantor of the Brody synagogue in Odessa in 1840, the first
chor shul in Russia, where he served for ca. fifty years. His chazzonus, although strictly
traditional, was relatively reserved and classic in approach. He introduced disciplined
314
Appendix B
four-part choral singing, which was greatly furthered by the engagement of David
Nowakowsky as choirmaster ca. 1870. Only a few of his compositions are published.
Borenstein, Henoch (1906-1996), b. Warsaw; at age nine, sang in choir of Gershon Sirota
conducted by Leo Low; later studied voice with Abraham Z. Davidowitz. A distinguished
cantor with a resonant lyric tenor voice; held positions in the U.S. and Canada.
Borensztein, Pinchas (1902-1955), b. Warsaw; brother of Henoch Borenstein. Also a distin-
guished cantor with a resonant lyric tenor voice; was state cantor of Argentina.
Bransky, b. in last quarter of the nineteenth century and raised in Eastern Europe; immigrated to
the U.S.; synagogue choirmaster in Chicago during the second quarter of the twentieth
century.
Broomberg, Mendel, no information available.
Chagy, Berele (1892-1954), b. Dagda, Latvia, pre-World War I Russia; internationally famed
cantor; held positions in Smolensk, Russia, the U.S., and Johannesburg, South Africa; his
numerous recordings of liturgical renditions are widely known; published a collection of
recitatives for the Sabbath, titled Vfilos Chagy (1937).
Cohen, Tevele (1895-1987), b. Elisavetgrad, Ukraine; son of a cantor from whom he learned
chazzonus; while a young boy, family immigrated to U.S.; prominent cantor in Chicago
from the 1930s through 1960s.
Davidowitz, Abraham Z. (1877-1943), b. near Grodno near the Polish-Lithuanian border;
prominent choirmaster and composer of synagogue and other Hebrew choral music in
Warsaw; served as choirmaster at the Nozhik synagogue of Warsaw from its founding in
1902 until the Holocaust; perished in the Maidanek concentration camp.
Deutsch, Moritz (1818-1894), b. Nikolsburg, Moravia; cantor, disciple of and second cantor for
Sulzer in Vienna for two years before serving in Breslau from 1844 for fifty years until his
death. His primary work is Vorbeterschule (1871, and Appendix, 1890), presenting the entire
yearly musical-liturgical tradition of the Eastern German synagogue.
Diamond, L., no information available.
Discount, Paul (1890-1952), b. Kovno, Lithuania; cantor, choirmaster, organist and chiefly
composer. In the U.S., distributed mimeographed copies (dated 1928) of collections of his
compositions for Sabbath Eve and High Holiday services, titled The Modern Cantor. A
publication of the same title appeared in 1951 (Bloch Publishing Co.), consisting primarily
of material from the earlier works. His compositions, although classically oriented, are
securely grounded in the traditional nusach, sound and feel of the Eastern European
synagogue.
Dunajewski, A. (1843-1911), b. Russia, resided in Odessa, Ukraine; choirmaster and among
preeminent pioneering classicist composers of Eastern European Synagogue choral music;
published a two-volume work titled Israelitische Tempel Compositionen (1887,1893).
Eizenstadt, David (1889-1943), b. Nasielsk, Poland, eminent choirmaster and composer of
synagogue music; served in a synagogue in Rostov, Ukraine, where he also directed the
Hazdmir choral group; later succeeded Isaac Schlossberg as choirmaster in Warsaw at the
Tlomackie synagogue, where he assisted Cantors Gershon Sirota and Moshe Koussevitsky;
perished in the Holocaust. Four of his compositions were published posthumously by
Israel Alter as a collection titled L ddvid Mizmor.
Ellstein, Abraham (1907-1963), b. New York, composer, conductor and pianist; accompanied
Yossele Rosenblatt on concert tours 1926-1932; was a composer and conductor of
synagogue choral music and for the Yiddish theater. His compositional output covered a
wide variety of musical genre; published a Sabbath Eve service for cantor and choir titled
The Traditional Service for Friday Evening (1964).
Appendix B
315
Ephros, Gershon (1890-1978), b. in Serotzk, Poland; cantor, composer of synagogue music, and
various other musical genre, anthologist and musicologist. He left Poland for the Land of
Israel at age 19, where he was a student of and choirmaster for Abraham Z. Idelsohn for
two years before immigrating to the U.S. in 1911. His primary work is the widely known
six-volume Cantorial Anthology (1948-69).
Ersler, Alexander Siskind (1854-1923), b. Shkud, region of Kovno, Lithuania; cantor, choir-
master and composer; studied with Hirsh Weintraub and Lewandowski; primary positions
were in Kalisch, Poland, for ten years and Wloclawek (near Warsaw) for thirty-three.
Published T hillah V zimrah, a two-volume collection of recitatives, choral and cantorial-
choral compositions for Sabbath Eve and Morning services, respectively, and Manginot
Litfilot, a similar but smaller collection for the High Holidays.
Feldman, Meyer, b. first quarter of twentieth century; cantor, student of Todros Greenberg in
Chicago.
Frankel, Emanuel (1889-1941), b. Sinic, Romania; preeminent cantor in pre-World-War II
Vienna; ordained rabbi at Pressburg y shivo by age 22; studied with Josef (Yossele)
Rosenblatt. After first serving in Trnava, Slovakia, he became chief cantor in the Polish
synagogue in Vienna for the next twenty-five years and was a prominent teacher of
chazzonus. In the aftermath of Krystallnacht in 1938, he became chief cantor in the chor shul
of Libau, Latvia; was murdered by the Nazis in 1941.
Fuchs, Israel (1910-1997), b. Ternovo, Ruthenia, pre-World War I Austria-Hungary; cantor and
prominent composer of Eastern European synagogue music as well as Chassidic and Israeli
song; resided in Israel (1935-56) and Detroit; published a volume of most of his life s work,
titled T filot Uz’mirot Yisrael (1994).
Ganchoff, Moshe (1905-1997), b. Odessa, Ukraine; at age 9, family immigrated to U.S.; famed
cantor in New York, sang for twenty-five years on weekly Jewish radio program; a prolific
composer of cantorial music; excelled in improvised chant and in interpretation of cantor
solos in liturgical choral compositions; teacher of cantorial art; recordings widely known;
publications include Mincha L chol (1980), Maariv Service (1984), T fillot Moshe (1988), and
Marriage Service (1993).
Gangursky, M., Eastern European choirmaster and composer of the late nineteenth to early
twentieth centuries in Chicago; prepared partitur collections for numerous cantors and
choirmasters.
Gerovitsh, cantor; a recitative with choral responses on V’shdm’ru for the Maariv L shabos service
is included in the Froim Spektor collection titled Synagogale Recitativen fur Kantor, Warsaw,
1932, 53, no. 35.
Gerowitsch, Eliezer (1844-1914), b. Kitaigorod, province of Kiev, Ukraine; major composer of
Eastern European synagogue music, classicist within the tradition; held cantorial positions
in Nikolaev, St. Petersburg, and Rostov-on-Don, all in pre-World War I Russia; published
two major collections of synagogue music titled Schirej Tefilloh (1890) and Schirej Simroh
(1904).
Giblichman, Joseph (1883-1951), cantor in Vienna; immigrated to the U.S.; prominent cantor in
Chicago during second quarter of the twentieth century; composer of synagogue music.
Glantz, (Yehudah) Leib (1898-1964), b. in Kiev, Ukraine; celebrated cantor; recordings widely
known; immigrated to the U.S. in 1926, and to Israel in 1954; founded the Tel Aviv Institute
of Religious Jewish Music; composer of synagogue music and musicologist; created a
unique style in chazzonus, which influenced innumerable cantors.
Gold, no information available.
Goldfarb, Israel (1879-1956), b. Sieniawa, Galicia, Poland, rabbi, cantor, teacher and composer;
immigrated to the U.S. in 1893; rabbi of a traditional synagogue in Brooklyn for fifty-one
316
Appendix B
years; taught Biblical cantillation and basic nusach at the Jewish Theological Seminary for
twenty-two years. He compiled and composed numerous melodies on liturgical as well as
nonliturgical texts, and was among the first to publish songsters for the synagogue and for
school and home use, some of which were done in collaboration with his brother, Samuel
E. Goldfarb.
Goldfarb, Samuel Eliezer (1891-1978), choirmaster, organist and composer; head of music
department of the Bureau of Jewish Education in New York. Together with his brother,
Israel Goldfarb, their widely popular two volumes titled The Jewish Songster were
published in 1925 and 1929. In 1930, he relocated to Seattle, Washington, where he served a
major temple as choral director and organist.
Gottschalk, no information available.
Greenberg, Todros (1893-1976), b. Vivsoniek, near Berditchev, Ukraine; immigrated to U.S. in
1913; prominent cantor in Kansas City, Missouri, and from 1919 in Chicago; teacher of
cantors; composer of synagogue music as well as Yiddish songs; his life s work is contained
in four publications, compiled, edited and arranged by Sholom Kalib, titled Hechal
Han gina V hat fila (vol. 1, 1961), N ginot Todros (1970), T filot Todros (1978), and Hechal
Han gina V hat fila (vol. 2,1983).
Hershman, Mord chai (1886-1940), b. Chernichov, Ukraine, pre-World War I Russia; chorister of
Nisse Belzer and Zed l Rovner; cantor of synagogues in Zhitomir, Ukraine, and Vilna,
Lithuania, both in pre-World War I Russia; immigrated to U.S. in 1920; among the foremost
cantors; did not compose; recordings are among the most celebrated.
Himelstein, Avraham M. (1905-1974), b. in Warsaw, Poland; choirmaster and composer of
synagogue music; studied and associated with a number of highly distinguished cantors
and synagogue musicians of pre-World War II Warsaw; immigrated to South Africa in
1936; served as choirmaster in Capetown and in Johannesburg; published Lamnatzeach, a
volume of liturgical compositions for cantor and choir as well as recitatives for cantor alone
(1971), and Lachazan, a volume of cantorial recitatives (1973). A posthoumous publication
of fifty-five of his cantorial-choral compositions and twenty-seven by eminent pre-World
War II Warsaw contemporaries of his, titled Shirei T filah La Mnatzeach, compiled and
edited by his son, Lior Himelstein, appeared in 2015.
Idelsohn, Abraham Z. (1882-1938), b. in the area of Kurland in Latvia. Foremost musicologist in
Jewish music, his chief works are his ten-volume Thesaurus of Hebrew-Oriental Melodies
(1914-33), Jewish Music in Its Historical Development (1929), and Jewish liturgy and Its
Development (1932).
Jadlowker, Hermann (1877-1953), b. in Latvia; international opera tenor. In youth, received
training from Cantor Boruch Leib Rosowsky in Riga; became cantor there in 1929 and
subsequently a voice teacher at the conservatory; relocated to Palestine in 1938, where he
taught in Jerusalem and Tel Aviv.
Julius, Oscar (1903-1986), major synagogue choirmaster, arranger and composer; sang as a child
with Zed l Rovner; after voice changed, at age 16, began leading choirs. Resided in New
York; in 1920s, served as choirmaster for Jacob Rapaport and subsequently for many of the
most prominent cantors of his time. A collection of his arrangements as well as a number of
his own chazzanic recitatives, choral and cantorial-choral compositions, titled Azamer
Bishvachin, was published by the cantors associations of Montreal and Toronto (1978).
Kal chnik, Abraham (1846-1927), chief cantor of Kishinev, Bessarabia, pre-World War I Russia;
prominent improviser and interpreter; highly prominent composer, choirmaster, and
teacher of Eastern European synagogue music. An undated collection of sixty-eight of his
chazzanic recitatives for Sabbath and Festivals was published in Rostov (Ukraine), titled
Tz loso D avrohom. Several of his cantorial-choral compositions were widely known and
Appendix B
317
performed during the zenith period of the Eastern European musical-liturgical tradition
and are included in numerous extant manuscript partitur collections.
Kalib, Morris (1879-1974), b. Velodarka, province of Kiev, Ukraine, pre-World War I Russia; son
and brother of cantors in Russia; father and first teacher of the author.
Kalib, Sholom (1929-). See Preface to volume 1, History of the Project.
Kaminsky, Isaac (1863-1945), chorister of Nisse Beizer; cantor and prominent composer of
synagogue music; immigrated to U.S. in 1898; cantor of several synagogues in New York.
Katchko, Adolph (1887-1958), b. Varta, pre-World War I Russian Poland; immigrated to U.S. in
1921; highly prominent cantor of synagogues in New York; prominent composer of
synagogue music; published a Sabbath Eve service for cantor and choir titled Avodath
Aharon (1938), Five Musical Settings of Hashkiveinu (1947), and Services for Sabbath Eve and
Morning, The Three Festivals and The Days of Awe (1952) (see Preface).
Katz, Sholom (ca. 1919-1982), b. Grosswarein, Hungary; internationally famed cantor; cantor of
synagogue in Kishinev, Bessarabia, pre-World War II Romania; immigrated to the U.S.
following the Holocaust; cantor of synagogue in Washington, D.C.; recordings widely
known.
Kavetsky, Samuel (1884-1962), b. Winkowitz, Podolia, Ukraine; cantor, composer and choir-
master. Held cantorial positions in Drohobycz and Tarnopol, both in Galicia, Poland, after
which he studied music in Vienna before immigrating to the U.S. in 1913. In the U.S. he
held cantorial positions in several congregations in the greater New York area. Together
with Joshua S. Weisser, he published Shiro Chadosho (1919), a collection of choral, cantorial
choral compositions and cantorial recitatives for the High Holidays, and later published a
collection of his own recitatives for the Sabbath and Festivals, titled T filas Shmuel (1928).
Kinstler, Boruch (see Konstantiner, Boruch)
Klein, Harold, cantor in Toronto in second half of the twentieth century.
Kopfstück, O., no information available.
Korvitzer, P., late nineteenth-century Eastern European choirmaster and composer.
Koussevitsky, Jacob (1903-1959), b. in Smorgon, Poland, the second of the four famed cantors /
brothers Koussevitsky; sang in the choir of the famed cantor Efraim Shlepak and later in
the choir of Abraham Moshe Bernstein of Vilna; served as cantor in Kremenetz, Lutsk,
Lvov, all in pre-World War II Poland, and in London (1936-51); immigrated to Canada,
serving in Winnipeg (1951-1955), and subsequently to the U.S., serving as cantor in Kew
Garden Hills, New York, until his death; recorded in Poland, London and New York.
Kraus, Moshe (1923-), b. in Uzhord, Ungvar, Czechoslovakia; prominent cantor; Holocaust
survivor; immigrated to Israel in 1949, where he served as chief cantor of the Israeli army
from 1949 to 1951; held positions in Antwerp, Belgium, and Johannesburg, South Africa, as
well as in Mexico, Venezuela and Canada.
Kwartin, Zavel (1874-1952), b. Chonorod, province of Kherson, Ukraine; among the foremost
cantors; held positions in synagogues of Vienna, St. Petersburg, and Budapest; immigrated
to the U.S. in 1920; held synagogue position in Brooklyn, New York during the 1920s;
among the first cantors to record; recordings are among the most celebrated; published
three volumes of cantorial recitatives titled Smiroth Zebuion (vols. 1 and 2, 1928) and Tfilos
Zevulun (1938).
Lavin, William (1893-1972), b. Chicago; businessman and prominent baal t’filb in Chicago.
Lev, Kalman (1862-1914), b. Tarnopol, Galicia; sang in choirs of Yeruchom Hakötön and
Pinchös ( Pinye ) Minkowsky; cantor, choirmaster, and composer of cantorial recitatives
and choral compositions; held positions in Odessa, Nikopol, Ukraine, and the U.S.
Lewandowski, Louis (1821-1894), b. in Posen, Poland; foremost composer of synagogue music of
Germany; first officially engaged music director of a Jewish congregation. A number of his
318
Appendix B
compositions were adopted in Eastern European synagogues, all of which are included in
his primary two-volume work, Todah Wesimrah (1876-82).
Lieberson, Meir (1938-), b. in Jerusalem; learned Volhynian nusach from his father, who was
born and raised in the Ukraine; immigrated to the U.S. in 1955; religious educator and baal
t filo in greater Detroit area from 1960.
Lind, Joshua (1892-1973), b. Rawa Russko, near Lemberg (Lwow) Galicia; chorister of Zed l
Rovner; immigrated to the U.S. in 1913; highly prominent cantor of synagogues in New
York and Chicago; prolific composer of synagogue music; teacher of cantors; two volumes
published, entitled An Anthology of Hazzanic Recitatives for Sabbath and Festivals (1965) and
Rinat Yehoshua (1974).
Lopschitz, nineteenth- and early twentieth-century composer of synagogue music in Kherson
area of the Ukraine; chazzanic recitatives extant; liturgical compositions also extant in
partitur manuscript collections of Eastern European cantors.
Low, Leo (1878-1962), b. Volkovysk, Grodno province, Belarus; preeminent choirmaster and
composer; graduated Warsaw Conservatory in 1899; directed choir for Gershon Sirota in
Vilna, for Bernard Vladowski in Bucharest, and again for Sirota in Warsaw. He relocated to
the U.S. after World War I, serving as choirmaster in several synagogues; resided in the
Land of Israel from 1932 to 1938. In each of his places of residence, he organized and
conducted choral groups, and arranged as well as composed music for promotion of
Jewish folk music, contributing to its elevation as an art form.
Lyon (Leoni), Myer (ca. 1750-1797), b. Germany; singer in the choir of the Great Synagogue in
London and in secular theatre. In 1787 relocated to Kingston, Jamaica, to serve as reader in
a synagogue. He is remembered for singing the melody for Yigdal, which continues to be
identified as the Leoni Yigdal, Text 38A in this volume.
Magid of Mezritch (Rabbi Dov Ber) (d. 1772), disciple and successor of the Baal Shem Tov,
founder of the Chassidic movement.
Malavsky, Samuel (1896-1985), b. Smela, near Kiev, Ukraine; immigrated to U.S. in 1914; highly
prominent cantor; sang duets on recordings and in concerts with Josef (Yossele) Rosenblatt;
recorded on his own and with his family choir in 1950s and 1960s.
Malek, Eugene (ca. 1912-1979), b. Hungary; prominent choirmaster of the leftist-Yiddishist
Jewish People s Choral Society (Freiheits Gesang Verein) and of a prominent synagogue in
Chicago. He relocated to New York in 1948, where he was appointed conductor of the New
York branch of the same choral organization and also continued to conduct choirs in
several synagogues in the area.
Mandel, ShTomo (1909-1981), b. Galicia; highly prominent cantor of synagogues in Warsaw,
and Johannesburg, South Africa; retired in Israel; a published collection of his cantorial
compositions is titled Liturgical Music for Synagogue and Concert (1984); recordings include
two 33 rpm albums.
Manovitz, A. I. (ca. 1865-1954), prominent Eastern European-born cantor in Chicago from ca. the
early 1920s until his death. He possessed a phenomenal bass-baritone voice with a three-
octave range; he accumulated a vast collection, including some commissioned recitatives,
choral and cantorial-choral compositions by eminent synagogue composers of the time.
Maragowsky, Jacob Samuel. See Rovner, Zed l.
Minkowsky, Pinchos (Pinye) (1859-1924), b. in Byela Tzerkov, Ukraine. Famed cantor, composer
of synagogue music and scholar; served as cantor in Kishinev, 1878; Kherson, 1880-84;
Brody synagogue of Odessa, 1884 and 1889-1920; and New York, 1884-89; wrote
numerous articles and essays on synagogue music in periodicals and journals. Two larger
significant studies include Die Entwicklung der synagogalen Liturgie ( The Development of
Appendix B
319
Synagogal Liturgy/ 1902) and Moderne Liturgie in undzere Sinagogen in Rusland / Modern
Liturgy in Our Synagogues in Russia/ 1910).
Mirom-Wasserberger, M., no information available.
Naumbourg, Samuel (1817-1888), b. in Bavaria. Served as cantor in Besançon and in Paris; major
Western European composer of synagogue music. A number of his compositions were
adopted in Eastern European synagogues, all of which are included in his three-volume
work, Zemirot Yisraei (Z.Y.), volumes 1 and 2 (1847), volume 3 (1857).
Neeman, Yehoshua Leib (1899-1979), b. Jerusalem; sang with Abraham Z. Idelsohn and studied
with Solomon Rosowsky; preeminent authority on nusach. Published two volumes titled
Tz lile Hamikra (Cantillation of the Bible), 1955 and 1971, and two volumes titled Nosach
Lahazan—The Traditional Chant of the Synagogue—According to the Lithuanian Jerusalem
Tradition (1963 and 1972), which present the tradition at the haul tfilô level.
Nowakowsky, David (1848-1921), b. Malyn, Ukraine; among preeminent pioneering classicist
composers of Eastern European Synagogue choral music; choirmaster and music educator;
served for fifty years in Brody synagogue in Odessa, assisting Nisse Blumenthal and his
successor, Pinchôs (Pinye) Minkowsky.
Olefsky, Arnold, Eastern-European bom synagogue choirmaster in Chicago in 1940s and 1950s;
grandfather of celebrated cellist Paul Olefsky (1926-2013).
Pinchik (Segal) (1895-1971), b. Zhivotev, province of Kiev, Ukraine; cantor of synagogue in St.
Petersburg, Russia; immigrated to U.S. in 1925; among the most celebrated cantors;
recordings among the most widely known.
Pliskin, Abraham, b. ca. 1885 in Russian Poland; cantor in Sioux City, Iowa, and Chicago.
Poliakov, d. 1917; prominent choirmaster and composer in Kherson and Odessa, Ukraine, in the
late nineteenth-early twentieth centuries. A number of his compositions appear in numer-
ous extant partitur manuscript collections.
Poliak, Zalman (1901-1985), b. Patrovosla, pre-World War I Austria-Hungary; cantor of
synagogue in Vienna; resided in Vienna and Israel; teacher of cantors for fifty years; a
publication of his cantorial music for the Sabbath is entitled Nusach Leshabat (1989).
Rabinowitz, Avrôhôm Môrd chai (1851-1933); b. in Vilna; eminent cantor and composer; held
position in Libau, Kurland, Latvia.
Rabinowitz, Pinchôs, cantor, composer; cantor in Mezritch, Poland, prior to World War Ik-
survived the Holocaust, and immigrated to the U.S. after World War II. Resided and held a
cantorial position in Chicago in the 1950s.
Rapaport, Jacob (1890-1943), b. Telenesht, Bessarbia, pre-World War I Russia; chorister of Zed l
Rovner; immigrated to U.S. in 1910; cantor and exceptionally prominent composer of
cantorial recitatives; resided in New York.
Ravitz, Sh lomo (1885-1981), cantor, conductor, composer, and teacher of synagogue music;
cantor of synagogues in several cities of Russia; immigrated to the Land of Israel in 1932;
with Chaim Meshuri, organized the Bilu cantorial school for boys in Tel Aviv; published a
two-volume compilation of student-level recitatives and choral pieces arranged for two-
voice boys choir for services throughout the year, titled Kol Yisraei (1965).
Regelhaupt, Chaim (ca. 1890), b. Zborow, Hungary; choirmaster and teacher of voice and Jewish
music. In his youth, he sang in the choir for Josef (Yossele) Rosenblatt in Pressburg,
Slovakia, while attending the famous y’shivô there. After immigrating to the U.S. in 1910,
he relocated in Toronto, Ontario, Canada the following year, where he conducted
synagogue choirs for ca. fifty years; taught music in Yiddish secular schools; founded the
Hazômir folk chorus (in 1924), and conducted the Toronto branch of the Jewish People s
Choral Society (Freiheits Gesang Verein). Among his vocal students were the famed cantors
Henoch Borenstein and Josef Shlisky.
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Appendix B
Reznick, Hyman (1909-1973), choirmaster and Jewish music educator; Music Director of Board
of Jewish Education of Chicago in 1940s and 1950s.
Roitman, Dovid (1844-1943), b. Derezinke, province of Podolia, Ukraine; chorister of Zed l
Rovner; among the most celebrated cantors; held cantorial positions in Vilna and St.
Petersburg, pre-World War I Russia; immigrated to U.S. in 1920; was great improviser as
well as an outstanding composer of cantorial recitatives; recordings widely known.
Rosenblatt, Josef (Yossele) (1882-1933), b. Byela Tzerkov, Ukraine; at age 7, family moved to
Sadigora, Bukovina, pre-World War I Austria-Hungary; cantor of legendary fame; held
cantorial positions in Munkacz, Hungary, St. Petersburg, and Hamburg; immigrated to the
U.S. in 1912; resided in New York; prolific composer of cantorial recitatives and numerous
liturgical choral compositions; recorded over 200 78 rpm discs, which included 123 of his
own compositions; was the most popular recorded cantor; published a collection of his
cantorial recitatives titled T filos Yosef (1927), in addition to a number of other individual
compositions; a posthumous collection of thirteen of his concert compositions were
published under the title The Music of Yossele Rosenblatt (1989).
Rosenzveig, Rabbi Charles, d. 2008; b. Ostrowce, Poland; attended a yeshiva in Lithuania;
immigrated to the U.S. after the Holocaust; baal t fild, Hebrew religious educator; founder
and director of the Holocaust Memorial Center in West Bloomfield, Michigan.
Roskin, Janet S. (1884^1946), composer and arranger.
Rosowsky, Boruch Leib (1841-1919), b. Naliboki, Minsk region, Belarus; cantor, composer and
teacher; attended St. Petersburg conservatory (1867-1870); studied with Salomon Sulzer
and Hirsch Weintraub; in 1871, was appointed cantor of the Great Synagogue in Riga,
Latvia, where he served for forty-eight years. A posthumous publication of a two-volume
collection of his compositions, edited by his renowned son, Solomon Rosowsky, appeared
in 1924.
Rovner, ZedT (1856-1943), b. Radomysl, province of Kiev, Ukraine; among the most celebrated
cantors whose primary concentration lay in liturgical composition and the choral medium;
held synagogue positions in Zaslav, Rovno, Kishinev, and Berditchev, all in pre-World
War I Russia; London; and Lemberg (Lwow), Galicia; immigrated to U.S. in 1914, where he
held no yearly positions.
Rozumni, Efraim Zalman (1853-1904), b. Nikolaev, province of Kherson, Ukraine; cantor of
legendary fame, the most celebrated of his time; held cantorial positions in Nikolaev and
Odessa, Ukraine, and Kishinev, Bessarabia, pre-World War I Russia. A volume of his
recitatives was edited and published by Samuel Alman, titled Shirei Rozumni (1930).
Rubin, Israel (1923-1999), b. in Siget, Romania; Talmudic scholar and Holocaust survivor;
immigrated to the U.S. in 1947, where he pursued studies, culminating in a Ph.D. degree in
sociology. In the process, he resided for short intervals in the New England area,
Pittsburgh, Chicago and Minneapolis before settling in Cleveland, Ohio, in 1966, where he
served as a university professor of sociology until his retirement in 1992. He was a Hebrew
educator before and during his period of graduate studies, and also served as a baal t’filo
during that period and thereafter.
Rudolph, Morris, b. ca. 1890 in Berditchev, Ukraine; totally blind; baal t filo in Minneapolis,
Minnesota.
Rupp, cantor. No further information available.
Rutman, Arye Leib (1866-1935), b. Zhlobin, province of Mogilev, Russia; among greatest of
cantors; master improviser as well as interpreter of the written recitative and cantor solos
of choral compositions; recorded little; held cantorial positions in Bobruisk, Slonim, Odessa
and Kremintchuk, all in various parts of pre-World War I Russia; immigrated to the U.S. in
1913, where he held positions in New York, Detroit and Boston.
Appendix B
321
Salman, Eastern European composer of synagogue choral compositions of ca. the latter quarter of
the nineteenth and early twentieth centuries, a number of whose compositions appear in
numerous extant partitur manuscript collections.
Schall, Noah (1929-), b. New York; cantor and prominent composer of recitatives and teacher of
cantors; closely associated with the most eminent cantors of his time; has published trilogy
of cantorial recitatives, titled Hazzanut for the High Holy Days (1969), Hazzanic Thesaurus:
Sabbath (1979), and Hazzanut for the Three Festivals (1990).
Schaposchnik, Gershon (1902-1972), b. in Odessa, Ukraine; relocated to the Land of Israel in
1926; served as choral conductor in the Great Synagogue in Tel Aviv; immigrated
subsequently to Istanbul, Turkey, where he served as chief cantor of the Ashkenazic
synagogue until his death; published Rina Utefila, a volume of recitatives for Sabbath,
Festivals and the High Holidays; also P ninei Chazzanut (Istanbul, 1939), included in the
reprinted edition of Rina Utefila.
Schechter, Simon, cantor, composer and teacher in Czernowitz, Bukovina, Romania; published
an undated didactic work, titled Nusach Hatfiloh.
Schnipelisky, Eliyohu (1879-1947), b. Vilna, Lithuania; composer, choirmaster, and teacher of
Eastern European liturgical music; directed choir in Uman, Ukraine, in 1896 for the famed
Cantor Yankele Soroker, as well as in various other synagogues across Eastern Europe;
immigrated to the U.S. in 1908; conducted choirs for Berele Chagy, Mordechai Hershman,
Yossele Rosenblatt and Arye Leib Rutman, and composed recitatives for numerous cantors,
including Hershman and Rutman; published three volumes, titled Shire Zimro, a collection
of cantorial-choral compositions for Sabbath Eve (1910), Tfilos Eliyohu, recitatives for
Sabbath Eve and Morning (1924), and Nishmas Eliyahu (1949), recitatives for High Holiday
services.
Schwartz, Jacob (1886-1953), b. Kamentz-Podolsk, Ukraine; cantor, composer and teacher;
attended conservatory in Vienna. Immigrated to the U.S. in 1909; was cantor in Norfolk,
Virginia, before relocating in New York in 1913, where he served congregations in
Brooklyn and subsequently in New York. In 1915, he founded his own school for cantors.
Segal, Pinchos. See Pinchik.
Sherman, Abraham Isaac (1881-1962), b. in Poland; immigrated to the U.S.; cantor and teacher of
cantors; brother of the famed cantor, Pinchos Sherman; served as cantor in New York and
Chicago.
Sherman, Pinchos (1887-1942), b. Staszow, Poland; cantor and writer; graduated cantorial school
of Abraham Ber Birnbaum in Czestochowa, Poland. In 1909 he was appointed chazz n sheni
(associate cantor) in the famed Tlomackie synagogue in Warsaw, where he served until the
outbreak of World War II, and served as editor of the monthly Yiddish journal Di Shul in
Chazzonim Veit (The Synagogue in the Cantorial World) from 1933 to 1939; perished in the
Holocaust.
Shestopol, Wolf (Velvele) (1832-1872), b. Skvere, near Kiev, Ukraine; cantor, prolific composer
of synagogue choral music; studied with Sulzer; cantor of synagogue in Kherson, Ukraine.
Many of his compositions are included in extant partitur manuscript collections.
Shlisky, Josef (1894-1955), b. Ostrowce, near Lodz, Poland; among most celebrated cantors. At
age 7, he was deviously taken by a cantor to Toronto. Through a series of providential
circumstances, he was able to attend and graduate from the Toronto Conservatory in 1917
and ultimately emerge as one the utmost preeminent cantors of his time. His phenomenal
upper register has been likened to the timbre of a boy alto, and his recordings were among
the most celebrated. His career ended abruptly by a paralytic stroke at age 40.
Skolnick, Itzchok, b. in Stanislavov, Galicia; primary positions as cantor were in Kamenetz-
Podolsk, Ukraine, and Stanislavov, Galicia. Among the best known and admired cantors of
322
Appendix B
his time, he was reputed to be an exceptional improvisor as well as composer of synagogue
music.
Smilovic, Shmuel, b. in Munkacs, Hungary; baal t filö; Holocaust survivor.
Sonntag, Eastern European composer of synagogue music during the second half of the
nineteenth century.
Soorkis, Moishele (1900-1974), b. in Uman, Ukraine; prominent cantor. Became blind in infancy.
Learned chazzönus in choir of his father, a well-known synagogue composer and
choirmaster. He was brought to the U.S. in 1913. After a two-year tenure at a synagogue in
Philadelphia, he officiated only on the High Holidays in synagogues in Philadelphia,
Chicago, Boston and New York.
Spektor, Froim (1876-1948), served as cantor in Rostov-on-Don, Ukraine, successor to Eliezer
Gerowitsch (see Gerowitsch, Eliezer); immigrated to Capetown, South Africa, in 1928,
where he served as cantor until ca. 1934 and resided there until his death. Published
Synagogale Recitativen für Kantor, with organ accompaniments by Joseph Gottbeter
(synagogue choral conductor in Rostov-on-Don), Warsaw, 1932.
Spivak, Yudele, son of Nisse Spivak (Beizer); Eastern European synagogue composer and
choirmaster.
Spivak, Nissan. See Beizer, Nisse.
Stampfer, Rabbi Nathaniel, b. Petach Tikvah, Israel; learned the Lithuanian-Jerusalem nusach
from his father; Dean Emeritus and Professor of Jewish Education at Spertus Institute of
Jewish Studies, Chicago.
Steinberg, Dovid Moshe (1871-1941), b. Kishinev, Bessarabia, pre-World War I Russia; among
the most celebrated cantors; recorded little; held cantorial positions in Odessa and
Berditchev, Ukraine, and Vilna, all in pre-World War I Russia; relocated to the U.S. 1924r-
32, back to Vilna 1932-37, and again to the U.S., in New York.
Sulzer, Salomon (1804-1890), served as cantor in Hohenems, Austria, from 1821 to 1825 and in
the Moderate Reform Seitenstettengasse synagogue in Vienna from 1826 to 1871. Through
his monumental work, Schir Zion, he created an approach to synagogue music which was
to exert a profound impact on its history in general, with significant influence on the future
course of West Central as well as Eastern European synagogue music. Volume 1 was
published in 1839; volume 2 in 1865. A second edition, revised by his son Joseph Sulzer,
with selected numbers added and omitted, appeared in 1905.
Taube, Shmuel (1914-2008), b. in Zelov (near Lodz), Poland. A fourth-generation cantor; among
the highly prominent of his generation; served as cantor in Vienna and Paris before being
interned in the Auschwitz concentration camp in 1943. After World War II, he served as
cantor in London, Washington D.C. and Montreal, before retiring in Rechovot, Israel.
Telechaner, Yaakov, singer-composer at the Lithuanian Chassidic court of Koydanov.
Ungar, Benjamin (1907-1984), b. in Jaslow, Galicia; educated in Vienna; served as cantor in
Magdeburg, Germany, before immigrating to the Land of Israel in 1938; served as cantor in
Israel, mainly in synagogues in Tel Aviv until shortly before his death; he was among the
most revered cantors of the Jewish State.
Walfisch, Simcha, baal t filö in Warsaw and Toronto.
Wasilkowsky, Jacob (1886-1944), cantor, choirmaster, teacher of cantors and composer of
synagogue music; early training and activity were in pre-World War I Russian Poland and
later in Königsberg and Berlin; served as cantor in England and Lithuania before
immigrating to the U.S. after World War I; taught cantors privately; composed cantorial
recitatives and liturgical choral music, as well as Hebrew songs. The authenticity of his
nusach is attested to by the inclusion of twenty of his renditions in the Idelsohn Thesaurus,
volume 8, The Synagogue Song of the East-European Jews.
Appendix B
323
Weinman, Rabbi Zev (1923-), b. Margecany (Tatra Mountains region), pre-World War II
Czechoslovakia; educated from elementary Talmud Torah through y shivô in Bratislava
(Pressburg, famed center of Jewish learning in pre-World War I Austria-Hungary); after
the Holocaust, served as congregational rabbi and Hebrew religious educator in Budapest,
Hungary; immigrated to the U.S. in 1952; baal t filô and Hebrew religious educator in
metropolitan Detroit, Michigan.
Weisser (Pilderwasser), Joshua Samuel (1888-1952), b. Novaya Ushitsa, Ukraine; studied with
Gerowitsch; cantor of synagogue in Vinnitsa, Ukraine; immigrated to U.S. in 1914; held
several cantorial positions in New York; prolific composer of synagogue music; published
numerous volumes of synagogue music, the last of which, titled Shirei Beth Hakneseth (vol.
1, 1951; vol. 2, 1952), may be seen as the culmination of his prodigious creativity. Some of
his publications include appendices with Chassidic nigunim (pL), his own as well as of
others; he also composed Yiddish songs and wrote articles and essays which appeared in
various journals and periodicals.
Wodak, Meyer (1838-1902), b. Holies, Hungary; cantor in several cities of Hungary; author of the
most comprehensive presentation of the musical-liturgical tradition of nineteenth-century
Hungary, titled Hamenatzeach (1898).
Wohl, Herman (1877-1936), b. Otinya, Galicia; pre-World War I Austria-Hungary; conducted
synagogue choirs from age 16; immigrated to the U.S. in 1897; highly prominent conductor
and prolific composer of synagogue as well as Yiddish theater music; conducted
synagogue choir for Yossele Rosenblatt for ten years.
Würfel, Wilhelm (1790-1832), Czech composer and teacher of teenage Frédéric Chopin between
1823 and 1826; one of the non-Jewish composers commissioned by Sulzer for his Schir Zion
(see Sulzer, Salomon).
Yehuda, Zvi (1926-), b. in Jerusalem; baal t filô; received rabbinic ordination from chief rabbinate
of Israel in 1950 and a Ph.D. in Biblical and rabbinic studies from Yeshiva University in
1974; professor, writer and lecturer on religion and Jewish studies.
Yelsky, Louis (1889-1940), b. Slonim, pre-World War I Russian Poland; chorister of Gerowitsch
in Rostov; immigrated to the U.S. in 1909; cantor in several synagogues in New York;
published a volume of cantorial music for the Sabbath, titled Shire Yehudo (1930).
Yokele (1719-1801), composer and choirmaster; served in Prague, Amsterdam, and again in
Prague.
Zalis, Herman (1885-1969), b. pre-World War I Russia; studied harmony with David
Nowakowsky; immigrated to the U.S. in 1923; noted teacher, composer, and choirmaster;
conducted choir in Boro Park (New York) synagogue for forty-five years; notated and
prepared the manuscripts for the three published volumes of Zavel Kwartin.
Zelman, Leon (1880-1942), b. in Warsaw, Poland, conductor and composer of Yiddish theater
music; perished in the Holocaust.
Zemachson, Sholom Zvi (1870-1928), b. in Zismar, Lithuania; cantor, synagogue choral
conductor and composer of synagogue music; a schooled musician; son of a cantor; served
as cantor in Homel, Belarus, and in Kalvaria, Galicia, for twelve years; immigrated to the
U.S. ca. 1920, serving as cantor in Chelsea, Massachusetts; Chicago and Toledo, Ohio.
Published Chanukas Habayis, compositions for cantor and choir for Chanukô concert
(undated); Shirei T filô, a two-volume collection of cantorial recitatives for the Sabbath and
Festivals: for Sabbath Eve (1924), and for Sabbath Morning and Festivals (1926),
republished as a single collection by the Cantors Assembly (1963); a collection of cantorial
recitatives for S lichos and the High Holiday Eve services (1944); and a posthumous
publication entitled Songs of Prayer. Liturgical Compositions for Mixed Choir, Cantor and Soli
(1960).
324
Appendix B
Zenker, H. B., cantor in Pressburg, pre-World War I Austria-Hungary; published a volume of
cantorial recitatives for the Sabbath, titled Simrat Hakodesch (1908).
Zilberts, Zavel (1881-1949), b. in Karlin, Belarus; son of a cantor; highly distinguished choral
conductor and composer of synagogue music; also composer and arranger of Yiddish and
Hebrew solo and choral music; immigrated to the U.S. in 1920. Only a small portion of his
prolific creativity has been published, which includes a number of individual composi-
tions; the two published volumes are N ginoth Yisroel: Service for Sabbath Evening According
to the Union Prayer Book (1932), and The Complete High Holiday Liturgy for the Hazzan,
transcribed by Moshe Nathanson, published posthumously (1969).
REFERENCES
Taped Interviews
By Sholom Kalib
Atlas, Leo. Skokie, Illinois, 1979.
Baras, Joseph. Southfield, Michigan, 1979.
Berger, Jakab. Toronto, 1979.
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Fuchs, Israel. West Bloomfield, Michigan, 1980.
------. Farmington Hills, Michigan, 1992.
Gutman, Solomon. Cleveland, 1979.
Kolko, Philip. Toronto, 1979.
Lieberson, Meir. Southfield, Michigan, 1980.
Mandel, SlTlomo. Renanot, Israel, 1979.
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Jerusalem, 1971.
Tapes Made for the Present Work
Aberman, Maurice L. Chicago, 1979.
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------. Chicago, 1988.
332
References
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Walfisch, Simcha. Toronto, 1980.
Dictated Renditions
Notated by Sholom Kalib
Gershman, Avraham. Chicago, 1944.
Greenberg, Todros. Chicago, 1952.
Gunsberg, Zev. Salt Lake City, 1995.
Kalib, Morris. Chicago, 1950.
Krasnopolsky, Ben-Zion. Chicago, 1944.
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Sherman, Abraham Isaac
Recorded Live Synagogue Services
Cohen, Tevele. Sabbath Morning service. Chicago, 1939.
Ganchoff, Moshe. Sabbath Chants. Live-service recording, 1957. Released by Musique Internationale,
Chicago, 1991.
Koussevitsky, Jacob. An unpublished Sabbath Eve service.
Pinchik. An unpublished Shbvuos Shacharis service, ca. 1954.
Unpublished Instructional Tapes
Baum, David. Set of 15 tapes commissioned by Harold Klein. Toronto, ca. 1985.
Lavin, William. A taped recording for instructional purposes. Chicago, ca. 1950.
Published Books and Services of Synagogue Music
Abrass, Osias (Joshua). Simrath Yah. Vienna, 1874.
Alman, Samuel. Synagogue Compositions. Part 1. London, 1925. Second Edition, 1953.
Alter, Israel. Shirei Israel. Johannesburg, 1952.
------. The Sabbath Service. New York: Cantors Assembly of America, 1968.
Baer, Abraham. Baal Tefillah. Frankfurt am Main: Verlag von J. Kauffmann, 1877.
Beimel, Jacob and Ephros, Gershon. Sabbath Service in Song. Behrman House, Inc., Publishers. New
York, 1948.
Berkowitz, Abraham Ber ( KaTchnik )* Tz losö D avrbhom. Rostov, undated.
Bernstein, Abraham Moshe. Avodas Habore, Vol. 1. Vilna, 1914.
------. Avodas Habore, vol. 3. Vilna, 1931.
Bialsky, Joseph. Tzeloso Vezimro. London, 1932.
Birnbaum, Abraham Ber. imonus Hachazonus, Part 1. Chenztochow, 1908.
Birnbaum, Eduard. Selected recitatives from the Birnbaum Collection, Hebrew Union College,
Cincinatti.
334
References
Brownstone, Benjamin. Shir Ush vocho. Winnipeg, Manitoba, 1944.
Chagy, Berele. Tefilot Chagy. New York: Bloch Publishing Company, 1937.
Deutsch, Moritz. Vorbeterschule. Breslau: Julius Hainauer, 1871.
Discount, Paul. The Modern Cantor: Friday Evening service, 1928.
-------. The Modern Cantor: Rosh Hashono and Yom Kippur Evening and Morning and Memorial Services.
New York: Bloch Publishing Co., 1951.
Dunajewski, A. Israelitische Tempel Compositionen fur den Sabbath, 1887. Reprint, New York: Sacred Music
Press.
Eizenstadt, David. L ddvid Mizmor. Published by Israel Alter. Johannesburg.
Ephros, Gershon. Cantorial Anthology. Vol. 3. Sholosh R golim. New York: Bloch Publishing Co., 1948.
-------. Cantorial Anthology. Vol. 4. Shabbat. New York: Bloch Publishing Co., 1953.
-------. Cantorial Anthology. Vol. 5. Y mot Hachol. New York: Bloch Publishing Co., 1957.
Ersler, Alexander Siskind. T hillah V zimrah, Part 1. Berlin, 1907. Reprint, The Cantors Assembly of
America, 1958.
Forster, M. Shiro Chadosho. Los Angeles, California, 1946.
Friedmann, Aron. Schir Lisch laumau. Berlin, 1901.
Fuchs, Israel. T filot Uz mirot Yisrael. New York: Tara Publications, 1994.
Ganchoff, Moshe. From the Repertoire ofMoshe Ganchoff. New York: Tara Publications, 1977.
Gerowitsch, Eliezer. Schire Tfild, Part 1. Rostov on the Don: S. A. Brodsky, 1897. Reprint, New York:
Sacred Music Press, 1953.
-------. Schirej Simroh. Rostov on the Don: S. A. Brodsky, 1904. Reprint, New York: Sacred Music Press,
1953.
Geshuri, M. S. Ed. Kol Israel Compositions of Sh lomo Ravitz and Others. Vol. 1. Tel-Aviv, 1964.
Glantz, Yehudah Leib. Rinat Hakodesh, Vol. 1. Ed. Yehoshua Zohar. Tel-Aviv: Israel Music Institute,
1965.
-------. Rinat Hakodesh, Vol. 3. Ed. David Loeb. Tel-Aviv Institute of Jewish Liturgical Music in conjunc-
tion with Israel Music Institute, 1971.
Goldfarb, Israel. Avodas Yisro-el. Brooklyn, New York, 1946.
Gowseiow, Jacob. Neginot Yaakov. Vol. 2. St. Louis, 1965.
Greenberg, Todros. Heichal Han gina V hat fila. Vol. 1. Arr. and ed. Sholom Kalib. Chicago, 1961.
-------. Heichal Han gina V hatfila. Vol. 2. Arr. and ed. Sholom Kalib. Chicago: Cantors Assembly,
Midwest Region, 1983.
-------. Neginot Todros. Arr. and ed. Sholom Kalib. Chicago: Cantors Assembly, Midwest Region, 1970.
Heller, Josef. Kol T hilloh, Vol. 1. Brtinn, 1905.
Himelstein, Avraham M. Lamnatzeach. Johannesburg, South Africa, 1971.
-------. Lachazan. Private publication. Johannesburg, South Africa, 1973.
Hoffman, Ben Zion. An Anthology ofHazzanic Recitatives. New York: The Cantors Assembly of America,
undated.
Idelsohn, Abraham Z. Thesaurus of Hebrew-Oriental Melodies. Vol. 8. The Synagogue Song of the East-
European Jews. Leipzig: Friedrich Hofmeister, 1932.
-------. The Jewish Song Book. Ed. Baruch Joseph Cohen. Cincinnati, Ohio: Publications for Judaism,
1951.
Julius, Oscar. Azamer Bishvachin. Toronto, n.d.
Katchko, Adolph. Avodath Aharon. New York: Bloch Publishing Co., 1938.
-------. Services for Sabbath Eve and Morning and Three Festivals. Hebrew Union School of Education and
Sacred Music, 1952.
Kavetsky, Samuel. T filas Shmuel. New York, 1928.
Kwartin, Zavel. Smiroth Zebulon, Vol. 1. New York, 1928.
-------. Smiroth Zebulon, Vol. 2. New York, 1928.
References
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-------. T filos Z vulun. New York, 1938.
Lewandowski, Louis. Todah W simrah, Vol. 1. Berlin, 1876.
———. Todah W simrah, Vol. 2. Berlin, 1882.
-------. Kol Rinnah U’t fillah. Berlin, 1871.
Lind, Joshua. An Anthology ofHazzanic Recitatives. New York: Cantors Assembly of America, 1965.
Malavsky, Samuel. Hebrew Traditional Cantorial Masterworks, private publication, undated.
Mandel, Sh lomo. Liturgical Music for Synagogue and Concert. Toronto: Toronto Council of Hazzanim,
1984.
Miller, Yehudah Leib. Shirei T filah. Ed. Josef Rambam, Haifa, Israel, 1950
Naumbourg, Samuel. Zemirot Yisrael. Vol. 1, Chants Liturgiques des Sabbath, 1847. Reprint, New York:
Sacred Music Press, 1954.
-------. Zemirot Yisrael. Vol. 2, Chants Liturgiques des Grandes Fêtes, 1847. Reprint, New York: Sacred
Music Press, 1954.
-------. Zemirot Yisrael. Vol. 3, Chants Religieux des Israelites, 1857. Reprint, New York: Sacred Music
Press, 1954.
Neeman, Yehoshua Leib. Nosah Lahazan. The Traditional Chant of the Synagogue According to the
Jerusalem-Lithuanian Musical Tradition. Vol. 2. Sabbath Service. Jerusalem: Israel Institute for
Sacred Music, 1968-69.
Nowakowsky, David. Shire Dôvid: Kabôlas Shabôs (Choral). Odessa, 1895. Reprint, New York: The
Cantorial Council of America. Yeshiva University, 1979.
Nulman, Moshe. Sabbath Chants. New York: Yeshiva University, 1958.
Poliak, Zalman. Compositions of Zalman Poliak, Vol. 1. Compiled and ed. Binyamin Glickman. Jerusalem:
Shirat Yerushalayim, 1989.
Rosenblatt, Josef (Yossele). Tefiloth ]osef. New York, 1927.
Rosowsky, Solomon. The Cantillation of the Bible. New York: The Reconstructionist Press, 1957.
Rozumni, Efraim Zalman. Shirei Rozumni. Compiled and ed. Samuel Alman. London, 1930.
Schall, Noah. Hazzanic Thesaurus: Sabbath. New York: The Cantorial Council of America. Yeshiva
University, 1979.
Schaposchnik, Gershon. Rina Utefila. Istanbul, 1934. Reprinted under the title An Anthology ofHazzanic
Recitatives. New York: Cantors Assembly, 1994.
-------. P’nine Hachazônus. A collection of recitatives of preeminent cantors and synagogue choir
leaders, 1939.
-------. T filah W zimrah. A collection of recitatives of preeminent cantors and synagogue choir leaders,
undated.
Schechter, Simon. Nusach Hat’filoh, Part 1. Czernowitz, undated.
Schnipelisky, Eliyôhu. Shire Zimrô: Kabôlas Shabôs. New York, 1910.
-------. T’filas Eliyôhu. New York, 1924.
Sebba, Joseph J. Untitled Sabbath Morning service for cantor. Tuckum, Kurland, 1914.
Semiatin, H. Musaf L’shabos. Brooklyn, New York, 1931.
Sherman, Abraham Isaac. Untitled Sabbath Eve Service for cantor. New York, 1936.
Spektor, Froim. Synagogale Recitativen für Kantor. Warsaw, 1932.
Spiro, Pinchas. Preliminary Service for Sabbath and Festivals. New York: Cantors Assembly, 1984.
——• Minchah Service for Shabbat. New York: Cantors Assembly, Inc., 1986.
Sulzer, Solomon. Schir Zion. Revised and edited by Joseph Sulzer. 1905. Reprint, New York: Sacred
Music Press, 1954.
Talmon Zvi. Rinat Hahechal. New York: The Cantors Assembly of America, 1965.
Weintraub, Hirsch. Schirei Beth âdonai, Vol. 1. Königsberg, 1859.
Weisgal, Abba. Emunat Abba. Compiled and ed. Joseph A. Levine. Baltimore: Baltimore Hebrew College
Press, 1981.
336
References
Weisser, Joshua Samuel. Rinath ]oshua, Vol. 1. Sabbath. New York, 1927.
-------. Baal-T fild, Vol. 1. New York, 1935.
-------. Avodas Hachazan, Vol. 1. Sabbath. New York, 1943.
-------. Shirei Beth Hakneseth, Vol. 1. New York, 1951
Wodak, Meyer. Hamnazeach. Vienna, 1898.
Yelsky, Louis. Shirei Y hudo. New York, 1930.
Zemachson, Simon. Shire T fild. Vol. 1. New York, 1924.
-------, Shire T fild. Part 2. New York, 1926.
-------. Reprint, New York: The Cantors Assembly, 1963.
Zenker, H. B. Simrat Hakodesch. Pressburg, 1908.
Published Sources of Z’mir os (Table Hymns) for the Sabbath and Other Songs
Baruch, Y. L., Sefer Hashabös, prepared by M. Geshuri and S. Rosowsky.
Bernstein, Abraham Moshe. Musikalischer Pinkas. Vilna, 1927. Reprint, New York: Cantors Assembly,
1958.
Coopersmith, Harry. Songs of My People. Chicago, 1937.
------. Hanukah Songster. New York, 1940.
Goldfarb, Israel and Levin thal, Israel Herbert. Song and Praise for Sabbath Eve. Brooklyn, 1935.
Idelsohn, Abraham Z. Jewish Music in Its Historical Development (1929). New York: Schoken Books, 1967.
Jacobsen, Joseph and Jospe, Erwin. Hawa Naschira - Auf. Lasst uns Singen. Leipzig-Hamburg: Anton J.
Benjamin A.G., 1935.
Kisselgof, Susman. Lieder-Sammelbuch für die Jüdische Schule und Familie. St.Petersburg: Gesellschaftfur
Jüdische Volkmusik, 1912.
Kraus, Moshe. Cassette tape, Dash Meanash, Vol. 1, 1980.
Levin, Neil with Pasternak, Velvel. Z mirot Anthology. New York: Tara Publications, 1981.
Mayerowitsch, H.. Table Songs for Friday Evening. London, 1937.
Nathanson, Moshe. Zamro Lo, Vol. 2. New York: The Cantors Assembly of America, 1960.
Pasternak, Velvel. Songs of the Chassidim, Vol. 1. New York: Bloch Publishing Company, 1968.
------. Songs of the Chassidim, Vol. 2. New York: Bloch Publishing Company, 1971.
Rotenberg, M. Songs and Tunes for Sabbath and Holidays from Father s Home. Haifa, 1971.
Vinaver, Chemjo. Anthology of Jewish Music. New York: Edward B. Marks Music Corporation, 1955.
------. Anthology of Hassidic Music. Edited with introductions and annotations by Eliyahu Schleifer.
Jerusalem: The Jewish Music Research Centre, The Hebrew University of Jerusalem, 1985.
Wengrov, Charles. The Book of Sabbath. Music edited by Samuel Bugatch. New York, undated.
Unpublished Books and Services of Synagogue Music
Bach, S. D. Sabbath Morning service for cantor.
Bakon, Jacob. Sabbath Eve and Morning services for cantor.
Bloom, Arele. Sabbath Eve and Morning services: recitatives for cantor.
Botoshansky, Mario. Two collections of recitatives.
Broomberg, Mendel. Sabbath Eve service for cantor.
Ellstein, Abraham. Choral and cantorial-choral compositions for Sabbath and Festival services. New
York (1923-24).
Frenkel, Echiel M. Collection of cantorial recitatives for the Sabbath. Chicago, ca. 1940.
------. Sabbath Musaf service for cantor. Chicago, ca. 1940.
Feldman, Meyer. Sabbath Eve and Morning services for cantor, ca. 1950.
References
337
Kalib, Sholom. Sabbath Eve service for cantor, 1977-78.
------. Day of Rest, concert Sabbath Eve, morning and evening services for cantor and choir, 1978.
Katz, Hirsch Leib. Sabbath and Festival services for cantor.
Klein, Harold. Sabbath Eve service for cantor.
Lind, Joshua. Sabbath and Festival services for cantor. Chicago, ca. 1940.
------. Sabbath Eve and Morning services for cantor. Chicago, commissioned by Mario Rubini,
ca. 1943.
------, Sabbath Eve and Morning services for cantor. Chicago, commissioned by Abraham Kipper,
ca. 1945.
------. Sabbath Eve service for cantor. Chicago, 1948.
------. Sabbath Morning service for cantor. Chicago, commissioned by Seymour Fox, 1948.
Mirom-Wasserberger, M. Collection of recalled liturgical chants and compositions. Tel-Aviv, ca. 1985.
Rabinowitz, Pinchas. Sabbath Eve and Morning services: recitatives for cantor. Chicago, 1951.
Rapaport, Jacob. Sabbath and Festival Services: recitatives for cantor.
Ravitz, Sh lomo. Sabbath Eve service for cantor and two-voice youth choir, undated.
Roitman, David. Sabbath Eve and Morning services: recitatives for cantor, 1907-40.
Schwartz, Jacob. Sabbath and Festival services for cantor.
Zalis, Herman. Musical Service for Friday Evening for cantor and choir.
Published Individual Chazzanic Recitatives
Beimel, Jacob. Hashkivenu. Jewish Music Journal. Jacob Beimel, editor and publisher. New York, May-
June, 1935.
Beinhorn, Solomon. Z miros Sh’lomo: Ono B choach. 1952.
------. Z miros Sh lomo: Vay chulu. 1952.
------. Z miros Sh lomo: Mögen övos. 1952.
Gozinsky. S. Yismach Moshe. New York: Metro Music Co., 1928.
Jaffee. K dusha L musaf Private publication. New York, 1952.
Schall, Noah. Yismach Moshe. Cantorial Council of America Yearbook.
Sherman, Pinchas. V shöm ru. Chazonim Veit (Journal). Warsaw.
Silverman, Moses J. Y hi Rotzon (for the Blessing of a New Month). New York: Bloch Publishing Co., 1953.
Zilberts, Zavel. V shöm ru. Ethnic Music Publishing Co.
Unpublished Individual Chazzanic Recitatives
Borenstein, Henoch
Cohen, Tevele
Frankel, Emanuel
Kalib, Morris
Kalib, Sholom
Kopfstuck, O.
Schnipelisky, Eliyohu
Taube, Moshe
Published Choral Compositions
Ancis, Solomon. Hashkivenu. New York: Transcontinental Music Corp., 1944.
338
References
Edelstein, Leopold. Sim Shölom. Private publication. Philadelphia, 1958.
Jadlowker, Hermann. V shom ru, arr. Janet S. Roskin. Boston: Hatikvah Music Publishing Company,
1941.
Kalib, Sholom. Kiddush L shabat. Carlstadt, New Jersey: Ethnic Music Publishing Co., Inc., 1974.
Rosenblatt, Josef. Bame Madlikin. New York: Hebrew Publishing Co., 1916.
-------. Birkat Kohanim. Private publication, undated.
-------. Y hi Rotzon (for the Blessingofa New Month). New York: Hebrew Publishing Co., 1917.
Zilberts, Zavel. Ahavas Olom. New York: Cantors and Ministers Association 40th Year Jubilee Book,
1934.
-------. Havdoloh. New York: Metro Music Co., 1923.
Unpublished Collections of Choral and Cantorial-Choral Compositions
Anonymous. Partitur collections of choral and cantorial-choral compositions.
Bernstein, Phillip. Partitur collections of choral and cantorial-choral compositions. Chicago, ca. 1940-42.
Bernstein, Samuel repertoire.
Bloom, Morris repertoire.
Bransky repertoire.
Freidin, A. M. repertoire.
Friedman, Ben repertoire.
Fuchs, Israel repertoire.
Gangursky, M. Partitur collections of choral and cantorial-choral compositions for Sabbath and
Festivals. Chicago, 1921-22.
Greenberg, G., Partitur collections of choral and cantorial-choral compositions. Odessa, ca. 1900.
Himelstein, A. M. repertoire.
Kalib, Sholom Library. Baltimore.
Lind, Joshua Partitur collection of choral and cantorial-choral compositions. New York and Chicago, ca.
1920-30.
Manovitz, A. I. Partitur collections of choral and cantorial-choral compositions. Chicago, ca. 1922-25.
-------. Library. Chicago.
Mutchnik. Partitur collection of choral and cantorial-choral compositions. Chicago.
Noumberg, A., Partitur collection of choral and cantorial-choral compositions.
Nowakowski, A. Partitur collection of choral and cantorial-choral compositions.
Silverman, Jacob and Moses J. Library. New York and Chicago.
Verblen, Jack repertoire. Chicago.
Selections from Published Recordings Transcribed by Sholom Kalib
Eizenstadt, David. Shom o. RCA Victor (78 rpm), 38-1039-A. Sung by Moshe Koussevitsky.
-------. Eten Kol Recorded in pre-World War II Europe. Sung by Moshe Koussevitsky.
Alter, Israel. Hashkivenu. Musique Internationale (33.3 rpm), M7324-A, band 1.
Anonymous. Tikanto Shabos. RCA Victor (78 rpm), 25-5072-A and B. Sung by Mordeschai Hershman.
-------. Uv div re Kodsh cho. RCA Victor (78 rpm), 38-1025-A. Sung by Moshe Koussevitsky.
-------. Ato Yotzarto. The Greater Recording Co., Inc. (33 rpm), GRC 168, side 1, band 1. Sung by
Mordeschai Hershman.
Basser, Josef. L kel Boruch. Victor (78 rpm), 68668-B. Sung by Elias Kritchmar.
Beinhorn, Solomon. V al Kuldm. RCA Victor (78 rpm), 38-1045. Sung by Leibele Waldman.
References
339
Borenstein, Henoch. B chöchmö Poseach SW brim. The Greater Recording Co., Inc. (33.3 rpm), GRC224,
side 1, band 3.
-------. B ne Hecholb. The Greater Recording Co., Inc. (33.3rpm), GRC 222, side 2, band 2.
Borensztein, Pinchas. Hashkivenu. Stinson Records. (78 rpm), 6040-A and B.
Chagy, Berele. Mögen övos. Golden Voice Recordings (33.3 rpm), GVR 26, side 1, band 5.
-------. Mim kom cho. Stinson Records (78 rpm), 614-38 (H-235).
--------- V chulöm M kab lim. Victor (78 rpm), 73215-A.
Ganchoff, Moshe. Ahavas Olom. Musique Internationale (cassette tape), Cantorial Masterworks, part 1,
CM 7340.
--------- Mögen övos. The Music of Zeidel Rovner, sung by Moshe Ganchoff, directed by Neil Levin.
Tambur Records (33.3 rpm), TR 594B, band 2.
-------. Kidush. Continental (78 rpm), C-5044-B.
Glantz, Leib. En K erk chö. RCA Camden (33.3 rpm), H70P, side 1, band 2.
Hershman, Mordechai. Mim kom cho. The Greater Recording Co., Inc. (33.3 rpm), GRC 168, ZB 179.
-------. B rich Sh me. Victor (78 rpm), 68576-B.
Jassinowsky, Pinchos. Birkas Kohanim. Victor (78 rpm), 72308-A.
Kalib, Sholom. Day of Rest: L chu N ran nö. Amim Records (33.3 rpm), ARC 5738; CD, Tara Music.
-------. Day of Rest: L chö Dodi
-------. Day of Rest: Mikdash Melech
--------- Day of Rest: Boi V sholom
-------. Day of Rest: Adoshem Moloch
-------. Day of Rest: V shorn ru
-------. Day of Rest: V chösuv: Ran nu
-------. Day of Rest: Tisbörach
--------- Day of Rest: Mim kom chö
--------- Day of Rest: L dor Vödor
--------- Day of Rest: Sh ma Yisröel (Torah Service)
-------. Day of Rest: Echöd Elokenu
-------. Day of Rest: Gad lu
--------- Day of Rest: L chö Adoshem Hag dulö
-------. Day of Rest: Mi Sheösö Nisim
-------. Day of Rest: Naaritz chö
-------. Day of Rest: Ködosh
-------. Day of Rest: Böruch K vod Adoshem
-------. Day of Rest: Sh ma Yisröel (Musaf K dushö)
-------. Day of Rest: Yism chu
Katz, Sholom. Ahavas Olöm. The Greater Recording Co. (33.3 rpm), Two Master Cantors, GRC 40, side 2,
band 5.
-------. V höer Enenu. Columbia (78 rpm), 57069-F (XCO 40434).
-------. Shirö Chadöshö. The Greater Recording Co. (33.3 rpm), GRC 40, XTV 70, band 1.
-------. Av Horachmim. Jewish Music Documentary Society (33.3 rpm), JMDS 104, side 1, band 1.
Koussevitsky, Jacob. L chu N ran nö (Opening Verse). Aleph, Inc. (33.3 rpm), ALP 1002, side 1, band 1.
-------. Adoshem Moloch. Aleph, Inc. (33.3 rpm), ALP 1002, side 1, band 4.
-------. Kidush. Aleph, Inc. (33.3 rpm), ALP 1002, side 2, band 4.
-------. Al Ken Adoshem Elokenu. ALP 1002 (33.3 rpm).
Koussevitsky, Moshe. Birkas Kohanim. RCA Victor (78 rpm), 38-1039-B.
Kusevitsky, David. V al Kulorn. Tikva Records (33.3 rpm), LPT-12-B.
Leavitt, Benjamin. R tze Vim nuchosenu. Victor (78 rpm).
Malavsky, Samuel. Ahavas Olöm. Banner Records Inc. (78 rpm), B-2028A (A-181),
340
References
-------. Sholom Alechem. Tikva Records (78 rpm), M 1001 A.
-------. Y did Nefesh, Tikva Records (78 rpm), M 1001 B.
-------. Tzur Mishelo. Arton Records (33.3 rpm), AN 62-50.
-------. Mi Shebso Nisim. Banner Records, Inc. (78 rpm), B-2029B.
Pinchik. Rözö D shabos. RCA Victor (78 rpm), 38-100A and B.
Rapaport, Jacob. Moditn. Columbia (78 rpm), 57053-F, 206342. Sung by Mordechai Hershman.
Rapaport, Jacob - Ganchoff, Moshe. R tze Adoshem Elokenu. Tikva Records (33.3 rpm), BC-12416 A, T-35.
Roitman, David. Omar Rabi Elozor. Victor (78 rpm), 68684A and B.
-------. Hashkivenu. Victor (78 rpm), 68704-A and B.
-------. Uv makhalos. Columbia (78 rpm), E5250 - 59745.
-------. Yismach Moshe. Musique Internationale (33.3 rpm), M-7309-B.
-------. V chol Mi Sheos kim. Musique Internationale (33.3 rpm), M7309-A, band 7.
-------. Uv nucho Yomar. (Lewandowski). Musique Internationale (33.3 rpm), M7309-B, side 2, band 1.
-------. Uv nucho Yomar. Musique Internationale (33.3 rpm), M7309-B, side 2, band 2.
-------. Ki Lekach Tov. Banner Records, Inc. (78 rpm), B2301-B. Sung by Leibele Waldman.
-------. Uv div re Kodsh cho, Greater Recording Co., Inc. (33.3 rpm), GRC 178, side 1, ZB-174, band 4.
-------. Arbob Rbshe Shonim. Jewish Music Archives, Collectors Guild (33.3 rpm), CG 603, side 2, band 3.
Rosenblatt, Josef. Omar Rabi Elozor. Columbia (78 rpm), 8264F (W-194786).
-------. Adoshem Moloch. Greater Recording Co., Inc. (33.3 rpm), GRC 144, side 2, band 3.
-------. Hashkivenu. Collectors Guild (33.3 rpm), CG 595, side 1, band 2.
-------. Yishtabach. The Greater Recording Co., Inc. (33.3 rpm), GRC 176 YB-387, side 2, band 2.
-------. Zorea Tz dbkos. Collectors Guild (33.3 rpm), CG 595, side 1, band 4.
-------. Tisgadal V siskadash. Columbia (78 rpm), E2819-43792.
-------. Rom V’niso. RCA Victor (78 rpm), 38-1022-B.
-------. Y hi Rotzon (for the Blessing of a New Month). Victor (78 rpm), 17449-A and B.
-------. Yism chu. Jewish Music Archives, Collectors Guild (33.3 rpm), CG 651, side 2 band 2.
-------. Hamavdil. Collectors Guild (33.3 rpm), Jewish Archives, Sabbath, part 2, CG 651, side 2, band 3.
Rozumni, Efraim Zalman. Ki Lekach Tov. The Greater Recording Co., Inc. (33.3 rpm), GRC 176 ZB-195,
side 2, band 4. Sung by Aryeh Leib Rutman.
Rutman, Aryeh Leib. V sh om’ru. The Greater Recording Co., Inc. (33.3 rpm), GRC 144.
Shenker, Ben Zion. Mizmor Udbvid. Rone Records (33.3 rpm), RR-661, side 2, band 1.
Shlisky, Josef, önb B choach. Victor (78 rpm), 68677-B.
-------. Av Horahamim. Collectors Guild (33.3 rpm), CG 601, side 2.
Sirota, Gershon. V shom ru. Victor (78 rpm), 17833-B.
-------. Birkas Kohanim. Victor (78 rpm), 17771-A.
Soorkis, Moishele. Umaan Yirbu. Collectors Guild (33.3 rpm), Cantorial Rarities, CG 609, side 2, band 3.
Steinberg, Dovid Moshe. Hamavir Bonov. The Greater Recording Co., Inc. (33.3 rpm), The Great Zoger
Chazonim, vol. 1, GRC 176 ZB-195, side 2, band 2.
-------. Ki Lekach Tov. Musique Internationle (33.3 rpm), M7326-A, side 1, band 7.
Steinberg, Morris. Sim Sholom. Emerson (78 rpm), 1346-X, side 2.
Vigoda, Samuel. Tzur Yisroel. Tikva Records (33.3 rpm), T-34, BC-12016 A, band 2.
-------. Eliyohu Hanbvi. Tikva Records (33.3 rpm), Cantorial Masterpieces, T-34, BC-12016A, band 4.
Zemachson, Simon - Hershman, Mordechai. Mögen övos. Collectors Guild (33.3 rpm), The Seventh Day,
CG 608, side 1, band 1. Sung by Mordechai Hershman.
Bayerische
Staatsbibliothek
München
|
| any_adam_object | 1 |
| author | Kalib, Sholom 1929- |
| author_GND | (DE-588)1310927456 |
| author_facet | Kalib, Sholom 1929- |
| author_role | cmp |
| author_sort | Kalib, Sholom 1929- |
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| building | Verbundindex |
| bvnumber | BV044829010 |
| ctrlnum | (OCoLC)1027777223 (DE-599)BVBBV044829010 |
| edition | First edition |
| format | Musical Score Book |
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| id | DE-604.BV044829010 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:02:14Z |
| institution | BVB |
| isbn | 9780815635055 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030223876 |
| oclc_num | 1027777223 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xix, 340 Seiten |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Syracuse University Press |
| record_format | marc |
| series2 | Judaic traditions in literature, music and art |
| spelling | Kalib, Sholom 1929- (DE-588)1310927456 cmp The musical tradition of the Eastern European synagogue 3: The Sabbath Services, A: The Sabbath Eve Service, Part 3, Annotative commentary The Sabbath Eve service ; Pt. 3, Annotative commentary Sholom Kalib First edition Syracuse, NY Syracuse University Press 2017 xix, 340 Seiten txt rdacontent n rdamedia nc rdacarrier Judaic traditions in literature, music and art (DE-604)BV014883014 3,3 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030223876&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030223876&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030223876&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis |
| spellingShingle | Kalib, Sholom 1929- The musical tradition of the Eastern European synagogue |
| title | The musical tradition of the Eastern European synagogue |
| title_auth | The musical tradition of the Eastern European synagogue |
| title_exact_search | The musical tradition of the Eastern European synagogue |
| title_full | The musical tradition of the Eastern European synagogue 3: The Sabbath Services, A: The Sabbath Eve Service, Part 3, Annotative commentary The Sabbath Eve service ; Pt. 3, Annotative commentary Sholom Kalib |
| title_fullStr | The musical tradition of the Eastern European synagogue 3: The Sabbath Services, A: The Sabbath Eve Service, Part 3, Annotative commentary The Sabbath Eve service ; Pt. 3, Annotative commentary Sholom Kalib |
| title_full_unstemmed | The musical tradition of the Eastern European synagogue 3: The Sabbath Services, A: The Sabbath Eve Service, Part 3, Annotative commentary The Sabbath Eve service ; Pt. 3, Annotative commentary Sholom Kalib |
| title_short | The musical tradition of the Eastern European synagogue |
| title_sort | the musical tradition of the eastern european synagogue the sabbath eve service pt 3 annotative commentary |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030223876&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030223876&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030223876&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV014883014 |
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