Some other note: the lost songs of English Renaissance comedy
English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost—until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W. Duffin has used the existing English repertory of s...
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Format: | Book |
Language: | English |
Published: |
New York, NY
Oxford University Press
2018
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Subjects: | |
Online Access: | Inhaltsverzeichnis |
Summary: | English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost—until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W. Duffin has used the existing English repertory of songs, both popular and composed, to reconstruct hundreds of songs from more than a hundred plays and other stage entertainments. Thanks to Duffin's incredible breakthrough, these plays have been rendered performable with period music for the first time in five hundred years. Some Other Note not only brings these songs back from the dead, but tells a thrilling tale of the investigations that unraveled these centuries-old mysteries. - A native of Canada, Ross W. Duffin is Fynette H. Kulas Professor of Music and Distinguished University Professor at Case Western Reserve University, where he specializes in historical performance practice. Among his books are Shakespeare's Songbook (W. W. Norton, 2004), and How Equal Temperament Ruined Harmony (and Why You Should Care) (Norton, 2007). Duffin has been described as "virtually synonymous with music and Shakespeare," and his book was lauded as "a musicological tour de force, totally without pedantry, a book which will forever change Shakespeare productions." (Klappentext) |
Item Description: | Includes bibliographical references and index |
Physical Description: | xxxv, 722 Seiten Notenbeispiele |
ISBN: | 9780190856601 |
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245 | 1 | 0 | |a Some other note |b the lost songs of English Renaissance comedy |c Ross W. Duffin ; with a foreword by Tiffany Stern |
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520 | |a English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost—until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W. Duffin has used the existing English repertory of songs, both popular and composed, to reconstruct hundreds of songs from more than a hundred plays and other stage entertainments. Thanks to Duffin's incredible breakthrough, these plays have been rendered performable with period music for the first time in five hundred years. Some Other Note not only brings these songs back from the dead, but tells a thrilling tale of the investigations that unraveled these centuries-old mysteries. - A native of Canada, Ross W. Duffin is Fynette H. Kulas Professor of Music and Distinguished University Professor at Case Western Reserve University, where he specializes in historical performance practice. Among his books are Shakespeare's Songbook (W. W. Norton, 2004), and How Equal Temperament Ruined Harmony (and Why You Should Care) (Norton, 2007). Duffin has been described as "virtually synonymous with music and Shakespeare," and his book was lauded as "a musicological tour de force, totally without pedantry, a book which will forever change Shakespeare productions." (Klappentext) | ||
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650 | 4 | |a Humorous songs |z England |y 16th cenutury |x History and criticism | |
650 | 4 | |a Humorous songs |z England |y 17th cenutury |x History and criticism | |
650 | 4 | |a English drama (Comedy) |x History and criticism | |
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Record in the Search Index
_version_ | 1804178320815816704 |
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adam_text | CONTENTS
Glossary XV
Foreword by Tiffany Stern xix
Prologue xxiii
Editorial Note xxxi
Acknowledgments xxxiii
About the Compa?iion Website XXXV
PART I. BACKGROUND OF THE FIFTEENTH AND
SIXTEENTH CENTURIES
1. Mystery and Morality 1
Shepherds Plays 1
Mankind 13
2. Court Interludes 20
William Cornysh (d. 1523) 20
John Skelton (ca. 1463—1529) 26
John Hey wood (ca. 1497—ca. 1580) 32
Nicholas Udall (1504—56) 39
3. St. Paul’s Interludes 60
John Redford (fl. 1534—47) 60
Sebastian Westcott (fl. 1545—82) 70
4. Chapels Royal Interludes 103
William Crane (d. 1545) 103
Richard Bower (fl. 1524—61): Apius Virginia 105
Richard Edwards (1525—66): Damon Pythias 109
Richard Far rant (fl. 1553—80) 118
William Hunnis (fl. 1550—97) 122
John Lyly (ca. 1553—1606): Woman in the Moon 126
George Peele (1556—96): Arraignment of Paris 130
5. University and Inns of Court Interludes 139
Gammer Gurtons Needle (1553) 139
Bugbears (1564—66) 143
Qontents
Horestes (1567) 152
Like Will to Like (1568) 157
Misogonus (1570) 166
6. Continental Influences 171
France 171
Ancient Rome 176
Germany 179
Italy 186
PART II. LONDON COMEDY TO 1625
7. Ben Jonson (1572-1637) 199
The Case is Altered (ca. 1597, pr. 1609) 200
Every Man in his Humour (1598, pr. 1601) 203
Every Man out of his Humour (1599, pr. 1600) 206
Cynthia s Revels (1600, pr. 1601) 207
The Poetaster (1601, pr. 1602) 216
Eastward Ho (1605) with Marston and Chapman 220
Volpone, or the Fox (ca. 1605—6, pr. 1607) 233
Epicene, or the Silent Woman (1609, pr. 1616) 239
Bartholomew Fair (1614, pr. 1631) 240
The Devil is an Ass (1616, pr. 1631) 244
The Staple of News (1625/6, pr. 1631) 249
8. George Chapman (1559-1634) 253
The Blind Beggar of Alexandria (1595/6, pr. 1598) 253
Sir Gyles Goosecap (1606) 255
May-Day (pr. 1611) 257
The Widow s Tears (pr. 1612) 261
Two Wise Men and All the Rest Fools (pr. 1619) 263
9. John Marston (1576-1634) 265
Histrio-mastix (1599, pr. 1610) 265
Antonio and Mellida (1599-1600, pr. 1602) 273
Jack Drum s Entertainment (1599-1600, pr. 1601) 276
What You Will (1601, pr. 1607) 282
The Malcontent (1603—4, pr. 1604) 285
Parasitaster, or the Fawn (1604, pr. 1606) 287
The Dutch Courtesan (1605) 288
Qontents
10. Thomas Dekker (1572-1632) 293
The Shoemaker s Holiday, or the Gentle Craft (1599?, pr. 1600) 294
Old Fortunatus (1600) 299
Blurt Master Constable (1602) 305
Satiro-mastix (1602) 315
Patient Grissell (1603) 317
The Honest Whore (1604, pr. 1605) with Middleton 322
Westward Ho (1607) with Webster 326
Northward Ho (1607) with Webster 328
The Merry Devil of Edmonton (1608) attr. 332
The Roaring Girl (1611) with Middleton 333
If It Be not Good, the Devil Is in It (1612) 337
11. John Fletcher (1579-1625) 340
The Faithful Shepherdess (1608?, pr. 1609?) 340
Monsieur Thomas (ca. 1610, pr. 1639) 344
The Womans Prize, or the Tamer Tamed (ca. 1611, pr. 1647) 357
Wit without Money (ca. 1614, pr. 1639) 359
The Mad Lover (1617, pr. 1647) 361
The Chances (ca. 1617, pr. 1647) 374
The Loyal Subject (lie. 1618, pr. 1647) 378
The Humorous Lieutenant (ca. 1619, pr. 1647) 385
Women Pleased (ca. 1619-23, pr. 1647) 389
The Wild-Goose Chase (ca. 1621, pr. 1652) 394
The Pilgrim (ca. 1621, pr. 1647) 398
The Maid in the Mill (lie. 1623, pr. 1647) 402
12. Thomas Middleton (1580-1627) 412
Michaelmas Term (1604, pr. 1607) 412
A Trick to Catch the Old One (1605, pr. 1608) 413
A Mad World, my Masters (1605, pr. 1608) 415
Your Five Gallants (1607, pr. 1608) 418
Wit at Several Weapons (1613, pr. 1647) 422
A Chaste Maid in Cheapside (ca. 1613, pr. 1630) 425
More Dissemblers besides Women (1615, pr. 1657) 428
The Widow (1615-16, pr. 1652) 433
The Witch (1616) 438
The Old Law (ca. 1615-18, pr. 1656) with Massinger and Rowley 443
A Game at Chess (1624, pr. 1625) 445
xt —
Qontents
13. Francis Beaumont (1584—1616) 447
The Woman Hater (1606, pr. 1607) with Fletcher 448
The Knight of the Burning Pestle (1607, pr. 1613) 449
The Coxcomb (1608-10, pr. 1647) with Fletcher and Massinger 484
The Captain (1609-12, pr. 1647) with Fletcher 486
Beggars’ Bush (ca. 1612-15, pr. 1647) with Fletcher and Massinger 490
Love’s Cure (ca. 1612—15, pr. 1647) with Fletcher and Massinger 500
14. Philip Massinger (1583—1640) 504
The Queen of Corinth (ca. 1616-18, pr. 1647) with Field 506
The Knight of Malta (ca. 1616—18, pr, 1647) with Field 512
The Little French Lawyer (ca. 1619-22, pr. 1647) with Fletcher 516
The Spanish Curate (lie. 1622, pr. 1647) with Fletcher 521
The Lovers’ Progress (lie. 1623, pr. 1647) with Fletcher 525
15. Other Playwrights 530
George Whetstone (1550-87) 530
Promos and Cassandra (1578) 530
Thomas Nash (1567-ca. 1601) 540
Summer’s Last Will (1592, pr. 1600) 540
William Haughton (d. 1605) 546
Englishmen for my Money (1598, pr. 1616) 547
Thomas Heywood (1570s—1641) 548
Edward IV (1599) 548
Fair Maid of the Exchange (pr. 1607) 552
A Woman Killed with Kindness (pr. 1607) 555
William Percy (1570-1648) 558
Arabia Sitiens (1601) 561
Cuckqueanes and Cuckolds Errants (1601) 569
The Aphrodysial (1602) 574
The Faery Pastoral (1603) 583
Edward Sharpham (1576-1608) 595
The Fleire (1606, pr. 1607) 595
Cupid’s Whirligig (1607) 598
16. Anonymous Plays ca. 1600 603
Mucedorus (ca. 1590, pr. 1598) 603
Old Wives Tale (1595) 604
Dr. Dodypoll (1600) 610
The Maid’s Metamorphosis (1600) 615
Qontents
17. Jigs 627
The Central Repertory 631
Frauncis new Jigge (reg. 1595, pr. 1617) 631
The Wooing of Nan 632
Singing Simpkin (reg. 1595, pr. 1656) 633
The Black Man (pr. 1673) 635
The Jig of St. Denys’ Ghost 639
The Libel of Michael Steele (1601) 640
The Cheaters Cheated (pr. ca. 1660) 643
Fools Fortune (ca. 1620) 649
Shorter Jigs 651
A Spanish Gentleman and an English Gentlewoman (ca. 1570) 651
A Iigge for the Ballad-mongers (pr. 1595) 652
A New Northeren Iigge, called Daintie Come Thou to Me
(reg. 1591, pr. ca. 1619) 653
The Souldiers Farewel to his Love (reg. 1624, pr. ca. 1663) 655
A Country New Iigge betweene Simon and Susan (pr. ca. 1620) 656
A Mery New Iigge. Or the Pleasaiit Wooing betwixt Kit and Pegge
(pr. ca. 1630) 657
Clods Carroll (pr. ca. 1615) 658
Fragments and Discoveries 659
The Souldier dr his Knapsack Bearer (ca. 1649) 659
Put up thy Dagger Jamie (pr. 1641) 663
Country Jigge from Thomas of Reading (pr. 1612) 665
Bonny Nell {ca. 1600) 666
APPENDIX
Lyly’s Added Songs (1632) 673
Select Bibliography 685
Index of Plays and Other Entertainments 691
Index of Lyrics and Music 696
General Index 712
xm
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any_adam_object | 1 |
author | Duffin, Ross W. 1951- |
author_GND | (DE-588)1036321843 (DE-588)1160451419 |
author_facet | Duffin, Ross W. 1951- |
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author_variant | r w d rw rwd |
building | Verbundindex |
bvnumber | BV044801599 |
callnumber-first | M - Music |
callnumber-label | ML1731 |
callnumber-raw | ML1731.2 |
callnumber-search | ML1731.2 |
callnumber-sort | ML 41731.2 |
callnumber-subject | ML - Literature on Music |
classification_rvk | HI 1233 HI 1252 LQ 84003 LR 53970 LR 53973 LR 53974 |
ctrlnum | (OCoLC)1003289919 (DE-599)BVBBV044801599 |
dewey-full | 782.420942/09031 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.420942/09031 |
dewey-search | 782.420942/09031 |
dewey-sort | 3782.420942 49031 |
dewey-tens | 780 - Music |
discipline | Anglistik / Amerikanistik Musikwissenschaft |
era | Geschichte 1550-1670 gnd |
era_facet | Geschichte 1550-1670 |
format | Book |
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Duffin ; with a foreword by Tiffany Stern</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxxv, 722 Seiten</subfield><subfield code="b">Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost—until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W. Duffin has used the existing English repertory of songs, both popular and composed, to reconstruct hundreds of songs from more than a hundred plays and other stage entertainments. Thanks to Duffin's incredible breakthrough, these plays have been rendered performable with period music for the first time in five hundred years. Some Other Note not only brings these songs back from the dead, but tells a thrilling tale of the investigations that unraveled these centuries-old mysteries. - A native of Canada, Ross W. Duffin is Fynette H. Kulas Professor of Music and Distinguished University Professor at Case Western Reserve University, where he specializes in historical performance practice. Among his books are Shakespeare's Songbook (W. W. Norton, 2004), and How Equal Temperament Ruined Harmony (and Why You Should Care) (Norton, 2007). Duffin has been described as "virtually synonymous with music and Shakespeare," and his book was lauded as "a musicological tour de force, totally without pedantry, a book which will forever change Shakespeare productions." 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id | DE-604.BV044801599 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:02:06Z |
institution | BVB |
isbn | 9780190856601 |
language | English |
lccn | 017027134 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030196540 |
oclc_num | 1003289919 |
open_access_boolean | |
owner | DE-12 DE-355 DE-BY-UBR DE-703 DE-11 DE-19 DE-BY-UBM DE-20 |
owner_facet | DE-12 DE-355 DE-BY-UBR DE-703 DE-11 DE-19 DE-BY-UBM DE-20 |
physical | xxxv, 722 Seiten Notenbeispiele |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Oxford University Press |
record_format | marc |
spelling | Duffin, Ross W. 1951- Verfasser (DE-588)1036321843 aut Some other note the lost songs of English Renaissance comedy Ross W. Duffin ; with a foreword by Tiffany Stern New York, NY Oxford University Press 2018 xxxv, 722 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost—until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W. Duffin has used the existing English repertory of songs, both popular and composed, to reconstruct hundreds of songs from more than a hundred plays and other stage entertainments. Thanks to Duffin's incredible breakthrough, these plays have been rendered performable with period music for the first time in five hundred years. Some Other Note not only brings these songs back from the dead, but tells a thrilling tale of the investigations that unraveled these centuries-old mysteries. - A native of Canada, Ross W. Duffin is Fynette H. Kulas Professor of Music and Distinguished University Professor at Case Western Reserve University, where he specializes in historical performance practice. Among his books are Shakespeare's Songbook (W. W. Norton, 2004), and How Equal Temperament Ruined Harmony (and Why You Should Care) (Norton, 2007). Duffin has been described as "virtually synonymous with music and Shakespeare," and his book was lauded as "a musicological tour de force, totally without pedantry, a book which will forever change Shakespeare productions." (Klappentext) Geschichte 1550-1670 gnd rswk-swf Humorous songs England 16th cenutury History and criticism Humorous songs England 17th cenutury History and criticism English drama (Comedy) History and criticism Komödie (DE-588)4031952-0 gnd rswk-swf Lied (DE-588)4035669-3 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Englisch (DE-588)4014777-0 s Komödie (DE-588)4031952-0 s Lied (DE-588)4035669-3 s Geschichte 1550-1670 z DE-604 Stern, Tiffany 1968- (DE-588)1160451419 wpr Erscheint auch als Online-Ausgabe, epub 978-0-19-085662-5 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030196540&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Duffin, Ross W. 1951- Some other note the lost songs of English Renaissance comedy Humorous songs England 16th cenutury History and criticism Humorous songs England 17th cenutury History and criticism English drama (Comedy) History and criticism Komödie (DE-588)4031952-0 gnd Lied (DE-588)4035669-3 gnd Englisch (DE-588)4014777-0 gnd |
subject_GND | (DE-588)4031952-0 (DE-588)4035669-3 (DE-588)4014777-0 |
title | Some other note the lost songs of English Renaissance comedy |
title_auth | Some other note the lost songs of English Renaissance comedy |
title_exact_search | Some other note the lost songs of English Renaissance comedy |
title_full | Some other note the lost songs of English Renaissance comedy Ross W. Duffin ; with a foreword by Tiffany Stern |
title_fullStr | Some other note the lost songs of English Renaissance comedy Ross W. Duffin ; with a foreword by Tiffany Stern |
title_full_unstemmed | Some other note the lost songs of English Renaissance comedy Ross W. Duffin ; with a foreword by Tiffany Stern |
title_short | Some other note |
title_sort | some other note the lost songs of english renaissance comedy |
title_sub | the lost songs of English Renaissance comedy |
topic | Humorous songs England 16th cenutury History and criticism Humorous songs England 17th cenutury History and criticism English drama (Comedy) History and criticism Komödie (DE-588)4031952-0 gnd Lied (DE-588)4035669-3 gnd Englisch (DE-588)4014777-0 gnd |
topic_facet | Humorous songs England 16th cenutury History and criticism Humorous songs England 17th cenutury History and criticism English drama (Comedy) History and criticism Komödie Lied Englisch |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030196540&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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