Hangzhou xi qu shi:
杭州戏曲史
Abstract
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Chinese |
| Veröffentlicht: |
Beijing
Zhongguo she hui ke xue chu ban she
2016
|
| Ausgabe: | Di 1 ban |
| Schriftenreihe: | Hangzhou li shi wen hua yan jiu cong shu
|
| Schlagworte: | |
| Zusammenfassung: | Abstract |
| Beschreibung: | 494 Seiten 26 cm |
| ISBN: | 9787516187258 7516187259 |
Internformat
MARC
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| 546 | |b Chinesisch | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Teater / China / Hangzhou Shi / History | |
| 650 | 4 | |a Chinese drama / China / Hangzhou Shi / History | |
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| 689 | 0 | 2 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 880 | 1 | |6 100-01/$1 |a 郭梅 |a ut | |
| 880 | |6 250-02/$1 |a 第1版 | ||
| 880 | 1 | 0 | |6 245-03/$1 |a 杭州戏曲史 |c 郭梅著 |
| 880 | 1 | |6 264-04/$1 |a 北京 |b 中國社会科学出版社 |c 2016 | |
| 880 | |6 520-05/$1 |a 浙江堪称戏曲之邦,而杭州则是浙江最重要的戏曲艺术城市,在浙江戏曲史乃至中国戏曲史上都占据着非常重耍的地位.明淸两代,杭州一直是昆曲演出的重要城市,出现了高濂,洪昇等诸多本土曲家,以及 "西园记""红梅记""琥珀匙""占花魁""雷峰塔"等杭州的'本土剧目'.花雅之争后,地方戏全面繁盛,以剧本为中心的戏曲史转变为以名角为中心的演剧史,杭州戏曲亦呈现出近现代化的面貌,京昆逐渐衰微,而以越剧为代表的地方戏则蓬勃发展起来.解放后,在杭组建的浙江昆剧团创造了'一出戏救活一个剧种'的奇迹,浙江越剧院,杭州越剧院等院团上演了大量剧目,尤其在新时期,以顾锡东等为代表的剧作家和以茅威涛等为代表的新一代演员们推出了新的一批符合时代特色的剧目,在全国影响巨大.与此同时,京剧,杭剧等剧种也随着时代的起伏而有了新的变化.值得一提的是,这一时期杭州的各个剧团各具特色,如浙江越剧团的男女合演便在各同剧种剧团中独树一帜.所以,各剧团的团史也成为杭州戏曲史的一个重要组成部分 | ||
| 940 | 1 | |f chin | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030186022 | ||
Datensatz im Suchindex
| _version_ | 1804178301906845696 |
|---|---|
| any_adam_object | |
| author | Guo, Mei |
| author_GND | (DE-588)1228789991 |
| author_facet | Guo, Mei |
| author_role | aut |
| author_sort | Guo, Mei |
| author_variant | m g mg |
| building | Verbundindex |
| bvnumber | BV044790807 |
| ctrlnum | (OCoLC)1024127667 (DE-599)BVBBV044790807 |
| edition | Di 1 ban |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| isbn | 9787516187258 7516187259 |
| language | Chinese |
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| spelling | 880-01 Guo, Mei Verfasser (DE-588)1228789991 aut 880-03 Hangzhou xi qu shi Guo Mei zhu Hangzhou xiqushi Hang-chou hsi-ch'ü-shih 880-02 Di 1 ban 880-04 Beijing Zhongguo she hui ke xue chu ban she 2016 494 Seiten 26 cm txt rdacontent n rdamedia nc rdacarrier Hangzhou li shi wen hua yan jiu cong shu 880-05 Abstract Chinesisch Geschichte gnd rswk-swf Teater / China / Hangzhou Shi / History Chinese drama / China / Hangzhou Shi / History Theater (DE-588)4059702-7 gnd rswk-swf Hangzhou (DE-588)4229651-1 gnd rswk-swf Hangzhou (DE-588)4229651-1 g Theater (DE-588)4059702-7 s Geschichte z DE-604 100-01/$1 郭梅 ut 250-02/$1 第1版 245-03/$1 杭州戏曲史 郭梅著 264-04/$1 北京 中國社会科学出版社 2016 520-05/$1 浙江堪称戏曲之邦,而杭州则是浙江最重要的戏曲艺术城市,在浙江戏曲史乃至中国戏曲史上都占据着非常重耍的地位.明淸两代,杭州一直是昆曲演出的重要城市,出现了高濂,洪昇等诸多本土曲家,以及 "西园记""红梅记""琥珀匙""占花魁""雷峰塔"等杭州的'本土剧目'.花雅之争后,地方戏全面繁盛,以剧本为中心的戏曲史转变为以名角为中心的演剧史,杭州戏曲亦呈现出近现代化的面貌,京昆逐渐衰微,而以越剧为代表的地方戏则蓬勃发展起来.解放后,在杭组建的浙江昆剧团创造了'一出戏救活一个剧种'的奇迹,浙江越剧院,杭州越剧院等院团上演了大量剧目,尤其在新时期,以顾锡东等为代表的剧作家和以茅威涛等为代表的新一代演员们推出了新的一批符合时代特色的剧目,在全国影响巨大.与此同时,京剧,杭剧等剧种也随着时代的起伏而有了新的变化.值得一提的是,这一时期杭州的各个剧团各具特色,如浙江越剧团的男女合演便在各同剧种剧团中独树一帜.所以,各剧团的团史也成为杭州戏曲史的一个重要组成部分 |
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| title | Hangzhou xi qu shi |
| title_alt | Hangzhou xiqushi Hang-chou hsi-ch'ü-shih |
| title_auth | Hangzhou xi qu shi |
| title_exact_search | Hangzhou xi qu shi |
| title_full | Hangzhou xi qu shi Guo Mei zhu |
| title_fullStr | Hangzhou xi qu shi Guo Mei zhu |
| title_full_unstemmed | Hangzhou xi qu shi Guo Mei zhu |
| title_short | Hangzhou xi qu shi |
| title_sort | hangzhou xi qu shi |
| topic | Teater / China / Hangzhou Shi / History Chinese drama / China / Hangzhou Shi / History Theater (DE-588)4059702-7 gnd |
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