Music, collective memory, trauma, and nostalgia in European cinema after the Second World War:
In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience--music--the essays in this volume consider the numerous ways in which pos...
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| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York ; London
Routledge, Taylor & Francis Group
2020
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| Series: | Music and sound on the international screen
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Summary: | In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience--music--the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, and the Netherlands, providing a diverse and well-rounded understanding of film music in the context of historical memory. Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, popular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, while nostalgia has attracted even less academic attention. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplinary approach to investigate how films use music to negotiate the precarious relationships we maintain with the past. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War offers compelling arguments as to what makes music such a powerful medium for memory, trauma and nostalgia |
| Item Description: | Angekündigt unter dem Titel: Music, memory, nostalgia and trauma in European cinema after the Second World War |
| Physical Description: | viii, 314 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781138238015 |
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| 520 | 3 | |a In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience--music--the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, and the Netherlands, providing a diverse and well-rounded understanding of film music in the context of historical memory. Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, popular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, while nostalgia has attracted even less academic attention. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplinary approach to investigate how films use music to negotiate the precarious relationships we maintain with the past. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War offers compelling arguments as to what makes music such a powerful medium for memory, trauma and nostalgia | |
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Contents Introduction 1 MICHAEL BAUMGARTNER AND EWELINA BOCZKOWSKA PARTI Collective Memory and (Trans-)Nation 1 A Fanfare Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch Cultural Identity on Film 23 25 EMILE WENNEKES 2 Which People’s Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis’s Riso amaro (1949, Bitter Rice) 45 MAURIZIO CORBELLA 3 Phantoms of Italian Opera—Cultural Memory in Italian and (West) German Films 70 ROGER HILLMAN 4 A Bridge Too Far? Music in the British War Film, 1945-80 86 MERVYN COOKE PART II Trauma and Survival 5 Hidden in Plain View: The Music of Holocaust Survival in Poland’s First Post-war Feature Film BARBARA MILEWSKI 109 111
viii Contents 6 Empathy, Ethics, and Film Music։ Alfred Schnittke and Larisa Shepit’ko’s Voskhozhdenie (1977, The Ascent) 138 MARIA CIZMIC 7 Fugue States: Music, Memory, and Trauma in Alain Resnais’s Early 1960s Films 159 MICHAEL BAUMGARTNER AND ORLENE DENICE MCMAHON 8 Re-Sounding Trauma: Sonic Flashbacks in the Films ofJan Troell 184 ALEXIS LUKO PART III Nostalgia, and the Impossible Returns Home 9 Decomposing Heroism: Rolf Wilhelm’s Music for Radetzkymarsch (1965) 207 209 JANINA MÜLLER AND TOBIAS PLEBUCH 10 The Music of Sacrificial Acts: Displacement, Redemption, Beethoven, and Verdi in Andrei Tarkovsky’s Nostalghia (1983) 235 TOBIAS PONTARA 11 “Chopin Meant Everything to Us Then”: Chopin Nostalgia in Polish Cinema, 1944-91 253 EWELINA BOCZKOWSKA 12 Returning Home: Critical Nostalgia and French Cinematic Illusion in the Post-war Musical Films of René Clair and Jean Renoir 276 HANNAH LEWIS Contributors Index 299 303
Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War In the wake of the Second World War, the arts and culture of Europe became a site where the devastating events of the twentieth century were remembered and understood. Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma, and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, Sweden, Austria, and the Netherlands, pro viding a diverse and well-rounded understanding of film music in the context of historical memory. Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, pop ular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, whereas nostalgia has attracted even less academic atten tion. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplin ary approach to investigate how films use music to negotiate the precarious relationships we maintain with the past. Music, Collective Memory, Trauma and Nostalgia in European Cinema after the Second World War offers compelling argu ments as to what makes music such a
powerful medium for memory, trauma, and nostalgia. Michael Baumgartner is Associate Professor of Musicology at Cleveland State University. Ewelina Boczkowsha is Associate Professor of Musicology at Youngstown State University. |
| any_adam_object | 1 |
| author2 | Baumgartner, Michael 1961- Boczkowska, Ewelina 1979- |
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| building | Verbundindex |
| bvnumber | BV044788493 |
| classification_rvk | LR 53509 AP 51450 |
| contents | Collective Memory and (Trans)Nation. A Fanfare Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch Cultural Identity on Film / Emile Wennekes -- Which People's Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis's Riso amaro (1949, Bitter Rice) / Maurizio Corbella -- Phantoms of Italian Opera: Cultural Memory in Italian and (West) German Films / Roger Hillman -- A Bridge Too Far? Music in the British War Film, 1945-80 / Mervyn Cooke -- Trauma and Survival. Hidden in Plain View: The Music of Holocaust Survival in Poland's First Post-war Feature Film / Barbara Milewski -- Empathy, Ethics, and Film Music: Alfred Schnittke and Larisa Shepit'ko's Voskhozhdenie (1977, The Ascent) / Maria Cizmic -- Fugue States: Music, Memory, and Trauma in Alain Resnais's Early 1960s Films / Michael Baumgartner and Orlene Denice McMahon -- Re-Sounding Trauma: Sonic Flashbacks in the Films of Jan Troell / Alexis Luko -- Nostalgia, and the Impossible Returns Home. Decomposing Heroism: Rolf Wilhelm's Music for Radetzkymarsch (1965) / Janina Müller and Tobias Plebuch -- The Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in Andrei Tarkovsky's Nostalghia (1983) / Tobias Pontara -- Chopin meant everything to us then: Chopin Nostalgia in Polish Cinema, 1944-91 / Ewelina Boczkowska -- Returning Home: Critical Nostalgia and French Cinematic Illusion in the Post-war Musical Films of René Clair and Jean Renoir / Hannah Lewis |
| ctrlnum | (OCoLC)1124777095 (DE-599)BVBBV044788493 |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1945- gnd |
| era_facet | Geschichte 1945- |
| format | Book |
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| record_format | marc |
| series2 | Music and sound on the international screen |
| spelling | Music, collective memory, trauma, and nostalgia in European cinema after the Second World War edited by Michael Baumgartner and Ewelina Boczkowska Music, memory, nostalgia and trauma in European cinema after the Second World War New York ; London Routledge, Taylor & Francis Group 2020 viii, 314 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music and sound on the international screen Angekündigt unter dem Titel: Music, memory, nostalgia and trauma in European cinema after the Second World War Collective Memory and (Trans)Nation. A Fanfare Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch Cultural Identity on Film / Emile Wennekes -- Which People's Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis's Riso amaro (1949, Bitter Rice) / Maurizio Corbella -- Phantoms of Italian Opera: Cultural Memory in Italian and (West) German Films / Roger Hillman -- A Bridge Too Far? Music in the British War Film, 1945-80 / Mervyn Cooke -- Trauma and Survival. Hidden in Plain View: The Music of Holocaust Survival in Poland's First Post-war Feature Film / Barbara Milewski -- Empathy, Ethics, and Film Music: Alfred Schnittke and Larisa Shepit'ko's Voskhozhdenie (1977, The Ascent) / Maria Cizmic -- Fugue States: Music, Memory, and Trauma in Alain Resnais's Early 1960s Films / Michael Baumgartner and Orlene Denice McMahon -- Re-Sounding Trauma: Sonic Flashbacks in the Films of Jan Troell / Alexis Luko -- Nostalgia, and the Impossible Returns Home. Decomposing Heroism: Rolf Wilhelm's Music for Radetzkymarsch (1965) / Janina Müller and Tobias Plebuch -- The Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in Andrei Tarkovsky's Nostalghia (1983) / Tobias Pontara -- Chopin meant everything to us then: Chopin Nostalgia in Polish Cinema, 1944-91 / Ewelina Boczkowska -- Returning Home: Critical Nostalgia and French Cinematic Illusion in the Post-war Musical Films of René Clair and Jean Renoir / Hannah Lewis In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience--music--the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, and the Netherlands, providing a diverse and well-rounded understanding of film music in the context of historical memory. Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, popular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, while nostalgia has attracted even less academic attention. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplinary approach to investigate how films use music to negotiate the precarious relationships we maintain with the past. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War offers compelling arguments as to what makes music such a powerful medium for memory, trauma and nostalgia Geschichte 1945- gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Kino (DE-588)4129654-0 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Musical films / Europe / History / 20th century Nostalgia in motion pictures Psychic trauma in motion pictures Collective memory and motion pictures / Europe Collective memory and motion pictures Musical films Europe 1900-1999 History (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Kino (DE-588)4129654-0 s Filmmusik (DE-588)4017129-2 s Geschichte 1945- z DE-604 Baumgartner, Michael 1961- (DE-588)131824988 edt Boczkowska, Ewelina 1979- (DE-588)1028230397 edt Erscheint auch als Online-Ausgabe 978-1-315-29845-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030183769&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030183769&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Music, collective memory, trauma, and nostalgia in European cinema after the Second World War Collective Memory and (Trans)Nation. A Fanfare Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch Cultural Identity on Film / Emile Wennekes -- Which People's Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis's Riso amaro (1949, Bitter Rice) / Maurizio Corbella -- Phantoms of Italian Opera: Cultural Memory in Italian and (West) German Films / Roger Hillman -- A Bridge Too Far? Music in the British War Film, 1945-80 / Mervyn Cooke -- Trauma and Survival. Hidden in Plain View: The Music of Holocaust Survival in Poland's First Post-war Feature Film / Barbara Milewski -- Empathy, Ethics, and Film Music: Alfred Schnittke and Larisa Shepit'ko's Voskhozhdenie (1977, The Ascent) / Maria Cizmic -- Fugue States: Music, Memory, and Trauma in Alain Resnais's Early 1960s Films / Michael Baumgartner and Orlene Denice McMahon -- Re-Sounding Trauma: Sonic Flashbacks in the Films of Jan Troell / Alexis Luko -- Nostalgia, and the Impossible Returns Home. Decomposing Heroism: Rolf Wilhelm's Music for Radetzkymarsch (1965) / Janina Müller and Tobias Plebuch -- The Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in Andrei Tarkovsky's Nostalghia (1983) / Tobias Pontara -- Chopin meant everything to us then: Chopin Nostalgia in Polish Cinema, 1944-91 / Ewelina Boczkowska -- Returning Home: Critical Nostalgia and French Cinematic Illusion in the Post-war Musical Films of René Clair and Jean Renoir / Hannah Lewis Filmmusik (DE-588)4017129-2 gnd Kino (DE-588)4129654-0 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4129654-0 (DE-588)4015701-5 (DE-588)4143413-4 |
| title | Music, collective memory, trauma, and nostalgia in European cinema after the Second World War |
| title_alt | Music, memory, nostalgia and trauma in European cinema after the Second World War |
| title_auth | Music, collective memory, trauma, and nostalgia in European cinema after the Second World War |
| title_exact_search | Music, collective memory, trauma, and nostalgia in European cinema after the Second World War |
| title_full | Music, collective memory, trauma, and nostalgia in European cinema after the Second World War edited by Michael Baumgartner and Ewelina Boczkowska |
| title_fullStr | Music, collective memory, trauma, and nostalgia in European cinema after the Second World War edited by Michael Baumgartner and Ewelina Boczkowska |
| title_full_unstemmed | Music, collective memory, trauma, and nostalgia in European cinema after the Second World War edited by Michael Baumgartner and Ewelina Boczkowska |
| title_short | Music, collective memory, trauma, and nostalgia in European cinema after the Second World War |
| title_sort | music collective memory trauma and nostalgia in european cinema after the second world war |
| topic | Filmmusik (DE-588)4017129-2 gnd Kino (DE-588)4129654-0 gnd |
| topic_facet | Filmmusik Kino Europa Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030183769&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030183769&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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