A cultural history of death in the Middle Ages:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2024
|
| Schriftenreihe: | A cultural history of death
volume 2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 204 Seiten Illustrationen |
| ISBN: | 9781472537515 |
Internformat
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Datensatz im Suchindex
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| adam_text |
CONTENTS List of Illustrations General Editor’s Preface vi viii Douglas J. Davies Introduction Ashby Kinch 1 1 Dead and Dying Bodies Danielle Westerhof 25 2 The Sensory Aesthetics of Death Elina Gertsman with Sam Truman 41 3 Emotions, Mortality, and Vitality Jill Bradley 59 4 Death’s Ritual-Symbolic Performance Amy Appleford 79 5 Sites, Power, and Politics of Death Victoria Thompson Whitworth 95 6 Gender, Age, and Identity Belle S. Tuten 7 Explaining Death: Belief, Law, and Ethics Bruce Gordon 8 The Undead and Eternal Carl S. Watkins Notes Bibliography List of Index Contributors 113 131 149 168 171 192 194
The medieval cultures of Europe (800-1450) produced novel and impacting cultural forms related to the human experience of death and dying that merit deep consideration. This volume contributes fresh interpretations and a new synthesis ofperspectives on this dynamic cultural horizon informed by breakthrough work in a range offields, including archaeology, art history, history, literature, and theology. The authors of individual chapters bring to their topics not just expertise in their given fields, but also a sense of major shifts in the way we study death, reflecting on the changing norms, attitudes, and values that drove peoples experience of this crucial last phase of life. Pushing back against the tired cliches about death in pre-modern culture, the essays detail those features of death culture that persist through time and across cultures—like the preference for burial in churches and churchyards across Europe—while also marking the emergence of novel and distinctive practices and beliefs—like the evolution of Purgatory, with associated impacts on prayers for the dead. While attending to sharp differences between the medieval world and our own, the authors also note uncanny continuities with the present. The cumulative effect is to leave the reader with a profound sense of the cultural contribution of the medieval period to the moral obligation to take ownership of our own deaths, regardless of our belief system, and to honor our relationship to the dead, on whom our cultures are founded. |
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