Sabor trubača u Guči juče, danas, sutra: prilog tumačenju jednog sociokulturnog fenomena
Сабор трубача у Гучи јуче, данас, сутра прилог тумачењу једног социокултурног феномена
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Niš
Niški kulturni centar
2016
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| Edition: | 1. izdanje |
| Series: | Biblioteka Vertikala
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Literaturverzeichnis Register // Personenregister Abstract Abstract |
| Item Description: | Englische Zusammenfassung: The Trumpet Festival in Guca - Yesterday, Today, Tomorow. - Literaturverzeichnis Seite 329-358 |
| Physical Description: | 371 Seiten |
| ISBN: | 9788661011214 |
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Record in the Search Index
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| adam_text | CAAP^CAJ
YBO/l 11
I. O MY3HIJH H HEKHM PEOJIEKCHJAMA
Y BE3H C MY3HKOM 15
1. Pe i JieKCHje 18
1.1. /IpyiHTBeHH KOHTeKCT My3HKe 20
2. CaBpeMeHO /joöa 21
2.1. CßeT 21
2.2. JyrocjiaBHja h CpÖHja 22
3. O yicycy, My3HHKOM yKycy h KHHy 25
3.1. VKyc 25
3.2. My3HHKH yKyc 27
3.3. Khh y KyjiTypHocou,MOJioiiiKOM ^wcicypcy 29
3.4. /Ja jih je mscobhh yKyc (Hy^cHo) KHH-yKyc 33
II. TPAAHqHJA, MY3HKA, H^EHTHTET 36
1. My3HHKH (J)OJIKJIOp 40
2. HauHOHajiHH cthji y My3HHH 42
3. KapaKTepHCTHKe cpncKe My3HHKe TpajjHijHje 46
3.1. HapoAHa MysHKa h Tpa^HijHOHajiHH
My3HHKH HHCTpyMeHTH y CpÖHJH 53
3.2. O# Hapo^Hor Ka HOBOKOMnoHOBaHOM 61
4. CTBapaKbe HOBe My3HHKe Tpa^HU,Hje 66
4.1. IIoHeTaK TpyöaHKe Tpa^Hunje 69
5. JThmchh ^ysa^KH opKecTpn 75
5.1. Tpn cpncKe xpyöanKe imcojie 77
5.2. 3ana,aHa CpÖHja 79
5.3. PIcTOHHa CpÖHja 80
5.4. JyacHa CpÖHja 81
6. CßeTKOBHHe Kao okbhp 3a onyBaae
Hapo/jHe Tpazmunje 82
6.1. Ca6op 89
6.2. OKTo6ap |)ecT, Mhhxch — Caöop Tpyöana, Fyna 93
7. M^eHTHTeT y KOHTeKCTy OHyßan a Tpaanunje 95
7.1. Pomh y cpncKoj My3HHH 106
7.2. CouHOKyjiTypHH kohtckct Caöopa Tpyöana y TyHH 115
7.3. LjBHjnh H AßOpHHKOBHh 118
8. /j05KHBJt,aj My3HKe y nCHXo4 H3HOJIOIHKOj paBHH 123
8.1. HeKH (nocpe,a;HH h Henocpe^HH)
yTHuajH My3HKe Ha noHamaH a ji ya;H 125
9. Hrpa, xpaHa, h irahe Kao Hexe oa KapaKTepHCTHKa
HauMOHajiHe Kyjrrype h bhxobo (Moryhe)
^ejioBaH e Ha noHamaite caöopcKe nyÖJiHKe 131
9.1. Hrpa 132
9.2. XpaHa 135
9.3. nnhe 139
III. ETHOMY3HHKH H^HOM:
CPBHJA, BAJIKAH, CBET 146
1. HcTopHjaT ,,nep J opMaHca“ y Tynii — oa Caöopa
ceocKHx Tpyöana ao TypucTHHKor h KyjiTypHor
6peHA,a CpÖHje 146
2. flHxoTOMHja PlcTOK-3anaA 155
2.1. BajiKaHCKO Hacjie^e 158
2.2. BajiKaH 162
3. My3HHKa eTHonpo AyKUHj a hckhx
ßajiKaHCKHx 3eMajta 163
3.1. PyMyHHja 168
3.2. ByrapcKa 169
3.3. TpHKa 170
3.4. CpÖHja 172
4. FjioöajiHa npoMounja eTHO-My3HHKor HAHOMa —
MacoBHa npOAyKAHja world Music 182
5. KapaKTepHCTHKe My3HKe HHTepnpeTHpaHe y Tyhh h
H eHa nonyjiapHOCT y cBeTy 184
5.1. rionyjiapHcaH e Caöopa Tpyöaua nyreM
MacoBHHx MeAHja 192
5.2. Ca6op Tpyöana y TyuH Kao rjioöajiHH ôpeHA 194
5.3. KycTypHua h EperoBHh 196
6. Cpönja je Hama er30THHHa jbyöaBHHua 200
IV. CABOP TPVBAHA V TVHH H BETOBA
n03HL],HJA HA KVJITVPHOJ MAmi CPBHJE 207
1. KyjiTypHa nojiHTHKa y CpönjH 211
2. Tyna H3Me^y HauHOHajiHor 6peHAa h 3JioynoTpe6e
HauHOHajiHe KyjiType y KOHTeKcxy 3BaHHHHe
HAeojiorHj e 217
3. Er3HT h(jih) Tyna Kao MeTa(| ope caspeMene Cpönje 228
4. Ca6op Tpyöana Kao TypHCTHHKH noTeHijHjaji 231
5. Caöop Tpyöana Kao Aeo cpncKe HeMaTepHj ajiHe
KyjiTypHe öauiTHHe 238
V. CABOP TPYBAHA V rVHH KP03 nPH3MV
EMIIHPHJCKOr HCTPA3KHBAH A 241
1. TpyöaHKH caöop y orjieAajiy iiiTaMiiaHHx MeA^ja 241
1.1. Ulxa Ka^cy no^aiíH? 242
1.2. KßajiHTaTHBHa aHajiH3a Hannca o TynH 247
2. Ca6op y TynH y nepuenuHjH opraHH3aTopa,
CTpyHHor ^KHpnja h H3BO^ana 254
2.1. CarjieAaßaH e OecTHBajia o# cTpaHe opraHH3aTopa
(pesyjiTaTH ca JJyÖHHCKor HHTepßjya) 255
2.2. OecxHBaji carjie^aH o# CTpaHe Orpy^mor »cHpHja 263
2.3. Carjie^aßan e OecTHBajia o# CTpaHe ßol)a opicecTapa
Kao HenocpejxHHx H3BoI)aHa 276
3. rieAeceTH Ca6op Tpyôana y Fy^H — Cbctckh
(J)ecTHBaji Tpyöe: pe3yjiTaTH nocMaTpan a 296
3.1. IIocMaTpaHbe .zjorafjaja 297
3.2. TnnojiorHja caôopcKe nyöJiHKe 315
4. Pe3yjiTaTH aHajiH3e amceTe 3a noceraoue 318
3AKJLyHAK 320
BHBJTHOrPAOHJA 329
IIIT AMR A 355
HHTEPHET CAJTOBH 357
HMEHCKH PErUCTAP 359
CA3KETAK 369
SUMMARY 370
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b
HMEHCKH PErHCTAP
A
Aj^eMOBHh, Axmct 74
A^nep, ArccjjpeA (Adler, Alfred)
123
A^opHO, TeoAop (Adorno,
Theodor) 30, 33, 34
AjAHHOBHh, Ejibhc 282
Aj^apesHh, JoBHua 190
Aj^HHOBHh, KaApnja 305
AjAHHOBHh, MeKO 191
AjpeziHHOBHh, Eo^cH^ap 191
Akbhhckh, ToMa (df Aquino,
Tommaso) 18
AneKcnh, Mnja 259
AnacTacnjesHh, EparacjiaB 15,
175, 178
AH^epceH, Jlajie (Andersen,
Lale) 66
AhtohhIi, XlparoMHp 101, 102,
220
Ahihhu, EpHecT (Anschutz
Georg, Ernst) 123
Apaniih, ByKOMaH 151
ApHCTHA, KBHHTHJIHjaH
(Apicrcei5r|(; KoivxiTuavoc;) 18
ApHCTOTen (ApiaxoTsA,r| ;) 128.
ApMCTOHr, Jlyj (Armstrong,
Louis) 195
ApTy3H, Mapnja (Artusi
Giovanni, Maria) 18
ATajiH, )KaK (Attali, Jacques) 17,
36
E
Ea6nh, flparaH 251
Ea6nh, KocTa 270
Ea6nh, MnjiOBaH 187
Ea6nh, PaAOBaH 80, 280
Ea6yHCKH, JoBaH 73
EaBapcKH, Jly^BHr I 93
Eajnh, AHApuja 64
Eajuh, ToMa 64
EajpOH, IJopij (Byron Gordon,
George) 167
EaKnh, EaKHja 81, 148, 188, 260,
266, 298, 307
EaH^yp, JoBaH 42
EapaHOBHh, KpeniHMHp 44
EapHeT, Kapn (Barnett, Kari) 66
EapTOK, Eejia (Bartók, Bela) 41,
44, 105,61, 109, 110
Eacapa, CseracjiaB 215
EacTHA, Police (Bastide, Roger)
126
Eax, JoxaH CeGacrajaH (Bach
Johann, Sebastian) 61
EaxTHH, MnxaHji (EaxTHH
MnxaHJioBHH, MnxaHJi) 85
Eauinh, Pejba 259
Ee3Hh, JepKO 42
EeHTaM, IJepeMH (Bentham,
Jeremy) 317
Eepjino3, XeKTop (Berlioz,
Hector) 18
Eepn, Max (Berry, Chuck) 24
EeTOBeH, JlyABur BaH
(Beethoven, Ludwig van) 18, 51
EehKOBHh, Maraja 148
Ehhhhkh, CTaHHCJias 48, 51, 372
EnaM, Mnxajjio 67
Ejioack, BnjteM (Blodek, Vilem)
50
Eo6oHe, Mapuja Ana (Bobone
Maria, Ana) 189
EoacHJioBHh, HnKOJia 2, 9, 32, 39,
68, 69, 232
Eoha, IJejMC (Bond, James) 168
EoHuyJinh, MHjo 305
EocaHaij, TopAaHa 145
EpaAHh, He6ojuia 262
359
Epajjioy, KoHCTaHTHH (Brâiloiu,
Constantin) 40
EpaMC, JoxaHec (Brahms,
Johannes) 60
EpaHKOBHh, Bypaî) 71
EpayH, IJejMC (Brown, James) 24
Eperoenh, TopaH 152, 192, 197,
198, 199, 200, 201, 205, 250,
251,270, 285, 288, 291, 293,
294, 305, 306, 325
Epnja-CaBapeH, }KaH Ahccjim
(Brillat-Savarin, Jean
Anthselme) 134
Epox, XepMaH (Broch, Hermann)
29
Epo3, Jocwn — Thto 151, 152,
216, 222, 255, 273
Eye, Amh (Boué, Ami) 163
EypÆHje, njep (Bourdieu, Pierre)
207
B
BarHep, Puxapjï (Wagner
Wilhelm, Richard) 104
BacHJi eBHh, Mno/ipar 153, 257,
272
Bacuh, AjieKcaH^ap 52
BacHh, EpaHKHua 201
Beôep, MaKC (Weber Karl Emil
Maximilian, „Max 4) 109
BejieK, PeHe (Wellek, René) 51,
123
Bepjuï, T y3ene (Verdi Fortunino
Francesco, Giuseppe) 109
BepHep, Hji3a (Vemer, Ilsa) 66
BecejiHHOBHh, /(aHHjeJia 186
BecT, PeôeKa (Fairfield Cecily,
Isabel alias West, Rebecca) 115,
162
Bhhui, Hrmpnx (Vinsh, Indrich)
49
BHTe30BHh, PaZlOjKO 190
BjracTap, MaTHja 45
BpOHCKH, AjieKCej (BpOHCKHH
Khphjijiobhh, AjieKcew) 153
BpXOBHHK, Oto 306
Byjnh, JoaKHM 46, 108
ByjoBHh, ^ZfyiuaH 3 11
ByxoMaHOBHh, MujiaH 129
ByHKOBHh, BojHCjiaB 43, 44, 51,
52,54,173
r
raBpnjioBHh, MapHHa 50
Fa3ajiH (Abü Hamid Muhammad
ibn Muhammad al-Ghazall) 125
Fajnh, Ey^MMHp 269
TeHHh, Hjiuja 66
Teoprn, HnKOJiaj (Gheorge,
Nicolae) 113, 114
TeTe, JoxaH (Goethe, Wolfgang
Johann) 16, 17, 166
T hu, JlyaBHr (Gietz, Ludwig) 29,
31
rjiyuiHeBHh, 3opaH 28
TorojB, HHKOJiaj (TorojiB
BacHJiBeBHH, HHKOJian) 132
rojKOBHh, JfyuiKO 174, 175, 185,
186,303
TojKOBHh, npeapar — U,yHe 1 73
TojiyöoBHh, 3aropKa 96
Top, IJo (Gore, Joe) 181
rop^OH, CaMHep (Gordon
Matthew Thomas Sumner alias
Sting) 286
ToTje, TeocJîHjT (Gautier Pierre
Jules, Théophile) 167
ToTOBau, JaKOB 42
rpa6e K, TpH(J)Ko 115
Ty^BHH, Euapjy (Goodwin,
Andrew) 181
TyT, CTjenKO 175
JX
/faHHjejiy, AjieH (Daniêlou,
Alain) 125
Usop^KaK, Ahtofbhh (Dvorak,
Antonin) 59
7fBop KaK, Jleonojxa (Dvorak,
Leopold) 49
/fBOpHHKOBHh, BiiajIHMHp 44,
106, 107, 121, 122, 210
360
/(eBHh, /(parocjiaB 80, 255, 263,
269, 270, 271,272
,H,ejaHOBHh /(paraui, KoHCTaHTHH
234
/(ejBHC, Majjic (Davis Dewey,
Miles) 189, 303
ÆeicapT, PeHe (Descartes, René)
18
fleHT, E^sap^ (Dent Joseph,
Edward) 43
^aH (Duvignaud, Jean)
83
.HHMHTpnjeBHh, JXapKO 288, 289,
290, 291
/(oôpoHHh, AHTyH 42, 43
flo^HK, MnjiopaA 222
^oMaHOBHh, Panoje 119
XloMHHro, rijiacn^o (Domingo
José Embil, Placido) 31
/(omhho, OeTC (Domino Antoine,
„Fats“) 23
/(oyôeK, Xyro (Doubek, Hugo)
49
JXparaH H3 npH3peHa 71
^parMheBHh-IIIemHh, M h ne Ha
214
^paiiiKOBHÎi, ByK 221
/(p Hejie Kapajjmh (JaHKOBHh,
HeHaR alias JXp Hejie Kapajjinh)
197
XlypaKOBHh, MycTacJ)a 291, 292,
293, 294
/(yunh, JoBaH 102, 133
T)
Tmuac, AjieKca 160
T HH^Hh, 3opaH 148, 221
T opï)eBHh, BjiajjHMHp 61
322
T)opl)eBHh, Mapa 173
T)opl)eBHh, Mjia^eH 306
T opl)eBHh, MuaziOMHp—riypniua
192,267
T opl)eBHh, Thxomhp 107, 108,
133,208
T yKHh-/(ojHHHOBHh, BecHa 208
T ypHh-IGiajH, CTaHa 46, 47
T ypKOBHh, Mutua 180
E
Eko, YM6epTO (Eco, Umberto) 32
EjiHHrTOH, ,3jyK (Ellington
Edward Kennedy, Duke”) 168
EMHHOBHh, MajiHKa — KomxaHa
297
EMHHOBHh, HepHM, 297
Epnh, /(ejaH 281
Epnh, /JoGpHua 148
Ecno3HTo, Po6epTo (Esposito,
Roberto) 83
yK
^hbkobhIí, EorocaB 148
^ChbkobmIí, MnjiyTHH — THHe 173
^CHBKOBHh, PaAojica 173
DKhhcck, CjiaBoj 156
3
3aKHh, MnpjaHa 9, 185, 253, 262,
263, 264, 266, 267, 270, 272,
273, 274, 306, 311
3aM |)Hp, reoprny (Zamfir,
Georgiu) 168
3a(^npoBHh, Ha^a 271
3HJi6epMaH, Ajk^ohc
(Silbermann, Alfonce) 51
W
ÜBaHOBHh, ripe/ipar 176
Hrnh, /(paraH 281
Uro, Bhktop (Hugo, Victor) 166
Hjinh, BejiHMHp 212
HjiHh, PÍBaH 176
Hjinh, MnoApar — Bejín 67
HpaKJinje I (HpáicXsiOí;) 70
HcaueHKO, Kuay^Hja 51
HcMaHJioBHh, JyHy3 80, 190
Hcyc XpncTOC (rp.lriaoijç
Xpicrtôç; apaM. ’ttny; jr.Jesus
361
Christus) 99, 219
J
JaHKOBuh, HeHa# {alias Heue
Kapajjmh) 197
JaHceH, CTe(J) (Jansen, Stef) 94
Jaxnh, OaxpeTa {alias Jlena
EpeHa) 180
JeßpeMOBHh, Mno^tpar — Mhkh
104
JeHKO, ,HaBopHH 47, 49, 50
JepeMnh, Casa 58, 173
JepoTHh, Bna^eTa 210
JosaHOBHh, EojaH 103, 117
JoBaHOBHh, T)OKHu;a
JoßaHOBHh, JoBaH — 3Maj 179
JoßaHOBuh, CjioöoAaH 214
JokchmobhE, Eo^CH^ap 42
JOKCHMOBHh, ^CeJBKO 201
JocH j , bpan o II (Josef, Franz)
110
K
Kajoa, Poace (Caillois, Roger)
132
Kajiaönh, Hmcojia 251
Kajiay3, Ajioj3 (Kalauz, Aloys)
49, 59
KaH, OcMan IJpBH (Khan,
Osman) 158
Kamm, ^ejiHKc (Kanitz, Felix
Philip)
Kam, ÜMaHyen (Kant,
Immanuel) 24, 25, 30, 31
KaHTaicy3HH, JoBaH VI 136
Kanop, Momo 130, 154, 317
Kapal)ojie, Joh Jlyica (Caragiale
Ion, Luca) 119
KapaI)opI)eBHh, AjieKcaHAap 59
Kapa^op^eBHh, JejiHcaBexa 221
KapaI)opI)eBHh, KjieonaTpa 59
Kapal)opI)eBHh, Ojira 221
Kapa^op^eBHh, FlaBJie 100
Kapai)opI)eBHh, JleTap 151, 220
KapaMan, J MHTap 56
Kapaynh, MHHa 208
Kapaunh, Ore(})aHOBHh — Byx 24,
46, 56, 87, 89, 116, 143, 148,
208, 217
Kapepac, Xo3e (Carreras Josep
Maria, José) 31
Kapnh, Ana 258
Kapnh, Eorojtyö 221
KapHHOJi, Jaxo6 - IJeTejiHH
{Carniolus Jacobus, Gallus) 22
KapnHTejia, ^njero (Carpitella,
Diego) 128
KapcTea, Cepny (Carstea, Ceriu)
306
Kan, Epnx (Katz, Erich) 43
KßHCJiHHr, BnaxyHr (Quisling
Abraham Lauritz Jonsson,
Vidkun)100
Kjiay3eH, Opmt (Klausen, Fritz)
100
Kosaneß, EpaHHCJiaB — Jlajia 174
KoziajB, 3ojiTaH (Kodály, Zoltán)
40, 109
Kojiap, JaH (Kollár, Ján) 118
Kojinjep, IJeMC JIhhkojih (Collier
Lincoln, James) 196
Kojihh, Meajy (Kolin, Mathew)
19
Kojipmj, CeMj’yeji (Coleridge
Taylor, Samuel) 167
KojiyMÖo, KpHCTo4)ep (jiaT.
Columbus, Christopher, mraji.
Colombo, Cristoforo) 137
KojBeBHh, Hnxojia 115
KoHCTaHTHHOB, Ajiexo 119
KoHCTaHTHHOBnh, PajtOMHp 326
KomoBHh, FTeTap 43, 47, 52
KoH(})yuHje (FL-T) 132
Konjienw, ApoH (Copland, Aaron)
123
KocTüh, BojncjiaB — Bokh 267
KocTwh, 3opaH - IJaHe 285
KocTüh, Paxa 80, 183, 184, 259,
263, 265, 282, 288
KounyHHua, BojncjiaB 115, 223,
224
362
Ky3aHCKH, Hmcojia (Nikolaus
von Kues) 18
KpajBeBuh, MapKo 98
KpcTHh, BojaH 281
KpcTHh, Mhjioui 175
KpcTHh, rieTap 42
Kpcrah, Caina 304
Ky6a, JlyAßHK (Kuba, Ludvik) 59
KyK, Poöhh (Cook Robert
Finlayson, Robin ) 115
KypT, EpHCT (Kurth, Emst) 123
KycTypnua, Emhp 80, 151, 191,
196, 197
J1
JIa3apeBHh, ,H,ejaH 187, 279, 281,
293, 299
JIa3apeBHh, Ore^aH 45, 71
JIa3Hh, MnaAeH 178
JIa30Buh, CßeT03ap 190
Ha rBap^uja, Ojopeno
(Laguardia Henry, Fiorello) 115
JIa30BHh, CßeT03ap — ToHro 281
JIa30Buh, ,H,paraH — Fouro 281
JlajHh-MnxajjioBHh, flaHKa 311
JlajoBHu, Yporn 42
JlaHrep, Cjy3aH (Langer,
Susanne) 18
JlaymeBHh, MnpjaHa 8, 164, 206
JleBH, Kjiep (Levy, Clair) 164
Jle^n rara (Germanotta Stefani
Joanne, Angelina alias Lady
Gaga) 126
Jlena EpeHa (Jaxnh, OaxpeTa
alias Jlena BpeHa) 201
JlHÖepo MapKOHH (MapKOBHh,
CjioöojtaH alias Jlnöepo
MapKOHH) 258
JlHHapec, Mapnja-Tepe3a
(Linares, Maria-Teresa) 181
JlHnc,Teoaop (Lipps, Theodor)
25
Jlwca, 3o(J)ja (Lissa, Zofia) 44
JlHcau, Jocnna 23
JIhchhckh, BaTpocjiaß 43
JIhct, OpaHix (Liszt, Franz) 109
Jlorap, Mhxobhji 43
JToth, njep (Loti, Pierre) 167
JlyKOBHh, Bo^cH^ap 190
M
Mara3HHOBHh, Mara 133
Ma^cypaHHh, MsaH 209
Majep, OpHApHX (Meyer,
Friedrich) 66
MaKe^oHCKH, AneKcamtap
(AÀ,é^av5poç Tf ô McikcÔcûv) 71
Majipo, An^pe (Malraux, André)
145
MajbOKOBHh, JoBaH 175
MaMyTOBHh, ExpeM 80, 147, 178,
190, 281,306,311
MaH, ToMac (Mann, Thomas) 17
MaHOTh, OjiHBep 23, 282
MaHojjioBHh, KocTa 42, 43, 50
MaH H(J)HKO (neinyT, PoôepT
alias MaK.H(J)HKo) 201
Map^KHHen, Xhhko 49
MapHHKOBHh, Joch(J) 47
Mapnh, JBySnita 43
MapjaHOBHh, T opl)e 104
MapKOBHh, Bo6aH 80, 81, 130,
149, 176, 184, 185, 187, 188,
189, 191, 203, 248, 251, 278,
279, 283, 284, 287, 290, 292,
297, 302, 303, 324
MapKOBHh, „UparocjiaB 217
MapKOBHh, MapKO 80, 189, 250,
287, 293, 302, 324
MapKOBHh, MHJiHBoje 303
MapKOBHh, CseT03ap 48, 220
Mapcnja, CnjieH 127
MapKOBHh, CnoôoAaH (alias
JlHÔepo MapKOHH) 258
MacKaH H, HjeTpo (Mascagni,
Pietro) 51
MaTecoH, JoxaH (Mattheson,
Johann) 17
MepnjeM, AiiaH (Merriam, Alan)
MepTOH, AM6po3 (Merton,
Ambrose) 39
MeToxHT, Teoztop 136
363
Mhji, IJoh CTjyapT (Mill John,
Stuart) 220
MHJiaHOBHh, Tioplje 46
MwiaTOBHh, IleTap — OcTponiKH
99
MhjihJi, AH^ejmja 173
MHjioByK, MnjiaH 46
MnjiojeBHh, JacMHHa 182
MnjiojeBHh, Mujioje 42, 43, 44,
52, 173
MHJiomeBHh, npeapar 42, 43
MnjioineBHh, Cjio6o,naH 117,
150, 217, 221, 226, 272, 322
Mupra, AHijej (Mirga, Andrzej)
113,114
MnxaHJioBHh, /(parojbyö —
JJpZLTKSL 151
MHpocaBHh, MHJiaH 74
MjiaAeHOBuh, MHJiaH 147, 190
Mjia^Hh, PaTKO 221
MjiHHapeu, Tiparo 23
Mojcnje (nrçfo) 69
MoKpan au, CTojaHOBHh CTeBaH
43,44,47,48
Mojt, A6paxaM (Moles,
Abraham) 30
MoHT(|)opT, MeTjy (Montfort,
Mathew) 181, 182
Moc, Mapcen (Moass, Marcel) 84
MpmaBHeBuh, y porn 136
MycoprcKH, MoziecT
(MycoprcKHH IJeTpOBHH,
MoziecT) 18
MycTajöamHh, Bjia^HMHp 269
H
Heanh, MHJiaH 110
HeMaitHh, Casa 88
HeMaH nh, OreÿaH 88
Heumh, Bjia^HMHp 126
Hhi ji, BjehecnaB (Nigl,
Vitezslav) 49
Hhhp, Enmpjy (Neher, Andrew)
125
HHKOJiHh, Bo^H^ap — ¿Xou a 9,
187, 190, 275, 276, 277, 278,
279, 280, 281
HHKOJiHh, MHJian 80, 187
HHKOJiHh, TaTOMHp 190
Hüne, OpHApnx (Nietzsche,
Friedrich) 18
HoBajiHC, reopr (Novalis Philipp
Friedrich Freiherr, Georg) 25
Hoje (rü 1713) 138, 139
Hyrnnh, BpaHHCJiaB 50, 119, 140
O
06ep, PojiaH (Ober, Roland) 35,
36, 37
Oöpa^oBHh, JXannjio 190
Oöpa^OBHh, ^ocHTej 220
06pa.noBHh, CpehKO 190
OöpeHHh, ^aHHua 173
OöpeHOBHh, JespeM 320
OöpeHOBHh, Mnjian 48, 209
OöpeHOBHh, Mhjioih 47, 110,
208, 209, 320
OöpeHOBHh, HaTajinja 209
O^aK, KpcTO 42
Oj^aHHh, AH^pnja — Epa 64
OKOJiHiiiaH, HjieaHa Ea6a
(Ocoli§an Ileana, Baba ) 200
OcTojHh, Bohiko 190, 279
OcTojnh, BejfcKO 279, 281
n
naßapoTH, JlynaHo (Pavarotti,
Luciano) 31
naBenHh, AHTe 99
FlaBjioBa, Ana 51
naBJioBHh, ^KhboJhh 103
na^epeBCKH, JaH (Paderewski
Ignacy, Jan) 43
naHHHh, Teo(|)HJi 8, 228
FlayHAC, HopMaH (Pounds,
Norman Greville, John) 160
nayHOBHh, Mnjie 290
neesa, Ajtejia 160
nepHiüHh, JX chmhp 294, 297
nepHuiHh, Mnjiom 190
nepujT, UßHua 23
neTpoBHh, AjieKcaHjiap 143
364
rieTpoBHh, ílejaH 9, 185, 190,
250, 253, 281, 282, 283, 284,
285, 286, 287, 289, 293, 299,
306, 311
rieTpoBHh, ^IparocjiaB 371
lleTpoBHh, T opl)e — Kapat)opl)e
59, 100
neTpoBHh, JacMHHa 9
lleTpoBHh, MHJiyH 279
neTpoBHh, Mwho 185, 190
neTpoBHh, neTap — H erom 208
neTpoBHh, Pa^MHJia 267
neTpoBHh, CpeTeH 25
nemyT, PoöepT (alias
MaH H(J)HKo) 201
nnjio, Mapwo (Pilo, Mario) 123
riHCima, Teopruje 70
nHTaropa (O nDOayópa^) 18
njeBOBHh, OöpeH 148
njiaxoH (nXáxcov) 33
njieham, Haxauia 311
noKOpHH, flparyTHH 49
nojbaKOBa, JejieHa 51
nonHuiopoBHh, Hica 263
nonoBHh, EoiyxaH 220
nonoBHh, Bojhh 66
nonoBHh, JoBaH — C/repHja 119
nonoBHh, Mapa 66
npaT, Kapoji, (Pratt, Carroll) 123
npBOBeHHaHH, CTecJ)aH 45
npejieBHh, .HymaH 200
npepa/iOBHh, neTap 209
npecjiH, Ejibhc (Presley Aaron,
Elvis) 23
npeTopnjyc, Mnxaeji (Praetorius
Schultheiss, Michael) 41
npHHUwn, raßpHJio 115
npoKo^ jeB, Ceprej (npoKO(})t eB,
CepreeBHH Cepreir) 51
nceyjxo-KajiHCTeH (KaXA,ia0évr| ;)
71
ny^cap, Ajboma 160
nyuiHh, Ahtohho {alias PaMÖo
AMazieyc) 19, 180
P
PauHHeBHh, BpaHKo B. 113, 146,
148, 153
Pa^pjHHHh, ^UparaHa 135
PajHHHh, CTaHojjio 43
Paje, ApnH6ajiA (Reiss Rudolph,
Archibald) 98
Paje, Thmoth (Rice, Timothy)
104
PaKHheBHh, Ypouj 153
PaMSo AMa/jeyc (nymwh,
Ahtohho alias PaM6o AMa^eyc)
19, 180
PeBeui, Fe3a (Révész, Géza) 123,
124
Pe^HHr, Othc (Redding Ray,
Otis) 23
PeHAJia, BjehecjiaB (Rendía,
Vitézslav) 49
PeuenoBa, EcMa 191
PHMaH, Xyro (Riemann Karl
Wilhelm Julius, Hugo) 123
PhcthB, EojaH 281
Phctob, BacHJi 306
Punapa, KjihíJ) (Richard Harry
Rodger Webb, Cliff) 23
Po6epTc, flyjinja (Roberts Fiona,
Julia) 205
PocHh, Tro3jicíí 190, 306, 311
Py»ce, }KHJi6ep (Rouget, Gilbert)
125, 126, 128
Pyco, TKaH-TKaic (Rousseau, Jean-
Jacques) 125
PmyMOBHh, Jl y6HBoje 148
C
CaBKOBHh, JfyrnaH 258
Can n., EABap,n (Said, Edward)
162
Cajopan, Emhjt (Cioran, Emil)
197
CannjeBHh, Ce6acTHjaH 187
CajiHjeBHh, CjioGoAaH 80, 148,
178, 184, 189, 276, 287
CaMaptiHh, MmiocaB 100, 101
CapacaTe, naójio (Sarasate
Martín Melitón de y Navascués,
Pablo) 109
365
CapTp, ^CaH-Iloji (Sartre, Jean-
Paul) 18
CahrnioBuh, ^ypMHiu 19
Cb. AsrycTHH 18
Cb. MejieHTHje AhthoxhJckh 99
CßoöoAa, Joch(J) (Svoboda, Josef)
50
Cej^nh, EKpeM 175, 186, 190,
195
Cej^wñ, 3opaH 190
Cej^nh, Ka^pnja 189
Cejjjnh, HeGojuia 190
Cej^nh, PycTeM 74, 1 89
CejaHh, d ejaT 74, 80, 187, 189,
198, 287, 290, 292, 297
Cej,zjo 189
CHÖejinjyc, JaH (Sibelius, Jean)
103
CHMHh, EopHBOje 66
ChmhIi, BojncjiaB — Byöniiia 9,
67, 92, 147, 151, 174, 176, 177,
253, 262, 263, 264, 265, 266,
267, 268, 269, 270, 271, 272,
273, 274, 276
Chmhh, Aruipej (Simic, Andrej)
65
Cmnop, Kapji (Seashore Emil,
Carl) 16, 123
Cicepji, 3bohhmhp 176, 177
CicepjiHh, JoBaH 220
CjiaBeHCKH, Jocun 43, 52
CiiaBOB, Hbbh 30
CjiaBnesa, MpHHa 216
CjiOTepOTjK, FlHTep (Sloterdajk,
Peter) 180
CMeTaHa, Ee,ap KHX (Smetana,
Bedrich) 18
CnacoB, Teo/tocH 169
CnHH03a, Eapyx #e (Spinoza,
Baruch de) 18
CpeMau, CTesaH 106, 119
CraHKOBHh, EopncaB 86, 106,
120, 160, 319
OraHKOBHh, KopHejinje 22, 47
CTaHKOBHH, rieTep 251
OrenaHOBuh, CTena 74
Oreí^aH, JXymaH (IJ,ap CTecJ)aH
/(ymaH) 45
Ore^aH, BojncjiaB (KpajB
Cretan BojHCJiaß) 70
CTe(J aHOBHh, JoBaH 275
CrecJjaHOBHh, HeHa^ 179
CTec^aHOBCKH, BjiaTKo 169
Cthji, Tomm (SteelWilliam Hicks,
Thomas) 23
OruHr (Gordon Matthew
Thomas, Sumner alias Sting)
286
Ctohh, BacHJi 169
CTojaHOBuh, JbyÖHma — Jlync
174
CTojaHHHh, nepnua 22
Ctojuh, HHKOJia — HuKa 9, 10,
79, 146, 192, 216, 235, 253,
254, 255, 256, 257, 258, 259,
260, 261
CtojkobhE, EpaHHMHp 9, 96
CtojkobhE, MnjieHKo 116
CTpaBHHCKH, Hrop
(CTpaBHHCKHH OejJOpOBHH
OpaHHeHÓayM, Hropt) 37
CTpaTHMupoBHh, T opl)e 209
Cyjntep, CajiOMOH (Sulzer,
Salomon) 17
T
Tazmh, Eopnc 215
TaHKoenh, BojHCJiaB 115
TapHep, Bhktop (Turner,Victor)
82, 83
Tapuep, TnHa (Turner, Tina) 286
TapTapeH TapacKOHau (Tartarin
de Tarascón) 119
Tacosau, HßaH 215
Teo^opaKHC, Mhkhc
(0eo5copáicr| ;, Míicriq) 185
TeojiocHh-JIyHHh, HßaHa 67
Tepe3a, EaBapcxa (npHHii:e3a
Tepe3a) 93
Tepe3Hj’a, Mapnja (Theresia,
Maria) 109, 110
Th30ji, XyaH (Tizol, Juan) 168
366
„Tune“, JLyÔHiua 280
TwpHaHHh, BorziaH 196
ToAoposa, Mapwja 115
ToAopoBHh, MnoApar — KpiteBan
173
ToAopoenh, He^a 137
TojiHHrep, PoôepT 49
Tomc, Bhjbcm floH (Thoms,
William John) 39
Tonnh, AjiojkJ) — JXemo 23
TpajKOBnh, KpncTHjaH 304
TyraHKaMOH 70
y
Yp6aH, JoBaH 49
O
OajBa, MaHyen ac (Falla y
Matheu, Manuel de) 109
Oapa^ej, MajKJi (Faraday,
Michael) 8
OejiHKc, JlajKo (Félix Lajkó) 177
OepAHHaHA, OpaHA (Ferdinand,
Franz)115
OepHCBopT, FIoji (Farnsworth,
Paul) 16, 26, 124
d ep(| HJiA, H3a6eji (Fairfield
Cecily, Isabel alias Rebecca
West) 115
OexMHy, EeKHM 142
OexHep, TycTaB (Fechner
Theodor, Gustav) 25
Ohck, IJoh (Fiske, John) 85
d HXTe, JoxaH (Fihte Gotlib,
Johan) 18
Omuep, TeoAop (Visher
Friedrich,Theodor) 25
Ojioôep, THCTaB (Flaubert,
Gustave) 162
OojiKeAT, JoxaHec (Volkelt
Immanuel, Johannes) 25
d opMaH, Mhjioih (Forman Jan
Tomás, Milos ) 185
Ooxt, JiBaH 37
OpHrnjau OjiHMn 127
OpowaH, MaprapHTa (d poMaH
IleTpoBHa, MaprapeTa) 51
d pnT, CajMOH (Frith, Simon) 27,
28
X
Xa6epMac, JnpreH (Habermas,
Jürgen) 140
XaBjiac, Fbhao (Havlas, Gvido)
49
XajHe, JoxaH (Heine
Christian Heinrich, Johann) 166
Xajiep, Maxc (Haller, Max) 102
XaHeM, Kynyx (Hamm, Kü9ük)
162
XaHCJiHK, EAyapA (Hanslick,
Eduard) 18
XaHTeji, IIlTe4 aH (Hantel, Stefan
alias Shantel) 284
XaijHÖeroBHh, PaMH3 120
XaijHAaKHc, MaHoc (Xax^iödicic;,
Mdvoc;) 170
Xereji, Teopr (Hegel Wilhelm
Friedrich, Georg) 17, 18
XejiH, Ehji (Haley, Bill) 23
XejiMXOJin, XepMaH (Helmholtz
Ludwig Ferdinand, Hermann)
123
XepAep, TOT(|)pHA (Herder
Johann, Gottfried) 118
XepoAOT ( Hpööoxoq) 155
Xepnc^ejiA, Muxaeji (Herzfeld,
Michael) 142
Xhhacmht, nayji (Hindemith,
Paul) 51
XHpuuiep, MaproT (Hirshler,
Margot) 66
XHTJiep, Aaoji^ (Hitler, Adolf)
103
XjoTHC, MaHOJiHC (Xtcbxr| ;,
MavcbXr|) 170
XjiaBan, BojTex (Hlavac,
Vojtech) 49
Xo6c, ToMac (Hobbes, Thomas)
317
Xo6c6om, EpHK (Hobsbawn,
Eric) 222
367
Xoj3HHra, JoxaH (Huisinga,
Johan) 131, 132
XojiH, Ea,zjn (Holley Charles
Hardin, Buddy) 23
XojiH^ej, IJohh (Hallyday Jean-
Philippe Smet, Johnny) 23
XopejmeK, Baiyiaß (Horejsek,
Vaclav) 49
XopHÖocTJi, Epnx (Hornbostel
Moritz von, Erich) 123
XpncTnh, 3opaH 255, 269
XpncTnh, CTeßaH 42, 43, 52
n
H,Bnjnh, JoBaH 117, 118, 119,
120, 121, 1222, 319
U,nraHOBnh, MnjiaH 115
H
HaöpHHOBnh, He^ejbKo 115
HajKOBCKH, neTap
(BaHKOBCKHH Hjibhh, nöip) 18,
59, 109
Haimh, MapH- KaHHH 155
HanjiHH, Knepa (Chaplin, Kiera)
204
Hexep, Haön (Checker, Chubby)
23
HHHceK, JJparyraH 49
Hojmh, JXparyniH 43
Hojinh, 3^paBKo 200
HojioBnh, HßaH 148, 227
u
IJerep, Mhk (Jagger Michael
Philip, „Mick“) 126
(IJepMaHOTa, AHrejiHHa
Germanotta Stefani Joanne,
Angelina alias Lady Gaga) 126
LIohcoh, CeMjyeji (Johnson,
Samuel) 179
IJoH-Xaixaa, Amhp (John-Hadad,
Amir) 189
III
LQajßanHH, Ojo^op (UlajrimHH
HßäHOBHn, Oë^op) 51
UJaHTeji (Hantel, Stefan alias
Shantel) 284
IHaToöpnjaH, OpaHeoa-PeHe
Æe (Chateaubriand, François-
René de) 166
IHa(f apHK, naBen (Safarik Josef,
Pavel) 118
LLta(})paHeK-KaBHh, Jlyjo 42
IIlBajrep, Cojiomoh (Schweigger,
Solomon) 71
lÜBapu, PnxapA 42
IIlBejK, BOjHHK 119
UlejiHHr, BnjixejiM (Shelling
Friedrich, Wilhelm) 17
UlepuHr, ApHOJi# (Schering,
Arnold) 17
IÜHMaHOBCKH, Kapon
(Szymanowski Maciej, Karol)
51
IXInpoKa, Kojb (Shiroka, Kolë)
216
lllnpona, Eo^rmap 42
lÜHCTeK, BojTex (Sistek, Vojtëch)
49
IIlKBopeuKH Jo3e(}) (Skvoreckÿ,
Josef) 67
IXIjre3HHrep, Joch(|) 46, 47, 75
UlMepjiHHr, Ahtoh (Schmerling,
Anton) 209
LLIo, Eepnap# (Shaw John,
Bernard) 102
IIloneH, Ope^epHK (Chopin
François, Frédéric) 43
UJoneHxayep, ApTyp
(Shopenhauer, Arthur) 18, 121
IIIoTpa, BpaHKO 234
IllTpayc, JoxaH Mjiaî)H (Strauss
Baptist, Johann jr.) 60, 109, 208,
209
UlTyjIHh, EpaHHMHp - IJohh 176
LLIyMaxep, MHxaen (Shumacher,
Michael) 8, 205
IIIyiiiH Hh, T ypo 35
368
CA3KETAK
CABOP TPYEAHA Y TYHH
JYHE, flAHAC, CYTPA
nPHJIOr TYMAHEH y JE/JHOr COU,HOKyJTTyPHOr OEHOMEHA
y pany ce 3acTyna cxaHOBHiuxe aa Cadop mpydana y Tynu HHje
Moryhe nocMaxpaxn caMO Kao My3HHKH xeneHHHr, Beh Kao aMGHBajieHXHH
KyjiTypHH (J)eHOMeH kojh OApa^KaBa CBe Haine ApyuiTBeHe, KyjiTypHe
(ecTeTCKe, exuHKe, o6pa30BHe, BacnHTHe, pejinrHjcKe) h nojraxHHKe oco-
6eHOCTH.
Kao npeno3HaTJBMBO MecTO coAHjajiHe h KyjiTypHe KOMyHHKamHje
ca aobojbho /jyrHM TpajaH eM h nonyuapHOinhy, Ca6op y Ty^m je nocTao
MaHH(|)eCTaUHja Ca H3pa3HTO (pe)xpaAHU,HOHaJIHCXHHKHM KOHUenTOM y
My3HijH, h He caMO y n oj. flanac ce cneuH |)HHaH 3ByK cpncKe xpyGanKe
My3HKe npeno3Haje Kao „ayreHXHHaH nporoBOA“ Ha cbhm HajBehHM h
Haj npecTH^KHHj hm (^ecTHBajiHMa iiinpoM cBeTa, ^ok cy hckh oa cojiHCTa
nocTajiH npaBe ,,3Be3Ae“ KojHMa OAajy cxpynHO npH3Hae e h HajBehH
My3HHKH ayTOpHTeTH.
y CpSiijH er3HCTHpajy ,,xpn xpy6anKe uiKOJie“ — HcxoHHa, 3a-
naAHa h Jyama, ca cboj’hm KapaKxepHCTHHHO npeno3HaxjbHBHM My3HHKHM
o6pacuHMa.
KyjiTypHH, nojiHTHHKH h qejioKynaH coijHjajiHH kohtckct y KOMe
Ca6op xpaje, c jeAHe, Kao h nonyjiapHOCT eTHO My3HKe? c Apyre cxpaHe,
AajiH cy 3HanajaH noAexpeK o6HaBJbaH y MOTHBa 3a HeroBaH e h
yHanpe^e e MaHH |)ecxaAHje KaKBa je Cadop mpydana y Tynu. ,H,OAaxHH
pa3Jior jecxe noxpeGa Aa ce Kpo3 onyBaite xpaAHijHOHajiHHX yMeTHHHKHx
(j)opMH 3a,ap^ce eneMeHXH cpncKor HauHOHajiHor H^eHTHxexa.
UlHpeite xpy6auixBa Ha noKpajHHy BojBOAHHy h cyceAHy
PenyGuHKy CpncKy (EocHa h XepueroBHHa) — cpeAHHe y Kojmvia, HHane,
HHje Gnjia 3acxynji eHa xa Bpcxa My3HHKe xpaAHanje, yxa3yje Ha
norrynapHocx xpy6anKe My3HKe.
Cadop mpydana y rynu MO^ce 6hxh noKa3axexb HH3a KyjixypHHX
oco6eHOCTH5 Koje ce xnny He caMO npocxopa CpGnje Befr h nuxaBor
EajiKaHa, aok je je^aH oa H eroBHx HajBaacHHjnx AOMexa pa3Boj xypraMa,
Kao cse 3HanajHHje, KyjixypHe, ajiH h eKOHOMCKe AHMeH3Hje xor noApynja.
C o63HpoM Ha AyroroAHHiH y xpaAHH,Hjy h KyjixypHy cneuH-
(^hhhocx Ca6opa, hhmc Hcnyn aBa KpnxepHjyMe KoHBeHunje Yhccko,
nocToje aobojbhh pa3JiC3H Aa ce xa jeAHHCXBeHa MaHH(J)ecxauHja npoMO-
BHiiie Kao jeAHa oa npH3Haxnx HeMaTepHjajiHHx KyjixypHHX 6amxHHa
HOBenaHCXBa.
369
y pajiy cy KopmuheHH pa3HOBpcHH H3Bopn Beh nocTojehHX
no/jaTaica pejiesaHTHHx 3a TeMy, Kao h Hajia3H AoôwjeHH couhojiouikhm
HCTpa KHBaH eM peajiH30BaHHM ynoTpeôoM KOMiuieMeHTapHnx MeTo.ua 3a
CTBapaite HCKycTBeHe eBuuemjHje, iuto je OMoryhHJio ucjiobhth yBnu y
OBaj couHOKyjiTypHH (J eHOMeH.
SUMMARY
THE TRUMPET FESTIVAL IN GUCA
- YESTERDAY, TODAY, TOMOROW:
Contribution to interpretation of a sociocultural phenomenon
The study represents the view that The Trumpet festival in Guca
cannot be viewed only as a musical happening but also as an ambivalent
cultural phenomenon that reflects all of our social, cultural (aesthetic,
ethical, educational, religious) and political characteristics.
Being a place of social and cultural communication with suffi-
ciently long duration, popularity and recognition, the festival in Guca has
become the manifestation with a highly recognizable traditional concept in
music and beyond it. Nowadays, a specific sound of Serbian brass music is
recognizable as well as an ‘authentic product’ at the biggest and most
prestigious festivals worldwide, whereas some of the soloists have become
true ‘stars’ that have been given a professional recognition and greatest
musician authorities.
There are three ‘Brass schools’ in Serbia - Eastern, Western and
Southern, each of them having its characteristically recognizable musical
patterns.
A cultural, political and the overall context of the festival on the
one hand, and thepopularity of the ethno music on the other, have given a
great impetus to the revival of the motives for maintenance and
improvement of the manifestation such as The Trumpet festival in Guca is.
Another reason is the need to preserve the elements of a Serbian national
identity through the maintenance of traditional artistic forms.
The expansion of the brass music to the Province of Vojvodina and
the adjacent Bosnian Serb Republic (Bosnia and Herzegovina) - areas
where, in general, that kind of musical tradition was never represented —
indicates the popularity of the brass music.
The Trumpet festival in Guca sublimates various cultural
characteristics involving not only the territory of Serbia, but also the entire
370
E
y pajxy cy KopmiifreHH pa3HOBpcHH H3Bopn Beh nocTojehHx
no^aTaKa pejieBaHTHHx 3a TeMy, Kao h Hajia3H ÆoônjeHH coijhojioiiikhm
HCTpa»cHBaH eM peajiH30BaHHM ynoTpeôoM KOMiuieMeHTapHHX MeTO^a 3a
cTBapaite HCKycTBeHe eBHÆemtHje, iuto je OMoryhHJio ucjiobhth yBH£ y
OBaj coiiHOKyjiTypHH 4 eHOMeH.
SUMMARY
THE TRUMPET FESTIVAL IN GUCA
- YESTERDAY, TODAY, TOMOROW:
Contribution to interpretation of a sociocultural phenomenon
The study represents the view that The Trumpet festival in Guca
cannot be viewed only as a musical happening but also as an ambivalent
cultural phenomenon that reflects all of our social, cultural (aesthetic,
ethical, educational, religious) and political characteristics.
Being a place of social and cultural communication with suffi-
ciently long duration, popularity and recognition, the festival in Guca has
become the manifestation with a highly recognizable traditional concept in
music and beyond it. Nowadays, a specific sound of Serbian brass music is
recognizable as well as an ‘authentic product’ at the biggest and most
prestigious festivals worldwide, whereas some of the soloists have become
true ‘stars’ that have been given a professional recognition and greatest
musician authorities.
There are three ‘Brass schools’ in Serbia — Eastern, Western and
Southern, each of them having its characteristically recognizable musical
patterns.
A cultural, political and the overall context of the festival on the
one hand, and thepopularity of the ethno music on the other, have given a
great impetus to the revival of the motives for maintenance and
improvement of the manifestation such as The Trumpet festival in Guca is.
Another reason is the need to preserve the elements of a Serbian national
identity through the maintenance of traditional artistic forms.
The expansion of the brass music to the Province of Vojvodina and
the adjacent Bosnian Serb Republic (Bosnia and Herzegovina) - areas
where, in general, that kind of musical tradition was never represented —
indicates the popularity of the brass music.
The Trumpet festival in Guca sublimates various cultural
characteristics involving not only the territory of Serbia, but also the entire
370
Balkan region. One of its main goals is preservation of cultural and national
identity, as well as tourism development.
Taking into account a longstanding tradition and cultural
uniqueness of the festival, that meet the criteria of the UNESCO
Convention, there are lots of reasons to promote this unique manifestation
as one of the recognized, so-called Intangible Cultural Heritage of mankind.
In this study various resources of the existing data relevant to the
subject have been used, as well as the results of a sociological research
carried out by using complementary methods for creation of the empirical
evidence, thus enabling a comprehensive insight into this socio — cultural
phenomenon.
371
|
| any_adam_object | 1 |
| author | Petrović, Dragoslav, 1949- |
| author_facet | Petrović, Dragoslav, 1949- |
| author_role | aut |
| author_sort | Petrović, Dragoslav, 1949- |
| author_variant | d - p d- d-p |
| building | Verbundindex |
| bvnumber | BV044750889 |
| ctrlnum | (OCoLC)1024095316 (DE-599)BVBBV044750889 |
| edition | 1. izdanje |
| format | Book |
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| id | DE-604.BV044750889 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:01:12Z |
| institution | BVB |
| isbn | 9788661011214 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030146546 |
| oclc_num | 1024095316 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 371 Seiten |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Niški kulturni centar |
| record_format | marc |
| series2 | Biblioteka Vertikala |
| spelling | 880-01 Petrović, Dragoslav, 1949- Verfasser aut 880-03 Sabor trubača u Guči juče, danas, sutra prilog tumačenju jednog sociokulturnog fenomena Dragoslav B. Petrović The Trumpet Festival in Guca - yesterday, today, tomorow Goocha 880-02 1. izdanje 880-04 Niš Niški kulturni centar 2016 371 Seiten txt rdacontent n rdamedia nc rdacarrier 880-05 Biblioteka Vertikala Englische Zusammenfassung: The Trumpet Festival in Guca - Yesterday, Today, Tomorow. - Literaturverzeichnis Seite 329-358 Text serbisch Kyrillisch Dragačevski Sabor Trubača Guča (DE-588)4996899-3 gnd rswk-swf Dragačevski Sabor Trubača Guča (DE-588)4996899-3 f DE-604 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030146546&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030146546&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030146546&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030146546&sequence=000004&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030146546&sequence=000005&line_number=0005&func_code=DB_RECORDS&service_type=MEDIA Abstract 100-01/(N Петровић, Драгослав, 1949- ut 250-02/(N 1. издање 245-03/(N Сабор трубача у Гучи јуче, данас, сутра прилог тумачењу једног социокултурног феномена Драгослав Б. Петровић 264-04/(N Ниш Нишки културни центар 2016 490-05/(N Библиотека Вертикала |
| spellingShingle | Petrović, Dragoslav, 1949- Sabor trubača u Guči juče, danas, sutra prilog tumačenju jednog sociokulturnog fenomena Dragačevski Sabor Trubača Guča (DE-588)4996899-3 gnd |
| subject_GND | (DE-588)4996899-3 |
| title | Sabor trubača u Guči juče, danas, sutra prilog tumačenju jednog sociokulturnog fenomena |
| title_alt | The Trumpet Festival in Guca - yesterday, today, tomorow Goocha |
| title_auth | Sabor trubača u Guči juče, danas, sutra prilog tumačenju jednog sociokulturnog fenomena |
| title_exact_search | Sabor trubača u Guči juče, danas, sutra prilog tumačenju jednog sociokulturnog fenomena |
| title_full | Sabor trubača u Guči juče, danas, sutra prilog tumačenju jednog sociokulturnog fenomena Dragoslav B. Petrović |
| title_fullStr | Sabor trubača u Guči juče, danas, sutra prilog tumačenju jednog sociokulturnog fenomena Dragoslav B. Petrović |
| title_full_unstemmed | Sabor trubača u Guči juče, danas, sutra prilog tumačenju jednog sociokulturnog fenomena Dragoslav B. Petrović |
| title_short | Sabor trubača u Guči juče, danas, sutra |
| title_sort | sabor trubaca u guci juce danas sutra prilog tumacenju jednog sociokulturnog fenomena |
| title_sub | prilog tumačenju jednog sociokulturnog fenomena |
| topic | Dragačevski Sabor Trubača Guča (DE-588)4996899-3 gnd |
| topic_facet | Dragačevski Sabor Trubača Guča |
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