Critical approaches to the production of music and sound:
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York NY ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2018
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references and index Paperback edition first published 2019 |
| Physical Description: | xii, 274 Seiten Illustrationen |
| ISBN: | 9781501332050 9781501355783 |
Staff View
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| 245 | 1 | 0 | |a Critical approaches to the production of music and sound |c [edited by] Samantha Bennett and Eliot Bates |
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Record in the Search Index
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| adam_text | CONTENTS
List of figures and tables vii
List of contributors ix
Acknowledgments xiii
1 The Production of Music and Sound: A
Multidisciplinary Critique Eliot Bates and Samantha Bennett 1
PART ONE Situating Production: Place,
Space and Gender
2 Field Recording and the Production of
Place Tom Western 23
3 The Poietics of Space: The Role and Co-performance
of the Spatial Environment in Popular Music
Production Damon Minchella41
4 “An Indestructible Sound”: Locating Gender in Genres
Using Different Music Production
Approaches Paula Wolfe 62
PART TWO Beyond Representation
5 Producing TV Series Music in Istanbul Eliot Bates 81
6 Reclamation and Celebration: Kodangu, a
Torres Strait Islander Album of Ancestral and
Contemporary Australian Indigenous
Music Karl Neuenfeldt 98
PART THREE Electronic Music
7 “All Sounds Are Created Equal”: Mediating
Democracy in Acousmatic Education Patrick Valiquet 123
VI
CONTENTS
8 Technologies of Play in Hip-Hop and Electronic Dance
Music Production and Performance Mike 138
PART FOUR Technology and Technique
9 Weapons of Mass Deception: The
Invention and Reinvention of Recording
Studio Mythology Alan Williams 157
10 Auto-Tune In Situ: Digital Vocal Correction and
Conversational Repair Owen Marshall 175
PART FIVE Mediating Sound and Silence
11 Listening to or Through Technology: Opaque and
Transparent Mediation Ragnhild 195
12 Six Types of Silence Richard Osborne 211
PART SIX Virtuality and Online Production
13 Intermixtuality: Case Studies in Online Music
(Re)production Samantha Bennett 231
14 Crowdfunding and Alternative Modes
of Production Mark Thor ley 253
Index 267
|
| any_adam_object | 1 |
| author2 | Bennett, Samantha ca. 20. Jh Bates, Eliot ca. 20. Jh |
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| author_facet | Bennett, Samantha ca. 20. Jh Bates, Eliot ca. 20. Jh |
| building | Verbundindex |
| bvnumber | BV044749513 |
| callnumber-first | M - Music |
| callnumber-label | ML3790 |
| callnumber-raw | ML3790 |
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| dewey-ones | 781 - General principles and musical forms |
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| dewey-sort | 3781.49 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
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| spelling | Critical approaches to the production of music and sound [edited by] Samantha Bennett and Eliot Bates New York NY ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2018 xii, 274 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Paperback edition first published 2019 Sound recordings Production and direction Popular music Production and direction Interdisziplinarität (DE-588)4449808-1 gnd rswk-swf Musikproduktion (DE-588)4235850-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musikproduktion (DE-588)4235850-4 s Interdisziplinarität (DE-588)4449808-1 s DE-604 Bennett, Samantha ca. 20. Jh. (DE-588)1115275127 edt Bates, Eliot ca. 20. Jh. (DE-588)1028513720 edt Erscheint auch als Online-Ausgabe Critical approaches to the production of music and sound New York NY : Bloomsbury Academic, 2017 978-1-5013-3206-7 Erscheint auch als Online-Ausgabe, PDF 978-1-5013-3208-1 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030145205&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Critical approaches to the production of music and sound Sound recordings Production and direction Popular music Production and direction Interdisziplinarität (DE-588)4449808-1 gnd Musikproduktion (DE-588)4235850-4 gnd |
| subject_GND | (DE-588)4449808-1 (DE-588)4235850-4 (DE-588)4143413-4 |
| title | Critical approaches to the production of music and sound |
| title_auth | Critical approaches to the production of music and sound |
| title_exact_search | Critical approaches to the production of music and sound |
| title_full | Critical approaches to the production of music and sound [edited by] Samantha Bennett and Eliot Bates |
| title_fullStr | Critical approaches to the production of music and sound [edited by] Samantha Bennett and Eliot Bates |
| title_full_unstemmed | Critical approaches to the production of music and sound [edited by] Samantha Bennett and Eliot Bates |
| title_short | Critical approaches to the production of music and sound |
| title_sort | critical approaches to the production of music and sound |
| topic | Sound recordings Production and direction Popular music Production and direction Interdisziplinarität (DE-588)4449808-1 gnd Musikproduktion (DE-588)4235850-4 gnd |
| topic_facet | Sound recordings Production and direction Popular music Production and direction Interdisziplinarität Musikproduktion Aufsatzsammlung |
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