Live cinema and its techniques:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York ; London
Liveright Publishing Corporation
[2017]
|
| Edition: | First edition |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Item Description: | Preface: why this book -- Personal introduction -- 1. Proof-of-concept workshops -- 2. A short history of film and television -- 3. The actors, acting, and rehearsal -- 4. Dquipment and technical specifications -- 5. Scenery and location -- 6. The shame of things to come: Madison, Wisconsin -- 7. One from the heart: its lessons -- 8. Rip van Winkle -- 9. The question of style in the cinema -- 10. The stumble-throughs, technical rhearsals, and dress rehearsals -- 11. Marks and other smaller unresolved problems -- 12. Obstacles and other thoughts on live cinema no matter what they may be -- 13. Equipment - now and in the near future -- Afterword Why am I doing this ? -- Appendix Journal notes during OCCC live cinema production: may/june 2015 -- Glossary -- Credits of the live broadcasts -- Acknowledgments |
| Physical Description: | XIII, 210 Seiten Illustrationen 22 cm |
| ISBN: | 9781631493669 1631493663 |
Staff View
MARC
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Record in the Search Index
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CONTENTS
A
Preface Why This Book xi
Personal Introduction 1
1 Proof-of-Concept Workshops 5
2 A Short History of Film and Television 18
3 The Actors, Acting, and Rehearsal 33
4 Equipment and Technical Specifications 43
5 Scenery and Location 48
6 The Shame of Things to Come: Madison, Wisconsin 63
7 One from the Heart: Its Lessons 69
8 Rip Van Winkle 78
9 The Question of Style in the Cinema 81
X CONTENTS
10 The Stumble-Throughs, Technical Rehearsals, and
Dress Rehearsals 92
11 Marks and Other Smaller Unresolved Problems 98
12 Obstacles and Other Thoughts on Live Cinema No Matter
What They May Be 103
13 Equipment—Now and in the Near Future 106
Afterword Why Am I Doing This? 115
Appendix Journal Notes During OCCC Live Cinema
Production: May/June 2015 121
Glossary 159
Credits of the Live Broadcasts 165
Acknowledgments 191
Index 193
ISBN 978-1-63149-366-9
USA $25.95
CAN. $34.95
KEENLY AWARE that advancements in digi-
tal tools have literally revolutionized every
technological aspect of cinema over the last
twenty-five years, Francis Ford Coppola is con-
vinced that this same transformation will pro-
foundly alter the way films are conceived and
directed, bringing changes as momentous as
those when moviemaking shifted from the
silent era to “talkies.”
Already such a prototype exists in sports,
where advanced digital technology and multi-
ple cameras filming at once have produced live
sporting events of extraordinary sophistica-
tion. But the time is not far off, Live Cinema
and Its Techniques demonstrates, when a direc-
tor or a collaborative team of filmmakers
working across the internet will create “live”
movies that will be sent instantly via satellite
for viewing throughout the world.
Yet the creative demands posed by airing
live sporting contests pale in contrast with the
ambitions of “cinematic auteurs,” who are
inspired by great directors like Sergei Eisen-
stein, Max Ophuls, or Alfred Hitchcock. As
daunting as the challenge is, the process of
integrating the highest artistic standards of
previous generations into the medium of “Live
Cinema” can, Coppola explains, be achieved.
Tapping into his own encyclopedic knowledge
of film history, Coppola threads his vision of
this burgeoning cinematic medium with auto-
biographical and historical vignettes gleaned
from the past, recalling his own boyhood
obsession with film and his early fascination
with the “Golden Age of Television.”
Especially exciting is the exhilaration and
drama that results from retraining actors and
(continued on back flap)
(continued from front flap)
using a multitude of cameras to create a film
that has the in-the-moment energy of a live
event. Having already tried out this new
medium with “proof-of-concept workshops,”
Coppola has created an invaluable guide for
students and teachers alike. Filled with discus-
sions of how to rehearse actors, how to choose
scenery and location, and how to overcome the-
atrical, as well as technical, obstacles, Live
Cinema and Its Techniques reveals how the spon-
taneity of this new genre can ultimately trans-
port filmmaking into a new era of creativity.
O
h-
co
D
s
=3
3
CO
_
FRANCIS FORD COPPOLA, the Academy
Award-winning director of The Godfather and
Apocalypse Now, is creating a four-part Live
Cinema movie based on his own family’s
multigenerational history. He lives in Napa
Valley, California, and New York.
Jacket design by Brian Barth
A division of W. W. Norton Company
New York / London / Printed in U.S.A.
www.wwnorton.com |
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| discipline | Allgemeines |
| edition | First edition |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-07-20T03:03:08Z |
| institution | BVB |
| isbn | 9781631493669 1631493663 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030111998 |
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| physical | XIII, 210 Seiten Illustrationen 22 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
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| publisher | Liveright Publishing Corporation |
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| spelling | Coppola, Francis Ford 1939- Verfasser (DE-588)118522094 aut Live cinema and its techniques Francis Ford Coppola Live cinema First edition New York ; London Liveright Publishing Corporation [2017] XIII, 210 Seiten Illustrationen 22 cm txt rdacontent n rdamedia nc rdacarrier Preface: why this book -- Personal introduction -- 1. Proof-of-concept workshops -- 2. A short history of film and television -- 3. The actors, acting, and rehearsal -- 4. Dquipment and technical specifications -- 5. Scenery and location -- 6. The shame of things to come: Madison, Wisconsin -- 7. One from the heart: its lessons -- 8. Rip van Winkle -- 9. The question of style in the cinema -- 10. The stumble-throughs, technical rhearsals, and dress rehearsals -- 11. Marks and other smaller unresolved problems -- 12. Obstacles and other thoughts on live cinema no matter what they may be -- 13. Equipment - now and in the near future -- Afterword Why am I doing this ? -- Appendix Journal notes during OCCC live cinema production: may/june 2015 -- Glossary -- Credits of the live broadcasts -- Acknowledgments Digitale Filmtechnik (DE-588)4763566-6 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Motion pictures / Production and direction (DE-588)4151278-9 Einführung gnd-content Filmproduktion (DE-588)4124971-9 s Erzähltechnik (DE-588)4124854-5 s Digitale Filmtechnik (DE-588)4763566-6 s DE-604 Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030111998&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030111998&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Coppola, Francis Ford 1939- Live cinema and its techniques Digitale Filmtechnik (DE-588)4763566-6 gnd Erzähltechnik (DE-588)4124854-5 gnd Filmproduktion (DE-588)4124971-9 gnd |
| subject_GND | (DE-588)4763566-6 (DE-588)4124854-5 (DE-588)4124971-9 (DE-588)4151278-9 |
| title | Live cinema and its techniques |
| title_alt | Live cinema |
| title_auth | Live cinema and its techniques |
| title_exact_search | Live cinema and its techniques |
| title_full | Live cinema and its techniques Francis Ford Coppola |
| title_fullStr | Live cinema and its techniques Francis Ford Coppola |
| title_full_unstemmed | Live cinema and its techniques Francis Ford Coppola |
| title_short | Live cinema and its techniques |
| title_sort | live cinema and its techniques |
| topic | Digitale Filmtechnik (DE-588)4763566-6 gnd Erzähltechnik (DE-588)4124854-5 gnd Filmproduktion (DE-588)4124971-9 gnd |
| topic_facet | Digitale Filmtechnik Erzähltechnik Filmproduktion Einführung |
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