The Routledge companion to photography and visual culture:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2018
|
| Schriftenreihe: | Routledge companions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxv, 387 Seiten, 32 ungezählte Seiten Tafeln Illustrationen |
| ISBN: | 9781138667396 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804178188671123456 |
|---|---|
| adam_text | CONTENTS
Contributors xi
Foreword: Unencompass able Photography xix
introduction xxiii
1 Images, Photographs and Visual Culture 1
1.0 Chapter Introduction 1
Moritz Neumüller
1.1 How to Do Things with Photographs:Towards a
Praxeology of Photography 4
Bernd Stiegler
1.2 The Photograph as Object 13
Alison Nordstrom in Conversation with Moritz Neumüller
1.3 Photography and/as Art 21
Charlotte Cotton in Conversation with Moritz Neumüller
1.4 Photography, Visual Culture, and the (Re) Definition of
the Male Gaze 26
David N. Martin, Suzanne Szucs, and James IV Koschoreck
1.5 Unqueer, Lesbian,Trans: Shifting Gazes in Photography
and Visual Culture Today 37
David N. Martin, James W. Koschoreck, and Suzanne Szucs
1.6 The Selfie: More and Less than a Self-Portrait 44
Alisc Tifentale
v
Contents
1.7 Case Study: Migrant Mother. Race and Gender in
the Making of a Photographic Icon 59
Lisa Rickman
1.8 Documentary Architecture and the History of “Before
and After” Photography 69
Ines Weinman
2 Territories 83
2.0 Chapter Introduction 83
Moritz: Neumuller
2.1 Other World Histories of Photography: The First
Century of Photography in Asia 86
Gael Newton
2.2 Photographing the Mexican Revolution: A Case Study
of Genre and Functions 96
John Mraz
2.3 Either We Destroy Everything or We Save Everything 101
Timothy Prus and Marcelo Brodsky in Conversation
with Moritz Neumuller
2.4 Case Study: The Image of Perestroika. Russian
Photography and Visual Culture in the 1980s
and 1990s 107
Irina Chmyreva
2.5 The Representation of Landscape in Contemporary
Chinese Photography 120
Yining Me
3 Useful Photography 133
3.0 Chapter Introduction 133
Moritz Neumuller
3.1 Photography Goes to War 138
Rita Leistner
3.2 The Advertisement Industry is based on Fear 153
Erik Kessels in Conversation with Olivia Estalayo
VI
Contents
3.3 A Farewell to the Family Album? (and Case Study on
the Cultural History of Wedding Photography) 159
Aiette Sandbye
3.4 Architectural Photography: A Medium as a Form
of Useful Interpretation 177
Rolf Sachsse
3.5 Case Study on the Photo Booth: Proof, Appropriation,
Identity 189
/
Erika Goyarrola
3.6 Art and Activism
Swaantje Guntzel and Chris Jordan in Conversation
with Moritz Neumuller 199
4 Redefining the Photographic Medium 207
4.0 Chapter Introduction 207
Moritz Neumtiller
4.1 Research-Based Documentary Projects 211
Stephen Chalmers
4.2 The Still and the Moving Image 221
Alexander Streitberger
4.3 Staged Photography 228
Ears Bin nek
4.4 Image—Text Intersections 238
Federica Chiocchetti in Conversation with Nina Strand
4.5 Tactile Photography 245
Moritz Neumuller and Andreas Re ic hinge r
4.6 Photography at the Borderline 252
Roger Balien
5 Rights and Markets for Photography 269
5.0 Chapter Introduction 269
Moritz Neumuller
5.1 The Contemporary Art Market 271
Alexander Rotter in Conversation with Moritz Neumuller
vii
Contents
5.2 The Market for Photography 279
Simone Klein in (Conversation with Moritz Neumüller
5.3 Collecting Photography 283
Pavel 1C Khoroshilov and Anastasia Khoroshilova in
Conversation with Moritz Neumüller
5.4 Copyright and the Art Market: Strategies of Control
and Shortage 296
Wolfgang Ullrich
6 Dissemination and Education 305
6.0 Chapter Introduction 305
Moritz Neumüller
6.1 The Photographic Display: A Short History 309
A.lessandra Mauro
6.2 The Revised History of the Photobook 317
Gerry Badger and Alartin Parr in Conversation
with Moritz Neumüller
6.3 Case Study on Shoji Yamagishi, Editor of the Japanese
Photography Magazine Camera Mainichi 322
Susumu Shimonishi
6.4 Case Study: Cuadernos de la Kursala 328
Jesús Mico
6.5 Photography Theories and Photography Education:
In Historical Perspective 333
Peter Smith
6.6 Photographic EducationrThe Case for Visual Literacy
in the Twenty-First Century 343
Michelle Bogre
6.7 Case Study in Online Learning: Learning to Look
Critically with The Museum of Modern Art’s
Seeing through Photographs 346
Sara Bodinson and Sarah Meister 7
7 Outlook 351
7.0 Chapter Introduction 351
Moritz Neumüller
viii
Contents
7.1 Kick-ofFI mages 355
Annekathrin Kokont
7.2 Shopping for God (and the Indecisive Moment) 362
Robert Cook
7.3 Case Study: LensCulture 369
Jim Casper in Conversation with A4oritz Neumüller
7.4 Homo Photographicus 374
Joan Fontcuberta
7.5 Post-Post-Photography 376
Friedrich Tietjcn
Index 379
IX
The Routledge Companion to Photography and Visual Culture is a seminal reference source for the ever-changing field of photography. Comprising an impressive range of essays and interviews by experts and scholars from across the globe, this book examines the medium’s history, its central issues and emerging trends, and its much-discussed future. The collected essays and interviews explore the current debates surrounding the photograph as object, art, document, propaganda, truth, selling tool, and universal language; the perception of photography archives as burdens, rather than treasures; the continual technological development reshaping the field; photography as a tool of representation and control, and more. One of the most comprehensive volumes of its kind, this companion is essential reading for photographers and historians alike.
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